&TRAINS URL&
trains_URL=www.lego.com&

<!-- SCENE 01 / BUTTONS -->
&s01_butt1=GET ON THE TRAIN&s01_butt2=DON’T GET ON THE TRAIN

<!-- SCENE 01 / INTRO -->
&s01_intro=On a dark and spooky night, you find yourself standing by the train tracks. You’ve been looking forward to your trip on the LEGO Express. You can’t wait to hear more of Conductor Charlie’s stories about the golden age of steam locomotives and Engineer Max’s tall tales of his train adventures.

Listen…here comes the train now!&


<!-- SCENE 02 / BUTTONS -->
&s02_butt1=STAY PUT&s02_butt2=LOOK FOR CHARLIE

<!-- SCENE 02 / INTRO -->
&s02_intro=All aboard! You climb onto the train, ready to show the conductor your ticket.&

<!-- SCENE 02a / INTRO -->
&s02a_intro=But…  where is he? Conductor Charlie is nowhere to be seen!
You could take your seat and wait for Charlie to show up. Then again, maybe you should take a look around and see if you can find him.&


<!-- SCENE 03 / INTRO -->
&s03_intro=You’re sure Charlie will be along in a minute. You take your seat and wait for him to come and collect your ticket.&

<!-- SCENE 03 / TEXT A -->
&s03a_intro=Sure is taking a long time for Charlie to get here…  &

<!-- SCENE 03 / TEXT B -->
&s03b_intro=Hey, take a look at that poster on the wall. That’s the notorious outlaw Se%F1or Palomar!  Boy, you’d sure hate to run into that guy all alone on a dark night like this.&

<!-- SCENE 03 / TEXT C -->
&s03c_intro=Uh-oh! Not only have you run into Se%F1or Palomar, but it looks like he’s caught you!&



<!-- SCENE 04 / BUTTONS -->
&s04_butt1=KEEP WALKING&s04_butt2=LOOK IN THE CLOSET

<!-- SCENE 04 / INTRO -->
&s04_intro=Where could Conductor Charlie be? You walk from car to car, looking all around, but there’s no sign of him.&

<!-- SCENE 04 / INTRO A-->
&s04a_intro=Suddenly, you hear something. There are strange sounds coming from that supply closet!&


<!-- SCENE 04 / INTRO B-->
&s04b_intro=Uh-oh! You’ve just been captured. These crooks must have some kind of mischief planned for the LEGO Express, and it looks like they want you out of the way until they’re done.&




<!-- SCENE 05 / BUTTONS -->
&s05_butt1=UNTIE THE PERSON&s05_butt2=DON’T UNTIE THE PERSON

<!-- SCENE 05 / INTRO -->
&s05_intro=Yikes! There’s somebody in here - and it looks like they’ve been tied up!&



<!-- SCENE 06 / BUTTONS -->
&s06_butt1=STAY PUT&s06_butt2=FOIL PALOMAR’S PLAN

<!-- SCENE 06 / INTRO -->
&s06_intro=Hey, is there someone - or some thing - in here with you?&

<!-- SCENE 27 / INTRO -->
&s27_intro=You untie the them and turn on the light to see who this mysterious person is…&

<!-- SCENE 27 / INTRO A-->
&s27a_intro=Why, it’s Conductor Charlie! He explains how that no-good bad-guy, the notorious Se%F1or Palomar, captured him and stuck him in here. But thanks to you, now he’s free!&

<!-- SCENE 06 / INTRO A-->
&s06a_intro=Why, it’s Conductor Charlie! He explains how that no-good bad-guy, the notorious Se%F1or Palomar, captured him and stuck him in here. But Charlie managed to untie himself, and now he’s freed you as well!&

<!-- SCENE 06 / INTRO B-->
&s06b_intro=Looks like you have a choice. You can stay put for now and see what happens, or you can escape and try to foil Se%F1or Palomar’s plan somehow. It’s up to you!&


<!-- SCENE 06 / BUBBLE 01 -->
&s06_bub01=Looks like Palomar and his gang are trying to take over the LEGO Express!&

<!-- SCENE 06 / BUBBLE 02 -->
&s06_bub02=We’re transporting a gigantic diamond called the Gale’s Eye.&

