X:500
T:B500-  Wert thou more fairer than thou art (4th/4)
Q:1/4=120
L:1/4
M:C|
K:G
GB/c/de|d3/2 c/B2|z/B/ G/A/Gc|B3/2 A/A2|z/A/ B/G/ c3/2 d/|\
e(d/e/)c2|z/c/ B/A/ (B/4c/4)d/ c3/4^c/4|d2z/d/ c3/4d/4|\
B/G/ A3/4B/4c2|z/B/ A/B/FG|A3/2 G/.G2|]
 
X:501
T:B501-  What if a Day
Q:1/4=120
L:1/4
M:C|
K:Gm
GF/G/AG/A/|Bc/B/A2|BA/B/cB/c/|d3/2d/cB|\
A2G2::ddcc|BBA2|Bcdf|=e2d2::\
Bcd2|ABc2|GABc/B/|A2G2:|]

X:502
T:B502-  What Shall I Do to Show How Much I Love Her
Q:1/4=120
L:1/4
M:3/4
K:Dm
fde|^c3/2e/d|(e/4f/4g/) (f/e/) (f/d/)|e2A|\
ade|fA^c|(d3/4e/4)e3/2d/|d3|\
f(e/d/) (f/e/)|^c3/2e/d|(e/4f/4g/) (f/e/) (f/d/)|e2A|\
ade|fA^c|(d3/4e/4)c3/2d/|d3|\
":s:"cAc|fcd|A3/4B/4(cB3/4)A/4|G2F|\
Ad=B|c/d/e(A/^G/)|(A/=B/)B3/2A/|A3|\
d=Be|^cAf|d(g/f/) (f/d/)|e2A|\
(e/f/) (gf3/4)e/4|(f/g/)a(d/^c/)|(d/e/)e3/2d/|d3|]
 
X:503
T:B503-  When Aurelia First I Courted
S:figuratively Charles II to Barbara Castelmain, in early MS
Q:1/4=120
L:1/4
M:C|
K:Gm
G3/2A/Bc|c3/2d/dd|=e3/2^f/ga|(b/a)g/g2|\
d3/2e/cf|B3/2c/AA|B3/2G/e(d/c/)|c3/2B/B2|\
d3/2d/=ef|f3/2=e/ff|^f3/2f/ga|(b/a)g/^f2|\
":s:"A3/2A/BB|=B3/2B/cd|e3/2d/c(B3/4A/4)|A3/2G/.G2|]
 
X:504
T:B504-  When Cannon are Roaring
Q:1/4=120
L:1/4
M:3/4
K:C
ccc|GEC|GGA|B3/2A/G|\
cBA|dBG|ced|[1 c3:|][2 c2||]c|\
ccd|ccd|ccd|ec2|\
g3/2f/e|dBG|ced|cc2|]

X:505
T:B505-  When First Amintas Sued for a Kiss
Q:1/4=120
L:1/4
M:6/4
K:A mixolydian
A|ceEA2B|cBcd2c|BF^GA3/2B/A|^G3E2A|\
ceEA3/2B/ c/A/|d3/2e/ f/e/gfe/d/|cAEAFA|B^GEA2:|e|\
aeeecA|c/d/efg2g|fdfe2d/c/|dcB/A/BEB|\
eBecAe|fcfece|g/g/afecB/A/|G/A/BEA2|]

X:506
T:B506-  When First the Scottish Wars Began
S:1657?
Q:1/4=120
L:1/4
M:6/4
K:D
A|A2Ad2d|ef2e2d|ef2e2d|df2B2A|\
Bddd2:|f/g/|a2ba3/2g/f|e2de2f/g/|\
a2ba3/2g/f|e2de2d/e/|f3B2A|\
Bddd2e|f3B2A|Bddd2|]

X:507
T:B507-  When I Have Often Heard Young Maids Complaining
Q:1/4=120
L:1/4
M:3/4
K:G mixolydian
cGe|dBg|eca|f2(e/d/)|\
gde|AdB|(c/d/) (ed3/4)c/4|B3|\
dGe|dBg|eca|f2(e/d/)|\
gde|AdB|eA3/2G/|G3|\
BcG|A=BA|ef(e/d/)|^c2A|\
f(e/f/)g|(^c/d/)eA|de^c|d3|\
BdB|Gge|cfd|B2G|\
cAe|fdg|(c/d/)d3/2c/|c3|]
 
