Ricco/Maresca is pleased to present their current exhibition: People Pictures, The Art of the Conceptual Photograph, a collection of photographs by Arthur S. Mole and John D. Thomas. Arthur S. Mole was a British-born commercial photographer who worked in Zion, Illinois. During and shortly after World War I, Mole traveled with his partner John D. Thomas from one military camp to another, posing thousands of soldiers to form gigantic patriotic symbols that they photographed from above. The formations depicted such images as the Liberty Bell, the Statue of Liberty, the Marine Corps emblem and a portrait of President Woodrow Wilson. The Wilson portrait, for example, was formed using 21,000 officers and men at Camp Sherman in Ohio and stretched over 700 feet. His "Human Liberty Bell" was composed from over 25,000 soldiers, arranged with Mole's characteristic attention to detail to even depict the crack in the bell. Mole and Thomas spent a week or more preparing for these immense works, which were taken from a 70 or 80 foot tower with an 11 by 14 inch view camera. When the demand for these photographs dropped in the 1920s, Mole returned to his photography business in Zion. Photographs by Mole and Thomas are in the collections of the Chicago Historical Society, the Museum of Modern Art and the Library of Congress.



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