The Paris Commune 1871: lessons for democracy?

An experiment in people power


HISTORICAL SUMMARY

Like all complex historical events, the Commune has been interpreted in many different ways. At one extreme we have had the view that the Commune was a passing episode of mob rule, quelled by soldiers loyal to the legitimate government. At the other extreme, the Commune has been claimed as the first example of a so-called "workers' state" and compared with the USSR in 1917.

This site contains information which today is generally accepted as being correct. It makes a modest start in translating some primary sources (including actual sessions of the Commune) which have not hitherto appeared in English. And it links to numerous other web resources, as well as listing books and organisations, many of which have a distinct political stance.

The site does not, itself, adopt a political position. But it does concentrate on a feature of the Commune which could have the greatest relevance for us today. (And - oh yes - it also gives a page to the best-known song of the Commune, Le temps des cerises, a verse of which has been streamed for your instant listening. If you enjoy it, you will be in the company of thousands of Parisians, for it has retained its popularity into our own days, and more than one restaurant is named after it!)

Here goes with the summary...

*    *    *

The men in the pictures don't look much like professional soldiers, do they? And that's because they aren't - or rather, weren't. Seen here on ceremonial parade, they were ordinary Paris workmen or perhaps small shopkeepers. But despite their un-martial appearance they were prepared to die in the defence of their city council or "commune".
Does that sound cuckoo?
Read on!


Paris didn't get its own elected "commune" until 1871. (Largely because the government had always been too scared of the Parisians' rebellious spirit, to give them any degree of real autonomy!)

There had been a war (the Franco-Prussian War) which had ended with a long siege of Paris. During the siege the government had rather unwillingly allowed a large "National Guard" to form, in which all Parisian males could enrol. (The men in our pictures were members.)
But at the end of February, 1871, the government capitulated to the Germans. There was fury among the Parisian people, most of whom were against the surrender, and nearly all of whom had suffered terribly during the siege. And the government, by most standards a reactionary and oppressive one, decided that its first task after making peace with the Prussians must be to disarm the National Guard.

So on 18th March 1871 regular soldiers were sent to seize the Guard's cannon, which were in depots at Montmartre and other places in Paris. But things went very wrong. Instead of doing their "duty", the government's soldiers fraternised with the Guard and with the ordinary people! The government took fright, and fled to Versailles, with those soldiers who remained loyal.

Paris, if not France, was now without a government. And so the the National Guard organised elections for a commune (which from now on should receive a capital "C") and the members duly took office on 26th March. The government had taken with it to Versailles its bureaucrats and as many "specialists" (from engineers and doctors, to postmasters, with their stock of stamps!) as were willing to come. It was confident that without "experts" the newly-elected Commune would collapse within a week or two.

Instead, the Commune flourished and quickly became the de facto authority in Paris. Its success in incredibly difficult circumstances was due chiefly to the continuing, democratic participation of the people who had elected it.


During the siege, many, or most, of the districts of Paris had thrown up their own local, ad hoc organisations, through which the ordinary residents began to take direct charge of their affairs, starting with food distribution and going on to other socially important matters. This was especially the case in poor districts like Belleville (see picture at top of page) and Montmartre.

These organisations were often called "clubs" and worked largely through general meetings, debates and consensus.

When the Commune was elected its members (paid only the wage of a skilled craftsman) often worked closely with the local organs of self-management ("autogestion"), whose activities became, if anything, even more crucial.

Meanwhile, in Versailles the former government was trying to rebuild (with Prussian help) its defeated professional army. It had been forced to accept that Paris, with its own Communal government, could thrive.


Paris in 1871 was the second city of the world, in many ways as advanced as London, with the same complicated infrastructures: sewage, water supply, food markets, gas, transport, hospitals, etc.

The Parisians and their elected representatives - who were, in fact, delegates rather than representatives, subject to recall and always answerable to their voters - managed to run all the vital services. They didn't get round to resuming the war with Germany, whose troops continued to remain encamped around Paris. But they made a start on some very progressive social reforms - though the Commune was denied time to implement them all:

  • A moratorium on unpaid rents which had accumulated during the siege (enacted.)
  • All factories and workshops deserted by their owners to be taken over and run by the employees (enacted.)
  • Equalisation of wages (proposed.)
  • Free education, including technical and art-and-design education for all (proposed.)
  • And - that picture at the top of the page! - the Commune enacted that all workmen who had been forced to pledge their essential tools during the war and siege, in order not to starve, should have them restored without charge by the Mont de piété, the official pawnshops! Of the hundreds of pictures I have researched (mainly of barricade scenes!) this is the most telling... See the carpenter who's just got his planes back!