X:508
T:B508-  When Love with Unconfined Wings
S:Evidence is not solid that this is original tune
Q:1/4=120
L:1/4
M:C|
K:G mixolydian
zBB3/2c/|d^FG/A/ B/c/|d2dA/B/|A3/2G/(^F2|^F)GAB|\
cd^c3/2A/|e3^f|gB^c3/2d/|d4|\
L:1/4
M:6/4
de^f(g3/2f/ e/)d/|(^f3/2e/ d/)c/BAf/e/|d/e/^c3/2d/e3|\
d^feg3/2d/ e3/4f/4|g3/2B/cE^F3/2G/|G6|]

X:509
T:B509-  When Maids Live to Thirty
Q:1/4=120
L:1/4
M:6/4
K:Gm
G|BBcdGd|edg^fdf|ggdeed|B3/2A/GddB|\
ddBffd|eGcA2F|BBcdBf|FBdB2d|\
d=ef^c=BA|dd=ef2f|fcde3/2e/d|G3/2B/ (A/G/)^F2F/F/|\
GGA(B/A/G)d|B3/2e/cd2^f|gdABcd|B3/2A/GG2|]

X:510
T:B510-  When My Kid and Lambs I Treated
Q:1/4=120
L:1/4
M:C|
K:Gm
d3/2e/cd|B3/2c/AA|dGB(c/d/)|B3/2A/A2:|\
BB/c/de|fdgc|fBA(G/F/)|(A/B/)cc2|\
ec/B/ (A/B/)c|B(A/G/)AD|A3/2A/B=B|c3/2d/ed|\
=e3/2e/^fg|g3/2^f/g2|]

X:511
T:B511A-  When the King Enjoys His Own Again
Q:1/4=120
L:1/4
M:C|
K:C
AAc3/2c/|d/e/f/g/ed/e/|fABe|d3/2c/4d/4c2:|\
eB/c/dG|d/c/d/e/dG|d/c/d/e/dc/B/|A3/2G/4A/4G2|\
gg/f/ed/c/|d/e/f/g/ed/e/|fABe|d3/2c/4d/4c2|]
 
X:512
T:B512-  When the Stormy Winds do Blow
Q:1/4=120
L:1/4
M:C
K:C
c|GcBc|e2d3/2e/|c3/2B/AB|G2z2|\
GcBc|e2d3/2e/|c3/2B/AB|G3=B|\
A3/2G/FA|B3/2A/GB|cA(d/e/f/) d/|{c/}B2(G/A/B/) G/|\
c2(A/B/c/) A/|d2ce|fd(e/f/g/) e/|c3|]
 
X:513
T:B513-  Where's My Shepherd?
Q:1/4=120
L:1/4
M:6/4
K:C
e2(d/c/) (e/f/)ge|d2BGcG|A2G/F/f3/2e/d|B2cd3/2e/f|\
e2(d/c/) (e/f/)ge|d(Ac)(BG)B|A3/2G/Ff3/2e/d|d2cc3||\
d2edBG|cBcA3/2d/e|f2e^c2(B/A/)|d2ef2a|\
e2fgec|Adefga|g2fe/f/gc|c2Bc3|]

X:514
T:B514-  While I Gaze on Chloris Trembling
S:(1st/2)
Q:1/4=120
L:1/4
M:C|
K:Gm
G3/2A/B(c3/4d/4)|B3/2A/B(A/G/)|B3/B/c(d3/4e/4)|c3/2d/d2|\
A3/2B/c(B/A/)|B3/2c/d(c/B/)|F3/2F/G(G/4A/4B/)|B3/2A/B2|\
d(c/B/)d(d/4e/4f/)|e3/2d/ (c3/4d/4)c|c3/2c/d(c/B/)|B3/2A/A2|\
G3/2d/c(B/A/)|B3/2c/ (B/A/) (G/F/)|c3/2d/ (d/c/) (B/A/)|\
^F3/2G/.G2|]

