Archive for December, 2006

James Brown

James Brown’s down
Who the funk do you think you’re fooling?
For me the man’s still ruling
Stop the nonsense
Stop telling lies
James Brown is still alive
 
The Godfather of soul has passed away. At the age of 73, due to heart complication from pneumonia, James Brown passed away. A lot of things can be said about James Brown, but […]

Late Night Bathtub List

All kinds of exciting things can happen in bathtubs, I don’t think I need to remind you. But sometimes we need a little relaxing too. Not just our body, but especially our mind. Just to get rid of all the distortion and noise that collects within our heads over time and disrupts our thoughts and […]

We’re moving up to the mountains

01. Nancy Wilson - lucky trumble
(Almost Famous OST, 2000)
02. The Poppy Family - a good thing’s lost
(A good thing’s lost 1968 -1973, 1996)
03. Blind Faith - can’t find my way home
(Blind Faith, 1969)
04. Manassas - Johnny’s Garden
(Manassas, 1972)
05. Fuhrs & Frohling - street dance
(Ammerland, 1978)
06. Amorphous Androgynous - divinity
(The isness, 2003)
07. Panda Bear - […]

An announcement from the front desk

Motel de Moka wishes you and yours a very happy holiday.
“Christmas Day”
Tomaso Albinoni - Adagio in G minor
John Helmich Roman - Violin Concerto in F minor
Walton: Henry V - Passacaglia (Death of Falstaff)
Arcangelo Corelli - Concerto in G minor Christmas Concerto Op.6. no.8

Two Simple Mood lists

 
Happy Birthday Moka.
 
“Temptation. (morning) “
01. Diana Krall - Temptation
02. Christian McBride - A Morning Story
03. United Future Organisation - Sunday Folk Tale
04. Martino Da Vila - Batuco No Chao
05. John Lee Hooker - Money
06. Jimi Hendrix - Machine Gun
“Slow like Honey. (evening) “
01. B. B. King - The Thrill Is Gone
02. Miles Davis - […]

Bubbachups’ Top 10 albums 2006

1. OM - Conference of the Birds (Holy Mountain)
MP3: At Giza
The most consistently overwhelming record I’ve heard this year. With just the rhythm section of Chris Hakius on drums and Al Cisneros on bass this album takes you on a sonic journey of epic proportions. The gradually evolving patterns of bass and drum and the […]

Happy birthday Moka!

It turns out that while everyone here was busy practicing for Global Orgasm Day it was actually Moka’s 21st birthday last Wednesday! Boy do we feel exhausted, but boy do we also feel bummed out about missing that special day!
So let’s celebrate today with some tunes about being 21, birthdays and party girls.
The Adverts - […]

The End and the Beginning

Those who knew
what was going on here
must make way for
those who know little.
And less than little.
And finally as little as nothing.
In the grass that has overgrown
causes and effects,
someone must be stretched out
blade of grass in his mouth
gazing at the clouds.
-Wislawa Szymborska, The End and the Beginning

Because, death is certain for the one who […]

Winter


L’ora e dispiegata nella neve
come un lenzuolo al vento.
L’ora senza fondamento,
che ha spento il prima e il dopo.
L’ora che ha cancellato ogni cominciamento
Stanno soli nell’ora il cavallo e l’albero.
Stanno da sempre nella neve.
- Antonio Prete, un cavallo nella neve.

Terje Rypdall - if mountains could sing
(If mountains could sing, 1994)
Moonspell - lua d’ inverno
(Wolfheart, 1995)
Balanescu […]

The Last of the Romantic. 2 a.m.

   

a meld quivers close to you, a lyric steam
of cold-pressed algae and dreaming driftwood.
From your throat, a voice unties, mythic bulbs
and whirlpool fingers, that beat in a wave
from some radio, resonating this scene
to one hundreds of years since, allusive
and having just begun your unseen
elements. Soon, a love song will outweigh
you, and split between your […]




Acerca de MdM



To be alive

To be alive: not just the carcass
But the spark.
That's crudely put, but…

If we're not supposed to dance,
Why all this music?
- Gregory Orr
.


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Side Notes



Music resembles a language. Expressions such as musical idiom, musical intonation, are not simply metaphors. But music is not identical with language. The resemblance points to something essential, but vague. - T.W. Adorno

'Pleasure' then should instead be taken here as an adverbial determination of the involved awareness of the free play of the cognitive faculties. So it is not the perceptual and imaginative activity concerning the object but rather the pleasant awareness of such free activities that constitutes our judgement of taste. For a judgement of taste the subjective feeling of pleasure or displeasure is the very manner in which our inner sense 'correctly' receives the aesthetic excellence of an object. We recognize it because we want to carry on with the involved free play. -The Ideal Aesthetic Experience



3.1415 92653 58979 32384 62643 38327 95028 84197 16939 93751 ... -Pi

Since the new architecture permits no images (such as paintings or sculptures as separate elements) its purpose of creating a harmonious whole with all essential means is evident from the outset. In this way, every architectural element contributes to the attainment on a practical and logical basis of a maximum of plastic expression, without any disregard of the practical demands.-Towards a plastic architecture

Our nature demands the evidence of uniformity, as that emphasizes the impressions, making them easier to grasp and enjoy; but our nature also craves a certain degree of variety, to counteract the monotony which must result from too persistent uniformity. When the elements of Unity and Variety are sensibly matched, evenly balanced, the form is good. On the other hand, a composition is formless, or faulty in form, when the component parts are jumbled together without regard to proportion and relation. -Lesson In Music Form

The signatum always referred, as to its referent, to a res, to an entity created or at any rate first thought and spoken, thinkable and speakable, in the eternal present of the divine logos and specifically in its breath. If it came to relate to the speech of a finite being (created or not; in any case of an intracosmic entity) through the intermediary of a signans, the signatum had an immediate relationship with the divine logos which thought it within presence and for which it was not a trace. -Jacques Derrida


-Steve Crane


Awake or asleep
in a grass hut,
what I pray for is
to bring others across
before myself
-Dogen

The bulk of the promotional effort at every record company today is expended on "NEW MATERIAL" . . . the latest and the greatest of whatever the cocaine-tweezed A&R; Brass has decided to inflict on everybody. More often than not, these 'aesthetic decisions' result in mountains of useless vinyl/cardboard artifacts which cannot be sold at any price, and are therefore returned for disposal and recycling. These mistakes are expensive. -Frank Zappa


-Freemish Crate


there he was in the very same room from the window of which he had fallen, there were the same children, the same playthings, standing on the table, and the pretty castle with the elegant little dancer at the door; she still balanced herself on one leg, and held up the other, so she was as firm as himself. It touched the tin soldier so much to see her that he almost wept tin tears, but he kept them back. He only looked at her and they both remained silent. -Hans Christian Andersen

"What we play is life."-Louis Armstrong



Pop is not about individual self-expression or aesthetic innovation. It gives the public what it wants, not what it "needs." The very idea of giving the public what it "needs" presupposes someone -- a professor, a lawgiver critic in the Partisan Review mold, or a mandarin composer -- who will decide what that something is. -Dial "M" for Musicology

We are still living under the reign of logic, but the logical processes of our time apply only to the solution of problems of secondary interest. The absolute rationalism which remains in fashion allows for the consideration of only those facts narrowly relevant to our experience. Logical conclusions, on the other hand, escape us. -Le Manifeste du Surréalisme


-ubiquity_zh

The central idea, however, is that music must be connected. Music is often explained from a musicians point of view often with the written score, but not much attention has been paid to the casual listener. "Can a casual listener appreciate the differences between compositions that are well-untied and those that are not?" -musicalbomb


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