Aisledash: Everything you need to know about the best day of your life | Add to My AOL, MyYahoo, Google, Bloglines
Aisle Dash

Review: Resident Evil: Extinction



Poor Alice. She keeps waking up wet, naked and alone. When last we saw her, she was escaping from a top-secret medical research facility with four other survivors of a nuclear "accident" that destroyed the fictional Raccoon City. Actually, an evil scientist employed by the multinational Umbrella Corporation allowed the group to leave so he could activate a secret program implanted in dear Alice.

Watching Resident Evil: Extinction, the third installment in a series inspired by the video game, made me wish that I had a secret program implanted in me that would allow me to watch the movie in fast forward mode. Whereas the first installment in the series had a pleasant degree of kooky, claustrophobic atmosphere, and the second (Resident Evil: Apocalypse) had the virtue of non-stop action sequences -- even if the action was often silly and indecipherable visually -- Extinction has no such saving grace.

The first two films also had the benefit of lovely supporting distractions, in the persons of sexy fighting femme butt-kickers Michelle Rodriguez (in the first) and Sienna Guillory (in the second). Alas, Extinction completely wastes Ali Larter, who is reduced to striding around purposefully and acting compassionate as the leader of a group of survivors. This ain't Heroes, folks. Milla Jovovich previously appeared to revel in her unlikely role as Alice, a supremely efficient killing machine, but here she pouts and frowns and labors under the weight of tons of pancake makeup affixed to her face, to what purpose or intent I do not know.
Extinction picks up with Alice awakening and dying in short order. Of course, she's not really dead -- it's a clone of Alice, the latest in a long line of attempts by the Umbrella Corporation to find a cure for the deadly T-Virus they unleashed upon mankind. The virus reanimates dead cells and thus brings the dead back to life. Thought to be contained by the intentional nuclear destruction of Raccoon City, once again the T-Virus somehow escaped and spread throughout the world, turning mankind into zombies and the Earth into a vast wasteland.

Survivors remain, of course, or we wouldn't have a sequel. Alice stalks the desert as a lone wolf, still displaying her acrobatic killing skills when needed. Two of her fellow survivors, faithful Olivera (Oded Fehr) and fast talking L.J. (Mike Epps), have joined a caravan led by Claire, the aforementioned Larter. (The other two survivors, tough cop Valentine and scientist's daughter Angie, are nowhere to be seen and no explanation is offered for their absence. Perhaps the actresses who played them have agents who got them better gigs.) The caravan has about 40 members, including a number of children, who scavage rural towns and search for other survivors. But the real purpose of the caravan is to offer up a whole mess of anonymous sacrificial lambs, thus allowing the filmmakers to drive up the body count in the early going.

One of the great yawning problems with the premise of the story is that it takes place in the day time in the southwestern desert. Think about that. Desert equals huge, open spaces where you can see for miles. Zombies walk very, very slow. Where's the tension in that? Extinction sidesteps that central dilemma by having Alice tricked into entering a building thinking there are survivors inside, only to have them turn loose a pack of demon dogs on her just to watch her die horribly. Later, a tremendous flock of infected zombie crows appear from out of nowhere to dive bomb the caravan, kill schoolchildren, and allow L.J.'s new love interest to sacrifice herself for no apparent reason -- unless it was because Ashanti, who plays the part, really wanted to be in a zombie film, but only had a limited time frame to appear in the movie. Still later, aggressive, fast-moving zombies are imported (evidently from 28 Days Later and the remake of Dawn of the Dead) so as to thin the cast down to a manageable size for the conclusion.

If you're worried about the possible depiction of children being eaten alive by zombie crows or zombie humans, do not fear. The action is shot in prototypical modern style, so you're never really sure who's being attacked by what. It's only by watching the next scene that you know for certain which characters survived the previous scene. We see gallons of blood flying off faces and bodies, but very little explicit footage of body violence -- and much of that is very obviously CGI. Sadly, Russell Mulcahy's direction is now indistinguishable from that of any other hack. The flair he once brought to Highlander, or some of his early music videos, is long gone.

More worrisome is the continued wholesale plunder of ideas from George A. Romero's work, this time from Day of the Dead. The Umbrella Corporation maintains secret facilities deep underground in the southwestern desert. Above ground, there is only a house surrounded by a chain link fence. Thousands of zombies from hundreds of miles around -- clearly existing only on the hard drives of computers -- are attracted to the compound, growling and shaking the fence. Sound familiar? Get this -- the evil Umbrella scientists now think they can domesticate the zombies. Extinction even has a scene with a placated zombie being handed a phone and demonstrating what to do with it, etc. I'm surprised they didn't call the zombie in that scene "Bub" and complete the rip-off borrowing from Day of the Dead.

Considering the basic 'mankind eaten by zombies' scenario, I was a little surprised by the product placement. The world may be ending, but, fortunately, Sony products are still working.

