The Geometry of Robert Pavlita
Copyright - Michael Donovan
A Czech, Robert Pavlita, was demonstrating anomalies of physics
and phenomena associated with psi research in the 1950s. He had
physical machines, which he called psycotronic generators. His
experiments were published world wide in the 1960s in a book called
Psychic Discoveries Behind the Iron Curtain (chapter 28). Just after
1980 the US House Intelligence Committee was stating (Charlie Rose
N.C.) that these areas were just what the government should
concentrate on. Then you heard very little about Robert Pavlita And
now, there is almost nothing on the Internet.
These psycotronic generators were built by placing together
specific materials in very specific shapes. Over and over Pavlita
stated that the "secret was in the form". The secret is in a new way
of looking at geometry. The key to the geometry is the relationship
of equal sized balls, (lines and points, and therefore spheres
becoming an impossibility in the geometry itself). It is a
fundamentally 3-D geometry. It differs in some important respects to
subjects such as 'sphere packing'.
Let us take a simple example to show this change of thinking. Let
us calculate pi. Pi is the ratio of across to around. Pi is also a
relationship around a ball to across a ball, or around a group of
balls to across a group of balls. And balls are composed of balls.
Lines and points define diameter and circumference, so remember here
that they cannot exist. Get some pennies. Put six around one. What
is pi? Well there are three across and six around. Pi is 2. Too
bumpy, you say. Fine. Add more pennies. You are starting to build
hexagrams. Pi is changing. You can start to fill in the edges of the
hexagrams as they get larger constructing a rule for 'most equally
close to center'. Still pi is now always a relationship between two
whole real numbers. It is always , in each situation, different. You
have entered a geometry where circles and spheres are limits, which
can be approached but never obtained. And where pi, in any
situation, would be a ratio of two whole real numbers, always.
Let us go directly to balls, and directly also to the core shape
of nature in 3-D. Understand that what you see with your eyes always
creates a flat picture. Our thinking also has become limited to
ideas that relate to this flatness. In order to go forward, you must
construct a model. So here we must stop, while you, the reader
obtain at least 13 ping-pong balls and some elmer's glue. Please do
not try to go further without doing this, you will be completely
lost.
Great. Now glue a set of three together on a table and let them
dry. Glue another set of three together. Also glue together, on the
flat table, six balls around one in the center. When they are good
and dry place one of the groups of three on top of the group of
seven so that it fits. You will see that there are six 'pockets' to
the group of seven. You can twist the group of three so that it fits
in either one group of three pockets or the other. Choose either one
and glue it. Even while the glue is not yet dry, you can turn it
upside down. Now here you see that you can also glue the other group
of three in two different ways. If you glue it so that looking
through one group of the three is superimposed upon the next group
looking through the group of seven; you are gluing it together the
way a pile of cannonballs fit. Don't do that. Glue it so that one
triangle has the point up, and the other triangle has the point
down. It is making the 'Star of David'. When it is all dry, hold
this construction, (let us name this, call it a 'solar ball'), and
turn it round and round in your hands. Keep doing this until you can
clearly see that no matter which direction you look through, you are
always seeing this 'Star of David'.
Now get a marker to mark any one of the outside balls. But don't
mark it quite yet. You see that this construction looks very much
the same from any angle. And you can see that unless you mark these
balls, you could easily get lost. I want to mark the ball that you
chose with a circle and another half circle on top of it, so that it
looks like it has horns. Let us call this outside ball 'Taurus'. If
you are so 'scientifically' inclined that you would prefer to mark
these balls as one through twelve or something, I strongly advise
you not to, for reasons that you will later see.
Now look at this Taurus ball that you have marked. Guess what?
This represents the physical reality in which you live. Or more
correctly, that is where you think you live. Ball 'Taurus'
represents the reality that you wake up to each morning. You live in
all the other balls too. We tend not to recognize this. We call them
dreams, or such. Taurus is our reference reality. You see also that
(except the center ball), that only four other balls touch Taurus.
You live in those balls to, it what you would call your 'dreams'.
When you are in one of those other balls (or types of dreams) you
sense the Taurus ball as a type of energy, or more correctly a type
of feeling. In reality there are eleven other 'reality systems' out
there. The central ball, the central reality, is unique and I will
get to that later. That means that when you look out past all the
stars to all the galaxies, you need to realize that there are eleven
other sets of realities just as big. So, back in the Taurus ball,
you also sense the other balls as energy or emotion. In fact what
science defines as 'force' relates to the four balls that are
adjacent. And science measures these balls as 'gravity',
'electromagnetism', 'strong', and 'weak'. In reality (as it relates
to your home, Taurus) there are really eleven other forces. But you
see also that seven of these other 'forces' (to get to Taurus) must
come through the balls of 'gravity', 'electromagnetism', 'strong'
and weak'; and are disguised by them. Not too long ago science
itself has, in part, recognized this. This relates to the study of
quarks. After galagabytes of calculus and balding men in white coats
scratching their heads in laboratories with fancy names, they came
to the conclusion that there is a very strong limit in nature: a
limit of twelve types of quarks; that there can be no more. They are
right.