The clubs remained active, like the club Michel, which organised the fight against speculators, and the club Ambroise which organised the requisition of necessities in its district. Of course, several political tendencies were represented in the Commune: some of its members were supporters of Marx's International of Workingmen, others embraced a Jacobinism which had its roots in the French Revolution, there were admirers of Blanqui and Proudhon, as well as many with no political affiliation at all. It is also true that the vision of a society not based on a commodity economy, without wage-labour and whose dynamic would not be profit, was barely glimpsed. On the other hand, for most delegates, human needs took precedence over those of the capitalist market.


How the communal experiment might have developed is a matter of speculation. It was given only sixty days, hardly long enough to be seen as a staging post towards "socialism" or perhaps any other "-ism" at all. But it can be seen as clear evidence that the democratic self-management of society, without expensive, and usually oppressive, bureaucratic machinery, is practicable!

There have been other attempts to introduce social and political structures which involve true participatory democracy and self-management. However, these have always been on a small scale or in simple, backward and undeveloped societies.
The Paris Commune was an example of a genuinely participatory democracy within an advanced, complex social structure.

But still surrounded by the Prussian armies, as well as by the government's newly-created forces, Paris remained isolated from the rest of France.

After 2 months, the government attacked and re-occupied the city.
It took one week, known as "La semaine sanglante", the Week of Blood.
By the time the government had restored its own version of "law and order", anything from 30,000 to 100,000 Parisians had been murdered by its troops (the exact figures will never be known, but 30,000 is the lowest estimate.) These included many sympathetic small businessmen and professional people, including freemasons.

The horrors which accompanied the repression of the Paris Commune are a sad reminder of the profound fear many of us have, of truly radical social change.


Selected web sites

Links on the web are numerous but not always very informative. The ones here are recommended.

  • First of all, for a fine bibliography go to the Eugene W. Schulkind Commune Collection inventory. The collection itself is at Sussex University, where Schulkind (whose book, The Paris Commune...the View from the Left, explored the popular basis of the Commune and, if you like, self-management, or autogestion, in the Commune) was a teacher. (Warning! The bibliography adds up to about 500Kb!)
  • Here one should also mention a bibliography which is not - or at least, not yet - online, but is unquestionably the most comprehensive and up-to-date in existence. Published by and available from La Boutique de l'Histoire, in Paris, it is by Robert Le Quillec and is called La Commune de Paris. Bibliographie critique 1871-1997. For anyone searching from afar this bibliography has the great advantage of descriptive notes. M. Le Quillec tells me that he is working on the second edition which will have about 50% more entries! (His publisher, incidentally, also sells new and antiquarian books, and usually has a good selection on the Commune.)
  • One of the classical writings, polemical as much as historical, is The Civil War in France, by Karl Marx, here available online (see also below, under Books.) If you are short of downloading or reading time, there's a very fair summary of Marx's views (plus some personal comments) from Paul Dorn, in a paper online here.
  • Having given Marx a link perhaps we should do at least as much for two important anarchist thinkers. Prince Kropotkin's The Commune of Paris, not a long essay, is online and so are two essays by...
  • Bakunin. They both cover similar ground. The Paris Commune and the Idea of the State, is one, and then there is The Commune, the Church and the State.
  • A valuable source of images is the Special Collection of the Northwestern University, Illinois. Photographs, posters, caricatures, as well as written materials.
  • If you read French La Commune de Paris is seriously worth visiting. It discusses, from the anarchist point-of-view, many different aspects of the Commune and also links you to a page on Louise Michel, the fearless schoolteacher who roused Montmartre when the government troops came to take the cannon away from the National Guard.
  • The famous marxist historian (and cricket writer) C.L.R. James, wrote a short but interesting essay for the 75th anniversary of the Commune.
  •  Lessons of the Paris Commune, by Alexander Tracutenberg, was first published in 1934. It's maintained at the anarchist archives site at Pitzer College.
  • French readers may care to look at a site run by L'Association des Amis de la Commune de Paris, an organisation which was originally founded (under a different name) in 1882, to give help to returning exiles. It still exists, but concentrates on commemorative activities (guided walks through parts of Paris associated with the Commune, agitation to name streets in various towns after Communards born there, and such like) with less interest in the Commune's relevance to current social questions.
    Additional information: An interesting account of the association as it was in 1997 is given in a DEA (Ph.D thesis) by Marc César, which can be read at CUJAS, the inter-university library in Paris. The press mark is 24.421/1997/966_A. The organisation was for several years associated with the PCF (French Communist Party.) After the collapse of   Stalinist "communism" it had an influx of members who were more interested in learning about an alternative model to market capitalism than in the electoral fortunes of the PCF, and this development has begun to be reflected in its orientation.

