Gallery 2
11.09 - 30.09.98

po polsku

Robert Szczerbowski
TWO EXHIBITIONS
RETROSPECTIVE FOR
THE END OF TIME

Robert Szczerbowski 's work develops in the context of the total destruction of means of artistic expression in twentieth century. He uses objects, symbols and even languages taken from the real world and always tries to change something in them. As a result they are situated in a different context and lose their original practical use or customary meaning. They seem to be placed in a new transcendental dimension, in some kind of alternative world of artefacts and simulacra which is a variant of the world we know.

--> 1. Three Works Exposed For Public Viewing (Gallery Laboratory)

2. Hermetica
sculpture

Two Exhibitions - is the title of a fictitious retrospective by Robert Szczerbowski. The subtitle Retrospective for the End of Time is somewhat of a mystification because the majority of works belonging to the project have never been presented the public before. The project consists of two simultaneous exhibitions which create a dynamic relationship.
While they relate to the external side of contemporary life, they essentially display the mind and spirit of human beings. The contemporary aspect of the work is its hi-tech language.

Treatise in Machine Language

A Treatise in Machine Language on Clay Tablets
clay
Four clay tablets with impressed text in machine language, each 2.5x4x9.5 cm

"Machine language is a universal system of codes presently used in computer programming. However, it is a contradiction of the natural one. Its 'speech' is symbolically written sequence of binary digits: 0 and 1 comprise the entire alphabet. In the case of any text expressed in this language, words that comprise this text lose their common semantic meaning and are packed into instructions, that control the work of a microprocessor - the brain of the computing machine. Instructions are only form that may be understood by the machine and stored in its memory. This language also called an internal language, through its esoteric and hermetic qualities, finds reference to certain human states of consciousness. The essential part of this language reminds of the state of the intuitive knowledge that cannot be expressed. It also maybe associated with the altered state of consciousness and, first and foremost, with the state of universal awareness, when communication on a verbal level is virtually impossible."

The first part of the exhibition refers to what is conscious within the inner space of man, what can be grasped by means of the senses and logic. The second part - which is much wider - refers to what transcends scientific description; the sphere of the inexpressible and hidden.

Cult object

Cult object (torah@mach.lang)
mahogany, cotton velvet, plexiglas, computer printout

Original and full text of Torah (The Pentateuch) read and printed by a computer in machine language. The printout rolled onto two wooden spools in velvet coat that bears the title embroidered with silver thread, also in machine language. Height 66 cm
"This object is called 'cult' with a reason. Each copy of Torah accurately rewritten and read aloud by a copier is considered sacred and an object of worship by disciples of a religion based upon this Bible. According to that tradition, it becomes an exact copy of the Original that has existed before the formation of the Universe. God used it as a plan and instrument in the act of Creation. The present exemplar is equally faithful a copy of it as far as text is concerned, made with due piety and reverence, read and printed by the machine in the way that is accessible to it and in language it understands."

Brain Nude

Nude Brain / Act of Mind
silver

Silver cast of the life-size brain.
30x24x19.5 cm



Hermetica, the second, larger exhibition, contains 33 works divided into four groups, each of which is presented in a separate room. The title suggests something inaccessible, mysterious but this time refers to the works themselves and not only to their presentation. "Hermetica" seems to be a recapitulation or historic retrospective of the spiritual culture of humanity. It questions religious identity and the foundations of the faith of contemporary man who is entering a new chapter in history; a new era of civilisation which is based on information, technological and scientific.

Glass Tablets

Glass Tablets and The Wooden Box
armoured glass, graphite dust, wood, steel, aluminium, brass, rope

Two glass tablets, cracked, (28x61.5x3 cm) with text in machine language. Mounted to the wooden shipping box (110x75x58.5 cm) on a folded base (142x106.5x14 cm). The whole piece railed with ropes 160 cm long, suspended on eight brass stands (h.90 cm). H. 129 cm
"Because of the idea of this piece, the content that lies behind the enigmatic record in machine language on glass tablets cannot be disclosed. It can only be said, that this is not a Decalogue, known from the stone tablets. The letters are made of graphite dust. Since they are placed on glass, it is possible to read them from both sides. The size of the box is sufficient to store all elements of the installation"


Why Not Prophesize?

Why Not Prophesize?
152 sugar cubes, steel cover of a fan, wood, steel pipes and rods, aluminium, bearing, driving belt, electric motor, joystick, electric cable. Cylinder's diameter 72 cm, base 105x52 cm, h.88 cm. Case 63x50x11 cm.

"The device is a kind of a lotto-mat, that combines several rules of different drawing games as dicing, lottery, roulette, etc. It also refers to transcendental systems of cognition based upon interpretation of chances, such as I-Ching or tarot. There is always an element of coincidence or, if you like, destiny in events to which the above systems are appeal.
Prophecy device, in a obvious way, refers also to several well known works by Marcel Duchamp and his interest in sensory perception and, in a broader sense, it also relates to the interest in a sphere of sensualism in art. As a matter of fact, it has to do with a relation between the sensual and transcendental, i.e. between appearance and the essence."

"The manual of prophecy device is as follows. In the cylinder of the lotto machine there are one hundred sugar cubes: three identical sets with thirty three cubes each with various configurations of twenty four pictographic symbols, and one black sugar cube with digit 0. After having deliberately posed a question (that the answer cannot be found in any other way), you start the machine, which draws and ejects successive cubes, that roll on a plane and form a sequence of signs. The lottery is completed when the black cube with 0 is drawn from a cylinder. If this happens in the very beginning of the procedure - the question is automatically cancelled, what means a refusal to answer the question by the prophecy. In addition to one hundred cubes there are fifty two spare unmarked ones in the case."


Sacrificial Table
Sacrificial Table
acid-resistant, stainless steel, plastic boxes, water, rust

Steel table 210x95x90 cm with outlawing channels on table top. Under the table top two plastic boxes filled half way with rusty water.

These two exhibitions remind us of two halves of a brain. One is responsible for what is rational, the other for what is irrational. Only together they can create a coherent whole, encompassing man's view of the world.


----> Two exhibitions - retrospective for the end of Time
http://friko3.onet.pl/wa/hieratic/
(more on the net)


    Robert Szczerbowski
    Born in 1959 in Poznan. Studied philosophy in Poznan and Warsaw. Lives in Warsaw. Began as a writer before moving into visual arts. Taken part in several group shows in the USA and Western and Eastern Europe. Individual shows:
  1. Two exhibitions - retrospective for the end of Time (CSW, Warsaw 1998):
    I. Three works exposed for public view, Gallery Laboratorium
    II. Hermetica, CSW, Gallery 2
  2. Steel life & Venus without qualities, Zacheta Gallery, Warsaw 2000
    http://www.zacheta-gallery.waw.pl/wystawy/szczerbowski_en.html
    Some of the group shows:
  1. Conceptual reflexion in Polish art, CSW Warszawa 1999
    http://csw.art.pl/new/99/konc1_bork.html
  2. Text Buch Kunst, Frankfurt 2000
    He has also published several books. Amongst others:
  1. The Book of Life (Iskry, Warsaw, 1990)
  2. Compositions for Words (KS, Warsaw, 1991)
  3. (untitled text, edited anonymously ), Book Tranzyt, Warsaw, 1991
  4. (the text number 3, edited as hipertext for computer), Pusty Oblok, Warsaw, 1996
  5. Two exhibitions - retrospective for the end of Time, Warsaw, 1998
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The Centre for Contemporary Art, Ujazdowski Castle
Al.Ujazdowskie 6, 00-461 Warsaw, Poland
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