HISTORICAL
BIBLIOGRAPHY No. 6

War on Film: Military History Education

Video Tapes, Motion Pictures,
and Related Audiovisual Aids

1. Purpose and Scope
2. Warnings and Restrictions
3. Organization of This Bibliography
4. Tips for the Instructor
5. How to Order
6. Army Film Codes
7. Distributor Codes
8. Submission of Comments

Chapter Two. General Military History

1. General
2. Series

a. The Air Force Story
b. Air Power
c. Army in Action
d. Between the Wars
e. The Rise and Fall of the Third Reich
f. Small-Arms Technology
g. Soldiers: A History of Men in Battle
h.The Speeches of FDR
i. The Truman Years
j. Twentieth-Century History
k. Victory at Sea
l. Vietnam: A Television History
m. War
n. The War Years
o. Why We Fight Series
p. The World at War Series
q. World War I
r. World War II
s. World War II: G.I. Diary

3. Technology

a. Aviation
b. Chemical
c. Espionage
d. Firepower
e. Mobility
f. Naval
g. Nuclear
h. Space

1. Arnold, Henry Harley
2. Bismarck, Otto von
3. Bradley, Omar Nelson
4. Churchill, Winston Leonard Spencer, Sir
5. Eisenhower, Dwight David
6 Goebbels, Joseph 7. Göring, Hermann
8. Harris, Arthur Travers, Sir
9. Hess, Rudolph
10. Hitler, Adolf
11. Kennedy, John Fitzgerald
12. Laval, Pierre
13. Lenin, Vladimir Ilyich
14. MacArthur, Douglas
15. Marshall, George Catlett
16. Mitchell, William
17. Mussolini, Benito Amilcare Andrea
18. Napoleon I, Emperor of the French
19. Nimitz, Chester William
20. Patton, George Smith
21. Pershing, John Joseph
22. Rickenbacker, Edward Vernon
23. Rommel, Erwin Johannes Eugen
24. Roosevelt, Franklin Delano
25. Slim, William Joseph Slim, 1st Viscount
26. Speer, Albert
27. Stilwell, Joseph Warren
28. Thayer, Sylvanus
29. Trenchaxd, Hugh Montague Trenchard, 1st Viscount
30. Truman, Harry S.
31. Yamamoto, Isoroku
32. Zhukov, Georgi Konstantinovich

1. U.S. Armies
2. Infantry Divisions
3. Armored Divisions
4. Cavalry Divisions and Regiments
5. Airborne-Airmobile Divisions and Brigades
6. Miscellaneous

1. Colonial America 2. Revolutionary War
3. 1783-1812
4. War of 1812
5. 1815-1860
6. Miscellaneous

1. Civil War
2. Post-Civil War and Spanish-American War

1. World War I and the Allied Intervention in Russia
2. Between the Wars

a. General
b. German Films

1. General
2. Combat Bulletins
3. German Films

1. Korean War, General
2. Korean War Combat Bulletins
3. Cold War

1. Vietnam Way, General
2. Vietnam War Staff Film Reports
3. Vietnam Training Reports
4. Vietnam Special Bulletins
5. Vietnam Era and Post-Vietnam

a. General
b. Special Bulletins

• Like all commercial products, films cost money. Rental prices range from $50 to $100 for a three- to five-day period, and purchase costs can be several hundred dollars. Your local funds must be used to procure these items.
  
• Your local training and audiovisual support center (TASC) is the governing agency for the procurement of all films, commercial or government produced. Specific procedures have been established to govern film procurement, and the TASC is your point of contact.
  
• One valuable source for films that is often overlooked is local university or college libraries. Many film rental libraries have been established across the country that rent video tapes and 16-mm films at reasonable rates. But remember: the TASC must be involved in the procurement of all films, so check with them first before ordering.
  
• The fact that a film is listed in this bibliography does not mean that you can get it overnight. Plan as far ahead as possible, and give the TASC as much lead time as you can. If a film is already in the TASC system, it is either on hand at your local TASC or will be available from Tobyhanna Depot within two to three weeks. If it is not in the TASC system, it could be six months or longer before the film can be obtained. So plan accordingly.
  
  
  CHAPTER ONE
  
  Introduction
  
  1. PURPOSE AND SCOPE.
  
  This bibliography is a listing of selected, unclassified government and commercially produced motion picture films, videotapes, and related audiovisual materials that support the teaching of American military history. It is designed to serve as a resource tool to assist instructors within the TRADOC Military History Education Program.
  
  2. WARNINGS AND RESTRICTIONS.
  
  The listing of commercial suppliers does not constitute an endorsement of those companies by the U.S. Army. It simply means that those companies have been identified as sources for particular films. There may be other companies that provide the same materials. Funding for rental or purchase of those films is up to the individual user. Companies that handle appropriate items, but are not identified in this bibliography, may submit their listings to this office for possible inclusion in future published updates (see Submission of Comments, paragraph 8). Many of the films selected from the TASC system will enhance classroom instruction, but they are outdated in terms of current doctrine. Note: Before all showings, the audience should be advised that these films are historical documents and are not intended to reflect current doctrine, policies, or plans.
  
  3. ORGANIZATION OF THIS BIBLIOGRAPHY.
  
  a. Chapter 1 serves as an introduction, with the remaining ten sections devoted to film listings. Major historical topics and time periods dealing with the U.S. Army have been broken down into separate section headings, e.g., Commanders-Personalities, American Revolution, etc. Within each chapter, such subtopics as technology, tactics, or theaters of operation have been identified where appropriate, Individual films are then listed alphabetically by title or chronologically (for convenience). In a few cases, a film category (e.g., combat bulletins) has been designated as an appropriate subtopic, with films listed in numerical sequence.
  
  b. Listing Format. TITLE- The American Soldier in Combat.
  
  FORMAT-
  
  DESCRIPTION-

  (B&W; [black and white]/16-
  mm/54 min./1960).
  This film is an account of
  the combat history of the
  American soldier from the American Revolution through
  the Korean War.
  

  DISTRIBUTOR CODE

  D-1

  (See chapter 1, paragraph 6.)
  
  FILM CODE AND
  CATALOG NUMBER-
  

  AIF 11.

  SAVPIN NUMBER-

  (SAVPIN 20233)

  (See chapter 1, paragraph 5.)
  
  
  4. TIPS FOR THE INSTRUCTOR.

  a. Use and Misuse of Audiovisual Materials. The proper use of audiovisual support materials can greatly enhance classroom military history instruction. Seeing and hearing history as it happened (or is re-created) can often provide the stimuli that excites students to seek the lessons of history. But at the same time, audiovisual materials can become a crutch that detracts from effective teaching and learning. When films are readily available and class planning time is limited, the practice by instructors of showing films to take up extra time can develop. In many cases, these films have not been previewed, have little to do with the actual topics to be covered, and often bore the students. The following tips may assist an instructor in ensuring effective use of films:
  

  (1) Order films well in advance of the projected showing dates.
  
  (2) Preview materials prior to class use to ensure that they are appropriate.
  
  (3) Provide appropriate introductory remarks to prepare the students for the highlights of films.
  
  
  b. TASC. Your best single source for audiovisual materials is your local TASC. In addition to stocking a large selection of materials and procuring commercial films, the TASC also provides the following services:
  
  (1) Advisory services in the programming, selection, and proper use of audiovisual materials for instruction.
  (2) Loans of projection or viewing equipment.
  (3) Training and licensing of projectionists used by units.
  
  c. Copyright. As an instructor, be aware that some of the material you may want to use is copyrighted. Check with your local TASC for guidance.

  5. HOW TO ORDER.
  
  Check with your TASC to order any items listed in this bibliography. Be sure to provide the title, distributor code, film code-catalog number, and SAVPIN number (standard audiovisual production identification number) for each order. Remember, if the item is not in the TASC system, your local funds must be used for procurement.
  
  6. ARMY FILM CODES.
  
  AFIF-- Armed Forces Information Film
  AFMR-- Armed Forces Military Reports (includes AFSM)
  AIF-- Army Information Film
  CB-- Combat Bulletin
  CHR-- Combat Historical Report
  CMF-- Combat Miscellaneous Film
  CR-- Campaign Reports
  DDCP-- Defense Preparedness Films
  FB-- Film Bulletin
  MF-- Miscellaneous Film
  RT-- Recordings on Tape
  SFR-- Staff Film Reports
  STVM-- Soldier's TV Magazine
  TAR-- The Army Reports
  TF-- Training Films
  TV-- Television Big Picture Films
  TVT-- Television Videotapes
  VGT-- Viewgraph Transparency
  
  Note: Not all film codes are definable; some are merely designations.
  
  7. DISTRIBUTOR CODES.
  
  D-1 Local TASC
  
  D-2 PMI/Films Incorporated
  
  5547 N. Ravenswood Avenue
  Chicago, IL 60640-1199
  1-800-323-4222
  (In Illinois, call collect (312) 256-3200.)
  
  D-3 Coronet/MTI
  108 Wilmot Road
  Deerfield, IL 60015
  1-800-323-5776
  
  D-4 National Audiovisual Center
  Customer Services Section EB
  8700 Edgewater Drive
  Capitol Heights, MD 20743-3701
  (301) 763-1896
  
  D-5 Listening Library
  P.O. Box L
  Old Greenwich, CT 06870
  1-800-243-4504
  
  D-6 Aviation A.V. Library
  Ferde Grofe Films
  3100 Airport Avenue
  Santa Monica, CA 90405
  1-800-854-0561, Ext. 925
  
  D-7 Time-Life Video
  100 Eisenhower Drive
  P.O. Box 644
  Paramus, NJ 07653
  (201) 843-4545
  
  D-8 Virginia Country Magazine
  P.O. Box 432
  Middleburg, VA 22117
  (703) 687-6306
  
  D-9 International Historic Films, Inc.
  Box 29035
  Chicago, IL 60629
  (312) 436-8051
  
  D-10 PBS Video
  475 L'Enfant Plaza, S.W.
  Washington, DC 20024
  1-800-344-3337
  
  D-11 Educational Audio Visual Inc.
  Pleasantville, NY 10570
  1-800-431-2196
  (In New York, call (914) 769-6332.)
  
  D-12 Blackhawk Films
  Box 3990
  Davenport, IA 52808
  1-800-255-2255, Ext. 3990
  
  D-13 Educational Record Sales
  157 Chambers Street
  New York, NY 10007
  (212) 267-7437
  
  D-14 Gould Media, Inc.
  44 Parkway West
  Mount Vernon, NY 10552-1194
  (914) 664-3285
  
  D-15 Videotheque
  1035 Gayley Avenue
  Los Angeles, CA 90024
  (213) 824-9922
  
  D-16 CBS Broadcast International
  51 West 52d Street
  New York, NY 10019
  (212) 975-8585
  
  D-17 Churchill Films
  662 N. Robertson Blvd.
  Los Angeles, CA
  1-800-334-7830
  (In California, call (213) 657-5110)
  
  D-18 Custer Battlefield Preservation Committee
  Box 7
  Hardin, MT 59034
  (406) 638-2382
  
  8. SUBMISSION OF COMMENTS.
  
  a. Users of this bibliography are encouraged to submit recommended changes and comments to improve the publication. Specific changes should be keyed to the page, paragraph, and line of the text in which the change is recommended. Forward these recommendations to Director, Combat Studies Institute, U.S. Army Command and General Staff College, ATTN: ATZL-SWIE, Fort Leavenworth, Kansas 66027-6900.
  
  b. Commercial companies not listed in this bibliography may submit their names, addresses, and telephone numbers with listings of their military history film titles for possible inclusion in future updated catalogs.
  
  
  

  CHAPTER TWO
  
  General Military History
  
  1. GENERAL.
  
  Achievements and Traditions. Part 1. (Color/TVT/40 min.) This videotape traces the Army's history from colonial America to World War 1. D-1: 010-071-0001-B. (SAVPIN 103860).
  
  Achievements and Traditions. Part 2. (Color/TVT/54 min.) Covered in this videotape is the Army's history from World War I to the present. (D-1: 010-071-0002-B. (SAVPIN 103861).
  
  The American Soldier in Combat. (B&W;/16-mm/29 min./1960) This film provides an inspiring account of the combat history of the American soldier from the American Revolution through the Korean War. D-1: AIF 11. (SAVPIN 20233).
  
  America's 19th-Century Wars: Triumph and Tragedy. (Color/Sound Filmstrip/6 cassettes/6 strips) Provided in this sound filmstrip are insights into the causes and effects of the wars in which the United States took part during the nineteenth century. The developments, strategies, turning points, and outcomes of the major conflicts are outlined. The attitude of the American public toward these wars and how it influenced United States policy are examined. The wars are placed in a context of world events. Teacher's notes and a full text of the narration are included. D-11.
  
  Part 1. The War of 1812: Independence Reaffirmed
  
  Part 2. The Mexican War: Animosity and Annexation
  
  Part 3. The Civil War: The American Tragedy
  
  Part 4. The Indian Wars: Expansion and Conquest
  
  Part 5. The Spanish-American War: America Comes of Age D-11.
  
  America's 20th-Century Wars: The International Challenge, (Color/Sound Filmstrip/6 cassettes/6 strips) Beginning with World War I, this sound filmstrip set explores U.S. involvement in four twentieth-century wars by showing the step-by-step development of each conflict. Photographs are combined with a correlated narration to provide historical background for the conflicts and an analysis of each war's resolution. Students may gain a greater insight into the nature of war as they experience this overview of twentiethcentury history. Teacher's notes and a full text of the narration are included. D-11.
  
  Part 1. World War I: U.S. Becomes a World Power
  
  Part 2. World War II: The European Theater
  
  Part 3. World War II: The Pacific Boils Over
  
  Part 4. Aggression Challenged: The Korean Conflict
  
  Part 5. Vietnam: The Undeclared War D-11.

  
  

  The Arming of the Earth . (Color/TVT/55 min./1984) A Walk Through the Twentieth Century with Bill Moyers Series. Early twentieth-century technology brought the hope for a warless future. This program examines the development of three weapons that were originally designed to end warfarethe machine gun, submarine, and bomber-and analyzes their effects on warfare. The conclusion is that these weapons led to the development of more devastating weapons that increased the scope and scale of modern warfare. D-10.
  
  Battle Glory. (Color/16-mm/17 min./1962) This film recounts the Army's historic past from the Revolutionary War to the Korean War, as represented by the 145 battle streamers on the Army flag. D-1: TF 21-3144. (SAVPIN 28786).
  
  Beyond the Call. Part 1. (B&W;/16-mm/29 min./1963) The Big Picture. Cited in this film are the acts of valor of American servicemen from the Revolutionary War era through the Mexican War. D-1: TV 575. (SAVPIN 30145).
  
  Beyond the Call. Part 2. (B&W;/16-mm/29 min./1963) The Big Picture. This film is a continuation of Part 1, with a review of the bravery of servicemen during World War I, World War II, and the Korean War. The tradition of bravery during this era is stressed. D-1: TV 576. (SAVPIN 30146).
  
  The Black Soldier. (B&W;/16-mm/26 min./1971) (Adopted commercial film.) Surveyed in this film is the history of the black American's participation in the armed forces of the United States from the Revolutionary War to the Vietnam War. D-1: AFIF 204. (SAVPIN 20065).
  
  Defender of the Chesapeake. (Color/16-mm/26 min.) Presented in this film is a historical overview of Fort Monroe, Virginia, the Army's oldest active-duty garrison, from its conception in 1609 to its present-day mission as the home of the United States Army Training and Doctrine Command. Included in the film is vintage footage, dating back to 1920, of the buildings and gun emplacements at Fort Monroe. D-1: MF 120-13081. (SAVPIN 70351).
  
  The Different Drummer: Blacks in the Military. This three-part documentary tells the often-neglected history of black involvement in all of America's military conflicts from colonial times to the present. D-2.

  
  

  Part 1. Unknown Soldiers.(Color/TVT/58 min./1985) The growing involvement of blacks in the military is traced in this videotape, from black enlistment in the Union Army during the Civil War to their contributions in the Indian Wars, the Spanish-American War, and World War 1. D-2. (SAVPIN 605226).
  
  Part 2. The Troops. (Color/TVT/58 min./1985) Part 2 continues the history of black military participation from World War II to the Vietnam War. D-2. (SAVPIN 605227).
  
  Part 3. From Gold Bars to Silver Stars. (Color/TVT/58 min./1985) Part 3 moves away from a historical overview toward an examination of today's highest-ranking black officers, who, in interviews, describe their own rise up the military ladder. Interviewed, among others, are Army Lieutenant General Julius W. Becton, deputy commanding general for training; Army Brigadier General Hazel W. Johnson, chief of the Army Nurse Corps; Brigadier General Bernard P. Randolf, director of space systems and command control communications; New York Supreme Covrt Judge Bruce Wright; Dr. Roscoe Brown, president, Bronx Community College; and Clifford Alexander Jr., former secretary of the army. D-2. (SAVPIN 605228).
  
   

  Dividends of Discipline. (B&W;/16-mm/27 min./1961) Emphasized in this film is the importance of good discipline for optimum performance in battle, with examples drawn from World War I, World War II, and the Korean War. The vital role of discipline during nuclear war is cited. D-1: TF 19-3013, (SAVPIN 28715).
  
  Equal to the Environment. (Color/16-mm/28 min./1969) The Big Picture. This film shows how history and the lessons learned from it are used to train our soldiers to adapt to the dangers and problems of a hostile climate and terrain, as well as to fight the enemy. D-1: TV 751. (SAVPIN 30231).
  
  A Force of Citizens. (Color/16-mm/10 min./1975) Depicted in this film is the formation of the national Army and Navy of the United States at the time of the American Revolution. USDA VA. D-4.
  
  Freedom and You. (Color/16-mm/55 min./1962) This film affirms the American precept of liberty, stressing the idea that the protection of freedom is the duty of the individual citizen. D-1: AFIF 120. (SAVPIN 20016).
  
  From Then...'Til Now, 1908-1945. (Color/TVT/41 min.) Reviewed in this videotape is the history of the U.S. Air Force from 1908 to 1945. D-1. (SAVPIN 602388).
  
  The Guns at Springfield. (Color/16-mm/28 min./1971) The Big Picture. Shown in this film, as part of a tour through the Springfield Armory Museum, is the story of the development of the U.S. Army's small arms from the French and Indian War through the Vietnam War. D-1: TV 796. (SAVPIN 30274).
  
  Heritage of Freedom. (B&W;/16-mm/38 min./1963) Four portrayals in this film illuminate the beginnings and background of the growth of liberty as it was influenced by our Constitution and Bill of Rights. D-1: AFIF 124. (SAVPIN 20018).
  
  The History of the U.S. Army Uniform. (B&W;/16-mm/20 min./1959) Depicted in this film are soldier's uniforms from the Revolutionary War era to the modern army green uniform, with special attention given to the garb for warm and cold weather operations. D-1: AFSM 567. (SAVPIN 20221).
  
  How Sleep the Brave. (Color/16-mm/29 min./1965) The Big Picture. This film gives a history of Arlington National Cemetery and is a tribute to the American statesmen and fighting men who gave their full measure for the nation. D1: TV 623. (SAVPIN 30167).
  
  In Defense of Freedom. (Color/TVT/60 min.) Narrated by Ken Howard, this commercially produced videotape outlines the history of the U.S. Army. It closes with a strong and supportive statement about today's professional soldier. (SAVPIN 700910).
  
  In the Minds of Men. (Color/TVT/29 min./1983) Depicted in this intensely emotional film is the universality of the suffering caused by war. Viewers are implored to accept responsibility for ending war. A collection of pictures of past wars, from Japanese screens of battles to heartbreaking images of the boat people, the program traces the horrors of war from the past to the present, The videotape was produced for the United Nations. D-2.
  
  Landmarks in Military History. Part 1. (Color/TVT) This Air Force film was designed to show how the study of military history enhances military judgment and decision making and how it contributes to the evolution of military doctrine. General Eisenhower's interest in military history is cited and how it served him in his World War II decision making. D-1: DF 770707. (SAVPIN 54260).
  
  Landmarks in Military History. Part 2. (Color/TVT/15 min.) This is an Air Force film designed to show the uses and misuses of military theory in developing strategy. D-1: DF 770708. (SAVPIN 41290).
  
  Leadership and Discipline. (Color/TVT/15 min.) As an ex-B-17 pilot in World War II, Coach Tom Landry shares his ideas well as in on leadership and discipline in the military as football. Coach Landry relates the importance of the disciplined organization to the accomplishment of a task, whether it be winning the Super Bowl or carrying out the mission of the Strategic Air Command. Landry also stresses the importance of dedication and morality in both the military and society. D-1: DF F3113. (SAVPIN 601754).
  
  Men with a Mission. (Color/16-mm/28 min./1968) The Big Picture. The history, mission, and training of the U.S. Army Reserve is covered in this film, with special attention given to the Reserve's role in World War II, the Korean War, and the Vietnam War. D-1: TV 741. (SAVPIN 30222).
  
  The Might of the Pen. (Color/16-mm/28 min./1971) The Big Picture. Narrated by Mort Walker, this film describes the work of the combat artists who record the actions and faces of an army at war. D-1: TV 798. (SAVPIN 30275).
  
  Not for Ourselves Alone. (Color/16-mm/29 min./1975) This film portrays the ideals of the Declaration of Independence to today's military. Also illustrated is the role that the armed forces have played in the creation and 200-year growth of the United States. Five major crisis periods are covered: the American Revolution, the War of 1812, the Civil War, and World Wars I and II. D-1: AFIF 250. (SAVPIN 10759).
  