X:515
T:B515-  While I Gaze on Chloris Trembling
S:(2nd/2)
Q:1/4=120
L:1/4
M:C|
K:A
cAeB|c(B/A/)BE|A3/2B/cA|GEB2|\
cAeB|c(B/A/)BE|e3/2d/ (c/B/) (A/B/)|c(B/A/) A2||\
B3/2c/BE|BecA|(d/e/) (f/e/) (e/d/) (c/B/)|(A/B/) (c/B/)B2|\
B(c/d/) (c/B/) (A/B/)|c(B/A/) (e/d/)c|\
(f/e/) (e/d/) (c/B/) (A/B/)|c(B/A/) A2|]

X:516
T:B516-  Who List to Lead a Soldeir's Life
Q:1/4=120
L:1/4
M:6/4
K:D
d|f3/2g/af3/2e/d|e2cA2e|f3/2g/ad3/2e/d|(e3e2)e|\
f3/2g/af3/2e/d|e2dA3/2G/F|GABAB3/2c/|(d3d2)|]

X:517
T:B517-  Who Liveth So Merry in All This Land
Q:1/4=120
L:1/4
M:6/4
K:G
G|A3/2G/DGGG|A3/2B/AB2B|c3/2B/AB3/2A/G|A3/2B/AG2G|\
A3/2G/DGGG|A2AB2B/B/|c3/2B/AB3/2A/G|A3/2B/A.G2|]

X:518
T:B518-  Who's the Fool Now, or Martin Said to His Man
Q:1/4=120
L:1/4
M:6/4
K:G mixolydian
GGABBA|G2^FG2G|AABc3/2c/B|A3/2A/^GA3|\
BdcB3/2A/G|GG/A/ B/G/A3/2^F/D|GGDB,3/2C/D|B3/2c/AG3|]

X:519
T:B519-  Whoop! Do Me No Harm, Good Man
S:Whoop Jenny in Scarce Songs file may be original song for tune
Q:1/4=120
L:1/4
M:3/4
K:G
G|B3/2c/d|d3/2c/d|e3/2d/4e/4c|c3/2B/4c/4A|\
B3/2c/d|d^c2|(d3|d2)G|\
B3/2c/d|d3/2e/=f|e3/2d/4e/4c|A3|\
g3|B3/2c/B|A3/2G/A|G2|]
    
X:520
T:B520-  Why Are My Eyes Still Flowing?
Q:1/4=120
L:1/4
M:3/4
K:G
GBc|A3/2B/ G3/4F/4|(G/F/) (G/B/) (A/G/)|F2F|\
GG(G/D/)|E3/2F/G|AGB|G3:|\
Bc3/2d/|d3/2c/ B/A/|B(c/B/) (A/G/)|A3|\
ded|c(B/A/) (G/A/)|A3/2G/A|B3|\
EFG|cB(c/A/)|B(c/B/) (A/G/)|F3|\
GAB|G2(B/A/)|F3/2E/F|.G3|]

X:521
T:B521-  Wigmore's Galliard
Q:1/4=120
L:1/4
M:3/4
K:Eb
E3/2F/E|DEF|G3/2D/ E/F/|GG,z|\
E3/2F/E|FEF/E/|D3/2C/ =B,/=A,/|DG,z|\
E3/2F/E|DEF|G3/2F/ G/=A/|B3/2B/=A|\
G3/2G/F|EDF|=D3/2F/ E/D/|=E3|]

X:522
T:B522-  William and Margaret
S:(1st/2) many other of 18th century for Margaret's Chost, BMADD
Q:1/4=120
L:1/4
M:3/4
K:Ddorian
zz/A/ F3/4D/4|_Bz/A/ d/e/|^c2z/d/|e/A/G3/2A/|\
A3|zz/A/ A/_B/|c3/2c/ d/A/|_B2z/G/|\
g/e/^c3/2d/|e2z/A/|d/F/E3/2D/|D3|]

