"..." alone on its own line indicates one or more missing full lines of text
"###" indicates missing text on the given line
"?" before a single word (e.g., ?witty) means that word is unchecked/uncertain
"?:" indicates that the rest of the line is unchecked/uncertain
Page numbers refer to the paperback book Pirates of the Caribbean: Dead Man's Chest, Irene Trimble, 2006.
Single bracketed references (e.g., [Q1]) are links to onsite footnotes.
[view looking straight down at rolling swells, sound of wind and thunder, then a low heartbeat]
PIRATES of the CARIBBEAN
DEAD MAN'S CHEST
[teacups on a table in the rain]
[sheet music on music stands in the rain] [music: "To The Pirates' Cave!: Bouquet"]
[bouquet of white orchids, Elizabeth sitting in the rain holding the bouquet] [Q6] [P1]
[men rowing, men on horseback, to the sound of thunder]
[music: "To The Pirates' Cave!: Marines"]
[EITC logo on flag blowing in the wind]
[many rowboats are entering the harbor]
[Elizabeth sitting alone, at a distance]
[marines running, kick a door in] [p. 10]
[a mule is seen on the left in the barn where the marines enter]
[Liz looking over her shoulder]
[Elizabeth drops her bouquet]
[Will is in manacles, being escorted by red coats]
Elizabeth Swann: [softly] Will...!
[Elizabeth runs to Will]
Elizabeth Swann: Why is this happening? [p. 11] [music: "To The Pirates' Cave!: Bouquet"]
Will Turner: I don't know. You look beautiful.
Elizabeth Swann: I think it's bad luck for the groom to see the bride before the wedding.
Governor Weatherby Swann: Make way, let me through!
[marines cross their long axes to bar Governor from entering]
Governor Weatherby Swann: How dare you! Stand your men down at once! Do you hear me? [music: "To The Pirates' Cave!: Marines"]
[Beckett, in white hair and curls, is standing with Mercer]
Lord Cutler Beckett: Governor Weatherby Swann, it's been too long.
Governor Weatherby Swann: Cutler Beckett! [p. 12]
Lord Cutler Beckett: His Lord now... actually.
Governor Weatherby Swann: Lord or not, you have no reason and no authority to arrest this man.
Lord Cutler Beckett: In fact, I *do*. Mister Mercer! The warrant for the arrest of one William Turner.
Governor Weatherby Swann: This warrant is for Elizabeth Swann.
Lord Cutler Beckett: Oh, is it? That's annoying. My mistake. Arrest her.
Elizabeth Swann: On what charges?
Will Turner: No!
[Beckett takes another document from Mercer, who is standing with Beckett, craggy face and pony tail]
Lord Cutler Beckett: Ah-ha! Here's the one for William Turner. And I have another one for a Mister James Norrington. Is he present?
Elizabeth Swann: *What are the charges?*
Governor Weatherby Swann: Commodore Norrington resigned his commission some months ago. [p. 13]
Lord Cutler Beckett: I don't believe that's the answer to the question I asked.
Will Turner: Lord Beckett! In the category of questions *not* answered...
Elizabeth Swann: We are under the jurisdiction of the King's governor of Port Royal, and you will tell us what we are charged with. [L1]
Governor Weatherby Swann: The charge... is conspiring to set free a man convicted of crimes against the crown and empire, and condemned to death, for which the -
Lord Cutler Beckett: For which the punishment, regrettably, is *also* death. Perhaps you remember a certain pirate named Jack Sparrow. [music: "Lord Cutler Beckett"]
Will Turner, Elizabeth Swann: *Captain!*
Elizabeth Swann: *Captain* Jack Sparrow.
Lord Cutler Beckett: Captain Jack Sparrow. Yes, I thought you might.
[views of rigging ropes and blocks aboard a ship at night] [D2]
[Gibbs walks the deck alone at night, singing and drinking from a bottle]
Gibbs: [singing drunkenly] Fifteen men on a dead man's chest. Yo ho ho, and a *bottle* of rum. Drink and the devil had done for the rest. Yo ho ho, and a *bottle* of rum. Ha-ha-ha-ha-ha! [Z18]
[a bell tolls, Gibbs is interrupted from his drinking by the sound]
[music: "I've Got My Eye On You: Dirge"]
[Gibbs looks around, then looks up to see a flock of crows flying in the foggy night sky]
[tolling of bells, camera pans to show the crows flying toward a coastal island] [Q1]
[pinnacle-like island off the coast at night, connected to the mainland by thin, lighted bridge]
[cages with men inside line the bridge]
[prisoners are being marched across the bridge]
[a male prisoner with bloody legs is muttering, and is dragged across the bridge by guards]
[a crow is seen reflected in the eye of one male prisoner in a cage, the crow attacks and pecks his eye out, he screams]
[the prisoner who was being dragged is taken down a hatch-like door in the ground, he also screams]
[pan downwards toward the rocky shoreline, lit with torches]
[an empty wooden cart is tilted for unloading, men toss caskets into the sea, waves crash on the rocks]
[numerous caskets are floating out to sea, vertical streaks in the distant clouds are seen]
[a crow lands on one casket, begins pecking at the top] [p. 2]
[sudden gunblast from inside the casket blows the crow away, along with much wood]
[music: "I've Got My Eye On You: Triumphant"]
[hand holding flintlock pistol emerges, pans about, points it at audience for a moment]
[Jack breaks out of the top of the casket, puts his captain's hat on]
Jack Sparrow: Sorry, mate.
[Jack breaks the skeleton's leg off]
Jack Sparrow: Mind if we make a little side trip? [pauses] I didn't think so. [N36]
[Jack uses the skeleton leg as an oar, rows toward the full moon and a waiting ship in the distance to the right of the moon]
[Jack arrives at the Black Pearl in his coffin rowboat]
[music: "Jack Sparrow: Blarney"]
[Gibbs holds out his hand to help Jack aboard, Jack puts the skeleton leg in Gibbs' hand]
[Cotton drapes a coat onto Jack's back]
Gibbs: Not *quite* according to plan.
Jack Sparrow: Complications arose, ensued, were overcome.
Gibbs: You got what you went in for, then?
Jack Sparrow: Mm-hmm! [pulls out a rolled piece of cloth and waves it]
Gibbs: Captain, I think the crew, meaning me as well, were expecting something a bit more... *shiny*. [moves his fingers all around to convey scintillation] What with the Isla de Muerta going all pear shaped, reclaimed by the sea, and the treasure with it. [p. 6] [N7] [F11]
Leech: And the Royal Navy chasing us all around the Atlantic. [looks at the other crewmen]
Marty: And the hurricane!