I watched Resident Evil: Apocalypse again recently and, contrary to majority opinion, I think it holds up as a decent diversion, especially if you're a fan of the Hong Kong "girls with guns" action movies of the 1980s and early 1990s. (OK, it's a pale imitation, but still ...) If you're in the majority, though, and felt Apocalypse was truly bad, there is absolutely no reason to check out Extinction. Actually, even if you loved Apocalypse, there is no need to watch Extinction. I'm trying to be objective and fair, but I'm coming up empty on why anyone would enjoy the film.

The closing credits feature a new version of Jefferson Airplane's 1960s psychedelic drug song, "Go Ask Alice." The literal-minded usage of the song sums up the bland aesthetic of Paul W.S. Anderson, who directed the first Resident Evil and has written all three films. As Anderson continues to clone his scripts ad infinitum, whatever spark of originality that may have once existed in his work has been completely extinguished.

Related Headlines

Reader Comments

(Page 1)

1. I was afraid this would happen, Hollywood is really good at the disintegrating story all for a buck. I really wish they could write good sequels.

Rob

Posted at 11:00AM on Sep 22nd 2007 by tikirob

2. jeez, i must admit i'm surprised - the previews make it look at least better than the 2nd one. Well, i'll see it anyways for one reason - Milla.

Posted at 11:31AM on Sep 22nd 2007 by eric blair

3. Ah come on it wasnt that bad, both prior movies were not shakespear by any means. just enjoyable zombie fun. while i agree with some of your review, ie. the ripping off of romero, really where can you go with the genre? i certainly had a few jump in my seat moments, as did the packed house i saw it with. was thinking this would be the last, but the ending left me hoping for more. im gay but an army of milla's sound kicka$$ to me.
terry

Posted at 12:02PM on Sep 22nd 2007 by terry

4. A- These movies have nothing to do with Resident Evil really, basically they stole the name and the umbrella stuff but they don't remind me of the game that much.
B-That make-up was retarded I saw the movie today and why is it she stays looking like procelain while everyone else gets dirty.
C-It really wasn't too bad it was just good old zombie fun, I gave it a 7/10, it was 100 time sbetter than my other most recent flick: Dragon Wars which really sucked all ass except for the visual effects.

Posted at 6:52PM on Sep 22nd 2007 by ABIRD0006

5. I would disagree with the end of the review. I thought the second movie (apocalypse) sucked and felt that this one was a large step up. It may not have been quite as good as the original, but I still enjoyed it for what it was.

Posted at 10:45PM on Sep 22nd 2007 by madgamer

6. Well, my wife and I saw it tonight and we "both" liked it more than 2.

It had a bit slow beginning, but once they hit Vegas the action picked up to a good pace I think. We also thought there were some good effects shot.

All in all a pretty good Action/Horror movie if you ask me/us.

We got exactly what we expected from the Trailer, as well as any expectation we might of had from seeing the previous films.

I think people need to lighten up and "enjoy" movies that are made to have fun with. This isn't and never was intended to be a serious horror franchise.

It's let's kill some zombies and kick ass and have fun doing it! ;)

That's my take on it heh

I'd rate it a 3.5 (out of 1-5) as in a GOOD film, I think it accomplished exactly what it intended to do.

And for me to enjoy a film that's all I ask, accomplish what you set out to do.

Regards

Posted at 12:46AM on Sep 23rd 2007 by Roland

7. in regards to all the talk about milla's face, i felt that because they were showing it they were probably trying to remind us she was this invincible lab created being that even the elements couldnt't touch her. or maybe it was product placement...she's a revlon girl after all.
paul.

Posted at 1:31PM on Sep 23rd 2007 by honeybear

8. I totally agree with your review. This movie was a complete dissapointment for me. Being a hard core gamer I have played every single Resident Evil game ever made and they have totally bastardized the whole franchise in my opinion. It's like I WANTED these movies to be SO good (and I have waited patiently over the 5 years that they span) But no matter how I keep trying to justify these films to myself....I'm left with the same answer. They basically suck. They just keep the action going long enough to keep you interested in what's going to happen next. Here is my take on this series of films:

Resident Evil (1) 2 out of 5

Apocolypse : 2.5 out of 5

Extinction 1 out of 5

Posted at 3:03AM on Sep 25th 2007 by john

Add your comments

Please keep your comments relevant to this blog entry. Email addresses are never displayed, but they are required to confirm your comments.

When you enter your name and email address, you'll be sent a link to confirm your comment, and a password. To leave another comment, just use that password.

To create a live link, simply type the URL (including http://) or email address and we will make it a live link for you. You can put up to 3 URLs in your comments. Line breaks and paragraphs are automatically converted — no need to use <p> or <br> tags.

