Leslie Scalapino
From: Orchid Jetsam -- a Dee Goda MysteryNot being in darkest twilight -- between one sun at twilight and dawn -- as not in the earliest dawn -- holding a sailBeing between one sun at twilight and dawn -- darkest twilight's jetsam follows one -- holding a sail orchids in air -- not connected, no hand -- in darkest twilight is jetsam? and -- no jetsam in earliest dawn orchids -- no hand -- [they part] it parts from jetsam at the same time
Actions as Reading and Plays
During performance of my
poem/play, The
Weatherman Turns Himself In, the audience sat in a
darkened
field of hanging black irises
(flowers) with rapid action occurring outside this field in front of
the viewers. The activity is
going on in a medium where it cannot realistically occur. Rapid
action is apparently being
represented in a setting of a play which cannot be rapid
action, as of action films; and
the play's action is occurring solely via the language being stilled
to be contemplative as the
language's only activity.
Events have
'invented' a
measure as
space.
"The people migratory,
working on the roads,
crawling out from under the corrugated zinc pieces under which
they live -- where they are on
the gorges at dawn burning the tar: dawn is -- life is nothing. The latter is action that is its motion (doesn't exist -- 'there' at any place as a sole entity in the series or sequences or whole -- not in any other form than its moves) by not asserting its content simultaneously or sequentially. Authority is ignorance.
There is no reciprocal
gesture
This occurs easily by simply
giving up one's mind -- and the outside -- not hanging on. (Yet one
has to hang on to write it?).
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