Gibbs: All in all, it's seems some time since we did a speck of honest pirating.
Jack Sparrow: Shiny?
Gibbs: Aye, shiny.
Jack Sparrow: Is that how you're all feeling, then? Perhaps dear old Jack is not serving your best interests as captain?
[Leech looks at the other pirates beside him]
Cotton's Parrot: Awk! Walk the plank! [p. 7] [A4]
[Jack grabs his pistol and points it at the bird]
Jack Sparrow: What did the bird say?
Leech: Do not blame the bird. Show us what is on that piece of cloth there. [p. 7]
[the monkey snarls, seizes the cloth, scampers off with it]
Jack Sparrow: Ohhh!
[Jack attempts to shoot the monkey with his pistol, his pistol misfires] [music: "Swords Crossed: Monkey"]
[Jack grabs a pistol from another crewman and blasts the monkey while it's on the deck]
[the monkey drops the cloth, but is unharmed, and scurries into the rigging]
Gibbs: Know that don't do no good. [Q2] [N11]
Jack Sparrow: It does me.
[Marty picks up the cloth that the monkey dropped]
Marty: It's a key!
Jack Sparrow: No! Much more better. It is a *drawing* of a key. [N1]
[Jack holds up the cloth, the crew crowd forward]
[among the crew: Chinese man, black man with a black beard, white bearded man with large black hat]
Jack Sparrow: Gentlemen, what do keys do?
Leech: Keys... unlock... *things*? [p. 7]
Gibbs: And whatever this key unlocks, *inside* there's something valuable. So, we're setting out to find whatever this key unlocks!
Jack Sparrow: No! If we don't have the key, we can't open whatever it is we don't have that it unlocks. So what purpose would be served in finding whatever need be unlocked, which we don't have, without first having found the key what unlocks it?
Gibbs: So - We're going after this key!
Jack Sparrow: You're not making any sense at all. Any more questions?
Marty: So... Do we have a heading?
Jack Sparrow: Hah! A heading. [music: "Jack Sparrow: Blarney"] Set sail in a... mmm... [the Compass dial spins, Jack circles his finger uncertainly] a general... in *that* way - direction. [C8]
Gibbs: Cap'n? [p. 9]
Jack Sparrow: Come on, snap to and make sail, you know how this works. Come on. Oi, oi... oi! [N28]
[Marty and Gibbs gather alone by the railing]
Marty: Have you noticed lately... The captain seems to be actin' a bit strange... -er. [p. 9]
Gibbs: Settin' sail without knowing his own headin'? Somethin's got Jack vexed. Mark my words, what bodes ill for Jack Sparrow bodes ill for us all.
[the Black Pearl is shown at night in a thunderstorm]
[a painter is painting a detail on a mural of a world map]
[music: "Lord Cutler Beckett"]
[Beckett is quietly talking with Mercer in the same room]
[a guard brings Will in manacles into Beckett's office]
Guard: Lord Beckett. The prisoner as ordered, Sir. [p. 23]
Lord Cutler Beckett: Those won't be necessary.
[Will's manacles are removed]
[Beckett pours some liquor]
Lord Cutler Beckett: The East India Trading Company has need of your services. [offers Will a glass of liquor, Will declines] We wish for you to act as our agent in a business transaction with our mutual friend: Captain Sparrow.
Will Turner: More acquaintance than friend. How do you know him?
Lord Cutler Beckett: We've had dealings in the past. [holds a hot brand with a "P" on it] And we've each left our mark... on the other. [U10]
Will Turner: What mark did he leave on you? [Q5]
Lord Cutler Beckett: By your efforts Jack Sparrow was set free. I would like you to go to him, and recover a certain property in his possession.
[Beckett has walked to his desk in the center of the room and pauses] [U11]
Will Turner: Recover. At the point of a sword?
Lord Cutler Beckett: *Bargain*! [music: "Lord Cutler Beckett"]
[Beckett goes over to a wooden box on a table and opens it]
Lord Cutler Beckett: Letters of Marque. You will offer what amounts to a full pardon. Jack will be free, a privateer in the employ of England.
Will Turner: Somehow I doubt Jack will consider employment the same as being free.
Lord Cutler Beckett: [disgustedly] Freedom. [closes the box] Jack Sparrow is a dying breed. [shift to dock scene] The world is shrinking, the blank pages of the map filled in. Jack must find his place in the new world or perish. Not unlike you, Mister Turner. You and your fiancée face the hangman's noose.
[a clock is being hoisted in the background, and red coat soldiers are also in the background] [U101]
Will Turner: So you get both Jack *and* the Black Pearl.
Lord Cutler Beckett: The Black Pearl?
Will Turner: The property you want that he possesses.
Lord Cutler Beckett: A ship? Hardly.
The item in question's considerably smaller and far more valuable.
Something Sparrow keeps on his person at all times. A compass.
[Will changes his direction of gaze to the sea]
Ah, you know it. Bring back that Compass, or there's no deal.
[music: "The Medallion Calls: Calipers"]
[Jack is using calipers on a map, using his right hand, a "P" brand mark is seen on his right arm, and a tattoo above it]
[an hourglass is in the background, Jack taps the Compass with his left hand]
[Jack looks in his bottle, turns the bottle upside-down, only a few drops spill out]
Jack Sparrow: Why is the rum always gone?
[Jack rises to his feet, staggers]
[music: "Jack Sparrow: Blarney"]
[Jack picks up his hat off the top of a globe]
Jack Sparrow: Oh! *That's* why.
[Jack walks past the crew sleeping on hammocks, Jack is carrying a lantern]
[some of the crew are snoring, and Cotton is among those sleeping]
Jack Sparrow: As you were, gents.
[Jack goes downstairs to the hold, an animal bleats, Jack unlocks the door, goes in]
[pan across the hold as Jack enters]
[Jack sees eerie filter feeder creatures festooning a beam of wood]
[Jack spots a rack of bottles, with the bottles stored sideways like in a wine rack]
Jack Sparrow: Ah!
[Jack pulls a sideways bottle from the rack]
[Jack pours sand out of the bottle] [C2]
'Bootstrap' Bill Turner: Time's run out, Jack.
[Jack drops bottle of rum in fright, the bottle breaks on the floor]
[music: "You Look Good Jack"]
[Jack walks over to see who spoke]
Jack Sparrow: Bootstrap. Bill Turner.
