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About Last Night
TERRY TEACHOUT on the arts
in New York City (with additional dialogue by OUR GIRL IN CHICAGO)
ABOUT TERRY TEACHOUT AND OUR GIRL IN CHICAGO
Terry lives in Manhattan. He's the drama critic of the Wall Street Journal and the music critic of Commentary, but he writes about the other arts, too—books, ballet, painting and sculpture, film and TV, whatever happens to catch his eye or ear. In addition to his drama column, Terry writes "Sightings," a biweekly column about the arts in America, for the Saturday Wall Street Journal, and his work also appears in National Review and other magazines. His Wikipedia entry is here.
Our Girl in Chicago is Laura Demanski, a Chicago-based writer with experience as an editor, critic, graduate student, and teacher. Laura's book reviews appear in The Baltimore Sun and The Chicago Tribune. Naturally drawn to the medium-hot centers of this world, she is a fierce advocate of her adopted Second City but still feels at home when she visits her one-time stomping grounds of Manhattan. A serious media addiction helps her keep close tabs on the red-hot from her comfy but happening city by the lake. She worries she should shoulder more guilt about her guilty pleasures—which include pro hockey, cop and lawyer shows, Las Vegas, and the colorful adventures of Travis McGee—but they're all just so damn pleasurable. More presentably, she's into Romantic poetry, Henry James, landscape painting, modern dance (with and without shoes, if you know what she means), and Edward Gorey. But she's not always sure she doesn't have some of those items in the wrong column.
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ABOUT LAST NIGHT
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ABOUT TERRY TEACHOUT AND OUR GIRL IN CHICAGO
Terry lives in Manhattan. He's the drama critic of the Wall Street Journal and the music critic of Commentary, but he writes about...
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ABOUT "ABOUT LAST NIGHT"
This is a blog about the arts in New York City and elsewhere, a diary of Terry's life as a working critic, with additional remarks and reflections by Laura Demanski (otherwise known as Our Girl in Chicago), who is also, among other things, a critic. It’s about all the arts, not just one or two...
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ABOUT TERRY'S BOOKS
Terry's latest book is All in the Dances: A Brief Life of George Balanchine...
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US: tteachout@artsjournal.com
ogic@artsjournal.com
(syndicate this AJblog)
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TEACHOUT IN COMMENTARY |
SAVING LIPATTI
“For all of his posthumous renown, few of Dinu Lipatti’s admirers know anything about his life beyond the sketchy accounts included in the liner notes to his recordings. It is not generally appreciated, for instance, that he was also a composer whose small but beautifully crafted body of work was full of promise. Nor does the English-language literature on Lipatti contain a candid discussion of his conduct in World War II…”
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SECOND CITY |
OCTOBER
"Terry Teachout, author of 'All in the Dances: A Brief Life of George Balanchine,' 'A Terry Teachout Reader' and 'The Skeptic: A Life of H.L. Mencken,' started writing 'Second City,' a monthly column about the arts in New York, in the fall of 1999. In September, after six years and 64 columns, he filed his final report for The Post. 'I can't even begin to tell you how much I'll miss Second City,' he says. 'Not only was it a pleasure and a privilege to report to the readers of one great city about the artistic doings of another, but I learned to love Washington along the way.'...
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SEPTEMBER
"It's profoundly unsettling for a Manhattanite to be following the news these days. I've found it all but impossible to tear myself away from the televised scenes of mounting chaos in New Orleans and on the Gulf Coast, though I did take a quick look the other day at the first 'Second City' column I filed after 9/11. It started like this: 'We're all right, thanks. It took a week or two for us to pull ourselves together, but New Yorkers have finally started to emerge from their holes, looking for all that art offers in times of trial: inspiration, diversion, catharsis, escape.' It will take a lot longer for the victims of Hurricane Katrina to reconstitute their lives, and longer still, I fear, for them to regain access to the solace of art..."