Paris, 1968
I had hoped to include a number of pages dealing with the near-revolution of 1968 which, at least in Paris, raised many echoes of the Commune. The web is incredibly thin on seriously worthwhile material. I include one site for what it's worth - it is

  • a collection of student posters which probably seemed a lot more exciting at the time than they do now.

Recommended books

POPULAR GENERAL HISTORIES
There are two or three fairly recent, reasonably accurate accounts which have no particular political axe to grind, and should be available from larger public libraries.

  • Horne, Alistair.  The Fall of Paris. The Siege and the Commune 1870-71. London, Macmillan, 1965. New ed. 1989. Highly readable, and strong on the military side, but less than half of the book deals with the Commune itself.
  • Horne, Alistair. The Terrible Year. The Paris Commune, 1871. London, Macmillan, 1971. A much shortened, handsome, anniversary version of the above, in quarto format: it concentrates entirely on the Commune and is lavishly illustrated.
  • Christiansen, Rupert.  Paris Babylon. The Story of the Paris Commune. N.Y., Viking, 1995. (First published in the U.K. 1994.) I include this book because although somewhat journalistic, and with only the latter part covering the period of the Commune, it contains interesting excerpts from lesser-known sources including the unpublished letters of Edwin Child, a British apprentice jeweller who was a member of the National Guard!


HISTORIES FROM THE "LEFT"

  • Edwards, Stewart. The Paris Commune 1871. London, Eyre & Spottiswoode, 1971. A balanced but broadly sympathetic account. In his epilogue Edwards sums up: "...the Commune was a truly revolutionary event, the breakthrough into a new realm where what seemed barely to be possible becomes, however fleetingly, actual, thereby revealing all other forms as condemned."
  • Jellinek, Frank. The Paris Commune of 1871. London, Gollancz, 1937. Reprinted 1971. An exciting, well-researched narrative, from the marxist angle; recognised as a classic also by French historians.
  • Schulkind, Eugene. The Paris Commune of 1871. The View from the Left. London, Cape, 1972. This is not really a history but a unique work of documentary archaeology: Schulkind has collected and translated a great quantity of material associated with popular activity, including "wall posters, circulars, ephemeral papers, and manuscript miscellany..." Invaluable!
  • Karl Marx. The Civil War in France. Written during the last days of the Commune and first issued in English as a pamphlet in 1871. Countless later editions in many languages. Marx, like Engels and, later, Lenin, did not believe that the time had been ripe for socialist revolution in 1871, but saw in the Commune many features which foreshadowed a future liberated society.
  • Lenin, Vladimir Illitch. The State and Revolution. First published 1917. Countless later editions in many languages. Lenin emphasises features of the Commune which a liberated society would share, especially (and ironically, in the light of later Soviet history!) the tendency for the state to "wither away" and for the rule over people to be replaced by the management, in common, of things.


PRIMARY SOURCES

  • Lissagaray, Hippolyte. History of the Commune of 1871. London, 1886. The most important single primary source: a day-to-day account of the Commune by a journalist who was also a participant and fighter on the barricades. Unfortunately, this, the only English edition to date, is a clumsy translation by Eleanor Marx Aveling (Karl Marx's daughter) which does not do justice to the original. First published in French in Brussels, 1876, and several later French editions including paperback.
  • Procès-verbaux de la Commune. Ed. by Bourgin and Henriot. 2 quarto volumes. Paris, 1924 and 1945. Another invaluable source, being the records of all the sessions of the Commune, many of them stenographically reported. Not, alas, available in English, but see my very modest start on the sessions of the Commune.


SPECIAL SUBJECTS

  • Thomas, Edith. The Women Incendiaries. London, Secker, 1967. First pub. in N.Y., 1966, originally pub. in France as Les Pétroleuses, 1963. An outstanding French historian examines the truth - or otherwise - of the legends about the harpies who went round torching buildings during the last days of the Commune.
  • Revolution & Reaction. The Paris Commune 1871. Ed. John Hicks & Robert Tucker. Amherst, Mass., University of Massachusetts P., 1973. (Reprinted from The Massachusetts Review, Summer 1971.) A fascinating symposium of essays, some political, but many examining the stances to the Commune adopted by well-known contemporary writers, artists and intellectuals.


THE VIEW FROM THE "RIGHT"

  • Du Camp, Maxime. Les Convulsions de Paris. 4 vols. Paris, 1878. Jellinek (see above) comments, "Excellent documentation put to the most unscrupulous uses." Not translated.
  • Fiaux, Louis. Histoire de la guerre civile de 1871. Paris, 1879. A "sound contemporary study" (Jellinek) by a Republican Liberal. Not translated.