[Bootstrap looks up from where he's sitting on a barrel, crabs scuttle across his face, water drips off his head]
'Bootstrap' Bill Turner: You look good, Jack. [water dribbles out of Bootstrap's mouth as he speaks] [Z6]
Jack Sparrow: Is this a dream?
'Bootstrap' Bill Turner: No.
Jack Sparrow: I thought not. If it were, there'd be rum.
[Bootstrap immediately hands Jack a bottle of rum]
[Jack pries the bottle from Bootstrap's hand with a crackling sound]
'Bootstrap' Bill Turner: You got the Pearl back, I see.
Jack Sparrow: I had some help retrieving the Pearl, by the way.
[Jack tinks the lip of the bottle with his fingers, then blows across the top of the bottle]
Jack Sparrow: Your son.
'Bootstrap' Bill Turner: William? He ended up a pirate, after all.
[Jack takes a drink from the bottle]
Jack Sparrow: And to what do I owe the pleasure of your carbuncle? [V1]
'Bootstrap' Bill Turner: He sent me.
Jack Sparrow: Who?
'Bootstrap' Bill Turner: Davy Jones.
Jack Sparrow: Ah. So it's you, then. [Jack sits down on a barrel] He shanghaied you into service, eh? [p. 18]
'Bootstrap' Bill Turner: I chose it. I'm sorry for the part I played in the mutiny against you, Jack. I stood up for you. Everything went wrong after that.
[a small hermit crab scuttles by Bootstrap, on top of the barrel where Bootstrap sits]
[Bootstrap grabs the hermit crab, pops it into his mouth, and crunches on it]
[Jack moves his mouth, jaw, and tongue around in revulsion while watching]
'Bootstrap' Bill Turner: They strapped me to a cannon. I ended up on the bottom of the ocean, weight of the water crushing down on me, unable to move, unable to die, Jack. And I thought that even the tiniest hope of escaping this fate, I would take it. [Jack takes a drink] I would trade anything for it. [p. 18]
[Jack hands the bottle back to Bootstrap]
Jack Sparrow: It's funny what a man will do to forestall his final judgment -
[Jack starts to walk off, but Bootstrap stands up at the same time and intercepts Jack, blocking him]
'Bootstrap' Bill Turner: You made a deal with him, too, Jack. He raised the Pearl from the depths for you. Thirteen years you've been a captain.
Jack Sparrow: Technic -
'Bootstrap' Bill Turner: Jack! Won't be able to talk yourself out of this. The terms what applied to me apply to you, as well. One soul, bound to crew a hundred years upon a ship. [p. 19] [N21]
Jack Sparrow: Yes, but the Flying Dutchman already *has* a captain, so there's re -
'Bootstrap' Bill Turner: Well then it's the locker for you! Jones' terrible leviathan will find you, and drag the Pearl back to the depths and you along with it. [p. 19] [V2]
[Bootstrap has been leaning forward while speaking, and Jack leaning backwards in response]
Jack Sparrow: Any idea when Jones might release said terrible beastie?
'Bootstrap' Bill Turner: I already *told* you, Jack. The time is up. [Bootstrap's green hand clasps Jack's left hand] He comes now, drawn with ravenous hunger, to the man what bears... the black spot.
[Jack looks at the palm of his left hand, where a black spot boils into view]
[Jack looks up, but Bootstrap has disappeared]
[Jack runs across a wooden deck that has a shallow covering of water]
Jack Sparrow: On deck all hands! Make fast the bunt gasket!
On deck! Scurry! Scurry, I want movement!
Jack Sparrow: *I want movement!* [p. 20]
Gibbs: Lift the skin up! ### [p. 20] [I1]
Jack Sparrow: All on deck! Run! And keep running! Run as if the devil himself and itself is upon us! [p. 20] [N19]
Gibbs: [suddenly coming around the mast] Do we have a heading?
Jack Sparrow: [in fright] Ah! Ooh! Run! Land.
[Jack rises from where he was ducked behind the base of the mast, sees Gibbs again]
Jack Sparrow: [in fright] Oh! Euh!
Gibbs: Which port?
Jack Sparrow: Didn't say port. I said land. Any land.
[the monkey in skeleton form swings down, grabs Jack's hat]
Jack Sparrow: Agh!
[the monkey snarls at Jack, Jack snarls back at the monkey, in imitation]
[music: "Jack's Hat"]
[the monkey throws Jack's hat overboard
Gibbs: Jack's hat! Bring 'er about! [p. 21]
Jack Sparrow: No no! Leave it! Run! [Jack runs off]
Gibbs: Back to your stations! The lot o' ya!
[Jack stands stiffly in the shadows under some steps, between two lighted windows]
[Gibbs walks up to Jack]
Jack Sparrow: Shhh!
Gibbs: For the love of mother and child, Jack, what's coming after us? [p. 21]
Jack Sparrow: [pause] Nothing.
Turkish fisherman: Heh-heh-heh. ?: Fah-pee able tupay ### Hey! ?: Fo pes sa kapazun kapitan de la mezande, huh?
Greek fisherman: ?Etora.
Greek fisherman: ?: Fetsoran ipitos. Ferinte.
### arrive. Huh?
[the Greek sailor takes the hat, tries it on next]
Greek fisherman: Ah! ?: Vangas da a eoro ###
Turkish fisherman: Huh?
[a large object is seeing moving underwater toward their vessel, creating a disturbance on the ocean surface as it moves]
### kapitan ###
[a loud thumping sound occurs, the two sailors freeze in fright]
[a third sailor sleeps on deck]
[one sailor presses the hat against the other's chest, indicating he doesn't want it anymore]
[the 2-masted vessel is instantly pulled underwater in a huge splash, as seen from a distance]
[Will and the governor rapidly descend stone steps into the prison]
[the guard at the bottom of the steps holds a long gun with a bayonette on the end]
Carruthers: Here now. He can't be here.
Governor Weatherby Swann: I think you'll find he can.
Carruthers: Mister Swann, - [N37]
Governor Weatherby Swann: *Governor* Swann, still. Do you think I wear this wig to keep my head warm? [p. 26]
Elizabeth Swann: Jack's Compass. What does Beckett want with that?
Will Turner: Does it matter? I'm to find Jack and convince him to return to Port Royal. In exchange the charges against us will be dropped.
Governor Weatherby Swann: No. We must find our own avenue to secure your freedom. [music: "To The Pirates' Cave!: Bouquet"]
Will Turner: Is that lack of faith in Jack, or in me?
