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Stage Name |
Birth Name |
The 4 Crackerjacks |
Lulu Coates and Her Crackerjacks |
The 5 Crackerjacks |
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The 6 Crackerjacks |
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The Crackerjacks were the brainchild of early Acrobat fame Lulu
Coates in 1914 who was part of the Watermelon Trust Acrobats which consisted of
Sherman Coates , Lulu and Grundy and his Wife. When Coates
and Grundy's act split up in 1914, Lulu decided to form the Crackerjacks which originally
consisted of Archie Ware, Wilfred Banks and Harry Irons. This grouping would lead to a
very famous Acrobatic dance act over
time.
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Archie
Ware was the Hot Shot and leader of the group who already had an extensive background
in performing in Vaudeville and the Circus. Archie was not very tall, standing only at
4' 10 1/2 inches tall which was a great size for his craft. He started performing in Vaudeville
for three seasons with Cozy Smith and her Pickaninnies
in George Webster's Circuit in the Dakotas along with
Willie Covan and his cousin Maxie
McCree at the age of fourteen. In 1913 Ware left Cozy Smith group and joined various
troupes such as Mayme Remington and later Belle
Davis and later around 1914 worked with a comedian named Andrew
Tribble and was introduced to Mrs. Coates who was
forming her Crackerjacks in New York. He would stay with Mrs Coates for 8 years until
she retired in 1922 and gave the act over to Ware.
As soon as Ware took the reins he hired Morris
Greenwald who was a great manager for them who stayed with them their entire career.
The the Four Crackerjacks were formed consisting of Raymond Thomas,
Clifford Carter, Harry Irons
and Archie Ware and over the years consisted of four to
six members at a time with occasional changes in it's members. Of all the members who
worked with the Crackerjacks over time, there were only four who were not real Acrobatics
but posessed special skills that were used in the acts. The Crackerjacks played in most
of the Nightclubs of the day in and around New York as well as many stage productions
like Hellzapoppin' and Harlem Cavalcade.
What made the Crackerjacks so good was that they were not just Acrobats
with lots of skill, they also Sang, Danced, did Acrobatics and Tumbling, did comedy and
used fancy costumes that changed with each act and used music that swung.
Their act consisted of 5 numbers that lasted about ten minutes from
start to finish. The first being a Flash Tap
routine, then a solo, usually by Goins, doing a contortionist - acrobatic chair dance.
The third was the trademark act called "the Old Man" number complete with Civil
War costumes, long grey beards and walking canes. They would hobble on Stage, looking
and moving like old men, then burst into their Acrobatic act. The fourth was like the
second but varied by dancer. The last act was a replay of the Old Man except that they
put in everything they knew into the finale that just exploded on Stage all done to a
jazz rhythm. They remained together, performing up until 1952. |
Name |
Birth Place |
Birth Date |
Spouse |
Type |
Archie Ware |
Topeka |
b.1892- |
- |
Tumbling, Tap, Acrobat |
Bobby Goins |
- |
- |
- |
Contortions, Acrobat, Tap, Sang |
Clifford Carter |
- |
- |
- |
Tumbling, Acrobat, Tap, Chair-dance |
Deighton Boyce |
Panama |
b.1913- |
- |
Gymnastic, Acrobat, Tap, 5 person Somersault |
George Staten |
- |
- |
- |
- |
Harry Irons |
- |
- |
- |
Tumbling, Acrobat, Tap, |
Joe Chism |
- |
- |
- |
Strutter, Acrobat |
Lloyd MacDonald |
- |
- |
- |
- |
Norman Wallace |
- |
- |
- |
Balancing Stunts, Acrobat, Wall Dance |
Raymond Thomas |
- |
- |
- |
- |
Tosh Hammond |
- |
- |
- |
Slow Moving Somersaults, 2 Batons |
Walter Humphrey |
- |
- |
- |
Tumbling, Acrobat, Tap, |
Wilfred Blanks |
- |
- |
- |
Tumbling, Acrobat, Tap, |
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Dance Types |
Dance Partners |
Music Titles |
Acrobatic Dance |
n/a |
Alexander's Ragtime Band (Old Man #) |
Buck
and Wing |
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Deed I Do (Goins) |
Flash Tap |
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Rose Room (Goins) |
Rhythm Tap |
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Strut, the |
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