Saving page now... https://skaldic.abdn.ac.uk/m.php?p=noteskp&i=3610 As it appears live September 23, 2020 7:05:40 PM UTC

Cookies on our website

We use cookies on this website, mainly to provide a secure browsing experience but also to collect statistics on how the website is used. You can find out more about the cookies we set, the information we store and how we use it on the cookies page.

Continue

skaldic

Skaldic Poetry of the Scandinavian Middle Ages

Menu Search

Note to Anon Sól 76VII

[3] á organs stóli ‘on an organ stool’: Why this quintessentially Christian instrument should be associated with the troll-like females is not at all clear; Björn M. Ólsen (1915, 61) suggests the function of the music is to attract men to sin, like the Sirens of the Odyssey. Paasche (1914a, 158) notes a parallel with Eggþér in Vsp 42, whose harp-playing signals the onset of ragna rök ‘the doom of the gods’. Fidjestøl (1979, 57) compares an OSwed. proverb, wärldslik qwinna är diäfwulsins orgha ‘worldly women are the devil’s organ’, but here the devil plays upon the women, rather than the women playing the instrument.

References

  1. Bibliography
  2. Fidjestøl, Bjarne, ed. 1979a. Sólarljóð: Tydning og Tolkningsgrunnlag. Nordisk Instituts skrifteserie 4. Bergen, Oslo and Tromsø: Universitetsforlaget.
  3. Björn Magnússon Ólsen, ed. 1915a. Sólarljóð: gefin út með skíringum og athugasemdum. Safn til sögu Íslands og íslenzkra bókmenta 5.1. Reykjavík: Prentsmiðja Gutenberg.
  4. Paasche, Fredrik. 1914. Kristendom og kvad: En studie i norrøn middelalder. Christiania (Oslo): Aschehoug. Rpt. in Paasche 1948, 29-212.
  5. Internal references
  6. Not published: do not cite ()

Close

Log in

This service is only available to members of the relevant projects, and to purchasers of the skaldic volumes published by Brepols.
This service uses cookies. By logging in you agree to the use of cookies on your browser.

Close