Governor Weatherby Swann: That you would risk your life to save Sparrow's does *not* mean that he would do the same for anyone else. Now... Where's that dog with the keys? [whistles]
Elizabeth Swann: I have faith in you. Both of you. [caresses Will's chin] Where will you find him?
Will Turner: Tortuga. I'll start there, and I won't stop searching 'til I find him. And then I intend to return here, to marry you. [L2] [F10]
Elizabeth Swann: Properly? [p. 27]
Will Turner: Eagerly, if you'll still have me.
Elizabeth Swann: If it weren't for these bars I'd have you already. [S11]
[the governor accidentally knocks a candleholder off the wall]
[the governor tosses the candleholder aside, onto the floor]
Elizabeth Swann: I'll wait for you.
Will Turner: [whispered] Keep a weather eye on the horizon.
[Will walks back up the prison steps]
[music: "Jack Sparrow: Celtic"]
Weathered sailor: *Captain* Jack Sparrow? Owes me four dubloons. Heard he was dead. [p. 28]
Half-blind fisherman: Singapore. That's what I heard. Drunk with a smile on his face. Sure as the tide, Jack Sparrow... will turn up in Singapore. [p. 28] [N20]
[Scarlett is a redhead, Giselle is a blonde, both are standing together, answering Will's questions]
Giselle: Jack Sparrow!
Scarlett: I haven't seen 'im in a month.
Giselle: When you find him, will you give him a message? [p. 29]
[Giselle slaps Will in the face]
[a black man who is a shrimper is sitting on a dock, mending his nets]
[in the background is a bunch of bananas on the dock, and a goat being loaded aboard a ship]
Shrimper: Cannot say about Jack Sparrow. But dere's a island,
just south of de straits, where I trade spice for... mmm... delicious long pork.
Cannot say about Jack. But you find a ship dere. A ship wit' black sails. [p. 29]
[Black Pearl seen stranded on a beach, through a spyglass]
Shrimper: My brother will take you ashore. [p. 30]
[the shrimper's brother is rowing Will toward the shore]
[the rower stops rowing]
Will Turner: What's wrong? The beach is right there.
Shrimper's brother: ?: Ne bougeais pas, c'est trop dangereux. [N22]
Will Turner: What?
Shrimper's brother: ?: Je ne peux, c'est trop dangereux, j'avais le dit. Bon voyage, monsieur.
[Will jumps off the rowboat, swims ashore, wearing his sword]
[aerial view, flying over jungle toward beach, showing Will wading ashore]
[music: "Tia Dalma: Pantano"]
[Will walks alongside the Black Pearl, which is tied with ropes to stakes in the sand]
Will Turner: Jack! Jack Sparrow!
Will Turner: Marty! Cotton! Anybody? [N16]
[Will wanders into the palm jungle bordering the beach]
[Cotton's parrot flutters up and lands atop a palm stump]
Cotton's Parrot: Awk! [p. 31]
Will Turner: Ah! A familiar face!
Cotton's Parrot: Rawk! Don't eat me!
Will Turner: I'm not gonna eat you.
Cotton's Parrot: Don't eat me! No! Don't eat me! Akkk!
[music: "Cannibal Jungle"]
[Will finds Gibbs' husk canteen hanging on a plant, trailing a long string]
Will Turner: Gibbs.
[Will follows the string attached to the canteen, over toward a large tree]
[human eyes open in the background, from a man camouflaged against a nearby tree]
[the camouflaged cannibal shouts and jumps out from the tree at Will]
[Will is yanked back by a snare, and dangles upside-down from a rope]
[cannibals charge out of the bushes from all directions, Will keeps them at bay with his sword]
Will Turner: Euh! Unh! Ya! Come on! Let's go! Euh! Ya! Come on! Who wants it? Unh! I could do this all day! Euh! Euh! Hah!
[a cannibal with a bone through his nose uses a blowgun to shoot a dart into Will's neck]
[Will drops his sword to the ground]
[music: "Dinner Is Served: Pelegostos"]
[aerial view of flying over the island's mountaintops, toward hilltop throne area]
[Will is carried while hung from a bamboo pole, his head hanging back]
[human skulls line the path along which Will is taken]
[Will is carried over a roap bridge]
[one cannibal is wearing an English white wig and using a Western style fan]
Hurry-hurry tan daga! [B9]
[Will is brought before Jack, who sits on a throne]
[the music stops, Jack pops his eyes open, revealing that his closed eyelids were painted to look like open eyes]
Will Turner: Jack? Jack Sparrow! I can honestly say I'm glad to see you!
[Jack says nothing, arises from his throne, walks over to Will, carrying a scepter that looks like a feather duster]
[Jack pushes one finger into Will's shoulder, as if testing how much meat Will has on him]
Will Turner: Jack! It's me! Will Turner!
Jack Sparrow: Wah-say kohn. [B8]
White-faced cannibal: Een dah-lah. Eeseepi. [B7]
Cannibal crowd: Eeseepi.
Will Turner: Tell 'em to let me down.
Jack Sparrow: Kay-lay lam. Lam piki-piki. Lam meensy weensy. Lam say-say... eunuchy. Snip-snip. [Jack makes a scissors motion with two fingers] [Z9] [V4] [B12]
Cannibal crowd: Ahhh... eunuchy!
[Jack begins to walk away, as if disinterested, his Compass hangs from his waist]
Will Turner: Jack! The Compass! That's all I need, Elizabeth is in danger. We were arrested for trying to help *you*. She faces the gallows!
[Jack halts, pauses, turns around and casually walks back]
Jack Sparrow: Say-say lam shoop-shoop sha smalay-lama shoo-koo. Savvy? Ball licky-licky. [S7] [B6] [B5]
Green-faced cannibal: Ball licky-licky!
Cannibal crowd: Ball licky-licky!
[the cannibals begin chanting, repetitiously]
Cannibal crowd: Boom-shoo-boo, boom-shoo-boo, boom-shoo-boo... [B1]
Jack Sparrow: [whispered urgently to Will] Save me! [p. 41]
Will Turner: Jack, what did you tell them? No! What about Elizabeth? *Jack...!*
[Will is carried across a rope bridge, still hanging underneath the bamboo pole]
[Elizabeth sits alone in her prison cell, male prisoners in the next cell whistle and beckon her]
Prisoners: ...we don't bite...Come on...
Governor Weatherby Swann: Come quickly.
([in background:] Prisoners: Where you goin'...?)
