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Rock&Roll Series: Blues in Technicolor

"America invented the blues: This is what we have got to be proud of. It ain't the nuclear stuff, it's not putting the man on the moon, it's the blues. And when the blues ran up against psychedelics, rock and roll really took off."

- Ken Kesey, author and Merry Prankster

    photo of drinking glass and eye dropper During the late 1960s, psychedelic music ushered in an explosion of musical experimentation and eclecticism. While drugs and music-making have intersected from time to time throughout history, specific musical developments have rarely been attributed to the effects of drugs - until LSD.

    In Blues in Technicolor, part six of PBS's epic 10-part series, Rock&Roll, the influence of drugs on rock music is explored through the ultimate high of 1960s San Francisco and beyond.

    In April 1966, the Byrds unveiled their hypnotic "Eight Miles High." The single, with its double entendre on the word "high," was barely released when a radio industry publication suggested that the song was about drug use, causing many stations to pull it off the air. The drug in question - LSD - already had a following in the counter-culture of bohemian intellectuals, poets and musicians. Ken Kesey had popularized LSD in traveling multimedia "acid tests" complete with lights, film, dancing and music provided by what he termed "a hairy looking bunch of guys" from San Francisco called the Grateful Dead.


"What we did was r&b plus a large amount of weirdness inserted into it."
- Jerry Garcia, the Grateful Dead


    photo street signs The Grateful Dead and their San Francisco neighborhood, the Haight-Ashbury, soon became the focal point for a psychedelic revolution, attracting young "hippies" from all across the country. Up the street from the Dead lived Big Brother and the Holding Company, a band whose enthusiastic structurelessness allowed its lead singer, Janis Joplin, to render the blues in mind-blowing technicolor.

    The Beatles, whose last live gig took place in San Francisco in 1966, were also in an exploratory phase. LSD, Eastern religion and the sound of the sitar, an Indian string instrument, suffused their 1967 Strawberry Fields. The Beatles' and the Byrds' interpretation of Indian music awoke interest in the real thing and made a counter-culture star of 47-year-old Indian sitarist Ravi Shankar.

    silhouette of Jefferson Airplane When a massive 1967 "Be In" in Golden Gate Park made national news, record companies, scenting cash, descended on San Francisco. As the Grateful Dead and Big Brother and the Holding Company put out their debut albums, a new wave of Bay Area bands rolled in, with Country Joe and the Fish and Jefferson Airplane leading the way.

    In England, a home-grown psychedelic scene sprang up - accompanied by the strange noises of Pink Floyd's Roger Waters, who had found highly unconventional ways of coaxing sounds from his guitar. In June 1967, the Beatles emerged from Abbey Road studios with the seminal album, Sgt. Pepper's Lonely Hearts Club Band and an anthem for the "Summer of Love" happening half-a-world away, "All You Need Is Love."

    Although psychedelia was already peaking that summer as the charts filled up with sycophantic odes to San Francisco and police cracked down on drug use, the defining moment of the era was yet to come. The psychedelic revolution climaxed in August 1969 as half-a-million fans took part in "three days of peace and music" at the Woodstock Festival - the upstate New York rock concert heard around the world.

    But the revolution was short-lived. Another massive outdoor performance later that year became the "anti-Woodstock," signaling the end of the decade and of the heady days of the hippie movement. In December 1969, the Rolling Stones headlined a concert at the Altamont Speedway in California. With security in the hands of the Hell's Angels and long delays between performances, the crowd became violent and the event descended into nightmare when a spectator was stabbed to death yards from the stage as the Rolling Stones performed.


"That was the end of the peace-love generation for sure."
- Rock Scully, manager of the Grateful Dead


    As the 1970s dawned, psychedelia faded and music with a country-and-western tinge slipped effortlessly into the rock and roll consciousness. Once again, a new phase had been anticipated by the Byrds with their 1968 Sweetheart of the Rodeo album. The Grateful Dead went back to their roots with Workingman's Dead, revealing a very different side to the kings of acid rock. While introspective songwriters continued to explore the fallout of the 1960s, the trip was clearly over - the flashbacks yet to come.

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    Episode 1: Renegades
    Episode 2: In the Groove
    Episode 3: Shakespeares in the Alley
    Episode 4: Respect
    Episode 5: Crossroads

    Episode 7: The Wild Side
    Episode 8: Make it Funky
    Episode 9: Punk
    Episode 10: The Perfect Beat


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