  Old Glory. (B&W;/16-mm/28 min./1964) The Big Picture. A tribute to our flag, this film depicts how it has been an inspiration to American fighting men since it proudly carried its thirteen original stars. D-1: TV 625. (SAVPIN 30169).
  
  One Force. (B&W;/16-mm/21 min./1965) This film shows how the men and women of the United States military services, who come from different ethnic origins and religions, are welded into one force dedicated to the defense of this nation. D-1: AFIF 136. (SAVPIN 20024).
  
  Origins of Discipline. (Color/TVT/46 min.) Reviewed in this videotape are the conditions of warfare in Europe before the industrial revolution and how these conditions affected the requirements for discipline in that era. The program also reviews the changes in discipline resulting from the industrial revolution and how these changes have affected discipline on the modern battlefield. D-1. (SAVPIN 31080).
  
  Our Heritage. (Color/16-mm/29 min./1966) This film portrays our heritage of freedom as enunciated in the Declaration of Independence and brought to life for posterity by the founding fathers. The military efforts of this nation to preserve these concepts, from the Revolutionary War era to the present, are also represented. D-1: TV 684. (SAVPIN 30192). Also, D-1: AFIF 144. (SAVPIN 20029).
  
  Patriotism: Have It Your Way. (Color/TVT/18 min./1978) Narrated by John Wayne, this film presents definitions of patriotism as revealed through the voices of Woodrow Wilson, Franklin Roosevelt, Harry Truman, and John Kennedy. In the narrations, these men express reasons why American servicemen have fought and died for their country. The conclusion to be drawn is that patriotism is alive, well, and working. D-1:TAR 52. (SAVPIN 69284).
  
  Platoon Leader. (Color/16-mm/29 min./1968) The Big Picture. Men of leadership are shown in this film, men who will take a platoon in battle, quickly assess the situation, and make the right decisions at the right time. D-1: TV 733. (SAVPIN 30217).
  
  Prelude to Taps. (Color/16-mm/29 min./1964) The Big Picture. This tribute to the American soldier is shown in the form of Army drills, ceremonies, and pageants as performed by the U.S. 3d Infantry at Ft. McNair, Washington, D.C. D-1: TV 597. (SAVPIN 30159).
  
  Project Warrior: An Approach to Strategy. (Color/TVT/32 min.) This videotape examines the influence of society, leadership, and ideas on military stntegy. D-1. (SAVPIN 602943).
  
  Project Warrior: Clausewitz on War. (Color/TVT/34 min.) Karl von Clausewitz is perhaps the most highly acclaimed of all military writers. His On War, written over 150 years ago, is valued as a profound study of the nature of war. In his attempt to establish a general theory of war, Clausewitz raised questions that astute military professionals must still consider. His ideas remain the starting point for the study and development of modern military theory and strategy. D-1. (SAVPIN 680900).
  
  Project Warrior: Sir Basil H. Liddell Hart: That Captain Who Taught Generals. (Color/TVT/25 min.) This videotape offers a historical account of Sir Basil H. Liddell Hart's accomplishments. D-1. (SAVPIN 604204).
  
  Project Warrior: The American Way of War. (Color/TVT) Based on Russell F. Weigley's military history of the United States, this film, as in Weigley's thesis, divides our strategic thought into two categories. The first category, "The American Way," is a strategy of annihilation, as practiced by Grant and Eisenhower, which on a broad front wears down the enemy. The second category of strategy is that of attrition, as practiced by George Washington, Winfield Scott, and Geronimo. D-1. (SAVPIN 680913).
  
  Project Warrior: Warfare in Transition: The 18th Century and the French Revolution. (Color/TVT) In 1793, a force appeared that staggered the imagination: suddenly war became the business of the people and the nation. Nothing now impeded the vigor with which war could be waged; consequently, the opponents of France faced the utmost peril. This dynamic era spawned the "nation at war" concept. D-1. (SAVPIN 680892).
  
  Ready Around the World. (Color/16-mm/29 min./1968) The Big Picture. Depicted in this film are America's military readiness and strength in the complex international world of the 1960s. The film forms an account of the American men who are on guard around the world. D-1: TV 717.(SAVPIN 30207).
  
  The Reluctant World Power. (Color/16-mm/29 min./1972) Shown in this film is the process by which the United States assumed, rejected, and finally was obliged to accept the role of a major power. Included in the depiction are the tragedy of Woodrow Wilson, World War I, the League of Nations, isolationism, the erosion of international security, and, finally, World War II. D-4
  
  Soldier, This Is Why You're Needed. (Color/16-mm/22 min./ 1974) Narrated by William Shatner, this film focuses on the ability of the United States to respond to any form of aggression--conventional or nuclear--at any time or in any part of the world. America's modern, computerized armed forces, with the spotlight on quality and professionalism, are depicted as capable of withstanding all forms of aggression. The need to maintain this posture is stressed. D-1: TAR 47. (SAVPIN 272 71).
  
  The Soldier's Heritage. (Color/16-mm/28 min./1969) The Big Picture. Documented in this film is the heritage of courage and sacrifice of the American fighting man in his determination to preserve freedom during the history of this nation. D-1: TV 754. (SAVPIN 30234).
  
  Song of the Soldier. (Color/16-mm/28 min./1968) The Big Picture. Members of the chorus of the U.S. Army Band sing the songs that have been identified with periods of crisis and conflict in this nation's history, from the Revolutionary War to the Vietnam War. D-1: TV 725. (SAVPIN 30213).
  
  That's Us in the USA. (Color/16-mm/21 min./1976) This film features the Johnny Mann Singers in a calvalcade of America set to song. The pioneer spirit of those who founded our country and pushed their way westward is emphasized. The motion picture also draws attention to America's response in such times of peril as the Civil War, the Spanish-American War, World Wars I and II, the Korean War, and the Vietnam War. The object of this film is to remind viewers of the glories of their country and of the strong American desires for liberty and independence that made our country a great nation. D-1: AFIF 274. (SAVPIN 46010).
  
  They Were There. (B&W;/16-mm/29 min./1960) The Big Picture. Delineated in this film is the Army's role in the alleviation of distress during civil disasters since the beginning of the twentieth century. Included are accounts of the Johnstown Flood, San Francisco earthquake, and more recent calamities. D-1: TV 486. (SAVPIN 30128).
  
  To Preserve, to Resist, to Protect. (Color/16-mm/22 min./1977) Two hundred years of coastal defense-as seen through the changes evident at Fort Moultrie, South Carolina-are shown in this film. D-4.
  
  Traditions and Achievements. (B&W;/16-mm/29 min./1964) the Big Picture. This film provides the story of the valor and determination of the citizen soldier in preserving the American ideal of freedom from Revolutionary War times to the Korean War. D-1: TV 620.(SAVPIN 30166).
  
  Traditions and Achievements of the Army. (Color/16-mm/26 min./1957) Reviewed in this film is the role of the U.S. Army in the history of the nation. Also stressed is the role of the modern soldier. D-1: MF 20-8668. (SAVPIN 22851).
  
  Two Centuries of Service. (Color/16-mm/28 min./1975) This film, narrated by Lorne Greene, outlines the Army's peacetime service and its technological contributions to the American way of life. D-1: TAR 50. (SAVPIN 11270).
  
  United States as a Global Power. This program is designed to bridge the fundamental gap between our awareness of history as it happened on the battlefield to what happened behind policy-making doors. The film helps unravel the complex web of social and economic factors that have determined our nation's foreign policy in the past and will influence our country's role in international affairs in the future. The film examines parts of World Wars I and II. (SAVPIN 604984)
  
  The Unknown Soldier. Hosted by Jason Robards, this film presents the life stories of six American servicemen who died in action during World War II and whose bodies were never recovered or identified. These personal profiles are displayed through combat footage of the battles in which they fought, through personal letters and mementos, and through candid interviews with family members, childhood friends, and fellow servicemen. The documentary also looks at the history of the Tomb of the Unknown Soldier and presents an exclusive interview with Medal of Honor recipient and former Navy Hospitalman First Class William R. Charette. Charette was responsible, in May 1958, for selecting the World War II Unknown Soldier to be buried in the tomb. D-2.
  
  What Makes a Modern Army? (Color/16-mm/29 min./1970) The Big Picture. This film describes the high standards of training and logistic support afforded today's soldier that enable him to implement the four responsibilities of the modern Army: mission, motivation, modernization, and management. D-1: TV 775. (SAVPIN 30253).
  
  Why the American Warrior? (Color/16-mm/20 min./1985) Combined in this film are an overview of military history and an assessment of the Soviet threat. The reasons why the American people should support a strong military force are explained. D-1. (SAVPIN 601897).
  
  2. SERIES.

  
  

  a. The Air Force Story. (B&W;/16-mm/13-15 min. each) Produced by the U.S. Air Force, this series includes thirty-two segments tracing Air Force history from World War I to the late 1950s. The following entries of the,series are in chronological order. D-4.
  
  The Beginning. (B&W;/16-mm/15 min./1953) This film highlights the history of the U.S. Air Force, particularly the role of airplanes in World War I. D-4.
  
  After the War, 1918-1923. (B&W;/16-mm/14 min./1953) Described in this film is the history of the U.S. Air Force during the years 1918 to 1923. D-4.
  
  Entering the Era of Missiles, 1918-1959. (B&W;/16-mm/15 min./1962) This film traces the development of modern missiles from experiments with liquid fuel and air-to-air missiles to the development of the V-1 and V-2 rockets. Improvements in bombers and intermediate- and long-range missiles are reviewed.D-4.
  
  Struggle for Recognition, 1924-1930. (B&W;/16-mm/14 min./1953) Pictured in this film is the history of the U.S. Air Force during the years 1924 to 1930.D-4.
  
  Between Wars, 1930-1935. (B&W;/16-mm/13 min./1953) The history of the U.S. Air Force during the years 1930 to 1935 is depicted in this film. D-4.
  
  Air Power Advances, 1935-1937. (B&W;/16-mm/14 min./1953) The history of the U.S. Air Force during the years 1935 to 1937 is portrayed. D-4.
  
  The War Starts, 1937-1941. (B&W;/16-mm/14 min./1953) The history of the U.S. Air Force is pictured during the years 1937 to 1941, concluding with the Japanese attack on Pearl Harbor. D-4.
  
  The Drawing of the Battle Lines, December 1941 to April 1942. (B&W;/16-mm/14 min./1953) The history of the U.S. Air Force is represented during the period December 1941 to April 1942, including Colonel Doolittle's bombing mission over Japan. D-4.
  
  The AAF Fights Back, April-July 1942. (B&W;/16-mm/14 min./1953) This film traces the history of the U.S. Air Force during the period April to July 1942, ineluding the Battle of Midway. D-4.
  
  The Tide Turns, June-December 1942. (B&W;/16-mm/14 min./1953) The history of the U.S. Air Force during the period June to December 1942 is highlighted. D-4.
  
  North Africa, November 1942-May 1943. (B&W;/16-mm/14 min./1953) Delineated in this film is the history of the U.S. Air Force during the period November 1942 to May 1943, particularly its operations in North Africa. D-4.
  
  Global Operations, 1943. (B&W;/16-mm/14 min./1953) Highlighted in this film is the history of the U.S. Air Force during 1943, including its operations against German submarines. Air operations over the Himalayas and the Solomon Islands campaign are also covered. D-4.
  
  Expanding Air Power, June 1943. (B&W;/16-mm/14 min./1953) The history of the U.S. Air Force during June 1943 is pictured, including its expanded training program and the bombing of the island of Pantelleria. D-4.
  
  Schweinfurt and Regensburg, August 1943. (B&W;/16-mm/14 min./1953) This film highlights the history of the U.S. Air Force, particularly the bombing of Regensburg and Schweinfurt in August 1943. D-4.
  
  Maximum Effort, October 1943. (B&W;/16-mm/14 min./1953) Depicted in this film is the history of the U.S. Air Force, particularly the bombing of German war plants by the Eighth Air Force. D-4.
  
  Two Years of War, September-December 1943. (B&W;/16-mm/14 min./1953) The history of the U.S. Air Force is represented during the period from September to December 1943, particularly its operations in Burma, New Guinea, and Rabaul. D-4.
  
  Road to Rome, September 1943-June 1944. (B&W;/16-mm/14 min./1953) Traced in this film is the history of the U.S. Air Force, particularly the operations of the Twelfth Air Force in Italy. D-4.
  
  Superfort, August 1943-June 1944. (B&W;/16-mm/14 min./1953) Covered in this film is the history of the U.S. Air Force, particularly the building of B-29 Superforts and their bombing of Japan from air bases in China. D-4.
  
  Prelude to Invasion, January-June 1944. (B&W;/16-mm/14 min./1953) The history of the U.S. Air Force, particularly the aerial attacks upon German factories, airdromes, and supply lines, is represented.D-4.
  
  Ploesti, March-August 1944. (B&W;/16-mm/14 min./1953) This film features the bombing of the Ploesti oil refineries by the Fifteenth Air Force. D-4.
  
  D-Day, June 1944. (B&W;/16-mm/13 min,/1953) The operations of the U.S. Air Force in the invasion of German-held Europe are described and shown. D-4.
  
  Retreat and Advance, June 1944-March 1945. (B&W;/16-mm/13 min./1953) The history of the U.S. Air Force, particularly the operations of the Fifth, Seventh, Thirteenth, and Fourteenth Air Forces in the recapture of the Philippines, is represented. D-4.
  
  Victory in Europe, June 1944-May 1945. (B&W;/16-mm/14 min./1953) This film highlights the history of the U.S. Air Force, particularly the operations of the Eighth Air Force in Europe. D-4.
  
  Air War Against Japan,1944-1945. (B&W;/16-mm/14min./1953) The history of the U.S. Air Force is pictured, particularly the bombing of Japan and the final surrender of the Japanese. D-4.
  
  The Air Force and the Atom Bomb. (B&W;/16-mm/14min./1960) This film reviews the development of the atom bomb in 1944, its role in World War II, and postwar atomic tests on the Marshall Islands. The way in which the hydrogen bomb changed the nature of warfare is explained. D-4.
  
  A New Air Force, 1945-1947. (B&W;/16-mm/14 min./1959) The years 1945-47 in the history of the U.S. Air Force are portrayed. D-4.
  
  Cold War, 1948-1950. (B&W;/16-mm/15 min./1959) The years 1948-50 in the history of the U.S. Air Force are represented. D-4.
  
  Meeting the Red Challenge. (B&W;/16-mm/14 min./1959) The events leading up to the Korean War, the Communist invasion of South Korea, and the role of U.S. air power in stemming Communist aggression in South Korea are pictured. D-4.
  
  On to the Yalu, June 1950. (B&W;/16-mm/15 min./1959) This film depicts the Korean War during the summer of 1950 and explains the role of the Air Force in pushing the Communist troops back to the Yalu River. D-4.
  
  Korea, the Final Phase. (B&W;/16-mm/14 min./1960) Shown in this film is how the U.S. Air Force's tactical and logistical air support largely helped to end the Korean War. D-4.
  
  Our Worldwide Air Force, 1953-1959. (B&W;/16-mm/14 min./1960) This film demonstrates how the U.S. Air Force met the challenge of the Soviet's military buildup after World War H. Also shown are the development of the B-47 and B-52 aircraft, strategicand tactical missiles, the growth of Strategic Air Command's strike force, and the creation of NATO.D-4
  
   

  b. Air Power. (B&W;/16-mm/TVT/30 min. ea.) Narrated by Walter Cronkite, this 26-part series is based on the premise that every advance in aviation reflects the changing times and changing world. The series starts its coverage with the invention of the airplane and continues through to supersonic jets and missiles. The heroes of aviation-Billy Mitchell, Rickenbacker, Doolittle, and Lindbergh-are highlighted. D-16.
  

  Part 1. The Day North America Is Attacked
  
  Part 2. Early Days
  
  Part 3. Luftwaffe
  
  Part 4. Pearl Harbor
  
  Part 5. The Battle of Britain
  
  Part 6. Counterblast
  
  Part 7. Fools, Daredevils and Geniuses Part 8. The 1930s
  
  Part 9. Target: Ploesti
  
  Part 10. Schweinfurt
  
  Part 11. Conquest of the Air
  
  Part 12. The Japanese Perimeter
  
  Part 13. Interdiction and Blockade
  
  Part 14. Strangle
  
  Part 15. Pacific Pattern
  
  Part 16. Advance the Bomber Line
  
  Part 17. The Winning of France
  
  Part 18. Superfort
  
  Part 19. Victory in Europe
  
  Part 20. Kamikaze
  
  Part 21. Defeat of Japan
  
  Part 22. The Cold Decade: Airlift
  
  Part 23. The Cold Decade: To the Yalu
  
  Part 24. The Cold Decade: Korean Stalemate
  
  Part 25. Starfighter
  
  Part 26. New Doctrine D-16.
  
  c. Army in Action. The Big Picture Series. (B&W;/16-mm/1960s) Films listed here were part of an official series. Other films listed in the "General" section above as "The Big Picture" were not necessarily part of this series.
  
  Episode 1. The Winds of Change. (B&W;/16-mm/29min./1964) The Big Picture. Featured in this film are the U.S. Army posture during the first quarter of the twentieth century, the World War I buildup, peacetime demobilization, and the nature of life in the United States during the 1920s and 1930s. D-1: TV 634. (SA VPIN 30170).
  
  Episode 2. The Three Faces of Evil. (B&W;/16-mm/29 min./1964) The Big Picture. This film chronicles the post-World War I rise of Mussolini and Hitler, Japan's aggression in China, the Ethiopian War, the Spanish Civil War, and the effects of the Great Depression in the United States. D-1: TV 635. (SA VPIN 30171).
  
  Episode 3. Flames on the Horizon. (B&W;/16-mm/29 min./1964) The Big Picture. This film portrays world events from 1939 to 1941, including the war in China, the early phases of World War II in Europe, the fall of France, U.S. World War II mobilization, and Japan's attack on Pearl Harbor. D-1: TV 636. (SAVPIN 30172).
  
  Episode 4. The Spreading Holocaust. (B&W;/16-mm/29 min./1965) The Big Picture. Military events in 1941 and 1942, with particular focus on U.S. involvement in the Pacific, Europe, and North Africa, are shown. D-1: TV 637. (SAVPIN 30173).
  
  Episode 5. The Slumbering Giant Awakens. (B&W;/16-mm/29 min./1965) The Big Picture. Depicted in this film are U.S. logistical and tactical operations in 1943 in North Africa, the Pacific, the Aleutians, New Guinea, and Europe (up to the invasion of Sicily). D-1: TV 638. (SAVPIN 30174).
  
  Episode 6. Global War. (B&W;/16-mm/29 min./1965) The Big Picture. The conduct of war in 1943 on the European and Pacific fronts is sketched, ineluding the Allied advance in Sicily, New Guinea, Russia, Italy, and the Pacific islands. D-1: TV 639. (SAVPIN 30175).
  
  Episode 7. The Tide Turns. (B&W;/16-mm/29 min./1965) Shown in this film are the conduct of the war in Europe in 1944; the Allied advance in Italy, France, and Belgium; the liberation of Paris; and the Allied advance into Germany. D-1: TV 640. (SA VPIN 30176).
  
  Episode 8. The Victory. (B&W;/16-mm/29 min./1965) The Big Picture. Events leading up to the German surrender in May 1945 are covered, including the demise of Hitler and Mussolini, the liberation of the Philippines, and the final surrender of Japan in September 1945. D-1: TV 641. (SAVPIN 30177).
  
  Episode 9. The Years Between. (B&W;/16-mm/29 min./1965) The Big Picture. Postwar events from 1945 to 1949 are depicted, including the U.S. rehabilitation of Japan and Germany, Russia's expansion in Europe, the Indochina and Greek Wars, and the Berlin blockade. D-1: TV 642.(SAVPIN 30178).
  
  Episode 10. The Cobra Strikes. (B&W;/16-mm/29 min./1965) The Big Picture. This film chronicles the events leading up to the Korean War, the conduct of the war from 1950 to 1953, and the cessation of hostilities in July 1953. D-1: TV 643. (SAVPIN 30179).
  
  d. Between the Wars. The following entries of the series are in chronological order.
  
  Versailles: The Lost Peace. Featured in this film is President Woodrow Wilson's fight for ratification of the League of Nations. Portrayed is Wilson's idealistic hope for world peace through collective security. D-2. (SAVPIN 605006).
  
  Return to Isolationism. Shown in this film is how President Woodrow Wilson's struggle for the League of Nations destroyed him. The film describes how the President and the Senate fought for control of American foreign policy and how the Senate ultimately won. When Wilson. took his case to the American people on an 8,000-mile brainstorming trip, he suffered a stroke. Wilson's refusal to compromise on the League of Nations question was responsible for his failure. D-2. (SAVPIN 605007 ).
  
  The First Salt Talks. In 1921, the world's first major disarmament conference limited the postwar arms race and the most important weapon of the timesthe battleship. This film shows how General Billy Mitchell demonstrated the superiority of air power by bombing obsolete battleships in Chesapeake Bay. D-2. (SAVPIN 605008).
  
  Radio, Racism and Foreign Policy. This film demonstrates how, disillusioned by World War I, the United States tried to isolate herself from the world. Strict immigration quotas were imposed, and a mistrust of foreigners and minorities ushered in an ugly period of racism and ethnic discrimination. To counter this trend, the advent of radio helped to project an image of the good American. D-2. (SAVPIN 605009).
  