Oh, now what does all this have to do with those machines, those
psycotronic generators built by Robert Pavlita? Remember that Robert
Pavlita stated that his generators fell into two distinct types;
those that worked off of biological energy, and those that worked
off of cosmic energy. He said that the Great Pyramid shape is one
that worked off of 'cosmic' energy. Another Czech patented the great
pyramid shape. It sharpened razor blades. Though Pavlita knew how it
worked, the Czech who actually patented it did not. He did not need
to, he just had to demonstrate to the Czech patent office that it
worked, had a use, and was non-obvious. All these balls in all these
(limited) realities are in motion. The devices that work off of
'cosmic' energy do so by little more that hoisting up a sail. As to
the psycotronic generators that worked off of 'biological energy',
you need to understand that energy and emotion are synonymous, and
that they have specific elements, and core compounds, just as
physical chemistry. Specific shapes are formative of specific
elements and compounds of emotion or energy.
I need early in this discussion to bring up the concept of
'time'. I do so because without this, the discussion of just the
geometry will not fit well in showing just how 'central' were
Pavlita's concepts.
What so we know about time? First, we know that it is not just a
series of connected events, but a series of connected events that
have an irreversible quality to it. A movie of a lawn being mowed
backwards is absurd. Second, we know that time is denser near the
effect and slower near the cause. In other words, if you were to
hang very sensitive clocks along a big spring or rubber band that
you nailed to the wall, and that you pull the other end of the
rubber band by walking away with it: that the clocks closer to the
wall will run progressively faster. Therefore time is less dense
(runs slower) near the cause of an event, and is more dense (runs
faster) as it approaches the effect.
Here also I want you to keep in mind these observations of Nikoli
Koserev, a Russian astro physicist also discussed in Psychic
Discoveries behind the Iron Curtain. He noticed with sensitive
clocks that time seems to run a bit slower in the winter. He
wondered if life had anything to do with this. So then he put life,
like people, near the clocks, and behold; they ran faster. He
wondered if what the life were doing would effect the clocks. He
found that when people were doing a very mental exercise (such as an
algebra problem), instead of just hanging out, the clock's speed
took a quantum step up to another level. Also that when the person
was performing a very artistic task (musical instrument etc), the
clocks took yet another quantum jump faster. Keep this in mind as we
discuss what these balls are actually composed of. To emphasize this
now, let me give the briefest overall description of what the 'solar
ball' model you are holding represents:
There is energy. There is matter. There are very specific
elements to the emotional chemistry, which is the energy that stirs
matter. This is the chemistry of emotion. There are twelve mansions
of time. (Gravity fields, or reality fields, in which time can
occur.) There is one central 'solar reality field', which is
eternal.
With that in the back of your mind we will go right back to the
'solar ball' construction in your hand. You see now that it is also
composed of seven rings of balls. Four of these rings are six around
one. See also that there are three other rings. Seven rings in
total. See that the three rings (each of only four balls that do not
touch each other) are at Cartesian angles. All vibration, then, has
seven primary angles. This is the true physics basis of music (seven
notes). Heretofore, Traditional science has been saying that the
tones of music are merely psychological.
At this point, you should probably be thinking that this
discussion wanders about. I am merely reaching out to show the
vastness of the implications of Pavlita's geometry. But perhaps
there are those who are saying "give me a machine". Or that the
basics of building the machines (psycotronic generators) might not
be here. Let me then give you one of the shapes that Pavlita was
using:
If you remember, Pavlita had one device that magnetized all types
of substances (even non-magnetic material), and worked under water,
showing that this was no form of static electricity. Remember also
that this worked on 'biological' (emotional), not 'cosmic' energy.
It was a 'pen shaped device', and at the very end of it was a cone
shaped device. Also that this cone had to be made of a non-magnetic
material.
So let me give you the shape of that cone:
1
1 1
1 2 1
1 3 3 1
1 4 6 4 1
1 5 10 10 5 1
1 6 15 20 15 6 1
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You recognize this from basic statistics, and know that the
summation of this progression is 1, 3, 7, 15, 31 etc. This binomial
expansion is also created by a sequence of ball layers from the
foregoing summations. Alternating will be triangular groups with
'regularly roundish groups. If you do not have marbles, you can
still work this out with pennies. So, what do we really have here?
What you are creating is the 'normal curve' in 3-D.
Remember that this was last in the sequence of shapes.
In the next segment I want to tell you why the generator produced
no form of magnetism at all (by standard definition), but was a mere
intensification of gravity.
I will also add a page on the relationship to kabbalah next (how
the 2-D diagram came from the 3-D core shape. Meantime, those
interested in kabbalah could take a shot at figuring out
themselves. It is both very clever and very tricky. But, as I will
demonstrate, undoubtedly the source.
STOP
(Copyright protected, including electronic, Michael Donovan.)
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