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» History of the Warburton Arts Project

• Retaining Ownership of the Dreaming

• The Tjulyuru Cultural Centre

• Warburton Travel Journal

 

 
     
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Ancestral spirits arose from the flatness and journeyed across the country bringing into existence all the features of the landscape and all the animals living within it.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The Council has initiated many successful business ventures including an airline, a building company, a road-making service and a freight company... their aim is to achieve economic self-sufficiency.

Signal : Feature graphic

NGAANYATJARRA DREAMING:
The Warburton Arts Project

A special ABC Arts Online feature written by Liz Thompson.

Ngaanyatjarra landscape

The Ngaanyatjarra people of the central western desert formed the Warburton Arts Project in 1990 to nurture and protect their traditions and culture. Writer/ filmmaker Liz Thompson first visited Warburton and the Ngaanyatjarra in 1991 and was transformed by the experience.

The Warburton Arts Project has established an entirely new framework for the production and collection of Aboriginal Art. This important and unique art collection now holds over 350 paintings. Unlike other Aboriginal communities, the Ngaanyatjarra are not at risk of losing their culture because the Warburton project enables them to retain control of their paintings and as a consequence, they remain custodians of their stories and their 'Dreaming'.

In this feature, we discover the history and the people behind the Warburton Art Project and we take a trip with Liz and a group of Ngaanyatjarra to a sacred rock art site in the Gibson Desert where goanna is on the menu and the air has a breathtaking clarity.


Map showing Warburton, in Western Australia

The history of the Warburton Arts Project

Yarnangu, the Aboriginal people who speak Ngaanyatjarra dialect live on their traditional homelands in the central western desert of Australia. Ngaanyatjarra believe that the earth was created by mythical beings and that initially, it was flat and featureless. Ancestral spirits arose from the flatness and journeyed across the country bringing into existence all the features of the landscape and all the animals living within it.

These journeys and the rituals and ceremonies that relate to them are all part of what Ngaanyatjarra people call Tjukurrpa, and what non-Aboriginals often refer to as 'the dreaming'. Tjukurrpa holds all the principles of Ngaanyatjarra life together and all things are created by it. Law, stories and songs, the physical features of the landscape and the first people were all made by the ancestral spirits of the Tjukurrpa.

" All these Tjukurrpa stories, we didn't make them up, they happened. White men when they come to Australia, they thought we were nothing … or just a spirit. But we was a human being. They brought everything, everything we don't know. There was shooting, there was fighting with the spears. They found the Aborigine people here with lotta stories. They was looking for land. That means troubles, troubles. They was putting handcuffs on the people and dragging them out to jail, near that big bottle tree in Derby. They shoot them too but people, we're still fighting. Now, today, they're fighting with the talks, because of culture, culture." - Tommy Simms.

Mitika rock art site
Mitika rock art site

The Aboriginal people of the western desert were nomadic people, moving around in search of food and water. This changed with the arrival of missionaries and the beginning of 'settlement' at Warburton in 1933.

...by the 1970s the last of the nomadic people had come in from the bush.

Warburton settlement lies beside the Great Central Road (Outback Highway) in the heart of the Gibson Desert, 1050 kms South West of Alice Springs and 750kms north east of Kalgoorlie. Before the missionaries arrived the only Europeans who had passed through this region were a few mining prospectors and doggers collecting dingo scalps.

By 1954, between 500 and 700 Aboriginal people were living at Warburton. Children stayed in the children's home and were sent to school where they were taught in English, a policy that contributed to the breakdown of traditional culture. Women and girls were trained in sewing, kitchen skills and cooking, and men made money by collecting dingo scalps or working as shearers or builders for the mission. A nearby copper mine drew even more people to the settlement and by the 1970s the last of the nomadic people had come in from the bush.

"Missionaries brought mum and dad here. They said to us, 'You gotta stay here at the home until you get big'. Mum and dad went back out bush and we stayed here. Sometimes they were allowed to take us away for holidays and we always dug for goanna or rabbits. Before that, our grandmothers and grandfathers had their own beliefs … but my father and mother, they been following God." - Tjingapa Davies

Tjinuka Holland collecting honey ants
Tjinuka Holland collecting honey ants near Kalkakutjarra

The Ngaanyatjarra people currently hold a 99-year lease over their traditional lands. In 1973, the United Aborigines Mission handed control of the Warburton settlement to the Aboriginal people, and responsibility for economic development was undertaken by the Aboriginal Affairs Planning Authority of the state government of Western Australia. Since then, Warburton has worked under the umbrella of the Ngaanyatjarra Council.

The Council has initiated many successful business ventures including an airline, a building company, a road-making service and a freight company which brings food and dry goods to the communities. Their aim is to achieve economic self-sufficiency.

In 1990, the Ngaanyatjarra community formed the Warburton Arts Project to help people find new ways of expressing their culture and to assist them in maintaining and nurturing existing traditions.

GO TO PART 2 »



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