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10 out of 15 people found the following comment useful:-
Excellent Realist Adventure Film, 24 January 2005
Author:
Brandt Sponseller from New York City
Based on a true story and set in Australia in the 1930s, Rabbit-Proof
Fence is about three "half-caste" aboriginal girls, Molly Craig
(Everlyn Sampi), Daisy (Tianna Sansbury) and Gracie (Laura Monaghan),
who are taken from their mother and shipped 1500 miles across the
country to the Moore River Native Settlement where they are to become
more integrated into white Australian culture. Molly, the eldest and
most experienced of the three, initiates an attempt to return home, on
foot.
There is some controversy over just how factual the film and its bases
are (including the book by the real-life Molly Craig's daughter, Doris
Pilkington), and there were some interesting parallels to the situation
depicted in the film and behind the scenes facts about star Sampi and
director Phillip Noyce. I won't get into that here, because it's
irrelevant to the question of whether Rabbit-Proof Fence is a good
film. It is. It's an excellent, inspirational film that should leave
nary a dry eye whenever it's shown.
On the other hand, there is a politics present in the film that is not
ignorable. The aborigines in the film are abused and pushed around by a
culture that misguidedly wants to "protect them from themselves". A
segment of historical white Australia is portrayed as the "bad guy".
Noyce doesn't paint a picture completely without ethical nuance,
however. The chief villain of the film, A.O. Neville (Kenneth Branagh),
keeps talking about his good intentions, and such claims do not come
across as insincere. This all sets the backdrop and motivation for the
heart of the film, which is a story of just what conviction,
persistence and a bit of resourcefulness can do.
Rabbit-Proof Fence is mostly a combination of an adventure and a
suspense film. Set primarily in the breathtaking Australian wilderness,
magnificent cinematography goes without saying. The suspense is
realistic and comparatively subtle.
As for the cast, Sampi is simply enchanting, and Branagh is as good
here as I've seen him in any other film of his, even though his role is
a relatively minor one. The tracker, Moodoo (David Gulpilil), managed
to be very effectively complex, all while uttering barely a word. The
music, by Peter Gabriel, is also worth noting. It is very unobtrusive,
but elegantly emphasizes mood throughout the film.
I also had extra personal interest in the film as an avid hiker who has
done a number of long-distance hikes and who plans to do more in the
future.
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