  The Great Depression and Foreign Affairs. Emphasized in this film is that the Great Depression was a traumatic national experience that shattered U.S. self-confidence and paralyzed its foreign policy. As a consequence, President Hoover found he was not equipped to deal with crises. In the field of foreign affairs, Japan was insulted at the London Naval Conference and invaded Manchuria, capping a sad series of events. D-2. (SAVPIN 605010).
  
  America in the Pacific, Clash of Two Cultures. This overview of U.S.-Japanese relations from the turn of the century until 1933 is a story of conflict. The film delineates America's expansion into the Pacific. D-2. (SAVPIN 605017).
  
  The Recognition of Russia; A Climate of Mutual Distrust. From the Bolshevik Revolution in 1917 until the Roosevelt administration officially recognized the USSR in the first detente in 1933, American relations with Russia were mistrustful and hostile. In this film, cold war attitudes are traced back to this period, and the national paranoia over bolshevism is examined. D-2. (SAVPIN 605018).
  
  Latin America-Intervention in Your Own Backyard. This film depicts how Franklin Roosevelt's "good neighbor policy" was a key development in reversing the U.S. attitude toward Latin America. It also discusses the controversy over the Panama Canal and the subsequent control over the Canal Zone. D-2. (SAVPIN 605019).
  
  FDR and Hitler, Their Rise to Power. The careers and styles of Franklin Roosevelt and Adolf Hitler are contrasted in this film to show how individual charisma and leadership can influence history. D-2. (SAVPIN 605015).
  
  FDR and Hitler, the Dynamics of Power. This film explores the differences in the national tactics used by Franklin Roosevelt and Adolf Hitler prior to World War II. D-2. (SAVPIN 605016).
  
  The Italian-Ethiopian War-Africa in World Affairs. The Italian-Ethiopian War led to an examination by the Allied nations of Italian fascism, the character of Mussolini, and how he came to power. This film reveals how this war was one of the chief episodes that paved the way for World War II. D-2. (SAVPIN 605020).
  
  The Spanish Civil War. This film covers the Spanish Civil War and reveals how Mussolini and Hitler sent troops, planes, and supplies to Franco. Also pictured are the idealists of the American Lincoln Brigade, who fought on the side of the Loyalists. The American public is shown to have been confused over the issues of fascism and communism. D-2. (SAVPIN 605011).
  
  Japan Invades China, Crisis in the Far East. In the summer of 1937, Japan was bent on establishing an empire and went to war with China. This film shows how Japan met unexpected resistance when Mao and Chiang united against their common enemy. D-2. (SAVPIN 605021).
  
  The Phony War. This film demonstrates how Hitler's error in assuming that England would not go to war to defend Poland triggered World War Il. President Roosevelt is described as being torn between his desire to aid Britain and his wish to maintain neutrality. The 1930s ended with America still unconvinced that its destiny was intertwined with the rest of the world. D-2. (SAVPIN 60512).
  
  Churchill-the Human Relationship. This film depicts how the close personal friendship between Roosevelt and Churchill had a profound effect on the history of the Western world. The film shows how Roosevelt posed lend-lease as the most practical means of allowing the United States to remain neutral while still arming Britain. D-2. (SAVPIN 605013).
  
  War Comes to Pearl Harbor. Franklin Roosevelt has been accused of maneuvering the Japanese into attacking Pearl Harbor. This film explores American diplomacy in 1941 as it culminated with the Japanese attack on Pearl Harbor. D-2. (SAVPIN 605014).
  
  e. The Rise and Fall of the Third Reich. (B&W;/TVT/28 min. each/1972) The Third Reich is now only a painful memory, but the impact of Adolf Hitler and his short-lived Germanic empire on our world can never be erased. This three-part series, narrated by Richard Basehart, is based on the book by William L. Shirer and traces the Nazi rise and fall. D-2. Also, D-13: MU 2573.
  
  Part 1. The Rise of Hitler. Part 1 reveals how Hitler and nazism offered the German people the myth of Aryan supremacy, the opportunity for revenge for World War I, and a target-the Jewsfor their frustrations. (SAVPIN 605576).
  
  Part 2. Gotterdammerung-the Fall of the Third Reich. This film depicts the second year of World War II, when Hitler was an adored hero in Germany and the country's repeated military victories had silenced German internal opposition. (SA VPIN 605254).
  
  Part 3. Nazi Germany-Years of Triumph. Germany in the 1930s is portrayed in this film, showing how nazism flourished and the freedom of 67 million people was subverted by the techniques of Hitler, (SAVPIN 605255).
  
  f. Small-Arms Technology. (Color/TVT/1985) This is an excellent nineteen-part series produced by West Point that is especially designed for use in the classroom. Each segment treats a specific technological advancement and its impact on weapons and tactics. Each segment can stand alone or be used as part of an entire series. D-1.
  
  Part 1. The History of Small-Arms Technology. (48 min.) This is a self-contained overview on small arms aimed at the high-school and college-freshman level. It covers the flintlock smoothbore, Kentucky rifle, rifled musket, breechloader, boltaction rifle, and water-cooled machine gun. It also discusses major technological concepts and developments, but in lesser detail. D-1: TVT 21-77. (SAVPIN 705960).
  
  Part 2. Components of Firepower. (15 min.) This videotape introduces the series and lays the historical and technical foundation so that viewers may extract maximum value from the tapes. D-1: TVT 21-78. (SAVPIN 705961).
  
  Part 3. Terminal Effect. (11 min.) Amplified in this program are the historical and technical aspects of "terminal effect" and the myth of "tumbling bullets and the water-filled can." The film also explains pertinent engineering concepts and discusses the suffering of wounded men on the battlefield. D-1: TVT 21-79. (SAVPIN 705962).
  
  Part 4. Crossbow vs. Longbow. (13 min.) Discussing the historical and technical aspects of the crossbow and longbow, this videotape uses the Battle of Crecy as an example of the intelligent employment of these weapons (1200-1400 A.D.). D-1: TVT 21-80. (SAVPIN 705963).
  
  Part 5. Matchlock. (12 min.) This film delineates the development of plate armor, the effects of plate armor on the use of the longbow, and the subsequent near-universal application of the matchlock (1500-1700 A.D.). D-1: TVT 21-81. (SAVPIN 705964).
  
  Part 6. Flintlock Smoothbore. (11 min.) Covered in this program are the development of the flintlock smoothbore musket and why it supplanted the matchlock. Also discussed in detail is the interrelationship of the weapon to the drill, discipline, organization, and the tactics of linear warfare (1700-1850 A.D.). D-1: TVT 21-82. (SAVPIN 705965).
  
  Part 7. Kentucky Rifle in the American Revolution. (15 min.) Destroying the myth of the backwoods rifleman, this videotape analyzes the advantages and disadvantages of the Kentucky rifle and describes its uses in the Battle of Cowpens as an example of the successful employment of the rifle when integrated with other weapons (1775-81 A.D.). D-1: TVT 21-83. (SAVPIN 705966).
  
  Part 8. .58 Rifled Musket. (16 min.) Discussed in this film are the technical developments and practical uses of rifling. The film uses the exper- iences of the American Civil War as an example of the effects of rifled muskets on the battlefield and of man's ability to adjust to this challenge. D-1: TVT 21-84. (SA VPIN 705967).
  
  Part 9. 12-Pounder Napoleon. (16 min.) Shown in this progam are types of artillery projectiles and their employment in the American Civil War. The effects of such weaponry are graphically portrayed. D-1: TVT 21-85. (SAVPIN 705968).
  
  Part 10. Breechloader, 1866-1890. (17 min.) Covered in this program are breechloading designs and other technical concepts and advances. The cartridge case is emphasized, as well as improvements in machine tools. The film ends with examples of breechloaders used in action, and the links between the tactical employment of the breechloader and earlier rifled muskets are shown. D-1: TVT 21-86. (SAVPIN 705969).
  
  Part 11. Breechloader vs. Muzzleloader. (11 min.) Early breechloaders are discussed in this videotape, and the question is resolved as to why they were not in general use in the Civil War. Coverage of one breechloading system (Allin, in U.S. Models 1866, 1868, and 1873) is described, and it is compared to a rifled musket. The "Wagon Box Fight" is used as an example. D-1: TVT 21-87. (SAVPIN 705970).
  
  Part 12. Custer's Last Stand. (15 min.) The myth of the Winchester lever-action rifle is destroyed in this film. Lever-action guns are compared with single-shot breechloaders, revealing the latter to be the rifle used in winning the West. Plevna and Custer's Last Stand are used as examples concerning a leader's understanding and employment of weapons in the field. D-1: TVT 21-88. (SAVPIN 705971).
  
  Part 13. Impact of Smokeless Powder. (18 min.) Detailed technical discussions of the full spectrum of changes in small arms from 1885 to 1905 are featured in this film. Graphically portrayed is the effect of the change caused by the use of a "sterile" range-firing approach. The film ends with a strong emotional portrayal of the changes in small-arms employment, using the Boer Wars as an example. D-1: TVT 21-89. (SAVPIN 705972).
  
  Part 14. Bolt-Action Rifle. (14 min.) This videotape discusses the bolt-action magazine rifle in detail and describes its effect on the course of World War 1. D-1: TVT 21-90. (SAVPLY 705973).
  
  Part 15. Water-cooled Machine Gun. (16 min.) Covered in this program are the design and function of the water-cooled machine gun. Convincingly demonstrated are the power of the weapon and the attendant disadvantages associated with its use. D-1: 21-91. (SAVPIN 705974.).
  
  Part 16. Trench Assault. (14 min.) This film discusses the deadlock of World War I and the small-arms designer's answers to it. Compared are the bolt-action rifle, shotgun, and submachine gun. The integration of the submachine gun into the tactics and organization of the German Storm Battalions of 1918 is shown. D-1: TVT 21-92. (SAVPIN 705975).
  
  Part 17. Mobile Machine Gun. (19 min.) Introduced in this videotape is the idea of design trade-offs in machine guns. Covered also are major technical concepts concerned with the use of the MG-34 and Browning automatic rifle. A comparison of the weapons follows, which concludes with the different capabilities of the weapons and how armies have employed them. D-1: TVT 21-93. (SAVPIN 705976).
  
  Part 18. Greatest Battle Implement, (13 min.) This program covers the gas operation system and its use in the M-1 Garand, The M-1 Garand is compared to the bolt-action rifle, and the M-1's employment in World War II is described. D-1: TVT 21-94. (SAVPIN 705977).
  
  Part 19. Assault Rifle. (18 min.) Covered in this film are the historical background and technical aspects of the assault rifle. Two assault rifles, the AK-47 and the M-16A1, are compared with the main battle rifle, the M-14. Viewers are left with a number of questions concerning the employment of weapons in the field. D-1: TVT 21-95. (SAVPIN 705978).
  
  g. Soldiers: A History of Men in Battle. (Color/TVT) These are thirteen historical programs by John Keegan and Richard Holmes that are produced by the British Broadcasting Corporation. D-17 .
  
  Part 1. Experience of Battle
  
  Part 2. Infantry
  
  Part 3. Artillery
  
  Part 4. Cavalry
  
  Part 5. Tanks
  
  Part 6. Military Engineer
  
  Part 7. Air Power
  
  Part 8. Great Leaders
  
  Part 9. Logistics
  
  Part 10. Training
  
  Part 11. Irregular Warfare
  
  Part 12. Face of Battle
  
  Part 13. Impact of War D-6.
  
  h. The Speeches of FDR. (B&W;/16-mm/1982) Shown in this film are a series of three speeches by President Franklin Delano Roosevelt. They include a State of the Union Message, 6 January 1942; an address at Chautauqua, New York, 14 August 1936; and a Navy and Total Defense Day address, 27 October 1941. D-4.
  
  Part 1. Address at Chautauqua, New York, August 14, 1936. (29 min.) On 14 August 1936 in Chautauqua, New York, President Roosevelt delivered his first address on foreign policy since taking office in 1933. At that time, Hitler and Mussolini were on the march, and the president noted in his address the tendency toward violent and hostile aggression that was growing in the world. He detailed the areas in which the United States had made efforts to promote goodwill and peace, and he reminded his listeners of his inaugural statement about the "good-neighbor policy." D-4.
  
  Part 2. Navy and Total Defense Day Address, October 27, 1941. This film presents President Franklin Roosevelt's address on Navy and Total Defense Day, which was delivered on 27 October 1941. On 4 September 1941, an American ship had been fired upon by Nazi submarines, causing FDR to order all naval vessels in the North Atlantic to shoot on sight if Nazi naval forces threatened. On 16 October 1941, the U.S.S. Kearney was sailing as a part of a convoy when a German U-boat attacked it. Eleven men on the Kearney were killed, and damage was done to the ship. D-4.
  
  Part 3. State of the Union Message, January 6, 1942. (42 min.) President Roosevelt delivered this 1942 State of the Union Address to a serious and concerned Congress. Just one month earlier, the United States had been drawn into World War II by the attack on Pearl Harbor. Roosevelt outlined for the American people the steps and the sacrifices the nation must undertake in order to achieve victory. He spoke of the belligerent history of the Axis powers and outlined their conquests during the 1930s. D-4.
  
  i. The Truman Years. This four-part series presents an invaluable and authentic view of an important era in America's history. Offering rare footage of many prominent figures and historic occasions, the programs examine the policies and precedents of the Truman administration (1945-52) and include direct quotes by President Truman. D-3.
  
  Part 1. Truman and the Atomic Bomb. (B&W;/TVT/15 min./1969) "I made the only decision I ever knew how to make. I did what I thought was right." With these words, President Truman answered the questions of his fellow Americans and the people of the world after the United States became the only nation in history to make wartime use of the atomic bomb. This program presents the story of his decision. D-3.
  
  Part 2. Truman and the Cold War. (B&W;/TVT/16 min./1969) "The end of a war-especially a great war-is usually the beginning of trouble." So mused Truman regarding the postwar emergence of the Soviet Union and the United States as the two major global powers. This development produced tensions that rapidly hardened into the cold war. In this videotape, we see the United States rebuilding the West through the Truman Doctrine and Marshall Plan, while we view the USSR as it assimilates the eastern European countries, D-3.
  
  Part 3. Truman and the Korean War. (B&W;/TVT/18 min./1969) When the North Korean Army attacked over the 38th Parallel, Truman induced the Security Council of the UN to vote for intervention. According to Truman, "to allow the Communists the wanton luxury [of the attack] was to invite future takeovers all over the world." In response to the attack, the United States sent troops to a country where a civil war was in progress. Truman acted according to a political philosophy that would later be applied to Vietnam and Cambodia. This program chronicles the famous events. D-3.
  
  Part 4. Truman and the Uses of Power, (B&W;/TVT/18 min./1969) This videotape portrays how President Truman enlarged the power of the executive branch of the government. It examines his handling of domestic issues-the postwar recession, the coal miners' strike, McCarthyism, and the first legal reforms in civil rights since the Civil War. Truman's direct intervention is seen as characteristic of a forthright President who acted and depended upon his countrymen to follow. D-3.
  
  j. Twentieth-Century History. (Color/TVT/20 min. each/1981) Designed and produced for classroom use, this fourteen-part series illuminates events and issues that have been crucial in shaping modern world history. Drawing on rare archival footage, animated maps, and contemporary illustrations, the films vividly document actions that have caused reverberations around the world. D-2.
  
  Part 1. Make Germany Pay. This is a portrait of life in Germany after its defeat in World War I. The armistice agreement and the Treaty of Versailles are seen to have triggered vast anger among the German people, which may have conditioned them for the eventual rise of the Nazis. The film shows the serious financial inflation of the times and the problems caused by French and Belgian occupation of the Ruhr. The program ends as Germany joins the League of Nations in 1926. D-2.
  
  Part 2. Boom and Bust. Modern consumer society began in the United States in the years following World War I. The effects of the industrial revolution and mass production had reached the common man, while the resulting profits were immense. Unfortunately, this economic boom received a setback from the collapse of the stock market on 24 October 1929. The boom was over, and the Great Depression had begun. This film portrays the succession of significant events. D-2.
  
  Part 3. Hitler's Germany. Starting as a very small group in the 1920s, and viewed by most as comicopera fanatics, Adolf Hitler and the Nazi party managed, through political persuasion and violence against opponents, to take over Germany by 1933. This program covers that period, the subsequent reoccupation of the Rhineland in 1936, the beginning of the persecution of the Jews, and the growth of the Nazi propaganda machine under Joseph Goebbels. D-2.
  
  Part 4. Roosevelt and the New Deal. The Great Depression in the United States rapidly reached a crisis, and by 1932, 10 million people were out of work, with none of the welfare programs of today to ameliorate conditions. People, were hungry. When Franklin Delano Roosevelt became President in 1933, he began a vast number of programs under the title The New Deal to try to resolve the situation. This film. describes the process and the main aims of the programs that created such profound changes in the United States during those years. D-2.
  
  Part 5. Why Appeasement? Contemporary newsreel commentaries evoke the mood of the period in 1938 when Hitler demanded a portion of Czechoslovakia and when Great Britain's Prime Minister Neville Chamberlain-eager to avoid world wargave him what he wanted. Germany proceeded to absorb all of Czechoslovakia and to invade Poland, which Britain had pledged to defend. Sadly, Chamberlain broadcast to the British people that they were at war with Germany. D-2.
  
  Part 6. Britain Alone. On 3 September 1939, Great Britain declared war on Germany. The subsequent German victory in western Europe left the British soldiers involved in the defense of France to be rescued from the beach at Dunkirk, thus isolating Britain from the mainland. The Germans then began preparations for the invasion of England. Fortunately, they were unable to destroy the Royal Air Force, and the United States and Russia entered the war. All of these events are chronicled in this program. D-2.
  
  Part 7. Stalin and the Modernization of Russia. This film follows the ascendancy and important political moves of Stalin. When Lenin died in 1924, a power struggle between Trotsky and Stalin resulted in Trotsky's exile and Stalin's rise to power. Stalin subsequently began five-year plans to modernize Russia, including a massive industrial expansion and the collectivization of Russian agriculture. This film shows Stalin's ruthlessness in dealing with his opposition and his purges, especially of the Red Army. It is seen that these moves weakened the country and made it vulnerable to the Nazis' incursions. D-2.
  
  Part 8. Pearl Harbor to Hiroshima. A portrait of the economic, political, and military background that led Japan into World War II, this videotape includes a history of the war period and a discussion of the reasons why the United States ultimately dropped atomic bombs on the cities of Hiroshima and Nagasaki. Japan is seen as it emerges from feudal isolation, becomes a great aggressive power, and, upon losing the war, redirects itself into industrial technology. D-2.
  
  Part 9. The Road to Berlin, This is the story of the final four years of World War II, from Germany's first real defeat at Stalingrad, through the Allied invasion of Berlin and the end of the war, The film concludes with the revelation of the greatest horror of the war: the Nazi death camps-where more than 6 million people died. D-2.
  
  Part 10. India-the Brightest Jewel. In 1947, India was moving toward independence from British rule. The principal leaders of the independence movement-Gandhi, Nehru, and Jinnah-are shown in contemporary film footage, as is the implementation of the concept of passive resistance. The film ends with the partition of the country into India and Moslem Pakistan amid rejoicing, bloodshed, and bitterness. D-2.
  
  Part 11. Mr. Kennedy and Mr. Khrushchev. In the early fifties, Cuba was a military dictatorship led by Fulgencio Batista. In 1956, Fidel Castro overthrew that government. This film documents that period, together with the rise to power of Nikita Khrushchev in the Soviet Union and John Kennedy's election. These last two powerful leaders confronted each other in 1963 over the establishment of Soviet rocket sites in Cuba. D-2.
  
  Part 12. One Man's Revolution-Mao Tse-tung. Mao Tse-tung became the leader of the world's largest nation after nearly fifty years of war and civil war. He led the Chinese Communist party for forty-two years. This film covers his career: his temporary alliance with Chiang Kai-shek against the warlords, the legendary "long march," the Japanese invasion of China, the Sino-Soviet split, and the "cultural revolution." When Mao died in 1976, China was a nation dominated by his ideas. D-2.
  
  Part 13. Israel and the Arab States. The creation of the state of Israel in 1948 resulted in an Israeli dispute with the Arabs who had occupied the area that continues to this day. This is a history of that conflict. It includes the rise to power of Nasser in Egypt, the Suez incident, the events leading up to the Arab-Israeli Six-Day War in 1967 and its aftermath, the emergence of the Palestinian guerrillas, and the invasion of Israel by Egypt and Syria in 1973. D-2.
  
  Part 14. Cold War-Confrontation. This is a videotape study of two issues-the Berlin airlift and the Korean War-which brought confrontation and hostility between communism and the West. At the end of World War II, Germany was divided, leaving its former capital deep in the Soviet area. In 1948, all land transportation to the East was stopped, and all supplies were flown in until the Soviet government relented. At the opposite end of the globe, in Korea, the UN forces kept communism from overrunning South Korea. D-2.
  
  k. Victory at Sea. The naval battles of World War II are portrayed, with a narration by Alexander Scourby and a background score by Richard Rodgers. D-13:RS 29025.
  
  Volume 1. Design for War. The Battle of the Atlantic, 1939-41, is pictured, with views of Nazi U-boats roaming the North Atlantic at will. D-13: VB 7524.
  
  Volume 2. The Pacific Boils Over. This is a pictorial account of the Japanese attack on Pearl Harbor, from planning to execution. Featured are Japanese combat films. D-13: VB 7525.
  
  Volume 3. Sealing the Beach. Antisubmarine warfare from 1941 to 1943 is shown, including captured German films. D-13: VB 7526.
  
  Volume 4. Midway Is East. The Japanese are depicted as they overrun Southeast Asia and finally meet disaster at the Battle of Midway. D-13: VB 752 7.
  
  Volume 5. Mediterranean Mosaic. Pictured in this film is the struggle for control of the Mediterranean in the early stages of World War II. Shown are Gibraltar, Allied and enemy fleets, and Malta. D-13: VB 7528.
  
  Volume 6. Guadalcanal. America's first ground victory in the Pacific is featured in this film. D-13: VB 7529.
  
  Volume 7. Rings Around the World. The struggle for the Solomon Islands is covered. D-13: VB 7530.
  
  Volume 8. Mare Nostrum. This film traces out naval operations in the Mediterranean, 1940-42. D-13: VB 7531.
  
  Volume 9. Sea and Sand. The invasion of North Africa is described. D-13: VB 7532.
  
  Volume 10. Beneath the Southern Cross. The war in the South Atlantic is featured. D-13: VB 7533.
  
  Volume 11. Magnetic North. Sea operations from Murmansk to Alaska are revealed in this film. D-13: VB 7534.
  
  Volume 12. The Conquest of Micronesia. Carrier warfare around the Gilbert and Marshall Islands is depicted. D-13: VB 7535.
  
  Volume 13. Melanesian Nightmare. The New Guinea campaign is traced in this film. D-13: VB 7536.
  
  Volume 14. Roman Renaissance. This film features views of Sicily and the Italian campaign. D-13: VB 753 7.
  
  Volume 1.5. D-Day, June 6, 1944. Viewed here is the Allied invasion of Normandy. D-13: VB 7538.
  
  Volume 16. Killers and the Killed. The victory over the U-boats in the Atlantic, 1943-45, is pictured. D-13: VB 7539.
  
  Volume 17. The Turkey Shoot. The conquest of the Marianas is shown in this film. D-13: VB 7540.
  
  Volume 18. Two if by Sea. Naval battles around Peleliu and Angaur are portrayed. D-13: VB 7541.
  
  1. Vietnam: A Television History. (Color/TVT/60 min. each/1983) This thirteen-part series follows events in Vietnam from the 1945 revolution against the French to the U.S. evacuation from Saigon in April 1975. The series places Vietnam in the perspective of history and permits viewers to form their own conclusions about the conflict. D-2.
  
  Episode 1. The Roots of War. This is a short pictorial history of the century during which France dominated colonial Vietnam. It leads up to the rise of Ho Chi Minh. In the last days of World War II, the tiny country was the scene of chaos, great-power rivalries, and a power vacuum. Ho, flanked by U.S. officers, declared independence in Hanoi, but the British helped the French regain control of Saigon-effectively dividing the country. D-2. (SAVPIN 701775).
  
  Episode 2. The First Vietnam War, 1946-1954. This film depicts how the Viet Minh, led by Ho Chi Minh, tried to oust the French from the Vietnam peninsula. The United States viewed this attempt, together with the loss of China and the challenges of the Korean War, as part of the cold war. The United States escalated aid to the French, while growing increasingly impatient with them. The French influence in Vietnam ended with their defeat at Dien Bien Phu and the 1954 Geneva Conference that resulted in a cease-fire and the temporary division of the country. D-2. (SAVPIN 701776).
  
  Episode 3. America's Mandarin, 1954-1963. Covered in episode 3 is the division of Vietnam, an event that caused Catholics and pro-French northerners to flee to the south where Ngo, Dinh Diem had become president (with U.S. support in the form of monetary aid and a few military advisers). In 1960, the National Liberation Front (FLN) appeared as an effort to overthrow the South Vietnamese government. In 1963, with Kennedy as U.S. President, the number of U.S. advisers escalated. Ultimately, Diem was overthrown by political groups of the right, rather than the left. D-2. (SAVPIN 701777).
  
  Episode 4. LBJ Goes to War, 1964-1965. After Kennedy's assassination in 1963, Lyndon Johnson inherited an unstable coup-prone government in Saigon, as none of Diem's successors was able to control South Vietnam. Depicted in this film is the increasing control of the countryside by FLN guerrillas, as the South Vietnam Army disintegrated. Other events represented are the Tonkin Gulf incident, which was precipitated by raids on North Vietnam, and the Marine landing at Danang. By this time, Johnson had secretly approved open-ended deployment of U.S. troops. D-2. (SAVPIN 701778).
  
  Episode 5. America Takes Charge, 1965-1967. How did the Viet Minh and the FLN respond to the big American buildup? We see their response, as well as an American soldier's view of this war fought against a seldom-seen enemy. The buzz words of the war-"search and destroy," "body count," "pacification"-are seen as they were implemented in Operation Cedar Falls-an example of a major military operation of the period. D-2. (SAVPIN 701779).
  
  Episode 6. With America's Enemy, 1954-1967. This is a view of the war as experienced by the followers of Ho Chi Minh and described by their opponents-U.S. soldiers and prisoners of war. We see the effects of Hanoi's growing socialization, the results of U.S. bombing, and the consequences of guerrilla and conventional warfare. Americans analyze the fighting qualities and behavior of their enemy in this film. D-2. (SAVPIN 701780).
  
  Episode 7. Tet, 1968. One of the big turning points in the Vietnam War came when the Americans learned that instead of winning the war, they were involved in a stalemate. On the Tet holiday, attacks came in areas that the United States had thought to be secure, including Saigon. The defeats caused second thoughts in Washington that eventually resulted in Johnson's decision to call a partial bombing halt and to not run for reelection. Peace talks began, while the war continued. D-2. (SAVPIN 602961).
  
  Episode 8. Vietnamizing the War, 1969-1973. This film shows how the United States began disengaging itself from the war in Vietnam by training the South Vietnamese Army to fight the battles. The withdrawal of U.S. troops resulted in hardships for the South Vietnamese as the flow of goods and dollars diminished. In the 1972 spring offensive and battle for Quang Tri, nearly all of the allied casualties were Vietnamese. D-2. (SAVPIN 701781).
  
  Episode 9. No Neutral Ground: Cambodia and Laos. This film portrays how the fate of two of Vietnam's weaker neighbors was also decided as the South disintegrated. The U.S. extension of the war into Laos and Cambodia to stop attacks and supplies from crossing these borders hurt the countries involved more than it hurt the Communists. As an indirect result of the attacks, Prince Sihanouk of Cambodia was overthrown, and he joined the Khmer Rouge. D-2. (SAVPIN 701782).
  
  Episode 10. "Peace Is at Hand." Richard Nixon promised, if elected, to end the war in Vietnam. This film demonstrates how, from 1968 to 1973, Nixon and Henry Kissinger worked to end the war, hoping for a victory through increased bombing, but wishing to end it in any way necessary. As Vietnamization increased, U.S. ground troops were withdrawn, except for some advisers to the South Vietnamese Army. Prisoners of war were exchanged, and the spirit of detente with Russia and China helped lead to peace. D-2. (SAVPIN 701783).
  
  Episode 11. Hornefront, U.S.A. The years of heavy U.S. involvement in Vietnam (1965-73) changed America. This film shows that a sizable portion of the public in this country believed our involvement in the Vietnam War was unnecessary. The country became polarized between hawks and doves. This film provides a portrait of the interplay between the reporting of events, public opinion, and policy making. War was certainly no longer a unanimously agreed on endeavor. D-2. (SA VPIN 701784).
  
  Episode 12. The End of the Tunnel, 1973-1975. With the North Vietnamese spring offensive of 1975, the South Vietnamese Army collapsed. As it fell back to Saigon, we are able to view in this film the memorable exodus of the remaining Americans by helicopter from the roof of the embassy. For the first time, American soldiers were returning home to indifference rather than admiration. To further challenge the public faith, Watergate destroyed the respect of many for the presidency itself. D-2. (SAVPIN 701785).
  
  Episode 13. Legacies. In many respects, Vietnam remains the war that will not go away. Chronicled in this film are such veterans' issues as delayed-stress syndrome and the effects of Agent Orange. The waning popularity of the U.S. military, the plight of the boat people, and the destructive effects of the thirty-year war on Vietnam are covered. D-2. (SAVPIN 701786).
  
  m. War. (C61or/TVT/60 min. each/1985) This videotape was written and hosted by Gwynne Dyer and produced by the National Film Board of Canada. Programs 1-7 of War were filmed over a three-year period in ten countries and on two oceans, with the cooperation of the armed forces of six nations. Program 8 was produced by PBS (Public Broadcasting Service) station KCTS, Seattle, and serves as a companion piece to the series. War does not analyze one war, nor all wars, but focuses on the nature, consequences, and future of modern warfare. The series argues that war is not an outlet for natural aggression but an institution invented to settle disputes between nationsan institution that no longer serves its purpose. Its conclusion is that nations must abolish war and find other ways to resolve their differences, because if World War III happens, it will destroy the world. D-2.
  
  Program 1. The Road to Total War. From Napoleon to Nagasaki, host Gwynne Dyer charts how the major social, economic, and technological developments of the last 200 years have changed the methods and impact of modern warfare, leading us to the brink of total destruction. D-2.
  
  Program 2. Anybody's Son Will Do. This film takes us to the Parris Island Marine Recruit Training Depot in South Carolina to observe the rituals that will transform a group of eighteen-year-olds into Marines trained to kill the enemy on command. D-2.
  
  Program 3. The Profession of Arms. This film is about professional soldiers-career officers in every country-who devote their lives to maintaining military organizations. The men in this film, officers from Israeli, American, Soviet, and Canadian forces, describe battles they have fought and the special characteristics they have needed to pursue their careers. D-2.
  
  Program 4. The Deadly Game of Nations. All through history, war has been linked to feelings of nationalism. Most countries in the world established themselves by means of wars: wars of conquest, wars of independence, and wars of unification. Focusing on Israel's struggle for security in the Middle East and the attempts of the Palestinians to create a nation, Dyer explores some of the reasons why people, and the governments acting on their behalf, feel the need to keep armies and to fight wars. D-2.
  
  Program 5. Keeping the Old Game Alive. Every autumn in central Europe, the combined forces of the fifteen member countries of NATO meet to conduct war games-elaborate dress rehearsals for World War III. More than a half dozen wars have been fought on these plains in the last three centuries, and in the film, Dyer looks at how the next one might unfold. D-2.
  
  Program 6. Notes on Nuclear War. In this film, Dyer follows the developments of the arms race and attempts to unravel some of the political doctrines and military strategies that have been devised by the superpowers to govern their enormous nuclear weapons systems-concepts such as nuclear "deterrence ... mutual assured destruction," and "limited nuclear war." D-2.
  
  Program 7. Goodbye War. For centuries, the international system of states has settled questions of power, territory, national pride, and sovereignty with military force. At any given time, there are about twenty wars being waged, and in all of them, the people involved have a goal to achieve that they believe outweighs the cost of the war, Dyer looks at recent wars, including the confict in the Falkland Islands, to point out that while most wars start over matters of principle, the reality of war has little to do with justice. D-2
  
  Program 8. The Knife Edge of Deterrence. Produced by KCTS, Seattle, this film contains authoritative points of view concerning the issue of deterrence. Major government figures, defense strategists, military specialists, political scientists, historians, and philosophers of international repute focus on this subject, which is viewed as the central strategic idea of our time. Edwin Newman hosts. D-2.
  
  n. The War Years. (B&W;/16-mm/30 min. ea.) These films, produced by CBS and narrated by Walter Cronkite, are a part of the larger CBS series, 20th Century. D-16.
  
  Part 1. The Russo-Finnish War. Chronicled in this film is the 105-day war in which the Soviet Army was revealed to the world. D-16.
  
  Part 2. Silent Sentinel. Told in this program is how radar saved Britain during the early days of World War II D-16.
  
  Part 3. Battle for Norway. Pictured in this film is the invasion and occupation of Norway. D-16.
  
  Part 4. Get the Graf Spee. This film portrays the tracking down of the German pocket battleship and its sinking in Montevideo harbor. D-16.
  
  Part 5. Siege at Malta. The heroic stand of this Mediterranean island during the early days of World War II is represented. D-16.
  
  Part 6. Sabotage! Depicted in this film is the Danish underground movement-filmed during World War II and never before seen. D-16.
  
  Part 7. Suicide Run to Murmansk. The story of a massacred convoy on the North Atlantic run to Russia in World War II is told. D-16.
  
  Part 8. Stalingrad. Pictured in this film is the epic battle that turned the tide against the Nazis in World War II D-16.
  
  Part 9. Target: North Africa. Portrayed in this motion picture are the Allied landings in North Africa and the diplomatic maneuvers that accompanied this historic event. D-16.
  
  Part 10. Invasion of Sicily. The invasion of this stepping stone to the mainland of Europe is represented. D-16.
  
  Part 11. Beachhead at Anzio. Covered in this film is the bitter battle fought on this tiny beachhead on the road to Rome. D-16.
  
  Part 12. Battle of Cassino. This film chronicles the fight for the monastery that blocked the road to Rome during World War II. D-16.
  
  Part 13. D-Day: Buildup and Attack (in two parts). Depicted is the Normandy invasion, from the initial assault on 6 June 1944 to the capture of Cherbourg. D-16.
  
  Part 14. Air Drop at Arnhem. Pictured is the disastrous British -American parachute attempt during World War II. D-16.
  
  Part 15. Battle of the Bulge. Shown in this film are the Germans' last try at throwing back the Allied offense and the Americans' successful resistance. D-16.
  
  Part 16. The Remagen Bridge. Highlighted in this motion picture is the capture of the bridge that hastened the end of World War II. D-16.
  
  Part 17. The Liberation of Paris. Represented in this movie is the French capital from the Nazi occupation to the arrival of French and American troops. D-16.
  
  Part 18. The Road to Berlin. The Allied conquest of Berlin in 1945 and the events that led to the divided city are presented. D-16.
  
  Part 19. Attack on Singapore. Covered in this film is the British defeat by the Japanese in 1942. D-16.
  
  Part 20. The Doolittle Raid. Told is the story of the group that first bombed Japan. D-16.
  
  Part 21. Tarawa. Filmed is the battle that brought home the full horrors of war to the American people. D-16.
  
  Part 22. The Plots Against Hitler (in two parts). Reviewed is the little-known or appreciated German underground that during World War II plotted against Hitler's life. D-16.
  
  Part 23. Army of the Damned. Featured in this film is the little-known General Vaslov, hero of the Battle of Leningrad, and the two divisions of Russians who fought against Stalin. D-16.
  
  Part 24. Siege of Leningrad. Shown is the longest siege in modern history, when, for 880 days, Leningraders held out against German encirclement. D-16.
  
  Part 25. The Warsaw Uprising. This film pictures the doomed uprising of the Poles of Warsaw against their Nazi conquerors in 1944. D-16.
  
  Part 26. The Frozen War. Shown is the little-known Aleutian campaigns during World War II. D-16.
  
  Part 27. Burma Road and the Hump. The building of the Burma Road and the air route called "The Hump" are highlighted. D-16.
  
  Part 28. End of the Battlewagon. Portrayed in this film is the story of the battleship, from the fighting galleys to mothball fleets. D-16.
  
  Part 29. Typhoon at Okinawa. Pictured is the typhoon that nearly wrecked the U.S. fleet in the closing days of World War II. D-16.
  
  Part 30. Over There. This film depicts what it was like in America during World War II. D-16.
  
  Part 31. The Week That Shook the World. Seen in this film is the signing of the Russo-Nazi pact that presaged World War II. D-16.
  
  Part 32. Partisan: The Nazi-Soviet War. The Soviet partisan force that harassed and hampered the Nazi invaders in World War II is shown. D-16.
  
  Part 33. Czechoslovakia: From Munich. to Moscow. The story is told of the little democracy that survived Nazi occupation but was later taken over by the Communists. D-16.
  
  Part 34. The Agony of Austria. This film gives us a historical look at Hitler's takeover of Austria and what led up to it. D-16.
  
  Part 35. War in Spain. The Spanish Civil War's role as a testing ground for World War Il is pictured. D-16.
  
  Part 36. War in China. Focused on in this motion picture is the Japanese invasion of China in the 1930s. D-16.
  
  Part 37. From Kaiser to Führer. The rise and fall of Germany's Weimar Republic is chronicled. D-16.
  
  Part 38. Rommel. Portrayed is the story of the "Desert Fox," his successes and his ultimate failure. D-16.
  
  Part 39. The Strange Case of Rudolph Hess. The story is told of Hitler's number three man, who flew to Scotland in a misguided effort to end the war. D-46.
  
  Part 40. Patton and the Third Army. Pictured are World War II's most colorful general and the war machine he commanded. D-16.
  
  Part 41. Laval: Portrait of a Traitor. This is an account of the French leader who staked his career on a Nazi victory and lost. D-16.
  
  Part 42. Goering. This film follows the career of Hitler's number two man. D-16.
  
  Part 43. General Marshall. Sketched in this film is the story of the man who led us to victory in World War Il and, as statesman, fathered the Marshall Plan. D-16.
  
  Part 44. Mussolini. The first Fascist dictator's story is told. D-16.
  
  Part 45. Minister of Hate (Josef Goebbels). Portrayed is Joseph Goebbels and the propaganda machine he built. D-16.
  
  Part 46. F.D.R.: Third Term to Pearl Harbor. Depicted are Roosevelt's third term campaign and the Japanese attack that united the country. D-16.
  
  Part 47. The Nisei: The Pride and the Shame. Pictured are the Japanese-American citizens who, on a wave of war hysteria, were herded into detention camps. D-16.
  
  Part 48. Hiroshima. Shown is the secret training of the bomber crew that dropped the first atom bomb on Japan. D-16.
  
  Part 49. Freedom for the Philippines. Reviewed are the Japanese invasion, McArthur's return, and Philippine independence. D-16.
  
  Part 50. Zero Hour in Greece. Presented are the civil war in Greece that followed its liberation from Nazi occupation and the creation of the Truman Doctrine. D-16.
  
  Part 51. Trial at Nuremberg. Portrayed is the unprecedented trial of twenty-two Nazis for crimes against humanity. D-16.
  
  Part 52. Crisis at Munich. Examined are Hitler's claim to Sudetenland and how he got away with it. D-16.
  
  o. Why We Fight Series. This prestigious World War II film series was made by Major Frank Capra, a famous Hollywood director, in answer to an order from the Army Chief of Staff, General George C. Marshall, commissioning a series of films to explain the government's policy to America's hastily assembled armed troops. Of special note are the animated map sequences created by Walt Disney and his staff. The series includes seven motion pictures that not only fulfilled their original purpose but were declared by many to have revolutionized the art of documentary filmmaking. In 1944, the Why We Fight Series was presented with the New York Film Critics Award as the best documentary series. The series was soon being shown to the public in the theaters of our Allies, and prints were requested by Winston Churchill and the Russian government. D-9.
  
  Part 1. Prelude to War. (B&W/TVT/54 min./1942) This introductory film to the series portrays the events leading up to World War II: the Japanese attacks on Manchuria, the rise of fascism in Germany and Italy, and the lack of military preparedness in the United States. Prelude to War won the Academy Award for best documentary in 1942. D-9: #030.
  
  Part 2. The Nazis Strike. (B&W/TVT/41 min./1943) Events pursued in this film are the Nazis' rise to power, Hitler's imposed dictatorship of Germany, the Nazis' march on Austria and Czechoslovakia, and their invasion of Poland. While attempts at appeasement were made by the Allies, World War 11 is seen to develop. D-9: #031.
  
  Part 3. Divide and Conquer. (B&W;/TVT/60 min./ 1943) In this videotape, the German war machine is seen as it continues its march through Europe. Denmark and Norway fall. France's Maginot Line crumbles, and the country is conquered. The British Army is defeated at Dunkirk, and the Low Countries are added to the list of Nazi possessions. D-9: #032.
  
  Part 4. The Battle of Russia. (B&W;/TVT/83 min./1944) The Battle of Stalingrad climaxes this account of the Nazi invasion of Russia. This film was nominated for an Academy Award as the best feature-length film documentary in 1943. D-9: #033. Also, D-15.
  
  Part 5. The Battle of Britain. (B&W;/TVT/55 min./1943) Britain's valiant struggle against the Nazis during the country's trying year of air attacks is portrayed in this program. D-9: #034. Also, D-15.
  
  Part 6. The Battle of China. (B&W;/TVT/67 min./1944) This is a look at China, focusing on her people, culture, and industry. The total commitment of Japan to the conquest of China, in order to use Chinese manpower to take over Asia, is also covered in this entry. D-9: #035. Also, D-15.
  
  Part 7. War Comes to America. (B&W;/TVT/67 min./1945) This videotape is a historical and sociological treatment of America's reaction to the terrifying events in Europe before World War II and the effects on the American people of the transition from isolationism to involvement in the fight against the Axis. Frank Capra has stated in his book, The Name Above the Title, that this "last film of the series was and still is one of the most graphic visual histories." D-9: #036. Also, D-13: VM 1078.
  
  p. The World at War Series. (B&W;/TVT/52 min. ea.) This is a pictorial documentary of World War II. The material presented in this twenty-six-part series is a vital record of events that shaped the world. It is narrated by Sir Laurence Olivier. D-13.
  
  Volume 1. The New Germany, 1933-1939. This film chronicles Hitler's emergence as Germany's dictator and follows his aggressive policy in Europe and abroad. D-13: TE 1001.
  
  Volume 2. The Distant War, 1939-1940. Events portrayed in this program include Germany's attacks on Poland, England, and Norway and Churchill's replacement of Chamberlain. D-13: TE 1002.
  
  Volume 3. France Falls, May-June 1940. Covered in this film are France's collapse under German armored attacks, the occupation of Paris, the surrender of France, and the British retreat to Channel ports. D-13: TE 1003.
  
  Volume 4. Alone-Britain, May 1940 to June 1941. The evacuation of Allied troops from Dunkirk is portrayed in this film, as well as Churchill's inspirational leadership during the air battle over England. D-13: TE 1004.
  
  Volume 5. Germany Attacks Russia, JuneDecember 1941. This film depicts early German victories in Russia and follows the deep German penetrations into Russian territory that halted before Moscow. The program emphasizes the effects of mud and cold on the battle. D-13: TE 1005.
  
  Volume 6. Japan Strikes, December 1941. The Japanese attack at Pearl Harbor is depicted, as well as the Japanese captures of Hong Kong, Burma, Malaya, Singapore, the Dutch East Indies, and the Philippines. D-13: TE 1006.
  
  Volume 7. America Enters the War. Featured in this videotape are RoosevelVs help to the British, the escalating fighting in Europe, and Germany's declaration of war on the United States. D-13: TE 1007.
  
  Volume 8. Desert. The war in North Africa is covered in this program, with special attention being given to the Allied-Axis struggle for Libya and Egypt and the confrontation between British General Montgomery and German General Rommel. D-13: TE 1008.
  
  Volume 9. Stalingrad. In this film, the myth of German invincibility is dispelled, as the Germans are stopped 1,200 miles inside Russia. D-13: TE 1009
  
  Volume 10. Wolfpack. This videotape follows the German submarine war and Germany's attempts to starve Britain through submarine attacks on Allied shipping. D-13: TE 1010.
  
  Volume 11. Red Star. Germany's two and one-half year siege of Leningrad is viewed in this program, which features interviews with survivors. D-13: TE 1011.
  
  Volume 12. Whirlwind. This film depicts British bombers in their strikes on Germany as part of a massive air campaign. D-13: TE 1012.
  
  Volume 13. Tough Old Gut. Represented in this, videotape are the Allied landing in North Africa, America's first, defeat in an important battle there, and the reorganization of forces and ultimate desert triumphs by General George S. Patton. D-13: TE 1013.
  
  Volume 14. It's a Lovely Day Tomorrow. Shown in this film is the nightmare of jungle fighting in Burma, where monsoon rains and disease take their toll of Allied troops. D-13: TE 1014.
  
  Volume 15. Home Fires. The theme of this program is the Battle of Britain, featuring the Germans' indiscriminate bombing of English cities and the German failure to break British morale. D-13: TE 1015.
  
  Volume 16. Inside the Reich-Germany, 1940-1944. Portrayed in this videotape is the German euphoria over early victories-an elation that turns to fear and despair as the war is brought home through massive Allied bombings of the German heartland. D-13: TE 1016. (SAVPIN 82033).
  
  Volume 17. Morning-June 6, 1944. The largest amphibious invasion force in history is featured in this program, as American, Canadian, and British troops land in Normandy. D-13: TE 1017.
  
  Volume 18. Occupation. The German rule of the Netherlands is depicted in this film, showing the Germans replacing their initial clemency with an iron fist. D-13: TE 1018.
  
  Volume 19. Pincers. Portrayed in this program is the autumn of 1944, which shows Germany on the verge of defeat, but hanging on. D-13: TE 1019.
  
  Volume 20. Genocide. The German plan for the annihilation of "inferior" races is focused on in this revealing film. D-13: TE 1020.
  
  Volume 21. Nemesis. Depicted in this film is the final assault against Germany, with Russia attacking from the east and the British, Canadians, and Americans pushing from the west. D-13: TE 1021.
  
  Volume 22. Japan, 1941-1945. This videotape follows the course of World War II, from early Japanese victories to Japan's overwhelming defeat. D-13: TE 1022.
  
  Volume 23. Pacific-the Island-to-Island War. America's strategy in the Pacific-to bypass Japanese forces by island-hopping directly to Japan--is pictured. D-13: TE 1023.
  
  Volume 24. The Bomb. This program follows the explosive events that changed our world forever. D-13: TE 1024.
  
  Volume 25, Reckoning. The postwar problems of dealing with a defeated Germany and Japan are delineated in this film. D-13: TE 1025. (SAVPIN 82034).
  
  Volume 26. Remember. The editorial stance of this film is that if enough people remember the devastation of World War II, we shall achieve peace. D-13: TE 1026.
  
  q. World War 1. (B&W;/16-mm/TVT/30 min. ea.) Narrated by Robert Ryan, this documentary series chronicles the era of World War I--its causes, events, and aftereffects. The series covers the politics and personalities behind the battlefront and the decisive events on the field. From the sinking of the Lusitania to the battles at Verdun, Gallipoli, and the Argonne, we view the breadth of the great war. D-16.
  
  Part 1. The Summer of Sarajevo
  
  Part 2. Clash of the Generals
  
  Part 3. The Doomed Dynasties
  
  Part 4. Atrocity 1914
  
  Part 5. They Sank the Lusitania
  
  Part 6. Verdun the Inferno
  
  Part 7. Battle of Jutland
  
  Part 8. The Trenches
  
  Part 9. D-Day at Gallipoli
  
  Part 10. America the Neutral
  
  Part 11. Wilson and War
  
  Part 12. Revolution in Red
  
  Part 13. Behind the German Lines
  
  Part 14. Year of Lost Illusions
  
  Part 15. Over There
  
  Part 16. Over Here
  
  Part 17. Daredevils and Dogfights
  
  Part 18. The Agony of Caporetto
  
  Part 19. Tipperary and All That Jazz
  
  Part 20. The Promised Lands
  
  Part 21. The Tide Turns
  
  Part 22. Battle of the Argonne
  
  Part 23. The Day the Guns Stopped Firing
  
  Part 24. Wilson and Peace
  
  Part 25. The Allies in Russia
  
  Part 26. Heritage of War D-16.
  
  r. World War II (B&W;/16-mm/90 min. ea.) This is a twelve-part series narrated by Walter Cronkite. Each ninety-minute episode examines a significant aspect of World War II. The series features battle footage from both Allied and Axis archives, along with close-up portraits of the military and political leaders who played critical roles in the historical conflict that has shaped the second half of the twentieth century. D-16.
  
  s. World War II: G.I. Diary. (Color/TVT/30 min. ea.) Years after Pearl Harbor, extraordinary interest remains in the events that led to the fall of the Third Reich and the final victory in the Pacific. This twentyfive-part series presents a unique look at those events by documenting the human drama of the American GIs who were actually in the foxholes. Here, dates and places are less important than the unheralded men who made the history. D-7.
  
  Part 1. Okinawa: At the Emperor's Doorstep (SAVPIN 600621).
  
  Part 2. G.I. Christmas (SAVPIN 600622).
  
  Part 3. Desert War (SAVPIN 600623).
  
  Part 4. The Double Strike: Air Force Raids on Schweinfurt-Regensburg (SAVPIN 600624).
  
  Part 5. Anzio to Rome (SAVPIN 600625).
  
  Part 6. Kamikaze: Flower of Death (SAVPIN 600626).
  
  Part 7. Americans in Paris (SAVPIN 600627).
  
  Part 8. Target: Tokyo (SAVPIN 600628).
  
  Part 9. Midway (SAVPIN 600629).
  
  Part 10. Return to the Philippines (SAVPIN 600630).
  
  Part 11. The Bulge (SAVPIN 600631).
  
  Part 12. The Flying Fortress (SAVPIN 600632).
  
  Part 13. The Toughest Target (SAVPIN 600633).
  
  Part 14. Big Ben (SAVPIN 600634).
  
  Part 15. D-Day: One Bad Day in June (SAVPIN 600635).
  
  Part 16. The Battle for Saipan (SAVPIN 600636).
  
  Part 17. Savage Road to China (SAVPIN 600637).
  
  Part 18. The Last Barrier: Crossing the Rhine(SAVPIN 600638).
  
  Part 19. Peleliu: The Killing Ground (SAVPIN 600639).
  
  Part 20. Sicily: The Yanks Are Coming(SAVPIN 600640).
  
  Part 21. Road to Berlin (SAVPIN 600641).
  
  Part 22. Nightmare at San Pietro (SAVPIN 600642).
  
  Part 23. Medal of Honor (SAVPIN 600643).
  
  Part 24. Hell in the Arctic(SAVPIN 600644).
  
  Part 25. Iwo Jima: Eight Square Miles of Hell (SAVPIN 600645).
  
  3. TECHNOLOGY.
  
  a. Aviation.
  
  The Chopper. (Color/TVT/55 min./1983) The secrets of vertical flight were not really discovered until 1940, yet only twenty-five years later, the helicopter provided the basic transportation for the war in Vietnam. This is a history and explanation of an extraordinary flying machine that can stand still in the air and take off or land from an area about its own size. The impact of the helicopter on aviation in the military and the future of the machine make a fascinating story. D-2.
  
  History of Aviation. Part 1. (B&W;/16-mm/29 min./1961) The Big Picture. This film portrays the history of aviation from early pioneer efforts to the pre-Billy Mitchell era. D-1: TV 502. (SAVPIN 30131).
  
  History of Aviation. Part 2. (B&W;/16-mm/29 min./1961) The Big Picture. The history of aviation from the Billy Mitchell era to the present-day (1961) jet age is chronicled in this film. D-1: TV 503. (SAVPIN 30132).
  
  History of Aviation. Part 3. (B&W;/16-mm/29 min./1961) The Big Picture. This film examines various types of military aircraft and their applications as viewed from the present-day concept of mobility and dispersion. D-1: TV 504. (SAVPIN 30133).
  
  History of the Air Force, 1908-1916. (B&W;/16-mm/11 min.) The history of the development of the airplane and its eventual adaptation for use as a military weapon are focused on in this motion picture.D-1. (SAVPIN 38431).
  
  Men with Wings. (B&W;/16-mm/14 min./1964) This pictorial report traces fifty years of military aviation, from the first flights of the Wright brothers to the modern supersonic jets of today's armaments. D-1:AFMR 620. (SAVPIN 20119).
  
  Sea-Air Operations. (Color/Sound Filmstrip/2 cassettes/2 strips) Described in this sound filmstrip are the developments of flight operations made from water. Told is the story of naval operations during World War II, which includes material on many notable figures in the history of naval aviation. D-4.
  
  Wings of the Army. (B&W;/TVT/45 min./1940) This U.S. Army Air Corps film shows highlights of military and civilian aviation history between the wars: the first flights at Kitty Hawk, North Carolina; the first flight across the English Channel; stunt flyers; the airmail service; forest patrols; the circumnavigation of the world (Smith and Nelson); the establishment of new speed, endurance, and altitude records; and the 1938 goodwill flight of Flying Fortress bombers to Argentina. Also pictured are such technological breakthroughs as variable-pitch propellers and autogyros. Shown are President Roosevelt and General Arnold as they examine B-15 bombers and new air base facilities. D-9: #060-.
  
  World War I Aviation. (Color/Sound Filmstrip/2 cassettes/2 strips) Dealt with in this filmstrip are the role of aircraft in World War I and how the war influenced aircraft design. The viewer is also acquainted with some of the outstanding aviators who figured prominently in the war. D-4.
  
  World War II Aviation. (Color/Sound Filmstrip/2 cassettes/2 strips) The technological advances made in aircraft design in response to wartime needs are described in this filmstrip. Also shown are how technological changes have altered the practices of war. The student is provided with a perspective on some of the major events and personalities of the war. D-4.
  
  Air Power Series. See chapter 2, paragraph 2b.
  
  b. Chemical.
  
  Biology at War: The Mystery of the Yellow Rain. (Color/TVT/50 min./1984) In 1977, hundreds of Hmong tribesmen swept out of the hills of Laos, bringing horrendous accounts of atrocities against them by a new biological weapon called "yellow rain." Since then, other reports have suggested that the Russians were, indeed, importing deadly fungal toxins into Southeast Asia and spraying them on helpless remote villages. This program pieces together the clues that lead to a quite different explanation involving the bizarre behaviors of Asian honey bees. If the original American allegations had been true, it meant that the Soviets had broken the treaty designed to rid the world of biological warfare. Had that grim spectre risen again? Host Peter Wilson traveled to Thailand, Kampuchea, and Laos to investigate the claims and track the clues to find the true answer. D-2.
  
  A Higher Form of Killing-Chemical Warfare. (Color/TVT/50 min./1981) In 1915, the Germans launched the first gas attack against the Allies at Ypres. It was called "a higher form of killing" by its inventor. By 1918, it had claimed the lives of 100,000 men. Sixty years later, the world has developed nerve gases many thousands of times more powerful. Moreover, the Russians and Americans have created enormous stockpiles of these weapons. This film investigates the continued development of one of the most feared weapons. D-2.
  
  c. Espionage.
  
  The Hi-Tech Trail to Moscow. (Color/TVT/50 min./1985) This film is a detailed investigation into the Kremlin's successful campaign to buy or steal the West's high-technology secrets. Since microelectronics is at the heart of modern warfare, one result of the Russian campaign is that it is now costing the NATO countries millions of dollars to develop measures to counter our own stolen technology. The middlemen working for Moscow are interviewed in this program and reveal the elaborate smuggling network they use. One of these middlemen featured is a millionaire West German industrialist now on the run from American justice. Another is a Hong Kong businessman secretly financed by the Russians to infiltrate the heart of America's electronic warfare industry in order to gain access to personal records and potential blackmail victims. Hundreds of Soviet diplomats have been expelled from Western countries for indulging in such high-technology espionage. D-2.
  
  A Modern American Tragedy. (Color/TVT/16-mm) The selling of defense secrets by trusted employees-a form of industrial espionage-is an ever present threat to business, the American public, and to our national security. A Modern American Tragedy, a heralded segment produced by CBS' "60 Minutes," explores this problem of protecting classified information and dealing with this reoccurring situation in today's business and governmental arenas. It is the story of William Bell, a twenty-seven-year employee of Hughes Aircraft Company, who became a suspect in the stealing of classified defense secrets and the selling of them to foreign governments. An FBI investigation revealed that Bell, heavily in debt, fell prey to his neighbor, a Soviet spy, who convinced him to steal certain classified secrets in exchange for money. For a total of $100,000, Bell sold out his country. D-2.
  
  The Spies Among Us. (Color/TVT/52 min.) To what extent is the United States threatened by Russian espionage? This special report explores the danger of Soviet-bloc spy activities in the United States. Narrated by Jessica Savitcb, it covers the whole range of Soviet intelligence gathering operations, including the number and variety of Russian agents involved, the covert methods they use to gain information, and how United States counterintelligence agencies are dealing with the problem, The program also deals with the newly recognized issue of illegal transfer of technical equipment and microcircuitry information as orchestrated by the KGB. D-2.
  
  d. Firepower.
  
  Close Air Support. (Color/TVT/32 min.) Reviewed in this videotape is the role played by aircraft in providing close air support to ground forces from World War I to the present. D-1. (SAVPIN 20983).
  
  Firepower for Freedom. (Color/16-mm/29 min./1966) The Big Picture. The history of the research and development of modern firepower, as well as current developments in the field, are covered in this film. Special focus is placed on the missions of Picatinny Arsenal, Frankford Arsenal, Edgewood Arsenal,- and the Army Procurement and Supply Agency. D-1: TV 687. (SAVPIN 30193).
  
  Progress in Field Artillery Firepower. (Color/16-mm/ 22 min./1973) A cavalcade of field artillery from Civil War vintage to modern computerized models is shown in this film, with the accompanying point being made that America's weaponry must remain sufficiently sophisticated to sustain our national security. This report demonstrates advances in artillery fire control, mobility, transportability, and speed and ease of placement. Depicted are the soft recoil system, the TACFIRE system of programmed firepower, lasar application, prepackaged liquid propellants, and projectiles with rocket motors. D-1: RD 50. (SAVPIN 26051).
  
  Small-Arms Technology. See chapter 2, paragraph 2f.
  
  e. Mobility.
  
  The Army Air Mobility Team. (Color/16-mm/28 min./1969) The Big Picture. This film demonstrates how air mobility promotes combat operations by supporting units and their supply in the difficult terrain of Southeast Asia, D-1: TV 752. (SAVPIN 30232).
  
  An Army Moves. (B&W;/16-mm/28 min./1964) The Big Picture. Featured in this film is the history of Army mobility from the Revolutionary War era to present day, with focus on logistical and transportation progress in the twentieth century and the nature of future mobility needs. D-1: TV 610. (SAVPIN 30163).
  
  Army on Wheels. (B&W;/TVT/27 min./1938) Produced by the Dodge Motor Company and the U.S. War Department, this film documents the various military uses of heavy Dodge trucks on peacetime maneuvers at Fort Benning, Fort Sam Houston, and in the Sabine River area of Texas. D-9: #065.
  
  Army Transportation-Key to Mobility. (Color/16mm/29 min./1968) The Big Picture. This is the story of the men of the Army Transportation Corps, who deliver men and equipment to the battlefields. Depicted is their mission and their training. D-1: TV 719. (SAVPIN 30208).
  
  Military Railways. (B&W;/16-mm/20 min./1968) Pictured in this film are the diverse activities performed by the military railway service of the U.S. Army Trans- portation Corps during World War II in Iran, Alaska, and Europe. D-1: TF 55-3948. (SAVPIN 29496).
  
  Progress in Ground and Air Mobility. (Color/16-mm/23 min./1974) This film provides a look at the history of mobility in warfare, from the early days of the foot soldier and soldier on horseback to the Army's modern wheeled and tracked vehicles. Reviewed are the technological advances in armor, firepower, and mobility and the research done on special-purpose ground and air vehicles, including helicopters. D-1: RD 49. (SAVPIN 26049).
  
  Seek and Strike. (Color/16-mm/28 min./1969) The Big Picture. The development of mobile armor is examined in this film. Focused on is the training of a tanker, as he learns to move, shoot, and communicate from aboard the latest combat vehicles. D-1: TV 753. (SAVPIN 30233).
  
  f. Naval.
  
  The Deep Cold War. (Color/TVT/50 min./1980) A new cold war is being fought deep under the oceans of the world, a dark and shadowy conflict that continues day and night. This is a report on the secret and silent struggle between NATO's anti-submarine forces and the Soviet submarine fleet-the biggest underwater armada in history. The impact of this submarine fleet on vital oil and other supplies is considered, as well as what our losses might be in case of a conflict at sea against this submarine-bolstered navy. D-2.
  
  The Rise of the Red Navy. (Color/TVT/50 min./1980) The commander in chief of the Russian Navy controls powerful warships, nuclear submarines, a fishing and oceanographic research fleet larger than that of the rest of the world put together, a merchant fleet second only to Japan's, and a unique flotilla of over fifty intelligence and surveillance vessels. This film traces the growth of the Russian Navy from the time of Peter the Great to the present. D-2.
  
  g. Nuclear.
  
  Bombs Will Make the Rainbow Break. (Color/TVT/17 min./1983) Through the innocence of children's artwork and words, the impact of growing up in a world on the brink of nuclear destruction is presented in this unique and thought-provoking film. In this story of the "children's campaign for nuclear disarmament," the anger and fear that children feel are seen as the stimuli motivating them to confront the adult world in an organized way. This film is meant to inspire adults and children to take action for nuclear disarmament. D-2.
  
  The Lost Generation. (Color/TVT/20 min./1983) A plea for world peace, this heartbreaking film is a verbal and visual diary of the events that took place on 6 and 9 August 1945, when the United States dropped atom bombs on Hiroshima and Nagasaki. The shocking testimonies of the survivors are painful in every detail, as they recount the dreadful and irreversible effects on the populations of both cities. These are pictures that make atomic war unthinkable. D-2.
  
  Nuclear War: A Guide to Armageddon. (Color/TVT/25 min./1982) What actually would happen if a onemegaton nuclear bomb exploded a mile above the heart of London? This portrayal uses ingenious camera techniques, startling dramatic simulations, and exceptional special effects in its assessment of the effectiveness of measures governments have proposed to protect their populations. Designed to shock even the most complacent viewer, the film shows the impossibility of defense against heat, blast, and fallout. D-2.
  
  On the Eighth Day. (Color/TVT/60 min./1984) Scientists in both the West and the Soviet Union have come to realize that the fallout from a nuclear exchange would not be just radioactive. In this film, a group of leading scientists build a computer model of the earth's atmosphere to test the effects of the enormous injection of smoke and dust into the atmosphere after a global nuclear war. The results are that temperatures would fall by up to 40 degrees and remain below freezing for months. What would this "nuclear winter" destroy? Scientists project the effects of huge dust clouds from nuclear war by studying the dust from volcanic eruptions. They also consider the theory that the extinction of dinosaurs was caused by huge dust clouds caused by the earth's colliding with a giant meteor. In 1984, the U.S. government announced allocations of $50 million to study nuclear winter. D-2.
  
  Prophecy. (Color/TVT/43 min./1982) This is an actual film taken of the explosions and aftermath of the atomic bombings of Hiroshima and Nagasaki. The footage was shot in 1945 but never made public. The American bombs put 90,000 people to death instantly, but the fate of the survivors was infinitely worse. This Japanese-made film brings to viewers an unforgettable message from the anguished Japanese victims of the atomic blast, who continue to suffer. The film was produced by the Hiroshima-Nagasaki Publishing Committee. D-2.
  
