 |
| |
|
|
|
|
|
|
|
|
| |
|
|
| |
 |
|
A Home at the End of the World (2004) |
|
"With no overblown pretensions...tells an engaging story about sympathetic folks finding their way in a never over-simplified world." | |
Arthur Lazere | |
|
|
|
| |
|
|
A Tout de Suite (2005) |
|
"Evokes the feel and the sensibility of the New Wave while retaining a decidedly contemporary tone." | |
Arthur Lazere | |
|
|
|
| |
 |
|
A.I. Artificial Intelligence (2001) |
|
"Bursts under the weight of a tidal wave of ponderous schmaltz." | |
Scott Von Doviak | |
|
|
|
| |
|
|
Aberdeen (2001) |
|
"The acting alone can't fill the motivational gaps." | |
Arthur Lazere | |
|
|
|
| |
|
|
About Schmidt (2002) |
|
"[Nicholson] makes Payne's film look better than it is, but he can't save it from being overlong, repetitious, and flat." | |
Arthur Lazere | |
|
|
|
| |
2/5 |
|
The Accidental Tourist (1988) |
|
No article available. | |
Scott Von Doviak | |
|
|
|
| |
-- |
|
The Acid House (1998) |
|
Click here to see the review. | |
| |
|
|
|
| |
-- |
|
Adaptation (2002) |
|
Click here to see the review. | |
| |
|
|
|
| |
6/10 |
|
The Adventures of Rocky & Bullwinkle (2000) |
|
"Rocky and Bullwinkle is too hectic to allow any breathing room for characterization." | |
Scott Von Doviak | |
|
|
|
| |
7/10 |
|
An Affair of Love (2000) |
|
"Baye is left stranded, a performance too strong for a film this slight to contain." | |
Gary Mairs | |
|
|
|
| |
|
|
Affliction (1997) |
|
"...gripping, the downward spiral taking on genuinely tragic inevitability.
" | |
Arthur Lazere | |
|
|
|
| |
-- |
|
After Life (1998) |
|
Click here to see the review. | |
| |
|
|
|
| |
|
|
After Stonewall (1999) |
|
"a handsomely produced film that doesn't explore new territory or forge ahead with new insight, but is useful, nonetheless, as a primer on the history of the period" | |
Arthur Lazere | |
|
|
|
| |
|
|
Aimee & Jaguar (2000) |
|
"Watching Aimee and Jaguar is like having your eyes anxiously affixed on a cracked mirror on the wall, delicately held together, yet on the brink of violently shattering to the ground." | |
Rachel DeThample | |
|
|
|
| |
|
|
Alex and Emma (2003) |
|
"Both ponderous and fluffy at the same time--a notably contradictory achievement" | |
Arthur Lazere | |
|
|
|
| |
|
|
Alexander (2004) |
|
"It's as if Stone deliberately were creating a parody of all the cornball biblical/historical spectacles in the history of the movies." | |
Arthur Lazere | |
|
|
|
| |
|
|
Alfie (2004) |
|
"The fascinatingly complex character who inspired masterpieces from the wit of Moliere and the genius of Mozart draws only humdrum mediocrity from the remake mill of Hollywood." | |
Arthur Lazere | |
|
|
|
| |
|
|
Ali (2001) |
|
"Ali does the unthinkable: making its complex and dynamic subject smaller than life." | |
Bob Aulert | |
|
|
|
| |
|
|
Alias Betty (2002) |
|
"An absorbing trip into the minds and motivations of people under stress as well as a keen, unsentimental look at variations on the theme of motherhood." | |
Arthur Lazere | |
|
|
|
| |
-- |
|
Alice et Martin (1998) |
|
Click here to see the review. | |
| |
|
|
|
| |
|
|
Aliens of the Deep (2005) |
|
"The crew ooos and aahs and talks like so many valley girls ("awesome," "freaky," etc.), leaving the viewer hungry for some more substantive science to back up the visuals." | |
Arthur Lazere | |
|
|
|
| |
10/10 |
|
All About My Mother (1999) |
|
"All About My Mother marks an enormous leap forward for Almodovar." | |
Gary Mairs | |
|
|
|
| |
|
|
All or Nothing (2002) |
|
"Leigh and his actors succeed in making these characters human and sympathetic and, thus, all the more profoundly sad." | |
Arthur Lazere | |
|
|
|
| |
3/10 |
|
All the Pretty Horses (2000) |
|
"A series of emotionally stillborn incidents." | |
Tom Block | |
|
|
|
| |
|
|
All the Real Girls (2003) |
|