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AUGUST
“Respighi is known in this country for 'The Fountains of Rome', 'The Pines of Rome' and not much else, but in Italy he's rightly admired as a witty, wonderfully lyrical composer. 'La Bella Dormente' is all that and more, and Basil Twist's magical staging commingles singers, puppets and puppeteers to tell the familiar tale (at the end they all dance together, in a breathtaking piece of theatrical wizardry). The puppets were bewitchingly characterful, the singers first-rate. How sad to think that this show received only a half-dozen performances! It belongs in an off-Broadway theater, where it would surely run until the end of time…”
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TEACHOUT'S
TOP FIVE |
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A list of things we've liked (subject to unexpected and wildly capricious updating).
To purchase or investigate, click on the link.
DVD: Sgt. Bilko: The Phil Silvers Show 50th Anniversary Edition (Paramount, three discs). The first non-pirated DVD reissue of one of the half-dozen funniest TV sitcoms ever, created and supervised by the late, great Nat Hiken. This best-of collection contains eighteen complete episodes and the usual plethora of well-chosen extras. Because the series vanished from syndication years ago, few under-50 TV buffs are familiar with You’ll Never Get Rich (as the Silvers-Hiken service comedy was originally known) other than in its corrupted reincarnation as a fifth-rate Steve Martin movie. Buy this set and you’ll know better (TT).
BOOK: Michael Steinberg and Larry Rothe, For the Love of Music: Invitations to Listening (Oxford, $28). Elegantly written, engagingly personal essays on classical music and its makers, originally published in the famously literate program booklets of the San Francisco Symphony. Even if you’ve been around the track and then some, you’ll find them both readable and illuminating (TT).
FILM: B Noir (Film Forum, through June 15). A six-week-long series of bottom-of-the-bill film noir classics from the Forties and Fifties, most of them shown as two-for-one double features. Highlights include Joseph H. Lewis’ Gun Crazy and The Big Combo (May 19-20), Anthony Mann’s T-Men and Raw Deal (May 29), and Phil Karlson’s Kansas City Confidential and The Phenix City Story (June 9-10). You don’t get many chances to see movies like this in a theater, so take advantage (TT).
MUSICAL: The Drowsy Chaperone (Marquis, 1535 Broadway at 45th St.). A lonely musical-comedy buff puts on a 1928 record of his favorite show, which is then magically played out in his drab apartment. What ensues is an encyclopedically knowing spoof of Twenties musical comedy (think Kern and Wodehouse) made still more vivid by the sly yet affectionate narration of the buff in question, known only as “Man in Chair” and played with exceptional vividness by Bob Martin. A meta-musical with a heart—who’d have thought it? (TT).
GALLERY: John Twachtman: A “Painter’s Painter” (Spanierman Gallery, 45 E. 58th St., through June 24). An eighty-one-work retrospective—the first of its kind to be given in New York in recent memory—of paintings and works on paper by a remarkable but underappreciated turn-of-the-century artist whom many collectors and connoisseurs regard as the greatest of the American impressionists. Why “A ‘Painter’s Painter’” wasn’t organized by a museum is beyond me, but at least that means you can see it for free (TT).
More on the Top Five
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TEACHOUT
ELSEWHERE |
KIRK DOUGLAS, MASTER PAINTER
“A wise old cynic once observed that hypocrisy is the tribute vice pays to virtue. Had he lived three centuries later, La Rochefoucauld might have added that biopics are the tribute Hollywood pays to real art. Anyone who chooses to make a movie about a great artist, be it good or bad, is making an implicit declaration of faith in the enduring significance of Western culture. Hence it says something of interest about the state of American culture that pictures like Lust for Life and The Agony and the Ecstasy, in which Charlton Heston played Michelangelo, have become so rare in recent years…”
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A HUNDRED BOOKS IN YOUR POCKET
"The e-book is back. So are the technophobes who swear it'll never catch on. They were right last time, and they might be right this time, too. Sooner or later, though, they'll be wrong—and when they are, your life will change..."
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MENCKEN NO. 3
“You don’t pour years of your life into writing a biography unless you feel an initial bond of sympathy with the subject, and, though many a biographer has grown disillusioned along the way, it’s obvious from reading Mencken: The American Iconoclast that Rodgers still admires and, just as important, likes the man about whom she has written. But how closely does that man resemble the real H.L. Mencken? Have Rodgers’s sympathies led her to smooth his rough edges, or downplay less palatable aspects of Mencken’s work that might not sit well alongside her frank admiration? The answer, I suspect, will depend on how much you yourself like Mencken…”
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SITES TO SEE
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* = newly added
LITBLOGS Anecdotal Evidence Beatrice Beiderbecke Affair Bookdwarf Books, Inq. Bookslut Chekhov's Mistress Chicken Spaghetti Conversational Reading Brenda Coulter Elegant Variation emdashes Galley Cat Golden Rule Jones Happy Booker Kate’s Book Blog Light Reading Litblog Co-Op Literary Saloon MadInkBeard James Marcus Scott McLemee Metaxucafe The Millions MoorishGirl The Mumpsimus Maud Newton Old Hag Rake's Progress Reading Experience Return of Reluctant Tingle Alley Sarah Weinman Dan Wickett
OMNIBLOGS amp power Back with Interest Coudal Partners Crazy Stable Cue Sheet CultureSpace DevraDoWrite A Glass of Chianti Gurgling Cod Jerry Jazz Musician Killin' time being lazy Justine Larbalestier My Stupid Dog Outer Life Praise of Folly Pratie Place Quiet Bubble Searchblog Shaken & Stirred Something Old such stuff James Tata Teatro Lifson Thrilling Days Kelly Jane Torrance Eve Tushnet 2 Blowhards Whisky Prajer
SCHOOLBLOGS Household Opera Language Log* The Little Professor Amardeep Singh
SCREENBLOGS Alarm! Deadline Hollywood* DVD Savant Girish House Next Door Pullquote
SIGHTBLOGS Art Addict* Artblog.net Culturegrrl* Design Observer Eye Level From the Floor Modern Art Notes Modern Kicks Edward Winkleman
SOUNDBLOGS Deceptively Simple Do the Math in the wings Iron Tongue oboeinsight Rifftides Alex Ross Sandow Secret Society* Think Denk twang twang twang
STAGEBLOGS Downtown Dancer Rachel Howard* Parabasis The Playgoer Superfluities zayamsbury.net
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PODCASTERS ThoughtCast*
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WEBCOMICS Cat and Girl Married to the Sea
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ARTISTS BiddyBlog Bob Brookmeyer Mary Foster Conklin Julia Dollison Makoto Fujimura Greta Gertler Hilary Hahn Jim Hall Fred Hersch Laura Lippman Erin McKeown Beata Moon Paul Moravec Nickel Creek Maria Schneider Luciana Souza
CRITICS Bruce Bawer Roger Ebert Robert Gottlieb Maureen Mullarkey Mark Steyn
ART LINKS artsjournal.com Arts & Letters Daily The Page
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OTHER BLOGS Alicublog Althouse The American Scene Barone Blog Eric Berlin Bookish Gardener Cathy's World Chequer-board City Comforts Colby Cosh The Corner Clive Davis Delicious Pundit First Things Fish Needs Bicycle Godsbody Hotline Blogometer InstaPundit Kausfiles Lileks Maccers Lance Mannion Megan McArdle Modestly Yours Mystery Pollster Off Wing Opinion Open Book Overheard Lines Overlawyered RealClearPolitics Roger L. Simon
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MEDIA BuzzMachine I Want Media PressThink Romenesko TMFTML
RADIO Hello Beautiful! Saint Paul Sunday Soundcheck Studio 360
PRINT Armavirumque Baltsun Books Bosglobe Books Bosglobe Music Bosglobe Theater Chitrib Arts Chitrib Books Commentary LAT Books NY Observer Arts NYT Arts NYT Book Review NYT Obits NYT Theater The Onion Slate WSJ OpinionJournal DC Post Bookworld DC Post Style DC Post Sunday Arts
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USEFUL SITES BBC Four Interviews Criterion Collection DVD Journal Hot Dogs Inflation Calculator Internet B'way DB Internet Movie DB Henry James Sites Online Parallel Bible OS Shakespeare Paris Review DNA Red Hot Jazz Rotten Tomatoes samueljohnson.com Upcoming Jazz CDs Worlds Records
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