X:523
T:B523-  William and Margaret
S:(2nd/2) note tune is really Fm; Dm in Village Opera
Q:1/4=120
L:1/4
M:3/4
K:F dorian
c|(f{g/}a)g|(fc)=d|(cF)G|A2f|\
(=ef)c|(B3/2c/)A|{A/}(G3|G2)c|\
(Bc)G|(Af)e|(=dc)B|B2=d|\
(cf)G|(A3/2B/)G|(F3|F2)|]

X:524
T:B524-  Willow, Willow
S:(1st/2)
Q:1/4=120
L:1/4
M:3/4
K:Gm
d|d3/2G/A|GGz|zzd/d/|f3/2B/c|\
B3|zzd|d3/2G/ B/c/|dd2|\
zzd/d/|fBc|dBd/d/|c3/2B/ A/G/|\
A2f|=e/d/ c/B/ A/A/|GGg|^f/=e/ d/c/ =B/A/|\
=BG_B|A3/2G/A|G2B|B3/2B/c|\
dd2|f3/2d/ e/c/|dd2|zzg|\
f3/2d/ e/c/|d3/2c/B|AGA|.G3|]

X:525
T:B525-  Willow, Willow
S:(2nd/2)
Q:1/4=120
L:1/4
M:3/4
K:Dm
A|def|^cAA/A/|A3/2B/G|A2A|\
=B3/2^c/d|(d2^c)|(f2e)|d3/2e/^c|\
d2e/f/|g3/2f/e|fdf|e3/2f/e|\
^c2A|=B3/2^c/d|(d2^c)|(f2e)|\
d3/2e/^c|d2e|fga|gfe|\
fed|e2e|f3/2e/f|ggg|\
g3/2a/^f|g2A/A/|=B3/2^c/d|(d2^c)|\
(f2e)|d3/2e/^c|.d2|]

X:526
T:B526-  Wilson's Wild
Q:1/4=120
L:1/4
M:3/4
K:C
G|c2G|E3/2D/E|F2E|D2G|\
c2G|E3/2D/E|D3/2C/D|[1 C2:|[2 C3]\
||:E3/2F/G|G3/2A/G|A3/2B/c|B2G::\
EGE|FAF|EGC|DFD|\
EGE|FAF|ECD|C3:|]
 
X:527
T:B527-  With a Fading (Rince Fada?)
S:(1st/2)
Q:1/4=120
L:1/4
M:6/4
K:D mixolydian
D|G2DG2A|B3/2c/BA2F|GGDG2d|e3/2f/gf3|\
gfedcB|ABcB3|e3d3/2c/B|A2DG3/2A/B|\
B3/2A/GBd2|]

X:528
T:B528-  With a Fading (Rince Fada?)
S:(2nd/2)
Q:1/4=120
L:1/4
M:6/4
K:D mixolydian
B|BdBd2G|GGDG2B|ccdeed|\
efgf2g|g3/2f/ed2B|ABGA2G|GGGG2D/D/|\
GGAB3/2A/G|B(d2d2)|]

X:529
T:B529-  Woe is Me (What Mun I Do)
S:James Paisable's tune for D'Urfey's song, 1694
Q:1/4=120
L:1/4
M:3/4
K:F
c3/2f/ c/A/|cAF|d3/2f/ d/B/|dBG|\
c/f/ (f/4g/4)a/ g/f/|gcA|B3/4c/4 d/c/ B/A/|G/F/ f/e/f:|\
":s:"a/f/ c/a/ g/f/|gcA|f/d/ A/f/ d/A/|=B(B/4c/4d/)G|\
g/e/ c/g/ e/c/|d/=B/ d/B/ G/g/|\
d/g/ e/g/ f/g/| e/d/4e/4 (f/4e/4)(d/4c/4)c|\
f3/4e/4 f/g/ f/e/|f3/2g/f|g3/4f/4 g/a/ g/f/|g3/2a/g|\
a3/4g/4 a/b/ a/g/|a3/4b/4 a/g/ f/f/|\
f3/4g/4 (f/4g/4)a/ g/f/|(f3/4g/4 f/)c/f|]
   