<!-- SCENE 06 / BUBBLE 03 -->
&s06_bub03=It was discovered in Antarctica by the famous explorer and adventurer Johnny Thunder.&

<!-- SCENE 06 / BUBBLE 04 -->
&s06_bub04=The LEGO Express is taking it to the LEGOLAND Museum&

<!-- SCENE 06 / BUBBLE 05 -->
&s06_bub05=Palomar must be after the diamond!&

<!-- SCENE 06 / BUBBLE 06 -->
&s06_bub06=Engineer Max is still driving the train up in the engine.&

<!-- SCENE 06 / BUBBLE 07 -->
&s06_bub07=I don’t think he knows about Palomar yet.&

<!-- SCENE 06 / BUBBLE 08 -->
&s06_bub08=We’ve got to warn him, or find a way to contact the sheriff!&

<!-- SCENE 06 / INTRO B -->
&s06b_intro=Looks like you have a choice. You can stay put for now and see what happens, or you can escape and try to foil Se%F1or Palomar’s plan somehow. It’s up to you!&


<!-- SCENE 07 / INTRO -->
&s07_intro=Seems that Se%F1or Palomar plans to stow you away in a train supply closet until he’s done with whatever mischief he has planned for the LEGO Express.&



<!-- SCENE 08 / INTRO -->
&s08_intro=You cautiously make your way toward the front of the train in the hopes of rescuing Max. If you’re lucky, you can avoid being spotted by Se%F1or Palomar’s gang.&

<!-- SCENE 08 / INTRO A-->
&s08a_intro=Looks like you weren’t so lucky…  or were you? Palomar caught you, but Charlie saw you get captured and ran back to hide. Now he can set you free again, and look at what he’s found!&

<!-- SCENE 08 / BUBBLE 01 -->
&s08_bub01=Hey there! Did you look behind you?&



<!-- SCENE 09 / BUTTONS -->
&s09_butt1=FOLLOW PALOMAR&s09_butt2=TAKE OUT HENCHMAN

<!-- SCENE 09 / INTRO -->
&s09_intro=Whoops - sounds like someone’s coming. You don’t want to get caught again! Better just peek around the door and see who it is.&

<!-- SCENE 09 / INTRO A-->
&s09a_intro=“We’re getting close to the pickup point,” you hear Se%F1or Palomar say.  “We’ll stop the train at the old mine and meet up with you there. As soon as I’ve gotten up to the front of the train and captured the engineer, we’ll be home free with the Gale’s Eye diamond!”&

<!-- SCENE 09 / INTRO B-->
&s09b_intro=Oh no! Henchmen!&

<!-- SCENE 09 / INTRO C-->
&s09c_intro=Se%F1or Palomar is on his way to catch Max, but it looks like he’s left one of his henchmen to guard the radio.&

<!-- SCENE 09 / INTRO D-->
&s09d_intro=“I think we’ve got two choices,” says Charlie. “We could try to take that crook by surprise and use the radio to call the sheriff, or we could try to sneak past him and follow Se%F1or Palomar to the front of the train. Maybe we can catch him before he reaches Max!”&


<!-- SCENE 10 / BUTTONS -->
s10_butt1=GET ON THE TRAIN&s10_butt2=DON’T GET ON THE TRAIN

<!-- SCENE 10 / INTRO -->
&s10_intro=You sneak past the daydreaming guard and creep quietly into the next car, hoping to catch up with Se%F1or Palomar before he gets to Engineer Max.&

<!-- SCENE 10 / INTRO A-->
&s10a_intro=Oh no! Se%F1or Palomar must have left some of his gang on guard. You’ve been captured again. Looks like it’s back to the supply closet for you!&




<!-- SCENE 11 / BUTTONS -->
&s11_butt1=GO HELP MAX&s11_butt2=LOOK FOR FLARES

<!-- SCENE 11 / INTRO -->
&s11_intro=“Hm…” says Charlie.  “We really need to warn Max in a hurry. You could follow Palomar up to the engine and try to catch him before he gets the jump on Max…or we could sneak to the back of the train and try to use a signal flare to get his attention.”&

<!-- SCENE 11 / BUBBLE 01 -->
&s11_bub01=Either we make our way to the engine to help Max...&

<!-- SCENE 11 / BUBBLE 02 -->
&s11_bub02=or we find the flares and signal him to stop at the oak.&