  Threads. (Color/TVT/110 min./1984) This is a deeply moving and realistic account-based on scientific, medical, agricultural, and psychological researchof what might happen during, and after, a nuclear attack on Britain. The time span of the story runs from a month before to thirteen years after the imagined war. and relates events through the experiences of two families-the working-class Kemps and the middle-class Becketts. In this postatomic world, money has no value, old manual skills have to be relearned, and barter becomes the basis of the economy. The psychological impact of the war is in many ways as great as the physical destruction. D-2.
  
  To Die, to Live: The Survivors of Hiroshima. (Color/TVT/63 min./1982) The dropping of the first atom bomb on Hiroshima was the greatest single catastrophe man has ever inflicted on man. This film presents the thoughts and feelings of survivors of that tragedy, their guilt at being alive when their friends and families are dead, and the still-remaining dangers of radiation effects. The film suggests that, in a sense, we are all survivors of that cataclysmic event at Hiroshima. D-2.
  
  The War Game. (B&W;/TVT/49 min./1966) This classic film has opened the eyes of many thousands to the reality of a nuclear war. It simulates the aftereffects of a nuclear attack based on information supplied by experts in nuclear defense, economics, and medicine. The use of man-on-the-street interviews, location shooting with hand-held cameras, and amateur actors results in a film of such impact and realism that it has been kept off television. D-2.
  
  War Without Winners II (Color/TVT/29 min./1982) Brought to light in this film are the startling facts and raw emotion of what has been called the number one health hazard in the world today: nuclear war. This new edition of War Without Winners intertwines interviews of political figures, such as Caspar Weinberger and film star Paul Newman, with citizens of the United States and the Soviet Union to present a frightening, but balanced, picture of the world's nuclear position. D-2.
  
  h. Space.
  
  Beyond Deterrence. (Color/TVT/50 min./1983) Death rays, space-based lasers, and computers smart enough to fight battles on their own: these are the exotic new weapons President Reagan has ordered his military scientists to perfect. They are designed to prevent Soviet missiles from striking the United States, and they take the West into a new defense strategy. This is an examination of how close to reality the President's vision has come. D-2.
  
  The Real Star Wars: Defense in Space. (Color/TVT/50 min./1984) President Reagan's "Star Wars" proposal represents a turning away from the doctrine of deterrence, or "Mutual Assured Destruction" (M.A.D.), to a defensive policy that would depend on exotic weapons and super-fast computers-a strategic defense system that might protect the United States from Soviet missile attacks. Among the exotic weapons that might be used is the deadly X-ray laser, developed by Dr. Edward Teller, the father of the H-bomb. The program uses a unique, three-dimensional animation process that employs models of new weapons systems that employ lasers, particle beams, and hypenvelocity projectiles. Also featured are several short debates between experts. Secretary of Defense Weinberger confronts Robert McNamara and physicist Richard Garwin, who both oppose the defense initiative, and then joins with scientist Robert Jastrow, who supports the administration view. D-2.
  
  

Part 1. First Blood-Fort Sumter-Bull Run

Part 2. A Soldier's Lot-Life of the Common Soldier

Part 3. Winning the West-Fort Donelson-Shiloh 1862

Part 4. The War Afloat-Navies of the North and South

Part 5. On to Richmond- 1862-Antietam

Part 6. Nations at War-Life on the Home Front

Part 7. An Endless Slaughter-Fredericksburg-Gettysburg

Part 8. The Drive to Victory- I 864-Lee's Surrender, 1865. D-11.

Part 1. How We Know About the Civil War

Part 2. The Foot Soldier in the Civil War

Part 3. The Artillery in the Civil War

Part 4. Supporting Services in the Civil War

Part 5. The War on the Water

Part 6. The Toll of the Civil War. D-11.

Part 1. The North Before the War, Covered in this filmstrip are the reform spirit, the abolitionist movement, the Missouri Compromise, "Bleeding Kansas," Uncle Tom's Cabin, the Dyed Scott Case, John Brown, Lincoln's election, and the secession.

Part 2. The South Before the War. Sectionalism, cotton, slavery, the economy, tariffs, and the Turner rebellion are among the subjects in this filmstrip.

Part 3. The War. Included in this filmstrip are the topics of mobilization, Fort Sumter, Generals Lee, Scott, and Jackson, the Emancipation Proclamation, the human toll, Antietam, Gettysburg, Vicksburg, and Appomattox.

Part 4. The Aftermath. This filmstrip chronicles the collapse of the Southern economy, radical Republicanism, the Reconstruction, the assassination of Lincoln, the Johnson administration, the regaining of political control by Southern whites, the 1876 election, and the legacy of the war. D-13.

Seminar 1. Battle of Chancellorsville. (Color/TVT/60 min. ea./1985) Some 130,000 soldiers and 400 artillery guns strong, "Fighting Joe" Hooker's Army of the Potomac successfully crossed the Rappahannock and Rapidan Rivers to engage Robert E. Lee's 60,000 troops. Following five days of battle, Hooker was crushed and forced to retreat. Although victorious, the Confederacy was grief stricken by the mortal wounding of its favorite son, "Stonewall" Jackson. This five-part series outlines major aspects of the battle. D-8.

Part 1. Significance and Consequences of Chancellorsville. (Color/TVT/60 min.) Dr. Ludwell H. Johnson, department chairman of history at the College of William and Mary, measures the impact of the Battle of Chancellorsville on the outcome of the war. D-8.

Part 2. Profile of Joseph Hooker. (Color/TVT/60 min.) Dr. William W. Hassler, author of A. P. Hill: Lee's Forgotten General, looks into the background and personality of Union General Hooker. D-8.

Part 3. Jackson's Flanking March. (Color/TVT/60 min.) Kent M. Brown, editor of Virginia Country's "Civil War Forum," presents the details of Jackson's flanking maneuver that ensured a Confederate victory and resulted in his own death. D-8.

Part 4. Jubal Early. (Color/TVT/60 min.) The role of Jubal Early and Lee's critical right flank are brought to life by Dr. Millard K. Bushong, author of Old Jube and numerous other historical works. D-8.

Part 5. S. Dodson Ramseur. Professor Gary W. Gallagher, author of a biography of Dodson Ramseur, documents the role of this Confederate officer at Chancellorsville. D-8.

Seminar 2. Stonewall Jackson's Shenandoah Valley Campaign. (Color/TVT/60 min. ea./1985) In the spring of 1862, General Thomas Jackson's 15,000 troops marched over 300 miles in 35 days and engaged 3 Union armies of 65,000 men in 4 battles and won them all. This eight-part series outlines the campaign. D-8.

Part 1. Jackson's Objective. (Color/TVT/60 min.) Robert G. Tanner, author of Stonewall in the Valley, examines Lee's bold decision to send Jackson marching down the Shenandoah Valley as part of divide and conquer a Union Army an attempt to that vastly outnumbered the Confederates. Tanner's enlightening lecture underscores the importance of Jackson's dual mission of using Southern military aggression to create political dissatisfaction with the war in the North, while he, at the same time, fought and defeated three Union armies. D-8.

Part 2. Composition of Jackson's Army. (Color/TVT/60 min.) Kent M. Brown, author and editor of Virginia Country's "Civil War Forum," presents an account of the lives of Jackson's "foot cavalry." These soldiers showed courage in the face of starvation, exposure, disease, and exhaustion-fighting again and again. Brown re-creates the gallant spirit of the foot soldier and offers insight into the Confederate soldier's motivation for fighting against such overwhelming odds. D-8.

Part 3. Campaign's Impact. (Color/TVT/60 min.) James I. "Bud" Robertson, the Miles Professor at Virginia Polytechnic Institute, chronicles Union military operations and the campaigns of "total destruction" that took place in the lush corridor of the Shenandoah Valley. Robertson emphasizes Jackson's valley operations and their lasting effect on Northern strategy. D-8.

Part 4. The Battle of Kernstown. (Color/TVT/60 min.) Robert K. Krick, chief historian of the National Park Service, re-creates the only defeat in Jackson's military career, the Battle of Kernstown. Krick demonstrates how Jackson, even in tactical defeat, accomplished a strategic goal: he forced Lincoln-who feared that Jackson might capture Washington, D.C.-to launch three Union armies in his pursuit, which delayed the Union assault on Richmond. D-8.

Part 5. Hunter McGuire. (Color/TVT/60 min.) William W. Hassler brings to life Jackson's extraordinary physician, Hunter McGuire, who had the rare privilege of being Jackson's confidant. Dr. McGuire saved Jackson's fingers from amputation at Manassas, only to remove the general's mauled arm at Chancellorsville. Hassler documents McGuire's surgical techniques, considered by medical historians to have provided the prototype for twentieth-century medical practices. D-8.

Part 6. Jed Hotchkiss. (Color/TVT/60 min.) Professor Gary W. Gallagher, author of S. Dodson Ramseur, presents "Make Me a Map of the Valley," a lecture highlighting Hotchkiss' remarkable map-making talent. Considered Jackson's "deadliest weapon," Hotchkiss' maps enabled Jackson to capitalize on the element of surprise in his valley campaign. Gallagher reveals the secret of how Hotchkiss was able to accurately re-create a map of the Unioncontrolled valley. D-8.

Part 7. General James Shields. (Color/TVT/60 min.) William W. Hassler, a distinguished Civil War scholar best known for his biography of A. P. Hill, explains why Union General Shields is remembered as the only general to defeat Stonewall Jackson in the field of battle, even though Shields was not present at the Battle of Kernstown. D-8.

Part 8. Turner Ashby. (Color/TVT/60 min.) Millard K. Bushong, biographer of Jubal A. Early, Thomas Rosser, and Turner Ashby, scrutinizes the life of Jackson's colorful cavalry chief, Turner Ashby. Known for his electrifying cavalry charges that often successfully dislodged the enemy, Ashby also had a reputation for being undisciplined. We discover why Ashby was able to retain Jackson's high regard despite his reputation. D-8.

Part 1. This portion of the film focuses on the development of nationalism as a cause of the war. It also compares the goals of the major powers with the war's outcome.

Part 2. Prewar prosperity is depicted in this portion of the film, with the main focus on imperialism: the tensions it initiated, the alliances it spawned, the arms race it generated, and the war it inexorably created. D-11: H7VH 0134.

Part 1. The Assassination of the Archduke Ferdinand

Part 2. The Treaty of Versailles

Part 3. The Russian Revolution

Part 4. The Long March D-11: HIKF 4241.

From Kaiser to Führer. (B&W;/TVT) The story of the ill-fated Weimar Republic, set up by foward-looking Germans after World War I, is sketched in this videotape. The depression, the inexperience of Germans at democracy, and the doubts of many of its adherents, sent the republic to its death in 1933. (SAVPIN 604933).

World War II-Prologue, U.S.A. (B&W;/16-mm/28 min.) The dramatic events of the period between the end of World War I and the attack on Pearl Harbor on 7 December 1941 are chronicled from a worldwide perspective. D-1: MF 45-9090. (SAVPIN 23011).

b. German Films.

Assorted Nazi Political Films: 1932-1943. (B&W;/TVT/31 min./English Subtitles) The hypnotic oratory of Adolf Hitler is the highlight of this program, which presents four featurettes originally produced during the Nazi era. D-9.

Part 1. One of Hitler's first open-air public addresses to be recorded on synchronized sound film shows him appealing for German unity at an election rally in 1932. The informally gathered civilian crowd and modest podium decorations (lacking the regimented pageantry of later National Socialist spectacles) starkly convey the personal, living bond between the leader and his followers.

Part 2. In this tape, the Nazi leader stages an annually held procession in Munich to honor comrades who fell in the party's abortive 1923 attempt to seize power. Hitler, GUring, and Streicher lead former participants of the original march to the Feldherrenhalle in Munich's Imperial Square, where Hitler lays memorial wreaths and greets family members of his slain followers.

Part 3. One of Hitler's last bloodless conquests was the takeover of Austria in March 1938. Hitler's public address in Vienna and the attending ceremonies, including a parade of Austrian army units, are reproduced from an original German newsreel of the time.

Part 4. Nazi leader Goebbels' most famous speech, given on 18 February 1943, in which he asks his Berlin Sports Palace audience, "Do you want a total war?", is recorded in the Nazis' own newsreel coverage. Original sound excerpts from the ovation accorded Goebbels and the frenzied crowd response give a vivid impression of this phenomenal outburst of war fever-an expression that is today a fascinating psychological curlosity for historians. D-9: #164.

Der Marsch zum, Führer (The march to the fdhrer). (B&W;/ TVT/50 min./1940) Marching boots were heard on German roads years before World War II, as each summer, thousands of Hitler youth traveled on foot from their hometowns to Nürnberg to participate in the annual Nazi Party Congress. This Third Reich propaganda film tells of these columns and shows them marching through the mountains, forests, fields, and towns of Hitler's realm. Their pilgrimage is climaxed by the colorful ceremonies of the Nurnberg Congress, where they parade before their Führer and are addressed by Nazi youth leader Shirach, Hess, and Hitler himself. Behind the splendid pageantry of this film and the remarkable discipline of its participants is revealed, as vividly as in any cinematic record in existence, the skill of the Nazi leaders in preparing Germany's youth, both physically and psychologically, for war. D-9: #017.

Germany Celebrates Hitler's Birthday. (B&W;/TVT/21 min./1939/English Subtitles) The pageantry of the Third Reich and the precision of its army reached a dramatic climax during the festivities honoring Adolf Hitler on his fiftieth birthday, 20 April 1939. This complete Nazi newsreel shows Berlin-adorned with flags and floral displays by its citizens and a monolithic statuary designed by Albert Speer-preparing for the holiday. Scenes of throngs of Germans congratulating their leader are followed by a review staged by Germany's armed forces-the greatest military demonstration in the history of the Third Reich. Nervous-looking diplomats from France, the Soviet Union, and other European nations were among the thousands who watched the display of the modern, mechanized, and mighty fighting force as it paraded past its Führer to the melodies of Germany's traditional military marches for four and a half hours. D-9: #016.

Hitler: February 10, 1933. (B&W;/TVT/30 min./English Subtitles) The contest for political supremacy in Germany was not yet decided when Adolf Hitler, the newly appointed chancellor for scarcely one week, rose in the Berlin Sports Palace to deliver what was perhaps the most important speech of his career. The Nazi leader, standing beside a table surrounded by watchful SA and SS men, faced crucial elections on 5 March and displayed the full, awesome charisma of his spellbinding oratory to condemn political enemies and to exhort his rowdy audience-and the millions listening on radio throughout Germany-to support his Nazi party in its grasp for total power. Hitler's speech, introduced by his Berlin Nazi leader, Joseph Goebbels, noticeably stirs the audience. All of this is pictured in an original National Socialist party election film. D-9: #014.

Mussolini Visits Hitler. (B&W;/TVT/31 min./1937/English Subtitles) A million people jammed Berlin's Olympic Stadium and adjoining Mayfield in September 1937 to hear speeches by Adolf Hitler and Benito Mussolini and to view the spectacular nighttime military tattoo performed by thousands of musicians of the German armed forces. This original Nazi documentary reporting on the Italian dictator's state visit to Germany also includes scenes of Axis leaders meeting in Munich, where they watch the annual German Army field maneuvers, visit the estate of Nazi Luftwaffe chief 9dring, and review military parades. Amid a backdrop of cheering crowds, festively decorated cities, and colorful ceremonies, the film offers the viewer a unique and fascinating opportunity to study the close relationship between the two dictators at the meeting, a relationship that cemented the future wartime alliance of their respective nations. D-9: #015.

Olympia. (B&W;/TVT/203 min./1938) Olympia is one of the famous films of all time-Germany's cinematic pageant of the 1936 Berlin Olympics. Controversial because of their location in the capital of the Third Reich, the games became, nevertheless, one of the most colorful and competitively balanced Olympics of the century. Hitler commissioned Germany's most renowned filmmaker, Leni Riefenstahl, to create a monumental motion picture about the event. The resulting 3 1/2-hour epic was the culmination of nearly two years of painstaking work by Miss Riefenstahl who personally edited a million feet of film shot for her by her staff of 100 cameramen. The congenial mood of the film even extends to frequent, candid scenes of Hitler, relaxed and lighthearted among a crowd of spectators. Here is the spirit, the grace, and the nobility of the Olympics brought to life by one of history's greatest filmmakers and framed in the intriguing world of Adolf Hitler's Third Reich. The film is narrated in English.

Part 1. Festival of the People (112 min.) D-9: #011.

Part 2. Festival of Beauty (91 min.) D-9: #012.

Pre-war German Featurettes Package. (B&W;/TVT/60 min.) Contemporary film documentaries on prewar Nazi Germany deal almost exclusively with the political issues of the period. These featurettes mainly examine the policies and conduct of Adolf Hitler as he fashions Germany's swift and terrible war machine. This film reveals a more complete picture of life in the Third Reich as seen from the viewpoint of the German worker, the unknown private soldier, the rural peasant girl, and the individual craftsman. This four-part package, all produced in Hitler's Germany, provides an entirely new impression of the Third Reich that is both instructive and fascinating. D-9.

Part 1. Yesterday and Today. Director Hans Steinhoff presents a skillful argument for National Socialism, with film clips contrasting the new prosperity under Nazi rule compared with that of the earlier Weimar Republic, which was inflicted with economic depression and unemployment. All of the misery and hopelessness of Weimar Germany is reflected in the scenes of unemployed German workers, who stand in bread lines while children saunter through dirty alleys nearby. French colonial troops move through Germany's streets, and prostitutes lurk in the doorways. Moral distress is mirrored in the faces of the German people.

Part 2. Three Years of Adolf Hitler. This is one of the early efforts by the Nazi film propagandists to mold the image of the Führer. Scenes of Hitler's speeches and of colorful rallies highlight this short film.

Part 3. Honor of Work. Everyone in Germany is happy to work again-according to this propaganda film. The potter, the farm girls bringing in the harvest, the young men inducted into the Reich's labor service, and the artisans precariously hacking through mountain cliffs as they build a German Alpine highway are filmed examples. This film, atmospheric in nature, is practically without commentary.

Part 4. Becoming an Army. On the night of 7 March 1936, at a small German army barracks just east of the Rhine River, a shrill alarm arouses the peacefully sleeping soldiers from their beds. After struggling into their uniforms and buckling on their field equipment, the soldiers run down the stairs to assembly. There, they are issued live ammunition for their rifles, bringing them to the realization that this is not a drill. After lining up in a courtyard, the men are marched out of their base into the cold winter night. Their officers have not revealed to them their mission, but they are being led east, toward the border of the French-occupied Rhineland. This film portrays the events. D-9: #013.

Tag der Freiheit: Unsere Wehrmacht (Day of freedom: our armed forces). (B&W;/TVT/21 min./ 1935) A warning of things to come is given in this featurette depicting a mock battle staged by German troops during the colorful ceremonies at NUrnberg on German Armed Forces Day, 1935. The camera follows the soldiers from their early morning preparations in their "tent city" to their march to the vast parade grounds, where a miniature war-involving infantry, cavalry, aircraft, flak guns, and the first public appearance of Germany's new "forbidden" tank-is presented, all before Hitler and thousands of spectators. This beautifully photographed film, created by Leni Riefenstahl, is a supplement to her earlier Triumph of the Will as a special tribute to the German Army. D-9: #018.

Triumph of the Will. (B&W;/TVT/120 min./English Subtitles) Banned for more than thirty years, Triumph of the Will, by Leni Riefenstahl, generated perhaps the greatest moral and legal controversy in the history of the cinema. The subject of the film is the 1934 Nazi Party Congress. Staged annually at Ntirnberg, the congress was a series of speeches by Nazi leaders, reviews of their uniformed followers, and mass rallies involving thousands of people. Although Miss Riefenstahl's work has been labeled Nazi propaganda, it is actually the filming of a propaganda subject by a non-Nazi, a woman whose appointment by Hitler to make the film was resented by the professional propagandists in the Nazi hierarchy. The result is a fascinating expression of one individual's impression of the Hitler movement. The complete dominance of one man's personality over an entire nation is forcefully conveyed to the viewer's awareness. D-9: #010. Also, D-13: VY 1410.

Action at Angaur. (B&W;/16-mm/27 min./1945) Combat activities of the 81st Infantry Division in crushing veteran Japanese troops on Angaur Island are pictured. D-1: CMF 40-1128. (SAVPIN 20362).

The Admiralty Islands. (B&W;/16-mm/16 min./1949) Viewed in this film are the landing on and subsequent capture of the Admiralty Islands north of New Guinea by the 1st Cavalry Division in February 1944. D-1: CHR A-8. (SAVPIN 20337).

After Mein Kampf. (B&W;/TVT) This story of Adolf Hitler, produced in England in 1940, consists of documentary scenes and reconstructions of other events. D-13: VY 0903.

The Air Force Story. See chapter 2, paragraph 2b.

The Air Force Story. Volume 1. (B&W;/TVT/55 min./1950s) This is one continuous program that deals with several Air Force subjects. D-9.

Part 1. North Africa: 1943. This first segment is a history of the U.S. Air Force in North Africa from November 1942 through May 1943. (14 min.)

Part 2. Schweinfurt and Regensburg: August 1943. Provided in this part of the film is a record of the famous bombing mission over Germany's ball-bearing plants on 17 August 1943. (14 min.)

Part 3. D-Day: June 1944. Highlighted in this portion are the operations of the U.S. Air Force in the invasion of German-held Europe. (13 min.)

Part 4. Victory in Europe: June 1944-May 1945. The U.S. Eighth Air Force's operations in Europe are featured. (14 min.) D-9: #262.