ICONOGRAPHY

  • Difficult to find, but worth the hunt: Dayot, Armand. Paris pendant le Siège et sous la Commune. Paris, n.d. Oblong 4to. The Commune is photographically interesting as one of the last great historical episodes recorded largely without the benefit of instantaneous exposures. Dayot's huge book, however, includes sketches by Gill, Daumier, and dozens of other artists which escape the monumental quality of the "set pieces".
  • I haven't seen this one myself but it's highly recommended by a recent visitor to this page: Lhospice, Michel. La guerre de 70 et la Commune en 1000 images. Paris, 1965.


Filmography

All films produced in France unless otherwise stated.

  • La Commune. Film by Jean-Charles Luciani. Co-production ARTE, France/U.K. 1990. 90 minutes.
  • Les Aubes de Paris. Dir. Grigori Rochal. USSR, 1936. 102minutes.
  • La Commune. Dir. Armand Guerra. 1914. 13 minutes.
  • La Barricade du Point du Jour. Dir. René Richon. 197. Colour. 110 minutes.
  • Le Destin de Rossel. Dir. Jean Prat. 1966. B&W. 85 minutes.
  • Héros et martyrs de la Commune. Dir. F. Loupatine. USSR, 1921.
  • Jaroslav Dombrowski. Dir. Bohdan Poreba. USSR, 1975. Colour. 132 minutes.
  • 1871. Dir. Ken McKullen. U.K., 1990. Colour. 100 minutes.
  • Louis Rossel et la Commune de Paris. Dir. Serge Moatti. 1977. Colour. 103 minutes.
  • Lénine à Paris. Dir. Youtkevitch. USSR, 1981.
  • The New Babylon. Dir. Grégori Kozintsev et Léonid Trauberg. USSR, 1929. Silent. 83 minutes.
  • La Pipe du Communard. Dir. C Mardjanov. USSR, 1929. Silent. 49 minutes.
  • La Semaine sanglante. Dir. Joël Farges. 1976. Colour. 53 minutes.
  • Une Journée au Luxembourg. Dir. Jean Baronnet. 1993. Colour. 50 minutes.
  • La Commune: porteuse d'espoir. Dir. Peter Watkins. (See note at head of filmography section.)

NOTE: A film directed by Peter Watkins (of "War Game" and Culloden" fame) and called "La Commune, porteuse d'espoir" (The Commune, bringer of hope) was shown at the Musée d'Orsay during March, 2000, in conjunction with an exhibition of original photographs of the Commune. I haven't seen the film yet, myself, but understand that like Watkins's previous semi-documentaries, it has been made largely on location with non-professional actors.

DOCUMENTARY FILMS ON THE COMMUNE

    Gaumont News
  • 1911 : 40th anniversary.
  • 1936 : Demonstration at the wall of the Commune.
  • May, 1945.

  • A l'Assaut du ciel. Dir. Jean Péré. 1962. B&W. 19 minutes.
  • L'Année terrible. Dir. Claude Santelli. 1984. Colour. 126 minutes.
  • La Commune de 1871. Dir. Denise Clairval et Olivier Ricard. 1971. B&W. 76 minutes.
  • La Commune de Paris. Dir. Robert Menegoz. 1951. B&W. 26 minutes.
  • La Commune, Louise Michel et nous. Dir. Michèle Gard. 1972. B&W. 45 minutes.
  • Mémoire Commune. Dir. Patrick Poitevin. 1978. Colour. 80 minutes.
  • L'oeuvre législative de la Commune. Dir. Claude Tertrais. 1986. Colour, 27 minutes.
  • Paris au temps des cerises. Dir. Jacques Darribehaude et Jean Desvilles. 1965. B&W. 28 minutes.
  • Paris 1871, la Semaine sanglante. Dir. Jean-Pierre Gallo. 1976. Colour. 56 minutes.
  • Si on avait su. Dir. Stanislas Choko. 1976. Colour. 13 minutes.
  • Un solo funèbre, la Commune de Paris. Dir. Jacques Cogniaux. 1971. B&W. 101 minutes.
  • Le temps des cerises, la Commune et les livres. Dir. Robert Lombaerts. 1971. B&W. 45 minutes.
  • La IIIme République ; les premières années. Dir. Daniel Lander. 1970. B&W. 67 minutes.
  • Le Voile écarlate de Paris. Dir. Marlen Khoutsiev. USSR, 1971. Colour. 79 minutes.

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