|
|||||||
T W E L V E Y E A R S O N T H E E D G E |
|||||||
| Shane Meadows Musings on Making A Room for Romeo Brass by jose martinez photography |
|||||||
| Director Shane
Meadows has done it again. Using non-actors as he did in his first feature-length film
TwentyFourSeven, Meadows found two adolescent screen newcomers and a first-time actor to
star in his inspiring new movie, USA Films A Room for Romeo Brass. Returning to an actors workshop in Nottingham where he found many of the actors for his last film, Meadows explains, "Theres something I really enjoy about working with first-timers, because its all so fresh for them. That helps me remember how it should feel, and the energy they bring is quite extraordinary." In addition to baby faces Andrew Shim (who plays Romeo Brass) and Ben Marshall, Meadows also cast his college mate Paddy Considine. "We were the naughty pair in college," Meadows laughs. "We were constantly causing mayhem." A funny and harsh coming-of-age story about two 12-year-old boys who are best friends and neighbors, the pair fall out of favor with each other when they encounter an eccentric and dangerous stranger who becomes obsessed with Romeos sister. A fan of improvisation, Meadows admits, "All of my films to date have stemmed from my experiences." One of those experiences includes getting arrested for stealing a chicken sandwich. "This is how the story goes," the director confesses in between bites of fruit. "This family up the road were really broke and they couldnt get out at night so I said Id pinch a breast pump for them so they could leave their kid with breast milk with someone. I went into the local pharmacy and pinched this breast pump and no one had seen me do it, but I was really hungry so since I pinched that, I might as well pinch a sandwich. And thats where it all went wrong. It was the most pathetic crime in all the world. I was never built for being a criminal. I once pinched a key ring and my conscience got the better of me and I got caught putting it back." Growing up watching English television, Meadows was inspired by the early works of Stephen Frears, Ken Loach, and Mike Leigh. "These guys were making incredible television," the 28-year-old enthuses, "and I found cinema through video. I saw Scorseses work and Jim Jarmuschs." While Meadows acknowledges that he was more at ease directing this time around, he recalls a particular day during the shoot that threw him for a loop. "I had a migraine on set and it was really bad, but we couldnt stop because we had so much to do. So they took me to the hospital to have these injections, and I hate having injections. I didnt realize the nurse left the door open and the people that brought me from the film could hear [and see] everything. I had to have two shots and stand there with my pants and trousers [around my feet]. It was humiliating, and everybody was waiting on set for these injections to start working. Its a mad process." An avid fan of "Seinfeld" and "Friends," the amicable Meadows notes that Joey (Matt LeBlanc on "Friends") is his all time favorite character. As for A Room for Romeo Brass, it hearkens to more innocent days as Meadows explains. "Theres no logic to the things you feel as a child. Decisions are made from the stomach. Your best friend can be dumped in an instant, as a local bum becomes your idol. When I remembered how I viewed the world as a child, I realized how much I had forgotten." |
|||||||
©2000 by Venice Magazine. Website Produced by David Beebe |
|||||||