X:530
T:B530-  Woodicock
Q:1/4=120
L:1/4
M:3/4
K:D dorian
A|d2d|f2d|^cA2|A2::d|\
c2B|c2d|(B3/2A/)B|G2G|\
A2A|A2d|d^c2|d2:|]

X:531
T:B531-  Would you be a Man of Fashion
Q:1/4=120
L:1/4
M:4/4
K:G
dgde|B3/2c/de|AdGd|B3/2c/d2|\
gf(a/g/) (f/e/)|^dfge|(a/g/) (f/e/)^cf|ge(f/g/)a|\
g3/2a/f3/2g/|g2d3/2d/|G3/2G/cA|^GBe3/2e/|\
B3/2B/cA|F2dg|f3/2e/d3/2c/|dBdg|\
deA3/2G/|G4|]

X:532
T:B532-  Would You Know How We Meet
S:H. Purcell, 1685
Q:1/4=120
L:1/4
M:3/4
K:D
d/c/|d(e/f/) (e/d/)|c3/2c/ (d3/4c/4)|(B3/4c/4) (d/B/)g|\
e3/2e/A|(d/c/) (B/A/) (G/F/)|EEF|(G/A/) (B/G/)A|\
D2c/e/|f(e/d/ c/4d/4)B/|^A2(f3/4e/4)|(d/c/)Be|\
c2c|def|g(f/e/)a|f3/2g/e|d2":s:"A|\
dDE|(F/G/ F/)E/D|(G/A/ G/)F/E|A2(a/g/)|\
(f/e/) (d/c/) (B/d/)|c3/2c/d|d3/2e/c|.d2|]

X:533
T:B533-  Wully and Georgy
S:Ackroyd tune, c 1700.
Q:1/4=120
L:1/4
M:3/4
K:B phrygian
G(G/4A/4)B/ A/G/|(c/4A3/4) (A/4B/4)c/ B/A/|B3/4A/4 G/A/ B/c/|\
(d3/2e/D|G(G/4A/4)B/ (d/4B/4)(A/4G/4)|Ac/d/ e3/4f/4|\
g/e/ (d/4e/4)(d/4B/4) (A/4B/4)(A/4G/4)|\
(G3/2A/)B||c3/4d/4 e/d/ g/d/|B3/4c/4 e/B/ e/d/|\
B3/4A/4 B/c/ d/G/|FAA3/4D/4|D3/2E/ D/B,/|G3/2E/ D/B,/|\
d3/2B/ A/G/|G3/2A/B|]

X:534
T:B534-  Ye Commons and Peers
S:song by Johnathon Swift? 1708-9
Q:1/4=120
L:534
M:6/4
K:F
F|AcAF2c|dBBB2c|d3/2e/fg3/2a/ (g/f/)|)e3d2)":s:"f|\
gecf2g|gfdg2a/b/|acgcfe|(f3":s:"f2)|]

X:535
T:B535-  The Yellow -Haired Laddie
S:Scots
Q:1/4=120
L:1/4
M:3/4
K:D
D/E/|FAB|d3/2e/ (d/4e/4f/)|A3/2F/ E3/4D/4|E2D/E/|\
FAB|(d3/4c/4) (d3/4e/4) (d/4e/4f/)|A3/2F/ E3/4D/4|D2||d/e/|\
f(g/f/) (e/d/)|ce/(d/4c/4) B3/4A/4|B/c/d/B/A/F/|E2D/E/|\
FAB|d3/2e/ (d/4e/4f/)|A3/2f/ e3/4d/4|d2|]

X:536
T:B536-  You I Love By All That's True
S:by Charles Taylor, 1683
Q:1/4=120
L:1/4
M:C|
K:Am
A3/2B/^GE|e3/2B/c2|^c3/2c/d(c/B/)|B3/2A/A2|\
(E/F/) (G/E/)A3/2A/|(B/c/) (d/B/)e2|f3/2g/c3/2d/|d3/2c/c2|\
B3/2c/ (d/c/) (B/A/)|^G3/2F/E2|e3/2B/d(d/B/)|B3/2A/.A2|]
 
X:537
T:B537-  You London Lads Be Merry, or Moggie's Jealousy
Q:1/4=120
L:1/4
M:9/4
K:Dm
c|d2AA2GFGA|ABcc3/2d/cB2c|d2AA2GFGA|\
G2dd3/2e/fd2A|A2ddefd2A|A3/2B/ccdcB2c|d2AA2G^FEF|\
G3/2F/GA3/2B/cd2|]

X:538
T:B538-  Young Jemmy (Was a Lad)
S:song by Aphra Behn, 1681
Q:1/4=120
L:1/4
M:C|
K:Dm
A|F(E/D/) (F/G/)A|d2f2|(e/f/) (e/d/) (c/d/) (c/A/)|G2AA|\
F(E/D/) (F/G/)A|d2(f3/2g/)|a(g/f/) (e/f/) (e/d/)|d2D||A|\
d3/2e/ (f/e/) (f/c/)|AccA|d3/2d/ (g/f/) (g/e/)|f2a2|\
A3/2G/ (A/B/)c|c3/2B/A^c|d(e/f/) (g/f/) (e/d/)|d3|]

X:539
T:B539-  Young Phaon (strove the bliss to taste)
S:J. Banister, 1679
Q:1/4=120
L:1/4
M:C|
K:Bb
f|fdec|(dc3/4)B/4AG|efd3/2c/|c3":s:"B|\
A3/2B/c(d/e/)|(fe3/4)d/4ec|d(c/B/)B3/2A/|B3||d|\
d3/2A/BG|(e/f/ e3/4)d/4c3/2G/|ABG3/2F/|F3":s:"f|\
g3/2f/e3/2d/|(e/d/ c3/4)B/4e3/2c/|(d/c/ d3/4)e/4c3/2B/|.B3|]

X:540
T:B540-  Your Humble Servant, Madam
Q:1/4=120
L:1/4
M:C
K:A
E|AAcA|ceAA|AEEd|~B2AE|\
AAcA|ceAA|AEEd|B2A|:c/d/|\
e/d/ e/f/ed/c/|d/c/ d/e/dc/B/|cced|~c2.ec/d/|\
e/d/ e/f/ed/c/|d/c/ d/e/dc/B/|ceA/G/ A/B/|~B2A|]  

X:541
T:BAdd541-  Last Christmas 'Twas my Chance [original]
S:original of 1622, not Simpson's tune from 'Pills'
Q:1/4=120
L:1/4
M:4/4
K:Gmixolydian
zGB3/2c/|ded2|zBB3/2c/|dBc2|zBA3/2G/|F3/2E/D2|\
zDG3/2A/|BGc2|zBA3/2A/|(GG)|]

X:542
T:BAdd542-  Bragandary
S:traditional tune for ZN2776, from Annapolis Maryland, 1752
Q:1/4=120
L:1/8
M:6/8
K:Ddorian
F|F2BB2B|F2BB2B|FBB BBB|\
B3z2F|FBBB2B|F2BB2B|FBB BBB|\
B3z2B|Bddd2d|Bddd2d|(Bd)d d2d|\
Bddd2d|Bdd ddd|B2dd2z|\
g3zfe|dcB AGz|DDDD2D|(D3D2)|]
     
X:543
T:BAdd543-  Robin Cushie/ Cushee (Kind Robin)
S:Blaikie MS via Glen's ESM, cushie = quo she
Q:1/4=120
L:1/4
M:C
K:G
GGA/G/E|GGA/B/e|GGA/G/E|G/G/ e/B/AG||\
d/e/B/B/ A/G/E|d/e/d/B/ A/G/e|d/e/B/B/ A/G/E|G/G/e/B/AG|]

X:544
T:BAdd544-  Robin Cushee/Cushee (Kind Robin)
S:McGibbon's 'A Collection of Scots Tunes' [I], 1742
Q:1/4=120
L:1/4
M:C
K:G
G2G3/2 B/|A/B/A/G/ E D3/4E/4|G2G3/2 B/|A/G/A/B/ de|\
G2 (g/4f/4e/4f/4 g/)B/|(c/B/)(~A/G/)ED/E/|GGe(d/B/)|\
d2G2:|de/d/Bg/B/|(c/B/)(~A/G/)E2|d(e3/4d/4){c/}B~A3/4G/4|\
ABe2|de/f/gB|(c/B/)(~A/G/)E#(D/E/)|GGe(d/B/)|d2G2:|]

X:545
T:BAdd545-  In the Wanton Season
S:melody only, BL MS 30486, via J. Ward, JAMS XX, 1967 
Q:1/4=120
L:1/4
M:C|
K:D dorian
A2f2|e2^c2|dfed|^c2A2|\
fdge|ad^cA|B/c/d2^c|dDD2|\
faA2|egc3/2e/|dfed|^c2A2|\
fdge|ad^cA|B/c/d2^c|dDD2|]
  
X:546
T:BAdd546-  Mall Sims
S:melody only, BL MS 30486, via J. Ward, JAMS, XX, 1967 
Q:1/4=120
L:1/4
M:C|
K:D dorian
A2f2|e3a|gfed|^cAA2|\
fdeA|GFED|B3/2A/B^c|d4|\
fged|d/f/e/d/^cA|FAEG|D/F/E/D/ ^CA,|\
D/E/F/G/ A/F/D|D/E/F/G/ A/F/D|F/G/A/B/ c/A/F|F/G/A/B/ c/A/F|\
A3/4A/4 B/4c/4d/4e/4f2|e3/2d/ ^c/B/A|B/c/dd^c|dDD2|]

X:547
T:BAdd547-  Venus and Adonis
S:H. E. Rollins, PMLA 38, from BL MS 38,599. Treble only
Q:1/4=50
L:1/2
M:4/2
K:F
FGAc|BAG2|FGAB|G2F2|CCDE|\
FGA(B|B)c2B|AG2(F|F)GGG|\
GFED|CGAB|c2B2|A2G2|\
zzzc|f2e2|d2c2|BAGG|.(F2F2)|]
 
X:548
T:BAdd548-  The Dissappointed Widow (Slow men of London)
S:(1st/2) Polly, 1729
Q:1/4=120
L:1/4
M:6/4
K:Dm
d|^c2de2d|^c2de3|f3e2d|^c3A2::F|F2Fc2B/c/|F2Fc3|\
d2A(BA)G|F3D3|F3/2E/Fc3/2d/c|F3/2G/Fc3|\
d2A(BA)G|F3D2:|]

X:549
T:BAdd549-  [Slow Men of London]
S:Musical Miscellany, II, 1729
Q:1/4=120
L:1/4
M:6/4
K:Dm
^c|d2df2e|(^c2d)e3|f3e2d|^c3A2A|FGFcdc|\
FGFc2^c|d2A(BA)G|F3D2:|]

X:550
T:BAdd550-  The Humours of Dublin (Slow men of London)
S:(2nd/2) Neals' Country Dances, c 1726
Q:1/4=120
L:1/8
M:6/8
K:Dm
d2efed|^c2de3|f3e2d|~^c2=BA3::\
FGF ced|FGF cdc|d2A BAG|~F2ED3:|]

X:551
T:BAdd551-  By the border's side as I did pass
S:Chappell's PMOT
Q:1/4=120
L:1/8
M:6/8
K:Am
A/A/|A2AA2G|A2cE3|GGGG2E|\
G2EG2G|A2AA2G|A2cE2E|(DF)DE2E|(A3A2:|]
 
X:552
T:BAdd552- Down/Within the North Country
S:Sing sheet, Farmer's Daughter of Merry Wakefield
Q:1/4=120
L:1/4
M:C|
K:G mixolydian
G|dB(c/d/) (e/d/)|d2g2|dc/ d/ (e/d/) (c/B/)|A2d2|\
BA/G/AG/^F/|E/^F/Gcd|Bgc/ B/ A/G/|G2zG|dB(c/d/) (e/d/)|\
d2g2|d(c/d/) (e/d/) (c/B/)|A2d2|B(A/G/)AG/^F/|\
E/^F/Gcd|B(A/G/) (^F/G/) (A/G/)|G2z|]

X:553
T:BAdd553-  Woman's work is never done
S:Leyen MS, c 1692, via Wooldridge
Q:1/4=120
L:1/4
M:C
K:Em
B,DD3/2E/|D/E/D/B,/D3/2 D/|B,EE(G/A/)|B(A/G/)D3/2D/|\
B,DD3/2E/|D/E/D/B,/D3/2 G/|G/E/D/E/G(A/B/)|c/B/A/G/E2||\
G(A/B/)d3/2e/|d/B/A/B/d2|A(B/c/)e3/2f/|e/d/g/f/e3/2d/|\
d(e/f/)g3/2e/|e/c/B/A/G3/2G/|A/B/d/e/ d/B/A/B/|A3/2G/E2|]

X:554
T:Badd554-  There was a Jovial Beggar-Man
S:Sylvia, 1731
Q:1/4=120
L:1/4
M:6/4
K:G
G/A/|B3/2 c/BA3/2 G/F|G3/2 A/GD2d|e2de2f|(g3g2)e|\
d2cB3/2 A/G|A3/2 B/AF3/2 E/D|G2Gd2B|G3G2:|]

X:555
T:BAdd555-  My father has forty good shillings
S:SMM #453
Q:1/4=120
L:1/8
M:9/8
K:Dm
d|A d d d3/2 e/2 d cA2|B3A2G F/ D3/2 D|\
G3/2 A/ B A3/2 =B/ ^c.d2d|\
A d d d3/2e/ d cA2|B3A2G F/ D3/2 D|B3/2 A/ B A3/2 =B/ ^cd2||\
"Chorus"A/ d/|f2f e3/2 f/ d c A2|B3/2A2G F D f|\
e3/2 f/ d ^c3/2 d/ ed2A/d/|f3/2 f/ fe2d c/ A3/2 A|\
B3A2 G F/ D3/2 f|e3/2 f/ d ^c d e .d2A/ A/|\
B2B A3/2 B/ G F/ D3/2|]

X:556
T:BAdd556- The Restoration of King Charles
S:(When the King enjoys...) Dancing Master, Vol III
Q:1/4=120
L:1/4
M:C|
K:C
GGcc|d/e/f/d/ e c/e/|eABc/d/|d3/2 c/c2||\
d/c/B/c/ d3/2 e/|d/c/B/c/ d3/2 e/|fAB/d/c/B/|\
A3/2 G/ G e/f/|g/a/g/f/ e d/c/|d/e/f/d/ e d/e/|\
fAGc/d/|d3/2 c/c2||]

X:557
T:Badd557- Hallow my fancie    mr mclaughlans way, by mr beck
S:Balcarres lute MS, translated by Rod MacKillop 
N:melody only, not full lute score
Q:1/4=120
L:1/4
M:C
K:C
GG/G/GA/B/|c2C,2|cB/A/G3/2G/|A/G/ F/G/EC|\
c/B/ A/G/ ^FD|d3/2 c/ BG|ed/c/d3/2 c/|c2C,2::\
ed/c/dc/B/|A/B/ c/d/ BG|AE/^F/ G3/2E/|D/E/ F/G/ EC|\
E/D/ E/^F/ G3/2 G/|A/B/ c/d/BG|ed/c/dG|A/G/ A/B/cC,:|]

Here's the way "[I'll] Never love the more" as it first appeared
in 'The Dancing Master', Vol. I, 7the ed., 1868.

X:558
T:Badd558- Never love thee more
S:Dancing Master, 1686
Q:1/4=120
L:1/4
M:6/5
K:G
D3/2E/DG2A|B3/2c/BA2G|dB2A2G|(E3E2)E|\
D3/2E/DG2A|B3/2c/BA2G|dB2c2d|(e3e2)e|\
dB2A2G|c2de3/2d/c|dBcA2G|(E3E2)E|\
D3/2E/D"|G2| from 14th ed"G3/2A/G|\
Bcde3/2d/c|dBcA2G|G3|]