Elizabeth Swann: You've got to tell me what's happening. [p. 33] [N15]
Governor Weatherby Swann: Our name still has some standing with the King. I've arranged passage to England. The captain is a friend of mine.
Elizabeth Swann: No! Will has gone to find Jack!
Governor Weatherby Swann: We cannot count on William Turner. Come!
Elizabeth Swann: He's a better man than you give him credit for.
Governor Weatherby Swann: Please, this is no time for innocence. Beckett has offered one pardon only. [S8] One. And that is promised to Jack Sparrow. Even if Will succeeds, do not ask me to endure the sight of my daughter walking to the gallows. Do not. [p. 34]
[a horse and carriage are waiting, the governor opens the door to the carriage for Elizabeth]
Governor Weatherby Swann: Perhaps... I can ensure a fair trial for Will if he returns.
Elizabeth Swann: A fair trial for Will ends in a hanging.
Governor Weatherby Swann: Then there is nothing left for you here.
[the horse and carriage quickly ride off]
[the horse and carriage arrive at a dock]
Governor Weatherby Swann: Wait inside. Captain? Captain...
[Captain Hawkins stands silently on the dock facing out to sea]
[the captain's body soon falls, revealing Mercer, who was standing behind the body, long knife in hand]
Mercer: Evening, Governor. [wipes the blood off the knife] Shame, huh? He was carryin' this. It's a letter to the King. It's from *you*. [p. 35]
[horses and soldiers arrive to cut off the governor from fleeing from the dock]
Governor Weatherby Swann: Elizabeth!
Governor Weatherby Swann: [to Mercer] What are you doing?
[the carriage door is opened, but the carriage is empty, Elizabeth is gone]
Mercer: Where is she?
Governor Weatherby Swann: Who?
[Mercer grabs the governor by the lapels, pushes him up against the side of the carriage]
[darkened room] [music: "Lord Cutler Beckett"]
[Beckett walks in from the balcony, carrying a lantern and reading a document]
[Beckett walks to a table, opens a wooden box, finds the Letters of Marque missing]
Lord Cutler Beckett: [assuming that Elizabeth is nearby] No doubt you've discovered that loyalty is no longer the currency of the realm, as your father believes.
[Elizabeth slips into the dark room from an interior door, hands held behind her]
Elizabeth Swann: Then what is?
Lord Cutler Beckett: I'm afraid that *currency* is the currency of the realm.
Elizabeth Swann: I expect then that we can come to some sort of understanding. I'm here to negotiate.
Lord Cutler Beckett: I'm listening.
[Elizabeth pulls a pistol, points it at Beckett's head]
Lord Cutler Beckett: I'm listening *intently*.
Elizabeth Swann: These Letters of Marque, they are signed by the King?
Lord Cutler Beckett: Yes, and they're not valid until they bear my signature and my seal.
Elizabeth Swann: Or else I would not still be here. You sent Will to get you the Compass owned by Jack Sparrow. It will do you no good. [p. 36]
Lord Cutler Beckett: Do explain.
Elizabeth Swann: I have been to Isla de Muerta, I have seen the treasure myself. There is something you need to know.
Lord Cutler Beckett: Ah, I see. *You* think the Compass leads only to the Isla de Muerta, and so you hope to *save* me from an evil fate. But you mustn't worry. I care not for cursed Aztec gold. My desires are not so provincial. There's more than one chest of value in these waters. So perhaps you may wish to enhance your offer. [p. 37] [S9] [H2]
[Elizabeth cocks her pistol]
[Beckett signs the document]
Elizabeth Swann: Consider into your calculations that you robbed me of my wedding night.
Lord Cutler Beckett: So I did. A marriage interrupted. [heats a stick of wax] Or fate intervenes. You make great efforts to ensure Jack Sparrow's freedom. [Beckett presses his signet into the wax seal] [p. 37]
Elizabeth Swann: These aren't going to Jack.
Lord Cutler Beckett: Oh really. [tries to hold onto the Letters as Elizabeth grabs them] To ensure Mister Turner's freedom, then? I'll still want that Compass. Consider that in your calculations.
[Ragetti appears to be reading a Bible in the back of the longboat]
Ragetti: Well I say it was divine providence what escaped us from jail.
Pintel: And I say... it was me bein' *clever*. Ain't that right, poochie?
[the dog goes to the bow, looking forward, keys in its mouth] [A3]
Ragetti: Well how'dya know it weren't divine providence what inspired you to *be* clever? Anyways, I ain't stealin' no ship. [p. 45]
Pintel: It ain't stealin'. It's *salvagin'*! And since when did you care? [p. 45]
Ragetti: Since we're not immortal no more. We gotta take care of our immortal souls. [p. 45]
Pintel: You know you can't read.
Ragetti: It's the Bible. You get credit for trying.
Pintel: Pretendin' to read the Bible's a *lie*! *That's* a mark against ya!
[Pintel thrusts his finger upwards toward the sky, as if pointing to God]
[Ragetti angrily slams his Bible, as if to start a fight]
[the dog barks at the shore]
Pintel: Look! There it is! [p. 45]
[the dog jumps overboard and swims toward shore]
Ragetti: What's got into *'im*? [p. 45]
Pintel: Must've seen a catfish. Heh-heh-heh-heh-heh-heh.
[both laugh, the dog reaches shore and looks back at them]
Ragetti: Stupid mongrel!
[the dog on shore shakes off water, looks back at them, still holding keys in its mouth]
[their boat capsizes in a wave, they wade ashore]
Pintel: Come on! Ha-ha-ha-ha-ha-ha. Ha-ha-ha-ha... ###
Pintel: It's ours for the taking! [p. 45]
Ragetti: Tide's comin', that should help. Well, salvagin' is saving, in a manner of speaking.
Pintel: There's the truth of *it*! ###
[cannibal drums sound]
Ragetti: Suppose we be'er... save it as soon as we can. What with our souls in such a vulnerable state, and all.
Pintel: [crosses himself twice] Amen to that.
[the dog barks]
[cannibal drums are pounding]
[Jack is on the throne, two cannibal women approach and drape a necklace of human toes around Jack's neck]
Jack Sparrow: Thank you.
[Jack studies one of the toes critically, bites off part of the nail to trim it]
[Jack spits out the piece of nail, reexamines the toe]
[two spherical cages of six Black Pearl crewmen apiece hang from ropes over a deep chasm]
[the cages are adorned with human skulls, and are about 50 feet apart]
[Will is in the same cage with Gibbs, Cotton, Marty, and two others]
Will Turner: Why would he do this to us? If Jack is their chief.
Gibbs: Aye, the Pelegostos made Jack their chief. But he only remains chief as long as he *acts* like a chief. [p. 42]
Will Turner: So he had no choice. He's a captive then as much as the rest of us.
Gibbs: Worse... as it turns out. See, the Pelegostos believe that Jack is a *god* in human form. And they intend to do him the honor of releasing him from his fleshy prison.
[Cotton bites Gibbs' fingers to illustrate, resulting in a crunching sound]
Gibbs: [in a suppressed cry of pain] Digt! Dayst! They'll roast him and eat him.
Will Turner: Where's the rest of the crew?
Gibbs: These cages we're in... weren't built 'til *after* we got here.
[Will was gripping the bars made of human bones, but quickly pulls his hand away]
Gibbs: The feast is about to begin. Jack's life will end... when the drums stop.
Will Turner: Well, we can't just sit here and wait then, can we?
[cannibal drums are pounding]
Jack Sparrow: Oup! No no! Oi! No no! More wood! Big fire! *Big* fire! I am chief! Want big fire! Come on!
Jack Sparrow: Oi! Maboogie snickel-snickel. Tout de suite! Come on! More wood!
[the cannibal standing next to Jack leaves to put more wood on the fire]
[the cannibals put large pieces of wood on the fire]
[the cannibals turn around to find that Jack is gone, and the drums stop]
[Jack runs across a foot bridge, alone]
[music: "Jack Sparrow: Celtic"]
[Jack runs through some small trees, then runs between some huts]
[Jack runs up to a cliff edge, totters at the edge, looking down]
[Jack stands at the edge of a rock wall, embedded with human skulls]
[Jack examines a length of bamboo pole he finds lying there, but then tosses it down, dismayed]
[Jack goes into a hut, sees various supplies, the sound of buzzing flies is heard]
[Jack picks up a rope, starts to exit, halts, looks back inside]
[Jack goes back in, picks up a can of paprika with the EITC logo on the bottom] [music: "Lord Cutler Beckett"]
[Jack walks outside the hut, the entire tribe is waiting silently outside, staring at him, Jack halts] [U7]
Jack Sparrow: Oh bugger.
[Jack drops his coil of rope, sprinkles paprika on his armpits, still wearing his shirt]
[the cannibals look at one another, in confusion]
Jack Sparrow: Little seasoning. Aye?
[p. 47] [N25]
[Jack is now tied with a bamboo pole on his back, the cannibals lift him up off the ground via the pole]
[Jack is carried, hanging face down, and his pole is hung over the pile of wood via two supports]
[cannibals are dancing wildly to the sound of drums]
Jack Sparrow: Well done.
[music: "Dinner Is Served: Swinging"]
[the men begin swinging the cages with increasingly wide arcs]
[both cages finally come within reach of the cliff, they grab vines and hang on to the cliff]
Gibbs: Put your legs through, start to climb! Agh!
Will Turner: Come on men! It'll take all the rest to crew the Black Pearl!
Leech: Actually, you won't need everyone. 'Bout six would do!
[both cages halt momentarily] Ohhh... dear.
Will Turner: Hurry!
[each cage group begins racing against each other up the cliff]
Come on! Go! Go! Go!
Come on! Give it all you got!
[a cannibal crosses the rope bridge]
Hey! Hey ###
Will Turner: Stop!
[the cannibal crosses rope bridge]
[one cage group decides to take the risk of climbing, despite the nearby cannibal]
What's he doing?
[one of the men in the climbing cage pulls a coral snake off the cliff instead of a vine]
[p. 50] [A1]
[he looks down to see what is in his hand, and the snake hisses]
[the man holding the snake lets go, their cage falls, the rope breaks, and their cage falls to the bottom]
[the cannibal sees the cage fall]
Will Turner: ### Move!
[drums pounding, a cannibal carrying a torch runs across a bridge to the bonfire area]
[his face is painted white, he stops among the crowd gathered next to Jack over the wood pile]
White-faced cannibal: [holding torch] Ahhh! Fye-fye! [B2]
Cannibal crowd: Ahhh! Fye-fye!
[the cannibal from the bridge arrives to tell the tribe of the men in cages escaping]
Da latazo! Da leetozo! Hay la paka say-say. [B3]
[the crowd stands silently, not knowing whether to stay or to chase the escapees]
Jack Sparrow: Well, go on! Go get them! Hay alla! [B4]
Cannibal crowd: Hay alla!
[cannibals run off to chase after men who escaped from cages]
[in their haste one cannibal drops a lighted torch need the pile of wood under Jack]
Jack Sparrow: No! No no! Oi! No no!
[the edges of the wood begin to catch fire]
Jack Sparrow: Not good.
[Jack blows futilely at the igniting wood]
[Jack bounces up and down on his pole, which causes it to bounce off the forked holders at both ends]
[Jack struggles on the ground, frees his feet, and runs off]
[the remaining cage reaches the top of the cliff]
Will Turner: Cut it loose! Find a rock!
[music: "Jack Sparrow: Blarney"]
[Will manages to sever the cage's cable by hammering it with a rock]
[the men in Will's cage are unable to the cage open in time before the cannibals will reach them]
Will Turner: Roll the cage!
[the cage rolls down the hill]
[the cage falls over the edge of a tiny cliff]
[the cage rolls down the hill, rolls up a coconut palm trunk, crashes to the ground, unbroken]
Will Turner: Lift the cage! Hurry!
Gibbs: Come on, men! Lift it like a lady's skirt!
[the men begin running with their legs protruding from the cage, holding up the cage]
[Marty's short legs make a running motion but are unable to reach the ground]
[the cage rolls over the end of a small hill, becoming momentarily airborne]
[shot of the men's faces as they scream]
[the cage rolls over a ledge into a small chasm holding a river]
[cannibals throw spears and shoot arrows at the men in the water, the men swim underwater]
Gibbs: This way, lads! [I2]
[Jack runs along atop a rock wall, struggling with the rope on his back]
[Jack looks up to see a cannibal boy standing quietly watching him, holding a knife and fork]
[Jack jumps down from the wall, grabs the knife from the boy, the boy runs off]
[Jack looks up to see two cannibal women standing quietly, watching him, holding baskets of fruit]
[Jack charges at them with his pole like a lance, they step aside as he charges past them]
[Jack's pole spears a coconut in a pile of coconuts at the bottom of the wall]
[Jack turns suddenly, which flings the speared coconut off the end of his pole]
[the coconut hits one of the cannibal women in the face]
[the struck woman slowly pulls the coconut off her face, with rising anger]
[the two cannibal women throw numerous fruits at Jack while the pole is still on his back]
[several of the fruits become impaled along the pole, making Jack look like he's part of a shish-ka-bob] [P5]
Cannibal boy: Paka! Da leetozo! Da leetozo! [B13]
[Jack pole vaults across the chasm, barely lands on the other edge safely]
[but the fruit slides down to the end of his pole, putting weight on the end over the chasm]
[music: "Wheel Of Fortune: Waterwheel"]
[Jack falls into the chasm, screaming]
[Jack's pole catches between the two walls of a chasm]
[two native women watch Jack fall into the chasm, with disinterest]
Cannibal woman: A-geev-nee. A-boogie? [B10] [B11]
[the two cannibal women walk off, disinterested]
Jack Sparrow: Bugger.
[Jack's pole slips loose, he falls into the chasm, screaming]
[As Jack falls through the first rope bridge, the rope comes undone but is still attached to the bamboo pole and to Jack]
[Jack is hung upside-down in the chasm when the bamboo pole catches]
[Jack falls through a total of six rope bridges]
[Jack lands on his back on grass]
[bamboo pole comes down at him, spears the ground near his head]
[fruits tumble down afterwards]
[music: "Tia Dalma: Fast Pantano"]
[only Ragetti and Cotton's parrot are aboard the Black Pearl, Pintel is on the beach below]
Pintel: Unloose the mooring lines! The mooring lines! [N31]
[Ragetti is crawling across the deck, chasing his wooden eye that is rolling away from him]
[the monkey chatters, runs up, and grabs the wooden eye] [A6]
Ragetti: Thief! Little hairy thief, give it back! [the monkey starts chewing on the eye] Don't bite it! [N32]
Pintel: Unloose the mooring lines!
Ragetti: He's got me eye! He won't give it back!
Pintel: Well, how'd you get it back last time?
[Gibbs is the first of the escapees to arrive back at the ship]
Gibbs: Excellent work! Work's half done!
Pintel: We done it for you! Knowin' you'd be comin' back for us.
Gibbs: Make ready to sail, boy! [N33]
Will Turner: What about Jack? I won't leave without him.
Jack Sparrow: [in distance] 'Ey! [N18]
[Jack appears alone at a distance, running down the beach toward the crew and ship]
[a crowd of cannibals suddenly runs down onto the beach behind Jack, pursuing him]
Will Turner: Time to go. [Z8]
Gibbs: *Cast off those lines!*
[music: "Wheel of Fortune: Waterwheel"]
[Jack screams while running down the beach]
Gibbs: Make ready to cast off! ###!
[the dog is down the beach with Jack, barking at him]
Jack Sparrow: Good doggy! Doggy... [p. 52] [N34]
[Jack grabs ahold of rigging on the side of the departing ship]
Jack Sparrow: *Alas*, my children! This is the day you shall always remember as the day that you almost -
[big wave splashes Jack from behind]
Jack Sparrow: - Captain Jack... Sparrow. [Z24]
[the crowd of cannibals falls silent as the ship leaves]
[the dog barks excitedly at the departing ship]
[all heads in the crowd of cannibals turn toward the dog]
[the dog falls silent, whimpers, then flees back down the beach]
[the cannibals chase the dog, shouting] [T3]
Gibbs: Let's put some distance between us and this island, and head out to open sea.
Jack Sparrow: Yes to the first, yes to the second, but only insofar as we keep to the shallows as much as possible.
Gibbs: Uh, that seems a bit contradictory, Captain. [p. 54]
Jack Sparrow: I have every faith in your reconciliatory navigational skills, Master Gibbs, now where is that monkey? I want to shoot *something*.
[the monkey screeches, drops Ragetti's eye, Ragetti grabs his eye, spits on it, rubs the spit around on it]
[the monkey chatters and climbs into the rigging]
[Jack is ready to shoot the monkey with his pistol]
Will Turner: Jack.
Jack Sparrow: Ah.
Will Turner: Elizabeth is in danger.
Jack Sparrow: Have you considered keeping a more watchful eye on 'er? Maybe just lock her up somewhere. [p. 55]
Will Turner: She *is* locked up, in a prison, bound to hang for helping *you*!
Jack Sparrow: There comes a time when one must take responsibility for one's mistakes.
[Will pulls a sword from the waistband of a pirate who is turned around, points it at Jack]
Will Turner: I need that Compass of yours, Jack. I must trade it for her freedom.
[Jack pushes Will's sword aside]
Jack Sparrow: Mister Gibbs!
Jack Sparrow: We have a need to travel upriver.
Gibbs: By "need," d'you mean a... trifling need, uh, fleeting, as in say in a passing fancy?
Jack Sparrow: No, a... resolute and unyielding need.
Will Turner: What we need to do is make sail for Port Royal with all haste.
Jack Sparrow: William... I shall trade you the Compass, if you will help me... to find *this*. [shows Will the drawing of the key]
Will Turner: You want me to find this?
Jack Sparrow: No. *You* want you to find this. [music: "The Medallion Calls: Calipers"] Because the finding this finds you incapacitorially finding and/or locating and your discovering the detecting of a way to save your dolly belle ol'... what's-her-face. Savvy? [N9] [V3] [Q13]
Will Turner: [holding the drawing] This... is going to save Elizabeth?
Jack Sparrow: How much do you know about Davy Jones?
Will Turner: [pause] Not much.
Jack Sparrow: Yeah, it's gonna save Elizabeth.
[a crewman swabbing the deck happens to notice a white dress tucked in a corner, pulls it out]
[the crewmen are arguing loudly about the newfound dress]
Bellamy: What's all this? If you both fancy the dress, you'll just have to share, and wear it one after the other. [laughter from crew]
Bursar: It's not like that, Sir. This ship is haunted. [p. 38]
Bellamy: Is it now? 'N' you? [p. 38]
Quartermaster: The... female presence... amongst us, yes... all the men... they can feel it. [p. 38]
The ghost of a lady, widowed before her marriage, I figure it. Searching for her husband, lost at sea. [p. 38]
A virgin, too, likely as not.
And that bodes ill by all accounts.