Part 1. Combat-AAF Report. The Eighth and Twelfth Air Forces in Europe and Africa and the Fifth, Seventh, Eleventh, and Thirteenth Air Forces in Asia and the Pacific are pictured. Here are P-51s, P-38s, P-40s, P-47s, Flying Fortresses, Liberators, B-25s, and a host of other aircraft, plus an array of the enemy's best planes, from Bettys and Zeros to Me-109s and FW-190s. Lots of dogfights and previously unavailable air-combat action are seen.

Part 2. A Day with the A-36. Here you see a fighterbomber version of the legendary P-51. They called it the "Invader," and it was used against the Luftwaffe out of one of their own captured bases in Sicily.

Part 3. Pacific Step Up. In watching this film, we ride with the Fifth and Tenth Air Forces and the RAF as they hit enemy strongholds in China. We also have a ringside seat as Navy divebombers hit Wake Island.

Part 4. Japs over China. The beginning of Japanese military air power, tactics, and strategy is portrayed. We join these tough, cool pilots on a raid over Chungking. D-6.

All the Fine Young Men. (Color/TVT/52 min./1984) One of World War IIs most dramatic campaigns took place in the skies over Europe, where the heroic men of the U.S. Eighth Air Force played a vital role. This program documents the story of these inexperienced men in aerial combat, who had a job to do and did it under the most hazardous conditions imaginable. Drawing on voluminous archives of original combat footage and interviewing those who recalled their ordeal, this videotape re-creates a picture of that time. The program recounts two major air raids. In the first raid, on the Schweinfurt ball-bearing plant in October 1943, the United States lost 60 bombers out of a total of 291 planes, with 600 crewmen killed. The second raid was the first major air raid on Berlin, which occurred in March 1944, just three months before the D-day invasion. The wartime ordeal of the Air Force lasted a little over a thousand days. In that time, nearly 6,000 heavy bombers and 3,000 fighter planes were shot out of the sky. D-2.

Part 1. The Battle of New Britain-Dec. '42. In this portion of the videotape, a naval task force hits Arawe, Rabaul, and Cape Gloucester; B-25s sweep enemy positions; Marine and Army units hit the beaches. In mud, sludge, and blood, the foot soldier adds yet another page of combat glory to his tradition in this rousing videotape.

Part 2. The Battle for Leyte Gulf. History's greatest single naval engagement is pictured. Shown is the battle for the Philippines, as planes, men, and the big guns of 282 ships square away in mortal combat. This is a jolting documentary of men in war. During the engagement, the Japanese lost 4 carriers, 3 battleships, 500 aircraft, 6 heavy cruisers, 4 light cruisers, 11 destroyers, and a sub.

Part 3. Action at Angaur. Hellcats soften up the enemy, dug in awaiting the 81st Wildcat Division. This film portrays the combat infantry, as they slug it out an inch of ground at a time in bitter hand-to-hand fury to capture "Shrine Hill," "Saipan Town," and "The Gulch."

Part 4. The Fleet That Came to Stay. This part of the videotape traces the battle for Okinawa and is an awesome tribute to the 400,000 fighting men who participated in the battle, noted for its suicidal savagery. The ferocity of the "Divine Tempest," Japan's Kamikaze corps, is viewed, showing them in some of their 4,232 one-way flights. D-6.

Part 1. This part of the film focuses on the 1920s, discussing the Treaty of Versailles, the impact of the Russian Revolution, the rise of fascism in Italy, and the start of National Socialism in Germany.

Part 2. Examined in this tape are the 1930s, Hitler's rise to power, the worldwide effects of the depression, the formation of the Axis, militarism in Japan, the Spanish Civil War, appeasement, the outbreak of the war, the fall of France, Germany's attack on Russia, and American and Japanese involvement in the war. D-11: H7VH 0135.

Part 1. The 3rd Army. This is the Army's own definitive study of the legendary 3d and their immortal general, George Patton. Pictured are the 281 days they charged through France, Belgium, and Germany.

Part 2. Only a Few Returned. Medal of Honor Series. This is a filmed tribute to Gunnery Corporal Maynard Smith, who stayed aboard his limping B-17, shot up the Luftwaffe, and helped bring his plane home on one engine. D-6.

Part 1. In this part of the study, the backgrounds of fascism, communism, and democracy are explored, as well as the effects of World War I.

Part 2. In this portion, the rise of Hitler and the Nazis is traced; the age of fascism in Europe and Asia is outlined; and the legacy of fascism is examined. D-11.

Part 1. The Struggle for German Unity: 1815-1871. Among the events chronicled in this section are the defeat of Napoleon, the Congress of Vienna, the exploits of Metternich, the Zollverein, the 1848 Revolution, the role of Bismarck, the war over Schleswig and Holstein, and the Franco-Prussian War.

Part 2. The German Empire: 1871-1918. Covered in this section are Wilhelm 1; the formation of the Social Demoatic Party; the Dual Alliance; the rise of militarism, nationalism, and imperialism; Wilhelm II; World War I; and the defeat.

Part 3. The Weimar Republic: 1918-1933. Events pictured are the new government, the Treaty of Versailles, the economic collapse, the Kapp Putsch, the invasion of the Ruhr, German culture, Hitler and the Munich Putsch, Stresemann, and the rise of the Nazis.

Part 4. Nazi Germany: 1933-1945. Important events portrayed are Hitler's ascension to power, the destruction of the opposition, anti-Semitism, the events that precipitated World II, and Germany today. D-11.

Part 1. General James M. Gavin (Ret.), who commanded the 82d Airborne Division in Europe during World War II, discusses his book, On to Berlin, with Cavett. They discuss errors in judgment made by the Allies that allowed two German armies to escape and resulted in the failure to occupy Berlin. General Gavin talks about his research in the book (29 min.). D-1: TVT 20-135. (SAVPIN 703354).

Part 2. General James M. Gavin (Ret.) continues a discussion of his book, On to Berlin, with Cavett, discussing such topics as the bombing of Hiroshima, the Battle of Normandy, the neutron bomb, and nuclear weapons (29 min.). D-1: TVT 20-149. (SAVPIN 703402).

Part 1. Parachute Training in the German Army. This film, originally produced in 1940, is a detailed view of paratroop-training techniques in the German Army and was dubbed into English by the U.S. Army and shown to its Intelligence Department.

Part 2. Captured Japanese Weapons. This U.S. Army film demonstrates the assembly and operation of light Japanese guns. Part 3. U-Boat Identification. This British Navy film illustrates, through actual footage and animated diagrams, the effective ways surface ships and aircraft can destroy enemy submarines.

Part 4. Crack That Tank. This entry from the U.S. Army Signal Corps' Fighting Man Series recreates situations that infantrymen might face during an enemy tank attack. Various antitank weapons and improvisational techniques are demonstrated, and amusing dialogue by an actor "sergeant" is featured.

Part 5. Time Out Hollywood. This entry, from the Fighting Man Series, focuses on the importance of paying attention during combat-training sessions and the consequences of becoming distracted.

Part 6. Secret Weapon. The last film in this program demonstrates the importance of the individual soldier's initiative and perseverance in winning a battle. D-9: #041.

Part 1. Pacific Firepower. This film examines the U.S. Army and Marine effort to take Saipan-a 35-day operation that cost the enemy 16,000 men and established a U.S. airbase 1,500 miles from Japan.

Part 2. Operation Cartwheel-The Battle of Rabaul. Having taken Guadalcanal and Papua, New Guinea, the United States planned a major encirclement of New Britain. Our goal was to tie up 100,000 of the enemy, immobilizing their usefulness. The battle for the Admiralty Islands was on, with enemy carrier forces mounting massive aerial counterattacks. All of this is chronicled in this stirring film.

Part 3. The Battle of Manila. Shown in this film are Manila in flames; the liberation of Bilibig Prison and Santo Tomas; incredible and bizzare scenes of bloody hand-to-hand fighting on the baseball diamond of Rizai Park; the fury of thousands of guns firing point-blank into the fourteen-foot-thick stone walls of a sixteenthcentury fortress; the retaking of famed Corregidor; and MacArthur raising the U.S. flag anew.

Part 4. War In the Pacific. This film-covering the period from 7 December 1941 until the final Japanese surrender aboard the U.S.S. Missouri-gives the viewer a panoramic look at the Pacific war. D-6.

Part 1. 35th Anniversary of the Air Force. This is an official Air Force program commemorating the founding of the Air Force. Shown are the P-38 attack on Admiral Yamamoto, the Berlin blockade, "MiG alley," "flying the hump," and more.

Part 2. General Hap Arnold. Narrated by Walter Matthau, here is the official Army Air Force biography of a founding father of our great Air Force. Included is rare footage from the early days, World War I dogfights, and the daring daylight precision-bombing raids over Germany in World War II.

Part 3. Pacific Ace. Medal of Honor winner Richard Bong, one of World War II's great aces, flies his P-38 in forty official kills, from Australia to the Philippines. D-6.

Part 1. Nightmare

Part 2. Blitzkrieg

Part 3. Counterattack

Part 4. Invasion

Part 5. Inferno D-11: H1KF 4936. Also, D-13.

Part 1. Remember Pearl Harbor. This film re-creates the events leading up to the Japanese attack and the attack itself. The impact of the attack on U.S. involvement in the war is analyzed. D-11: H1KF 6533.

Part 2. The Battle of Britain. Examined in this film are the bombing of Britain and attempts to destroy the Royal Air Force. D-11: H1KF 6534.

Part 3. The Battle for North Africa. Depicted in this film American effort to defeat the German Army is the Anglo in North Africa. D-11: H1KF 6535.

Part 4. The Road to Rome. This film traces the Italian campaign from North Africa, through Sicily, to the mainland of Italy. D-11: H1KF 6536.

Part 5. The Conquest of Germany. Portrayed in this film are the events of the final year of the way in Europe. Considered are the causes for the delay in the conclusion of the war. D-11: H1KF 6537.

Part 1. German Soldiers in Africa. This German Army film, produced for troops ordered to duty in Africa, shows the men being medically examined, being fitted with tropical uniforms, and traveling by train to Naples to encamp there. Then, with their supplies loaded onto steamers, the unit is seen crossing in convoy to Tripoli. Subsequently, German troops are seen arriving in Tripoli, with liberal footage showing the city's scenic places.

Part 2. German Newsreel: February 1942. German and Italian naval officers are depicted in this newsreel participating in a ceremony honoring successful U-boat commanders in the Mediterranean. An Italian battleship, protecting a German convoy on its way to Tripoli, is pictured engaging British destroyers in an artillery duel. We view General Rommel as he watches Axis field guns bombarding advancing enemy tanks. The viewer also witnesses Italian armor as it counterattacks. British prisoners are shown.

Part 3. German Newsreel: June 20-26, 1942. Among the events pictured are Colonel Adolf Galland's visit to an air base in the desert; Lieutenant Marseilles' landing of his Me-109 fighter; General Rommel, as he is decorated by Italian General Bastico; German vehicles advancing on Bir Hacheim; a British armor attack, as it is repulsed by antiaircraft guns; a captured battle post that had been disguised by the British as a field hospital; and an Allied garrison, manned chiefly by black auxiliaries, as it surrenders. General Rommel is also shown photographing a shot-down English fighter plane.

Part 4. German Newsreel: June 27-July 3, 1942. A number of significant military activities are shown in this film: German mechanized troops cutting off the British garrisons at Acroma and El Gazala; engineers clearing a path through a minefield; Italian flak engaging attacking British aircraft; Italian infantry in action; Stuka divebombers raiding Tobruk; German engineers bridging an antitank ditch, as German armor advances; and British soldiers from the Tobruk garrison surrendering.

Part 5. German Newsreel: July 4-7, 1942. This film shows German 88-mm guns taking up positions on the Mediterranean coast and bombarding British ships evacuating Tobruk harbor; Field Marshal Kesselring, as he flies over the captured city; German troops, as they enter Tobruk; thousands of British soldiers, as they are sent to prisoner-of-war assembly areas; and Rommel, as he orders a further advance from his field headquarters.

Part 6. German Newsreel: August 8-14, 1942. Pictured in this film are Mussolini visiting Axis troops in North Africa; a German convoy, as it arrives in Tobruk; Marshal Rommel at the front; and Italian Bersaglieri troops in action.

Part 7. German Newsreel: August 1942. Shown in this film are German soldiers at a coastal position, who swim in the Mediterranean; a new well being dug to replace one poisoned by retreating British troops; German reinforcements for the Alamein front passing a caravan en route to their new positions; Marshals Rommel and Bastico observing a British armored thrust, which is repulsed by heavy artillery; damaged British tanks littering the battlefield; and Rommel, as he decorates antitank gunner Giinther Halm on 7 August 1942.

Part 8. German Newsreel: October 31-November 6, 1942. This film pictures a bomber squadron holding a situation conference; Heinkel III bombers, as they prepare for a long-range mission; and German aircraft, as they bomb the British-held Al-Kufrah oasis and strafe British flak positions.

Part 9. German Newsreel: October 10-16, 1942. Marshal Rommel, with Propaganda Minister Joseph Goebbels, holds a press conference in Berlin in this film. Among the events chronicled are Hitler's presentation to Rommel of a field marshal's baton and Rommel's attendance at the annual "Winter Help" rally in Berlin with Hitler, Goebbels, Himmler, and Keitel. D-9: #274.

Part 1. My Latvia. This portion of the film is a documentary featurette concerning the illegal Soviet military occupation of the three then-autonomous Baltic states in 1940. This unusual film, which illuminates Communist methods of internal subversion and conquest, includes rare scenes of Stalin and other Soviet leaders as they attend closed Kremlin meetings. The film examines the criminal background of the Latvian nationals who "invited" the Soviets into that country and subsequently assumed high Communist government posts. This grim and gripping film was produced by a Latvian filmmaker, Albert Jekste.

Part 2. German Newsreel, June 22, 1941. These are the first scenes ever shown to the world of Operation Barbarossa, the German invasion of Soviet Russia, that began on 22 June 1941. Practically all of the footage in this excerpt was shot on the first day of the campaign and shows German infantrymen seizing river crossings and dueling with Soviet machine-gun nests and snipers in a Lithuanian border town.

Part 3. German Newsreel, June-July 1941. The following week, the German wartime newsreel opens with flashback scenes of the 1939 Russo-Finnish War. The newsreel also features a long combat sequence of the battle for Lithuania and shows the capture of her capital city, Kaunas, as well as German advances on other strategic towns.

Part 4. German Newsreel, July 1941. The barbarism of Soviet rule is the subject of this controversial German newsreel, which includes gruesome scenes of Baltic civilians who were tortured and murdered in large numbers by the retreating Red Army. Jewish members of the Soviet secret police, who were captured and filmed by the Germans, are shown as the authors of these crimes in a classic example of anti-Jewish propaganda from the Third Reich. The military sequences are highlighted by the crushing defeat that was inflicted on the Soviet forces by the Germans near Minsk.

Part 5. German Newsreel, July-August 1941. The sixweek-long battle for Estonia, which the German Eighteenth Army invaded on 7 July, is the subject of this newsreel, which includes the Germans' triumphant entry into Tallinn, as well as the violent land and air battles that ensued when the German forces attempted to prevent the trapped. Red Army units from escaping from the coastal region by sea.

Part 6. German Newsreel, October 1941. This newsreel offers a close look at the faces of the men who operated a Communist torture chamber-in this instance a group of Soviet prison guards who surrendered to German troops on the island of Saaremaa. The German newsreel commentator reads quotations from a speech by President Roosevelt praising the Soviet system of justice, as scenes of the mutilated bodies of the victims of the Russian guards are showm in the prison yard.

Part 7. German Newsreel in Portuguese, November 1941. This rare newsreel segment is an. example of a German wartime newsreel made for foreign distribution. Narrated in Portuguese, the film shows air battles along the northern sector of the Eastern Front, as well as the German attacks against Narva and Novgorod.

Part 8. German Newsreel in Estonian Language. From an Estonian-language newsreel made by the Germans, this segment shows a mass meeting in Riga of Baltic civilians volunteering to work for the German war effort.

Part 9. German Newsreel, February 1944. Estonian members of the Waffen SS are shown in action, both offensively and defensively, in the bloody seesaw fighting for the Narva sector, which became one of the longest and most famous battles of the German-Soviet War.

Part 10. Soviet Newsreel, July 1944. This segment from an original Soviet wartime newsreel shows the preliminary artillery bombardment and Soviet attack on Vilnius, Lithuania, as well as the Red Army's first contact with the city's civilian population.

Part 11. German Newsreel, August 1944. A graphic picture of the German Army in retreat is presented in this newsreel, which shows the Wehrmacht's evacuation of the city of Kaunas, the actions of various rear-guard units, the unloading of a supply train, and a subsequent violent German counterattack against Soviet forces advancing into Latvia.

Part 12. German Newsreel, October 1944. Filmed on the Baltic Sea, this German newsreel dramatizes the plight of thousands of Estonian civilians, as they are evacuated to Germany on a German naval convoy. A sequence showing a parade of Latvian members of the German Air Force is also included.

Part 13. German Newsreel, January 1945. In one of the last German wartime newsreels, a glimpse of the ferocious defensive battle for the Courland peninsula in Latvia is shown. Germany's Army Group Courland, which repulsed six Soviet offensives and held out to the end of the war, was the German Army's only undefeated army group of World War II.

Part 14. The subject of this English-narrated newsreel excerpt, filmed in postwar Sweden, is the forcible repatriation to the Soviet Union-and to certain death-of 167 Baltic men, who had escaped by sea to Sweden in May 1945 after wartime military service with Germany's Army Group Courland. This provides a grim example of what was beginning to take place in eastern Europe while westerners were settling into a long period of peace and prosperity.

Part 15. The Homeless. This 1949 American film, narrated by Henry Fonda, examines life in a West German camp for displaced Baltic citizens, who, because of the Communist regime now gripping their own nations, could not return home. Carefully avoiding criticism of the Soviet Union, the film is an apologetic token, rather than a tribute, to the suffering of these thousands. Ultimately released from their confinement, many of the homeless seen in this feature eventually found a new home in the United States; therefore, this film, together with the entire Baltic Tragedy program, presents yet another chapter concerning the peoples who fled from sorrow and enslavement toward uncertainty and hope and who today are part of our nation. D-9: #023.

Part 1. Front Show 5/6, Mountain Troops Fight for a Village. A Bavarian-reinforced mountain battalion, supported by field howitzers and a battery of Sturmgeschuetz III self-propelled guns, seizes a Soviet village defended by infantry, a camouflaged bunker, and T-34 Soviet tanks.

Part 2. Front Show 7, Attack of Tanks and Infantry Against a Village. German Mark IV tanks, panzer grenadiers, and dismounted infantry charge through a snow-covered Russian steppe under heavy defensive fire to envelop an enemy-held village.

Part 3. Front Show 8, The Defensive Battle in Winter. A hit-and-run reconnaissance patrol and entrenched German infantrymen fight a desperate defensive engagement against an attack by white-clad Soviet ski troops and tanks towing infantry-filled armored sleds. A graphic picture is sketched of a German holding action that, as the narrator says, "depend[ed] on every individual's steel-hard will to hold his position to the last." D-9: #022.

Part 1. Battleship on a Voyage. This videotape records scenes from an Atlantic sortie of Germany's famous battle cruiser Scharnhorst during the first winter of the war. Combat sequences are highlighted by antiaircraft fire against attacking Allied bombers and the bombardment, by the ship's heavy-caliber batteries, of an enemy surface target. The film also depicts the great raider's struggle with nature, as her bow crashes through the endless ice floes of the North, Atlantic, her decks whipped by ferocious winds. Also shown are the everyday maintenance duties, the exertions of the men as they chop away ice formed on the warships superstructure, the tension of the gun crews in battle, and the relaxation on their faces as they sing sailor's songs after duty. All of these views combine to give a vivid impression of the life of the warrior crewmen on a battleship in Hitler's navy.

Part 2. Auxiliary Cruiser in All the Seas of the World. This is Germany's wartime documentary of an unnamed "Q-boat." Nazi Germany captured the imagination of the world during the first years of the war at sea with the appearance of these boats. Former merchant vessels refitted for military use, they retained the most deceptively innocent outward appearance. Armed and manned by the most daring of crews, the disguised raiders stalked the sea lanes of the world, preying on Allied shipping. D-9: #025.

Part 1. German Newsreel: August 1-7, 1942. This film shows German artillery, antiaircraft guns, and armor as they go into position in the French coastal region. German aircraft patrols are seen to scan the area Viewed are German batteries firing during a gunnery exercise and the battleship Tirpitz and other warships on patrol in Norwegian waters.

Part 2. German Newsreel: August 8-14, 1942. Pictured in this film are German armored divisions being transferred to France. Marshal Gerd von Rundstedt and Generals Paul Hausser and Sepp Dietrich are seen as they review a parade of the Leibstandarte Adolf Hitlerin Paris on July 29.

Part 3. German Newsreel: April 24-30, 1943. Albert Speer inspects Atlantic Wall building sites in this film. Viewers witness supplies as they are unloaded as part of the construction of heavy-gun emplacements. Giant cannons, including a railroad gun of the Dora class, are mounted in concrete and steel turrets.

Part 4. German Newsreel: February 1944. Shown are German soldiers on guard along the French coast and Marshal Erwin Rommel as he inspects the Atlantic Wall.

Part 5. German Newsreel: April 18-24, 1944. In this film, the Germans open dikes in Flanders and Holland and flood the countryside; Marshal von Rundstedt and Generals Kurt Meyer and Sepp, Dietrich inspect panzer grenadiers from the SS division of Hitler Youth; Marshal Rommel is shown on an inspection tour; a German antiaircraft bunker is viewed during an exercise; Germans borrow footage from an American newsreel to show a landing rehearsal; Waffen SS troops train to meet possible airborne landings; and coastal artillery is depicted during a gunnery exercise.

Part 6. German Newsreel: May 23-29, 1944. During an inspection tour of the Atlantic Wall, Marshal Rommel addresses officers. Also viewed is the interior of a heavygun turret during a firing exercise. Original synchronous sound film is used.

Part 7. German Newsreel: June 13-20, 1944. This German newsreel provides the first coverage of the Allied landings in Normandy: German torpedo boats are shown harassing the invasion fleet, while infantrymen oppose landed Allied glider crews and paratroops; coastal artillery is seen to fire on transport vessels; gliders are depicted as they are overrun and their crews made prisoners; Allied bombers are pictured as they raid Caen, France; the Waffen SS armored division of Hitler Youth is viewed as it duels American Sherman tanks trying to break out from the beachhead; and fighting is pictured in the Bayeux area.

Part 8. German Newsreel: June 21-28, 1944. Among the events viewed are naval officers decorating members of a German torpedo-boat flotilla; heavy guns along the coast firing on landing ships; French refugees abandoning their destroyed city after an Allied air raid; homeless French living in eaves; an Allied breakout attempt being halted by German tanks and infantry; Wilhelm Mohnke decorating members of the SS division of Hitler Youth; a counterattack being carried out by Waffen SS troops; and German 88-mm guns and rocket launchers firing on Allied tanks.

Part 9. German Newsreel: June 29-July 5, 1944. Pictured in this newsreel is Colonel Lent at a Luftwaffe situation conference for night fighters; the crew of a shot-down B-17, as they are led away as prisoners; French civilians at Le Havre recovering from an air raid; SS troops on the front line receiving news communiqu4s; General Meindl of the II Paratroop Corps, as he confers with Major von der Heydte; soldiers of Paratroop Regiment 6, as they prepare for a scout mission; damaged Allied tanks near Saint-Lô German soldiers of Paratroop Regiment 6 and the Götz von Berlichingen Panzer Grenadier Division in close combat in dense underbrush; a destroyed Allied armored column near Saint-Lô assembled prisoners from the U.S. 29th Division; and German ' bombers and patrol boats, as they engage the Allied transport fleet during nighttime sorties.

Part 10. German Newsreel: July 6-12, 1944. Shown in this newsreel are German batteries in surrounded Cherbourg, as they duel Allied warships; a transport vessel, as it catches fire; a wrecked landing craft along the beach; destroyed vehicles of the 22d British Armored Brigade (shown near Villers-Bocage); damaged British Cromwell and German Tiger I tanks; Mark IV tanks in the streets of Villers-Bocage; American prisoners in an assembly area; SS General Sepp Dietrich at his command post; Waffen SS troops in action in jungle-like terrain; and German tanks, including flamethrower vehicles, as they launch a counterattack.

Part 11. German Newsreel: July 13-20, 1944. Portrayed are German motorized columns, as they bring up reserves; German troops patrolling a destroyed coastal town; Major Frey and officers of the Leibstandarte Adolf Hitler at a situation conference; motorized units in the advance; German soldiers relaxing during a lull in the fighting; a scout troop of Panzer Grenadier Regiment 38 and the Götz von Berlichingen Division, as it reconnoiters the Prairies Marecagueses area; German armor and infantry in a counterattack; Lieutenant Franz Ludwig and members of his assault-gun unit being decorated; and German infantry, as it fights in a coastal town. D-9: #279.

Views of air raid preparations within German cities and the call-up of army reservists are followed by the first footage ever shown of German troops in action in World War II Members of the Waffen SS, supported by an armored car, are shown as they attack Polish soldiers holding out in a post office inside the port city of Danzig. The lightning thrust of the German Army into Poland includes segments showing cavalry, motorcycle units, infantry, mountain troops, and armored formations. These units act with a battlefield discipline and coordination that are remarkable considering their inexperience in actual combat. Scenes show the Luftwaffe embarking on a combat sortie and a point-blank naval bombardment against a Polish fort by the German Navy's warship Schleswig-Holstein.

Hitler's frequent and dramatic appearances near the front in Poland-which of necessity decreased as the fighting progressed to other theaters of war-were liberally included in the Germans' own film records of this campaign. Here, as experienced in no other film of World War II, is Adolf Hitler at war: grim and calculating at a military conference in his field headquarters; lighthearted and relaxed among the soldiers, as he signs autographs at an army field kitchen; proud and confident, as he reviews columns of his advancing infantry; and apprehensive and excited, as he watches the climactic German artillery bombardment of Warsaw. D-9: #020.

Part 1. Men Against Tanks (1943). This is the filmed drama of an entrenched German infantry platoon, unsupported by aircraft, heavy weapons, or reinforcements, that must repel an overwhelming attack of Soviet T-34 and KV-1 tanks, infantry, and fighter planes. Mistakes, panic, and the failure of some of their own weapons further endanger the Germans, as they desperately attempt to eliminate the Russian armored vehicles at close range with satchel charges, smoke grenades, and mines. The brutality of this sequence, together with its demoralizing subject of a German defensive position being overrun, gives insight into the grim realities of the Eastern Front, the destination for the German recruits meant to view this film. A second sequence in this same film dramatizes the efforts of a rearward Wehrmacht supply unit to organize itself for a makeshift defense when a Soviet T-34 tank rumbles down the road to drop in for an unexpected visit. A final sequence shows the actual firing, under re-created battlefield conditions, of brand-new antitank weapons introduced by the German Army, including the famous Panzerfaust (28 min.).

Part 2. Engineers to the Front (1940). The lightning advance of the German Army could often be credited to its highly disciplined army engineers, men who were experts at eliminating defensive barriers. Every combat activity of these professional assault teams is presented in this film, made at an army engineers' training school. Scenes of men forcing river crossings in assault boats while under fire, hastily constructing emergency bridges, and negotiating antitank obstacles and minefields highlight the fast tempo of this feature. Concrete and barbed-wire (Maginot Line-type) fortifications are attacked with flamethrow6ts, grenades, and bangalore torpedoes., Films of trainees in action under the most realistic simulated-combat conditions are combined with maps and models to give the viewer a fascinating impression of what happened on a World War II battlefield when German Army field commanders gave the order, "Pioniere Voran!" (19 min.). D-9: #024.

Part 1. Summer Storm. This is part 1 of three films on the military history of the Korean War. Jim Lucas, of Scripps-Howard newspapers, helps to tell the story. D-1: TV 445. (SAVPIN 30118).

Part 2. Winter War. This second part covers Korean War history and is narrated by William H. Lawrence, New York Times correspondent. D-1: TV 446. (SAVPIN 30119).

Part 3. War's End. This third and final part, on the Korean War narrated by Brigadier General S. L. A. Marshall, assesses the war and the effect it has had on training in today's Army. D-1: TV 447. (SAVPIN 30120).

Part 1. Sand and Steel. An instant airfield, set up on a sandy stretch of "Charlie's" beach, is shown in this videotape.

Part 2. Engineers Up! If the fighting isn't enough, add minefield sweeps to your talents: that's the moral of this videotape.

Part 3. Marines - '67. Pictured in this videotape are I Corps and the Marines, from Mekong to the DMZ. Air strikes and helicopter assaults are viewed, showing how lots of medals are earned the hard way.

Part 4. Marines - 193rd Yr. - Pass in Review. Khe Sanh and the seventy-seven days of Marine glor are reviewed.

Part 5. Dewy Canyon. The ways that the Marine 9th changed the nature of today's mobile shock warfare are presented. Here are fire-support bases Razor, Riley, Erskine, and Cunningham.

Part 6. Close Air Support. This is an official Marine Corps program for the professional combatant. Shown is the air-ground team and how and why it works. D-6

Part 1. The Roots of U.S. Involvement; The Role of the Press. (55 min.) This videotape sketches the history leading up to the war through archival footage and interviews with conference participants. It features an angry debate among journalists about the role of press coverage in determining the outcome of the war. D-17.

Part 2. The Vets: The Vietnamese: Lesson from the War. (40 min.) This part has three sections. The first features veterans discussing, with poetry and statistics, how the war affected them. The second section examines the effects of the war on Vietnam, during and after the war, and on Vietnamese refugees to the United States. Part 2 ends with the consideration of lessons that we may or may not have learned from the Vietnam War. D-17.

American Way of War. (Color/TVT/58 min.) PBS Frontline Series. The U.S. Army is trying to come to grips with its role in modern wars and is attempting to determine if it has the right Army for the complex military and political situations of today. This videotape examines the controversy over reforming the Army, its strategies, and its readiness to respond to modern warfare. D-10. (SAVPIN 605483).

The Battle of Algiers. (B&W;/TVT/123 min./1966/English Subtitles) One of the most savage revolts of modern times took place in Algeria from 1954 to 1957. Initially banned by the De Gaulle government of France, this film is distinguished for its realism and accuracy in vividly portraying the indigenous Arab population's violent effort to free itself of French colonial rule in a revolt that manifested itself in sorties of armed guerrilla bands, as well as by organized riots of the populace. D-9: #190.

Battle for the Falklands. (Color/TVT/110 min./1982) Recorded in detail for the first time, this story tells how a task force created within days sailed 8,000 miles to win back the Falkland Islands. It shows how the British forces, outnumbered 10 to 1 in the air and 2 to 1 on the ground, regained the islands. Compiled from news coverage of the event-major footage of which was not shown on network television-this film documents the complete account of one of the most dramatic military encounters since World War II. D-9: TXC 1290. Also, D-13 and D-15.

Beyond the Missile Crisis. (Color/TVT/49 min.) Swiftly shifting political and social undercurrents are acting upon West Germany and Western Europe. Some experts say that Germany, one of America's strongest postwar allies, is becoming the unpredictable link in the NATO alliance. Viewed from this context, the mass demonstrations in Germany and Western Europe that have been occurring may be only the first inkling of an impending challenge to the security of the United States. This program provides viewers with an in-depth portrait of the new tensions and of the economic dependency between East and West Germany. It also examines the peace movement in Western Europe, the educational institutions at the forefront of the movement, and a small town that has been affected by these new conditions. (The videotape was produced by NBC News.) D-2.

Crisis in Central America. (Color/TVT/58 min. ea.) To understand the complexities of Central America today, we must first understand the region's long and violent history of dictatorships, revolutions, class struggles, human rights abuses, and foreign interventions. This four-part series traces the history of revolution in the area, looks at U.S. activity in the region, and examines the course of Cuba's revolution from the early days to the present. D-2.


Part 1. The Yankee Years. Part 1 provides a look at the turbulent years since the SpanishAmerican War in 1898, including the building of the Panama Canal, the early Marine occupation of Nicaragua, and the cold war crisis in Guatemala in 1954. D-2.

Part 2. Castro's Challenge. Part 2 looks at the roots of the Cuban revolution, Fidel Castro's rise to power, his consolidation of the first Communist state in the Americas, his support of revolution abroad, and the evolution of tensions between Cuba and the United States. D-2.

Part 3. Revolution in Nicaragua. In 1979, the Sandinistas led a revolution that overthrew the Somoza dynasty that had ruled Nicaragua for almost fifty years. Part 3 traces U.S. involvement in Nicaragua and the struggle for control of the revolution. D-2.

Part 4. Battle for El Salvador. Many Americans had never heard of El Salvador until it became the focus of American policy in Central America recently. Part 4 examines El Salvador's civil war and U.S. policy toward it. D-2.


The Cuban Missile Crisis: On the Edge of Apocalypse. (Color/Sound Filmstrip/2 cassettes/2 strips) The tense atmosphere and the events of the thirteen days of the Cuban missile crisis are recreated in this sound filmstrip set. A spirit master worksheet and teacher's notes are included.


Part 1. This part provides background concerning the cold war and describes the events that placed Cuba in the sphere of Soviet influence.

Part 2. This section follows the National Security Council debate on alternative responses to Soviet missile placement, John Kennedy's resolute stand, and the Soviet backdown. D-11.


A Grateful Nation Remembers. (Color/16-mm/17 min./1979) The 1978 Veterans Day ceremony at Arlington National Cemetery features the placing of the presidential wreath by the President, his address to the nation, and the unveiling of a Vietnam memorial plaque. D-4.

The Haunted Heroes. (Color/TVT/50 min.) It is now ten years since the last Americans left Saigon. More than two and a half million of them served in that bitter encounter and then found themselves rejected by their own country when they returned home. Some survived by running away from society and hiding in the wilderness.

The makers of The Haunted Heroes found four such men living by their wits in the forests of America, men with memories still vivid with violence. Their memories of what they had been trained to do to fellow human beings and the horrors they had witnessed had turned them into outcasts. Says one veteran, "After Vietnam I was a walking time bomb. I walked around for years seared to death that I was gonna fly off the handle some night and snuff somebody." For him and others like him, the wilderness offers a haven from a society to which they feel they can never return. (This tape was produced by the BBC.) D-2.

One Week in October. (B&W;/16-mm/29 min./1964) This is the story of the Cuban missile crisis and includes aerial photos of missile bases, the United States' action to halt the missile buildup, the United Nations' reaction, and the removal of the missiles from Cuba. D-1: DDCP 20-223. (SAVPIN 20386).

Task Force South: The Battle for the Falklands. (Color/ TVT/120 min.) On 18 March 1982, a group of Argentine scrap-metal merchants raised their flag on the British island of South Georgia. This act started a chain of events that resulted in Britain's biggest and bloodiest military operation since World War II. Task Force South is the inside story, shot by the BBC from the first shots to victory. It is a rare look at modern-day combat. (This tape was produced by the BBC.) D-2.

Terror: To Confront or Concede. (Color/TVT/50 min.) Political outrage is nothing new, but its latest manifestation in terrorist violence has made it shockingly clear that a small band of dedicated guerrillas can create havoc out of all proportion to its numbers. In this videotape, Uruguayan terrorists and members of the Quebec Liberation Front are interviewed about their political ambitions and terrorist tactics. A diplomat who was kidnapped by terrorists and later released is interviewed. This important program considers what can be done to oppose terrorism. (This is a BBC production.) D-2.

Terrorism: The World at Bay. (Color/TVT/119 min.) Investigated in this program are the causes and effects of worldwide terrorism on people, governments, diplomacy, and political decision making. Surveyed are terrorist incidents such as the massacre at the 1972 Olympic Games in Munich, the Entebbe rescue, and the Hanafi takeover in Washington, D.C. The program also considers the questions of how negotiations should be carried out with terrorist groups and the involvement of the news media. D-10.

Three Hours in June. (Color/TVT/47 min.) Lieutenant Colonel Ben-Nun of the Israeli Air Force discusses the Six-Day War (1967), including air-to-air combat and counter air strikes. Strategy is also outlined. Statistics on the number of air fields attacked and aircraft destroyed and the nature of training and of electronic warfare are also presented. D-1. (SAVPIN 54270).

Time of the Jackals. (Color/TVT/50 min.) On 21 December 1975, a group of international killers who considered terrorism their vocation invaded OPEC headquarters in Vienna while an international conference was in progress. Murdering guards and security agents, they held seventy hostages for two days, finally escaping with the cooperation of the Austrian government, which placed a bus and jet at their disposal. A re-creation of the attack graphically illustrates the modus operandi of the trained terrorists and provides insight into the phenomenon of international terrorist groups. In interviews, experts on the subject examine the factors contributing to the rise of international terrorism and the possible defenses against such incidents. The full dramatization, along with a profile of the leader of a terrorist group, convey the consequences of terrorism more vividly than any analysis of data or application of theory could. Time of the Jackals is a pertinent commentary on the recent trend of political conspiracy and violence. (CTN Television Network) D-2.

Women at Arms. (Color/TVT/50 min. ea.) Women at Arms focuses on the changing role of women in the armed forces. In this three-part series, host Diane Harron visits major military facilities that serve as training grounds for this new military generation. Viewers are taken into a world where strict traditions and attitudes are being increasingly challenged. Included are candid interviews with enthusiastic women trainees, with established women officers who share their personal experiences, and with military leaders who explain the benefits and problems of incorporating an increasing number of women into the military. An in-depth look at the armed forces' newest resource, this series provides a timely and balanced examination of one of today's most vital issues. (Produced by the BBC) D-2.


Part 1. The Irresistible Force?

Part 2. Catch 36-24-36

Part 3. As Deadly as the Male?


b. Special Bulletins. Special bulletins are reports of U.S. Army activities and operations in overseas areas and commands. D-1.


U.S. Army Special Bulletin. No. 1. Delivery of Map Equipment-Upper Volta and Niger, April 1962. (Color/16-mm/10 min./1963) Pictured in this film are the U.S. air delivery of map equipment to the republics of Upper Volta. and Niger, from the assembly of the shipment in the United States to the formal presentation of the supplies at their destinations. D-1: SB 1. (SAVPIN 26092).

U.S. Army Special Bulletin. No. 2. U.S. Army Support to Thailand, 1962. (B&W/16-mm/13 min./1962) This is a filmed report on U.S. Army support in Thailand during May-August 1962, including the military training and civic-action programs employed to thwart Communist insurgency in the area. D-1: SB 2. (SAVPIN 26101).

U.S. Army Special Bulletin. No. 5. Military Assistance Shipment to Republic of the Congo. (Color/16-mm/8 min./1963) Pictured in this film are the U.S. air delivery of supplies to Leopoldville; formal reception ceremonies; and the unloading, transfer, and storage of item by Congolese troops. D-1. SB 5. (SAVPIN 26110).

U.S. Army Special Bulletin. No. 7. Summary of Special Warfare Activities Around the World. (Color/16-mm/19 min./1963) Reviewed in this film are the training and missions of special-action and general-purpose components of special warfare forces in CONUS, Latin America, USAREUR, Asia, and Africa. D-1: SB 7. (SAVPIN 26112).

U.S. Army Special Bulletin. No. 8. Military Civic Action in Guatemala. (Color/16-mm/21 min./1963) Included in this film are the efforts of military and civic groups since 1961 in implementing health, education, and construction programs to improve life in Guatemala. D-1: SB 8. (SAVP1N 26113).

U.S. Army Special Bulletin. No. 11. Army Engineers in Military Civic Actions. (Color/16-mm/18 min./1963) Portrayed in this film is Army engineer aid in Latin America and Southeast Asia that fostered the planning and execution of public welfare projects. The value of such work in creating international friendships is stressed. D-1: SB 11. (SAVPIN 26094).

U.S. Army Special Bulletin. No. 12. SEATO Exercise Thanarat. (Color/16-mm/25 min./1963) This film examines the military and civilians involved in Operation Thanarat, executed by SEATO in northeast Thailand in June 1963. The capability of SEATO in military emergencies is substantiated. D-1: SB 12. (SAVPIN 26095).

U.S. Army Special Bulletin. No. 13. Military Civic Action, Thailand-Mobile Development Units. (Color/16-mm/19 min./1963) The activities of Thai Mdu teams, with the aid of JUSMAG observers, in implementing community development projects to improve life in northeast Thailand is chronicled. D-1: SB 13. (SAVPIN 26096).

U.S. Army Special Bulletin. No. 14. Special Action Forces in Latin America. (Color/16-mm/23 min./1964) This film considers the military training and civic action conducted by a Special Action Force element in Venezuela, Peru, Columbia, Ecuador, and Bolivia. D-1: SB 14. (SAVPIN 26097).

U.S. Army Special Bulletin. No. 17. Operation America. (Color/16-mm/15 min./1964) Discussed in this film are the aims and conduct of a joint military exercise held in Columbia, 27 and 28 November 1963, that included contingents from Bolivia, Ecuador, Peru, Venezuela, and the United States. D-1: SB 17. (SAVPIN 26099).

U.S. Army Special Bulletin. No. 18. U.S. Army Psychological Operations (Pacific 1964). (Color/16-mm/29 min./1964) Portrayed in this film are broadcasting, visual, and training activities of U.S. Army B and VA and its supporting units in Okinawa, Korea, Japan, Taiwan, and South Vietnam. D-1: SB 18. (SAVPIN 26100).

U.S. Army Special Bulletin. No. 20. A Victory for Freeland-Exercise Delaware. (Color/16-mm/25 min./1965) Considered in this film are the objectives and conduct of a combined U.S. and Iranian operation held in Iran, April 1964. D-1: SB 20. (SAVPIN 26102).

U.S. Army Special Bulletin. No. 22. Exercise West Wind. (Color/16-mm/10 min./1965) The objectives and conduct of a joint task force maneuver held on Molokai Island, Hawaii, in April 1964 are examined in this film-an exercise held to test the combat readiness of the 25th Infantry Division. D-1: SB 22. (SAVPIN 26104).

U.S. Army Special Bulletin. No. 23. Special Forces Training in Thailand. (Color/16-mm/9 min./1965) Reviewed in this film are the objectives and scope of Special Forces training in Thailand, with emphasis placed on the role of the U.S. Army in developing effective Thai Special Forces. D-1: SB 23. (SAVPIN 26105).

U.S. Army Special Bulletin. No. 24. U.S. Army in Taiwan. (Color/16-mm/32 min./1965) This film depicts the activities of MAAG advisers in aiding the Republic of China to develop its armed forces on Taiwan and offshore islands. D-1: SB 24. (SAVPIN 26106).

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