<!-- SCENE 12 / INTRO -->
&s12a_intro=Hey, what’s this? Charlie must have found the flares and left them for you!&



<!-- SCENE 13 / BUTTONS -->
&s13_butt1=RADIO THE SHERIFF&s13_butt2=GO AFTER VILLAIN

<!-- SCENE 13 / INTRO -->
&s13_intro=It doesn’t look like that guy is paying much attention to his job. He’s staring out the window at the passing scenery. You’d better act fast!&

<!-- SCENE 13 / INTRO A-->
&s13a_intro=Spotting a passing mail pole outside, you act fast and push the guard into the mail-bag loop, capturing him safely.  Looks like he’ll be hanging around until the sheriff’s men arrive to get him down!&

<!-- SCENE 13 / INTRO B-->
&s13b_intro=You and Charlie are all alone in the radio room now.  Now that the guard is gone, you can try to catch up with Se%F1or Palomar before he reaches the front of the train…or you could use the radio to try to call for help.&





SCENE 14 / BUTTONS
&s14_butt1=ASK CHARLIE TO SIGNAL&s14_butt2=SHOOT SIGNAL YOURSELF

SCENE 14 / INTRO
&s14_intro=You may not have been able to catch up with Palomar, but maybe now you can warn Max that he needs to stop.  Better hurry, though - that oak tree is coming up fast!&

SCENE 14 / INTRO A
&s14a_intro=It’s time to take action! You make it to the last car without being spotted, and Charlie grabs a signal flare.&

SCENE 14 / BUB 01
&s14_bub01=We’re close to the oak tree. We’d better signal Max to stop the train!&

SCENE 14 / BUB 02
&s14_bub02=Charlie, you climb up top and signal Max to stop and I'll watch out for Palomar's gang.&

SCENE 14 / INTRO B
&s14b_intro=But Charlie shakes his head. He’s not going up on top of that train! Looks like you’ll have to do it yourself.&

SCENE 14 / BUB 03
&s14_bub03=I'm afraid of heights!&





SCENE 15 / BUTTONS
&s15_butt1=STAY PUT&s15_butt2=ASK CHARLIE WHAT TO DO

SCENE 15 / INTRO
&s15_intro=Deciding that it’s best to alert the authorities, you radio the sheriff’s office in town to tell him about Se%F1or Palomar’s sinister scheme.&

SCENE 15 / INTRO A
&s15a_intro=Uh-oh… if Palomar takes over the train, he’ll steam right past the oak tree and the sheriff on his way to the mine.  There’s no way of knowing where Palomar’s henchmen are, though.  Would it be better to stay put and hope Max can take care of things himself?  Or maybe you should ask Charlie for advice…&

SCENE 15 / INTRO B
&s15b_intro=You’re not really going to hide here and let Palomar catch Max, are you? Let’s start over and give it another try&

SCENE 15 / BUB 01
&s15_bub01=Come in, Sheriff. Are you there, Sheriff? This is the LEGO Express.&

SCENE 15 / BUB 02
&s15_bub02=Sheriff here. What can I do for you, LEGO Express?&

SCENE 15 / BUB 03
&s15_bub03=Se%F1or Palomar is on board with his gang, and we need your help!&

SCENE 15 / BUB 04
&s15_bub04=There’s a big oak tree about
10 miles up the track…&

SCENE 15 / BUB 05
&s15_bub05=If you can stop the train by that oak, I’ll meet you there&

SCENE 15 / BUB 06
&s15_bub06=10-4, Sheriff. We’ll see you by the big oak tree&

SCENE 15 / BUB 07
&s15_bub07=Be careful. Se%F1or Palomar is very dangerous.&

SCENE 16 / BUTTONS
&s16_butt1=GET DOWN

SCENE 16 / INTRO
&s16_intro=Using the handholds on the back of the car, you quickly climb to the roof and hold on for dear life.  Don’t try this at home, kids!&



SCENE 17 / BUTTONS
&s17_butt1=GRAB THE VILLAIN&s17_butt2=LET THE SHERIFF GET HIM

SCENE 17 / INTRO
&s17_intro=You’ve sent the signal!  Hopefully Max saw in time to stop. You’d better climb back down before you fall off this thing!&