New Users

Current Users

Win a Trip to India Stay current with the Toronto Filmfest Take a step outside the mainstream: Cinematical Indie.
CATEGORIES
Moviefone Feedback (2)
Posters (21)
Trailers and Clips (33)
Site Announcements (250)
Awards (623)
Contests (151)
Lists (225)
Movie Marketing (1639)
NSFW (73)
Obits & Memorials (234)
Oscar Watch (378)
Politics (663)
Columns (128)
Box Office (444)
Casting (2771)
Celebrities and Controversy (1520)
Deals (2345)
Distribution (851)
DIY/Filmmaking (1551)
Executive shifts (96)
Exhibition (443)
Fandom (3065)
Home Entertainment (828)
Images (289)
New Releases (1464)
Newsstand (3788)
RumorMonger (1754)
Tech Stuff (367)
Scripts & Screenwriting (1170)
BOLDFACE NAMES
Daniel Craig (47)
Nicole Kidman (26)
Angelina Jolie (121)
Brad Pitt (126)
George Clooney (116)
George Lucas (138)
Harry Potter (130)
James Bond (164)
Johnny Depp (109)
Michael Moore (54)
Peter Jackson (99)
Quentin Tarantino (131)
Steven Spielberg (218)
Tom Cruise (204)
FEATURES
Bondcast (7)
Cinematical Indie Chat (3)
Fan Rant (5)
Indie Online (3)
Northern Exposures (1)
Retro Cinema (29)
Summer Movies (33)
The (Mostly) Indie Film Calendar (7)
Unscripted (10)
Cinematical Indie (3124)
12 Days of Cinematicalmas (31)
Cinematical Seven (136)
Film Blog Group Hug (55)
Five Days of Fire (24)
Insert Caption (83)
Interviews (224)
Review Roundup (43)
The Write Stuff (5)
Theatrical Reviews (1209)
Trophy Hysteric (33)
Vintage Image of the Day (139)
DVD Reviews (134)
Celebrities Gone Wild! (24)
Festival Reports (595)
Out of the Past (10)
Critical Thought & Trends (326)
Geek Report (82)
Trailer Trash (404)
Podcasts (63)
New in Theaters (255)
New on DVD (175)
Waxing Hysterical (44)
After Image (14)
Film Clips (19)
400 Screens, 400 Blows (73)
The Geek Beat (20)
Mr. Moviefone (8)
Scene Stealers (13)
Guilty Pleasures (27)
Cinematical's SmartGossip! (50)
Coming Distractions (13)
Eat My Shorts! (16)
From the Editor's Desk (43)
The Rocchi Review: Online Film Community Podcast (13)
Seven Days of 007 (26)
Monday Morning Poll (22)
Best/Worst (22)
Indie Seen (8)
Killer B's on DVD (43)
Speak No Evil by Jeffrey Sebelia (7)
Hold the 'Fone (391)
Box Office Predictions (48)
GENRES
War (136)
Western (46)
Comic/Superhero/Geek (1807)
Games and Game Movies (232)
Remakes and Sequels (2866)
Action & Adventure (3883)
Animation (784)
Classics (787)
Comedy (3256)
Documentary (991)
Drama (4402)
Family Films (864)
Foreign Language (1130)
Gay & Lesbian (192)
Horror (1665)
Independent (2361)
Music & Musicals (670)
Noir (159)
Mystery & Suspense (658)
Religious (52)
Romance (865)
Sci-Fi & Fantasy (2291)
Shorts (215)
Sports (201)
Thrillers (1384)
FESTIVALS
AFI Dallas (29)
ComicCon (76)
Other Festivals (206)
Philadelphia Film Festival (10)
ShoWest (0)
Venice Film Festival (9)
WonderCon (0)
Gen Art (4)
Berlin (81)
Cannes (238)
Slamdance (7)
Sundance (407)
Austin (16)
Chicago (17)
Fantastic Fest (58)
New York (49)
SXSW (170)
Telluride (56)
Tribeca (199)
San Francisco International Film Festival (24)
Toronto International Film Festival (332)
Seattle (65)
DISTRIBUTORS
Fox Atomic (10)
Paramount Vantage (16)
Paramount Vantage (5)
Samuel Goldwyn Films (4)
Artisan (1)
Disney (457)
Dreamworks (239)
Fine Line (3)
Focus Features (110)
20th Century Fox (477)
Fox Searchlight (134)
HBO Films (23)
IFC (84)
Lionsgate Films (296)
Magnolia (73)
Miramax (40)
MGM (148)
Picturehouse (4)
New Line (300)
Newmarket (16)
New Yorker (4)
Paramount (464)
Paramount Classics (46)
Sony (394)
Sony Classics (97)
ThinkFilm (84)
United Artists (22)
Universal (521)
Warner Brothers (742)
Warner Independent Pictures (75)
The Weinstein Co. (370)
Wellspring (6)

RESOURCES

RSS NEWSFEEDS

Powered by Blogsmith

Sponsored Links

Recent Theatrical Reviews

Cinematical Interviews

Most Commented On (60 days)

Recent Comments

Weblogs, Inc. Network

Other Weblogs Inc. Network blogs you might be interested in: