The Top Ten Scenes Cut
From The Sixth Sense
You all knew there had to be one:
"I see dead people's... hands
up your ass."
"You know that prickly feeling on the hairs of your
Okay, damn it.. I get a HUTA joke in too. (firstname.lastname@example.org)
Before you go any further: if you
HAVE NOT seen the movie, and you DON'T want the details spoiled,
DO NOT READ ANY FURTHER!
But if you HAVE seen the movie,
or you just don't care one way or the other, then please...
10. The scene where the kid badgers
and berates ghosts into giving him details he can use to
blackmail friends and relatives of the deceased. (email@example.com)
9. "I see dead people."
"Like in the ground?"
"No - walking around."
"Do they ever say anything to you?"
"Yep. 'Yippie ki-yay, mother filker.' ...whatever that
means. They said you'd know." (firstname.lastname@example.org)
8. Bruce Willis comments on his
wife's cold feet in bed. (email@example.com)
7. After a particularly emotionally
intense scene, Haley Joel Osment looks directly into the
camera, smiles, and says "Jake Lloyd is a f***in' poser"
I didn't know Jake Lloyd liked
6. In a very touching scene, Cole
is initiated into the romantic arts by a dead prostitute.
(Wait sounds like the plot from Meatballs III) (firstname.lastname@example.org)
5. (Bruce Willis to child's mom
): Well, I'm not wasting anymore time HERE. This kid's obviously
a wacko. DEAD PEOPLE? Come ON! (email@example.com)
4. A scene where the rest of the
New Kids on the Block shoot themselves in the head. (firstname.lastname@example.org)
3. Hudson Hawk director's
tormented soul running around in search of peace. (email@example.com)
2. The little boy says to Bruce
Willis, "I see your musical career." (RogR2020@aol.com)
Hey, The Return of Bruno was
pretty cool! Just Bruce Willis, a harmonica, and one of those
sleeveless wife-beater t-shirts.
Here we are at number one... and
for the first time in Intergalactic Top Ten history, we have
a TIE! And there was much rejoicing ("yay.").
1. After Bruce Willis is shot, the
medics show up.
STAN: Yep. He's dead alright. No
way this movie can go on unless he's a ghost for the next
HARRY: Hey will you shut up you're
gonna get us cut outta the movie altogether.
STAN: So what! It's not like this
flick's exactly Oscar material or anything. (Slartibean@cs.com)
1. INT: Willis' home. He watches
his wife sleep and sees his wedding ring roll across the
floor. He glances down and sees that he is still wearing
Cut to: Willis runs to the door
to his basement office and sees the table in front of the
door. Begin montage of previous scenes that show "Hey
Stupids! He's been dead the whole flick and you didn't see
it!" Then the front door bursts open, flooding the
room with bright light. Shapes move through the light and
Willis covers his eyes as he squints to see out the door.
Shadows move through the light as VENKMAN, RAY and EGON
enter the room with proton packs humming at the ready. WINSTON
follows with a trap in one hand, pack in the other. Egon
points the detector at Willis.
EGON: There it is. A class 3 full
RAY: I knew he had to show up tonight,
it's their anniversary.
VENKMAN: Didn't I see this guy in
Los Angles once, some high-rise?
WINSTON: Peter, just hit it.
WILLIS: What tha...
The proton packs fire off the proton
streams and wrap tight around Willis.
RAY: Got 'em! Winston, hit the trap!
Winston tosses the trap at Willis.
It slides under him. Willis struggles, desperate to escape.
WINSTON: Even in a parody, I need
better lines. Damn agents.
Winston activates the trap.
WILLIS: Noooo! I can't be caught!
I need to be in the sequel.
M. NIGHT SHYAMALAN: It's ok Bruce,
you're a new character in the sequel.
VENKMAN: Directors. Hit him!
Winston and Peter both open up on
M. Night Shyamalan, and move him to the trap. They are both
sucked in, and the trap lays still, smoking.
Ray goes over and picks up the trap.
Venkman looks at Egon and Winston.
VENKMAN: Ok, you guys take the trap
back to the containment unit, and I'll get the fee from
RAY: Why don't we just bill her?
EGON: Then he can't stay and console
VENKMAN: Would I do something like
that? I'm shocked you guys would think I'd take advantage
of a soft, vulnerable woman like that in her time of need.
WINSTON: In a minute, Venkman. Get
in the car.
The Ghostbusters pile into their
converted ambulance and drive off, lights flashing.
VENKMAN (Voice over): C'mon guys,
just 5 minutes with her?
EGON, RAY & WINSTON: Shut up,
Roll credits (firstname.lastname@example.org)