SCENE 17 / INTRO A
&s17a_intro=Looks like Max got the message in time!  The train screeches to a halt right next to the big oak tree - and here comes the sheriff now!&

SCENE 17 / INTRO B
&s17b_intro=“I’m still worried about Max,” says Charlie.  “He could be in danger if Palomar gets away from the sheriff and tries to start the train up again.  Do you think that we should wait and see if the sheriff catches him, or should we try to help?”&


SCENE 18 / INTRO
&s18_intro=Oh no!  While the sheriff was busy with Palomar’s henchmen, Palomar made a clean getaway with the Gale’s Eye diamond!  Max and Charlie may be safe, but it looks like the bad guy won this one.

Maybe you should try again!&

SCENE 18 / BUB 01
&s18_bub01=Well, shucks.&

SCENE 18 / BUB 02
&s18_bub02=Looks like Se%F1or Palomar got away.&



SCENE 19 / BUTTONS
&s19_butt1=PLAY AGAIN&s19_butt2=TRAINS HOMEPAGE


SCENE 19 / INTRO
&s19_intro=“Before you go, I have a very special gift for you,” the sheriff says. “I think you’ve definitely earned this tonight.”&

SCENE 19a / INTRO
&s19a_intro=You board the train proudly with your deputy star shining.  Time for another train adventure!&


SCENE 20 / BUTTONS
s20_butt1=GET ON THE TRAIN&s20_butt2=DON’T GET ON THE TRAIN

SCENE 20 / INTRO
&s20_intro=It really is a little scary climbing aboard a train in the dark.  Maybe you should wait for another day.  After all, there’s always another train adventure to be had!&



SCENE 21 / BUTTONS
&s21_butt1=TAKE OUT HENCHMAN&s21_butt2=STAY PUT

SCENE 21 / INTRO
&s21_intro=You’re thrown back in the closet.&

SCENE 21 / INTRO A
&s21a_intro=Fortunately, Charlie played it smart. When he saw that you were in trouble, he ran back to the radio room and hid in the closet, pretending that he was still tied up. As soon as Palomar’s goons leave, he unties you.&

SCENE 22 / INTRO
&s22_intro=Shhh! Sounds like someone’s approaching from the next car…&

SCENE 22 / INTRO A
&s22a_intro=Oops! Se%F1or Palomar must have heard you talking, and now he’s blocked the closet door to make sure that you and Charlie don’t escape and interfere with his dastardly plan. Doesn’t look like you’ll be getting loose before he’s finished. Maybe you should have made your move a bit sooner!

Let’s try again!
&





SCENE 24 / INTRO
&s24_intro=Afraid that the sheriff may have his hands full with Palomar’s henchmen, you run up to the engine and see Se%F1or Palomar about to get the drop on Max!  Thinking quickly, you sneak up behind him and yank his hat down over his eyes while Charlie grabs him.&

SCENE 24a / INTRO
&s24a_intro=“Great work!” says the sheriff. “I got Palomar’s gang, but it looks like you caught Se%F1or Palomar himself! The Gale’s Eye diamond will be safe at the museum, thanks to you.”&

SCENE 24b / INTRO
&s24b_intro=You and Charlie tell a very confused Max about what just happened.  “Wow, sounds like I owe you a few more stories,” laughs Max. “Or maybe you can tell me one this time!”&

SCENE 24c / INTRO
&s24c_intro=Charlie clears his throat and taps his watch. “Palomar and his gang are heading off to jail, and the diamond is safe. Let’s start up the engine and head for the next station. After all, we’ve got a schedule to keep!”&


SCENE 25 / BUTTONS
&s25_butt1=STAY PUT&s25_butt2=RADIO THE SHERIFF

SCENE 25 / INTRO
&s25_intro=You quietly creep after Se%F1or Palomar… &

SCENE 25 / INTRO A
&s25a_intro=Lucky for you that Charlie saw you get caught. He dashed back to the supply closet and pretended to still be tied up. Now he can untie you again and you can get back to work!&

SCENE 25 / INTRO B
&s25b_You’re not really going to hide here and let Palomar catch Max, are you? Let’s start over and give it another try.&


SCENE 26 / INTRO
&s26_intro=Oops. Maybe you should have helped that person out, because whoever caught them just caught you, too!&