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Denver Rocky Mountain News

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AUTHORS

• Lisa Bornstein
• Mark Brown
• Robert Denerstein
• Erika Gonzalez
• Christy Lemire
• Mike Pearson
• Matt Weitz
• Mark Wolf

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B+	A Scanner Darkly (2006)	"The movie doesn't so much involve you in a story as it invades your mind, creating a world ruled by anxiety and suspicion."	Robert Denerstein



--	Aberdeen (2001)	Click here to see the review.	Robert Denerstein



B	About Schmidt (2002)	Click here to see the review.	Robert Denerstein



C+	Accepted (2006)	"Not content to go for cheap laughs, the movie ultimately tries to wave a banner for the slacker ethos, something about the value of free expression."	Robert Denerstein



D+	Adam Sandler's Eight Crazy Nights (2002)	"The problem with all of this: It's not really funny."	Robert Denerstein



--	The Adventures Of Elmo In Grouchland (1999)	Click here to see the review.	Robert Denerstein



--	The Adventures of Rocky and Bullwinkle (2000)	Click here to see the review.	Robert Denerstein



D+	Adventures of Shark Boy and Lava Girl in 3-D (2005)	Click here to see the review.	Robert Denerstein



--	An Affair of Love (2000)	Click here to see the review.	Robert Denerstein



--	The Affair of the Necklace (2001)	Click here to see the review.	Robert Denerstein



--	After the Fox (1966)	Click here to see the review.	Robert Denerstein



C-	After the Sunset (2004)	"A generic heist movie that basks in the balmy glow of the Caribbean sun."	Robert Denerstein



B	After The Wedding (2007)	"Bier's not timid about tossing any number of volatile ingredients into an already-simmering pot."	Robert Denerstein



C	Against the Ropes (2003)	"Unlike Rocky and other cornball boxing movies, this one fails to land the knockout blow and winds up dispensing love taps in a hardboiled business."	Robert Denerstein



D	Agent Cody Banks 2: Destination London (2004)	Click here to see the review.	Robert Denerstein



B	Aileen: The Life and Death of a Serial Killer (2003)	"Does afford a real-life view of Wuornos during the days of her final appeal and her ultimate date with death."	Robert Denerstein



--	Aimee & Jaguar (2000)	Click here to see the review.	Robert Denerstein



B	Akeelah and the Bee (2006)	"The plot of Akeelah and the Bee may feel a trifle familiar, but here's the surprise: This is one time when familiarity doesn't breed contempt."	Robert Denerstein



C	The Alamo (2004)	"A mediocre achievement despite the scale of its ambition."	Robert Denerstein



C-	Alex and Emma (2003)	"An often dismal romantic comedy."	Robert Denerstein



C	Alexander (2004)	"Disjointed and lacking in thematic clarity, Alexander offers too few of the satisfactions we've come to expect from historical epics."	Robert Denerstein



C+	Alexandra's Project (2005)	"It's a contrived -- though carefully crafted -- bit of movie gamesmanship that sometimes seems like a claustrophobic stunt."	Robert Denerstein



B	Alfie (2004)	"Thanks to a commanding performance by Jude Law and a pleasingly slick application of style, Shyer manages to put some new spin on an old yarn."	Robert Denerstein



B+	Alice et Martin (1998)	Click here to see the review.	Robert Denerstein



B+	Alien: The Director's Cut (2003)	"Scott knew how to create tension, and the movie still has plenty of white-knuckle impact, although it's a little tamer than I remembered."	Robert Denerstein



--	All About Eve (1950)	Click here to see the review.	Robert Denerstein



--	All About the Benjamins (2002)	Click here to see the review.	Robert Denerstein



--	All Over the Guy (2001)	Click here to see the review.	Robert Denerstein



C-	All The King's Men (2006)	"Instead of bringing this story to bustling, brilliant life, Zaillian and company make it feel as if it belongs behind a glass case in some museum."	Robert Denerstein



C	All the Pretty Horses (2000)	Click here to see the review.	Robert Denerstein



C+	All the Real Girls (2003)	"There's something missing from this slowly paced story of young love, like a painting that's still waiting for its subject to be dropped in."	Robert Denerstein



A-	Almost Famous (2000)	Click here to see the review.	Robert Denerstein



C+	Along Came Polly (2004)	"Scene by scene, the movie offers a pretty bumpy ride, and there's not enough chemistry between Stiller and Aniston to make the romantic parts of the movie credible."	Robert Denerstein



B-	Alpha Dog (2007)	"There's a feel of authenticity about Alpha Dog, primarily because of the performances of the young actors."	Robert Denerstein



B	Amazing Grace (2007)	"In building his movie around a single issue, Apted succeeds in capturing a rough-and-tumble side to politics that never feels too far removed from our own day."	Robert Denerstein



--	Amelie (2001)	Click here to see the review.	Robert Denerstein



C+	Amen (2003)	"What should have been agonizing in its impact comes off as wooden, perhaps because Costa-Gavras works in schematic fashion, spoon-feeding us issues while skimming the historical surface."	Robert Denerstein



B	America's Heart and Soul (2004)	Click here to see the review.	Robert Denerstein



--	America's Sweethearts (2001)	Click here to see the review.



--	American Chai (2002)	Click here to see the review.	Robert Denerstein



--	American Pie 2 (2001)	Click here to see the review.	Robert Denerstein



A-	American Splendor (2003)	"Wildly original and entertaining."	Robert Denerstein



	American Wedding (2003)	"Funny when it needs to be. I don't know what more you can ask from the third installment of a series that has gone further than anyone reasonably could have expected."	Robert Denerstein



D+	The Amityville Horror (2005)	"The filmmakers have managed to take a mediocre movie and make it worse."	Robert Denerstein



D	Anacondas: The Hunt for the Blood Orchid (2004)	Click here to see the review.	Robert Denerstein



C	Analyze That (2002)	"From Analyze This to Analyze That sounds like a small jump -- a mere word -- but the comedy has slipped more than a notch since the 1999 original."	Robert Denerstein



--	Anastasia (1997)	Click here to see the review.	Robert Denerstein



B-	Anchorman: The Legend of Ron Burgundy (2004)	"No need to make room for Anchorman in any cultural time capsule, but there are enough laughs to keep the movie from being canceled."	Robert Denerstein



B	Andrew Lloyd Webber's The Phantom of the Opera (2004)	"Webber's lushly romantic score (played in this instance by a 100-piece orchestra) has the ability to overpower lingering reservations."	Robert Denerstein



A-	Andy Goldsworthy - Rivers and Tides: Working With Time (2003)	"We grab at beauty while simultaneously realizing it never can be possessed, a feeling brilliantly captured in this thoughtful and rewarding movie."	Robert Denerstein

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