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Cylinders
History:
The first sound recording was a foil covered brass cylinder (1877-79,
Edison), which came to be known as tinfoil records. These impermanent recordings were eventually replaced with wax or plastic-based cylinders of varying dimensions that could be
either pre-recorded or recordable depending on the formulation and manufacture. The height of wax and plastic
cylinders' popularity is from about 1887 (Bell-Tainter/American
Graphophone Co.) to 1929, when the Edison Company discontinued its
commercially recorded cylinder product; however, cylinder recorders were
used to a great extent in live recording of ethnographic field notes, and also for office dictation, so archival collections may have cylinders from the 1930s through
the early 1960s.
The length of sound recordings on cylinder depend on the dimensions of the
cylinder, numbers of grooves per inch and rotations per minute (rpm). Soft wax cylinders (cylinders with 100 grooves per inch) ran approximately 2 to 2.5 minutes of
playing time. "Longer Play" cylinders with 200 grooves per inch ran twice as long, up to 4.5 minutes. Cylinders also have
different rotations per minute, depending on the manufacturer and advances in technology: e.g. 120 rpm, 144 rpm, or 160 rpm.
Many manufacturers produced cylinders in its heyday, but there are no
substantial differences in the recording or playback of cylinders by these different companies. Cylinders were recorded acoustically (also known as mechanical recording). Acoustic
recording is defined as sound waves affecting a diaphragm attached to a stylus, which will impress a sound track
corresponding to the sound waves onto a recording medium.
Materials: Soft Wax Cylinders
(1887): Wax cylinders are the first of the cylinders and are usually direct original recordings, though
some prerecorded soft wax cylinders exist. In the first few years of their manufacture and use they were an ivory or cream
color, but in later years were a medium brown color. On occasion they were used solely for dictation, and the wax could be
scraped off to present a new surface for recording. Wax cylinders are made of
various waxes, resins, soaps, and oils with additions of colorants,
anti-fungal oils, plasticizers or lubricants, and hardeners. Ward (A Manual of Sound
Archives Administration) refers to two recipes (p. 125):
"A typical recipe for the composition from which brown wax cylinder blanks were moulded was 12 lb stearic acid/1 lb caustic
soda/ 1 lb. ceresin or paraffin wax / 1 oz. aluminum oxide. Other ingredients used
in Edison wax cylinders were 'burgundy
pitch,' frankincense, colphony, spermaceti, and aluminum stearate.
Wax cylinders could be solid, or could have a cardboard core."
Molded Cylinders (1902-03): Prerecorded cylinders became available,
made of hardened wax or metallic soap (this also provided a sharper, superior sound), which are fragile and brittle. Cellulose nitrate cylinders with cardboard or plaster cores
became available after 1908, and culminated in the "Blue Amberol" so-called indestructible cylinder in 1912.
Sizes (Diameter/length):1 5/16" – 4" ; 2 1/4" – 8" ; 3 3/4" – 6"; 5" – 4" ; 6" cylinder
Manufacturers: Edison Phonograph Works, London Stereoscope Co., North American Phonograph Co./Jesse Lippincott, The Columbia
Phonograph Co., The American Graphophone Co./Bell-Tainter/Volta Graphophone Co., American Talking Machine Co., Pathe-Freres, Edison-Bell
Consolidated Ltd.
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