"A sweet glimpse into young romance, delivered with...style, but, in the end, unsatisfyingly skimming the surface" | |
Arthur Lazere | |
|
|
|
| |
8/10 |
|
Almost Famous (2000) |
|
"Such a dazzlingly entertaining mess that it's tempting to ignore the
confusion that eventually overwhelms it." | |
Gary Mairs | |
|
|
|
| |
|
|
Alone in the Dark (2005) |
|
"None of it hangs together enough to make a coherent narrative." | |
Pamela Troy | |
|
|
|
| |
|
|
Along Came a Spider (2001) |
|
"Spins its formulaic web like a black widow on automatic pilot." | |
Scott Von Doviak | |
|
|
|
| |
|
|
Along Came Polly (2004) |
|
"Doesn�t represent cinema at its height, but it will evoke more than a chuckle or two." | |
Leslie Katz | |
|
|
|
| |
|
|
Amadeus (1984) |
|
"Forman's direction is impeccable, sustaining the unique tone on which the production hinges." | |
Arthur Lazere | |
|
|
|
| |
|
|
Amelie (2001) |
|
"An effervescent world of unrequited love, suicidal goldfish, photo booth intrigue and elaborate courtship schemes." | |
Bob Aulert | |
|
|
|
| |
|
|
America's Prince - The John F. Kennedy Jr. Story (2003) |
|
"Continue[s] after his death the opprobrious exploitation by the media that JFK, Jr. suffered during his life." | |
Arthur Lazere | |
|
|
|
| |
|
|
America's Sweethearts (2001) |
|
"Wide parched vistas of monotony separate scrabbly oases of amusement and the payoff for a gag almost never matches the time devoted to its setup." | |
Bob Aulert | |
|
|
|
| |
|
|
American Beauty (1999) |
|
"Bitterly funny and beautifully crafted." | |
Tom Block | |
|
|
|
| |
|
|
American Experience - Daughter from Danang (2002) |
|
"The filmmakers craftily intuit the emotional high points of the mother-daughter reunion." | |
Nigam Nuggehalli | |
|
|
|
| |
|
|
American Experience - Return With Honor (1999) |
|
"Mock and Sanders have skillfully crafted a film that grows in intensity as the story unfolds" | |
Arthur Lazere | |
|
|
|
| |
|
|
An American in Paris (1951) |
|
"Every five or ten minutes the audience is treated to a riveting dance number set to some of the greatest tunes of George and Ira Gershwin." | |
Ben Stephens | |
|
|
|
| |
10/10 |
|
American Movie (1999) |
|
Click here to see the review. | |
Scott Von Doviak | |
|
|
|
| |
8/10 |
|
American Pimp (1999) |
|
Click here to see the review. | |
Scott Von Doviak | |
|
|
|
| |
3/10 |
|
American Psycho (2000) |
|
"American Psycho has all the trappings of a thoughtful film except profundity -- it's a swimming pool without a deep end." | |
Tom Block | |
|
|
|
| |
|
|
American Splendor (2003) |
|
"Follows [Pekar's] journey with originality, humor and humanity" | |
Leslie Katz | |
|
|
|
| |
|
|
Amores Perros (2001) |
|
"Cannily balances the melodrama with starkly naturalistic detail." | |
Gary Mairs | |
|
|
|
| |
|
|
Analyze That (2002) |
|
"The premise of the successful original is essentially abandoned early on in favor of an uninteresting and predictable plot-driven story from which the laughs disappear all too quickly." | |
Arthur Lazere | |
|
|
|
| |
|
|
Analyze This (1998) |
|
"sizzling comic chemistry from the DeNiro-Crystal combination" | |
Arthur Lazere | |
|
|
|
| |
-- |
|
Anatomy of a Murder (1959) |
|
Click here to see the review. | |
| |
|
|
|
| |
|
|
Angel Eyes (2001) |
|
"Angel Eyes is a romance without love, a suspense drama without tension, a thriller without excitement." | |
Bob Aulert | |
|
|
|
| |
1/5 |
|
Angel Heart (1987) |
|
No article available. | |
Arthur Lazere | |
|
|
|
| |
-- |
|
Angel's Ladies (2000) |
|
Click here to see the review. | |
| |
|
|
|
| |
|
|
Angela's Ashes (1999) |
|
"The movie makes the odd and ultimately fatal mistake of leaving McCourt out of his own story." | |
Scott Von Doviak | |
|
|
|
| |
|
|
Angels in America (2003) |
|
"What comes through glowingly...is Kushner�s poetic dialogue and Nichols evokes strong performances all the way around." | |
Lewis Whittington | |
|