Bursar: I *say*... that we throw the dress overboard, and we hope the spirit finds it. [p. 39]
Quartermaster: No! That - that will just anger the spirit, Sir. What we need to do is find out what the spirit needs, and then just get it back! [attempts to grab away the dress]
Bellamy: Enough! Enough! You're a pair of superstitious goats and it's got the best of you. Now this appears to be no more as we have a stowaway aboard. A young woman, by the look of it. I want you to search the ship and find 'er. Oh, and uh... she's probably naked. [p. 39]
[the crew enthusiastically rushes off in search of the stowaway]
[music: "Tia Dalma: Pantano"]
[aerial view of the mouth of the Pantano River, two longboats are beginning their way up the river]
[the longboats are in a swampy area with twisted roots]
Will Turner: Why is Jack afraid of the open ocean?
Gibbs: Well, if you believe such things, there's a beast does the bidding of Davy Jones. A fearsome creature with giant tentacles that suction your face clean off. And drag an entire ship past the crushing darkness. The Kraken!
[Marty turns around at mention of the word, Pintel and Ragetti look at each other]
[music: "The Kraken: Slow Bass"]
Gibbs: They say the stench of its breath is like - ooh! Imagine: The last thing you know on God's green earth is the roar of the Kraken, and the reeking odor of a thousand rotting corpses. If you believe such things. [p. 63] [N4]
Will Turner: And the key will spare him that?
Gibbs: Now that's the very question Jack wants answered. Bad enough even to go visit... *Her*.
Will Turner: Her?
[music: "Tia Dalma: Bayou"]
[bayou with fireflies, and an iguana on a tree trunk on the left]
[the iguana eats a firefly with a quick slurping sound]
[people are occasionally seen standing quietly in the darkness among the trees]
Jack Sparrow: No worries, mates. Tia Dalma and I go way back. Thick as thieves. Nigh inseparable we are. Were. Have been. Before. [p. 64]
Gibbs: I'll watch your back.
Jack Sparrow: It's me front I'm worried about.
Gibbs: Mind the boat.
Will Turner: Mind the boat.
Ragetti: Mind the boat.
Pintel: Mind the boat.
Marty: Mind the boat.
Cotton's Parrot: Awk! Mind the boat! [flies off]
[Cotton is left alone in the longboat]
[Jack cautiously enter's Tia's shack, pushing the door open slowly]
[near the inside of the shack door hangs a live snake, moving slowly] [A2]
[Tia is sitting at a table, looks up from her crab claws, sees Jack in the doorway]
Tia Dalma: Jack Sparrow! [Q11]
Jack Sparrow: Tia Dalma!
Tia Dalma: I always know de wind was goin' blow you back to me one day. [p. 65]
[Tia sees Will standing in the doorway, goes up to him]
Tia Dalma: You. You have a touch of... destiny about *you*, William Turner.
Will Turner: You know me?
Tia Dalma: You want to know *me*.
Jack Sparrow: There'll be no knowing here. We've come for help and we're not leaving without it. [S12]
Jack Sparrow: [to Tia] I thought *I* knew you.
Tia Dalma: Not so well as I had hoped. Come.
Jack Sparrow: Come.
Tia Dalma: What... service... may I do you? Hmmm? [caresses Will's chin] You know I demand payment.
Jack Sparrow: I brought payment.
[Jack whistles once, a crewmember brings in the monkey in a cage]
Jack Sparrow: Look!
[Jack cocks his pistol, shoots the monkey, the bullet has no effect, but the monkey chatters in fright]
Jack Sparrow: An undead monkey! Top that!
[Tia lifts the cage door, the monkey scampers off]
Gibbs: No! You've no idea how long it took us to catch that. [I4]
Tia Dalma: The payment is fair.
Jack Sparrow: We're looking for this. [lays the cloth down on the table to show Tia] And what it goes to.
Tia Dalma: The Compass you bartered from me. It cannot lead you to dis? [p. 66]
Jack Sparrow: Maybe. Why?
Tia Dalma: Ayeee... Jack Sparrow does not know what he wants! Or... do know, but are loathe to claim it as your own. Your key go to a chest, and it is what lay inside the chest you seek, don't it? [p. 67]
Gibbs: What *is* inside?
Pintel: Gold! Jewels? Unclaimed properties of a valuable nature? [p. 67]
Ragetti: Nothing... bad, I hope.
[a jar of eyeballs is hanging next to Ragetti's face as he speaks]
Tia Dalma: You know of... Davy Jones, yes? A man of de sea. A great sailor, until he ran afoul of dat which vex all men. [music: "Tia Dalma: Chimes"]
Will Turner: What vexes all men?
Tia Dalma: What, indeed.
Gibbs: The sea?
Ragetti: Dichotomy of good and evil.
Jack Sparrow: A *woman*.
Tia Dalma: A wo-*man*. He fell in love.
Gibbs: No-no-no-no, I heard it was the *sea* he fell in love with.
Tia Dalma: Same story, different versions, and all are true. See, it was a *woman*, as chang-*ing*, and harsh, and untamable as the sea. Him never stopped loving her. But the pain it cause 'im was too much to live wid. But not enough to cause him to die.
Will Turner: What... exactly did he put into the chest?
Tia Dalma: Him heart.
Ragetti: Literally, or figuratively?
Pintel: He couldn't li'erally put his heart in a chest! [turns his head toward Tia] Could he?
Tia Dalma: It was not wort' feeling what... small fleeting joy life brings, and so... him carved out him heart, lock it away in a chest, and hide de chest from de world. De keys, he keep wid him at all times.
Will Turner: [to Jack] You knew this.
Jack Sparrow: I did not. I didn't know where the key was. But now we do. So all that's left is to climb aboard the Flying Dutchman, grab the key, you go back to Port Royal and save your bonnie lass, hey!
Tia Dalma: [to Jack, sternly] Let me see your hand.
[Jack shows his right hand is untouched, but Tia unwraps the bandage on his left hand]
[the black spot on Jack's left hand is revealed]
Gibbs: Uhhh! The black spot!
[Gibbs quickly wipes his hands on his chest, spins around once to the left, and spits]
Ragetti: Black spot!
Pintel: Black spot!
[Pintel and Ragetti copy Gibbs' ritual, in synchrony]
Jack Sparrow: My eyesight's as good as ever, just so you know.
[pushing aside cloth door beads, Tia goes into a back room, and searches for something]
Tia Dalma: [to herself] I am just ### My little ###, where are you? ###
[Jack steals a ring off of one of Tia's tables, beside the ring is a silver locket] [Q8]
[the monkey whines briefly from the porch]
[Tia comes back with an object from the back room]
Tia Dalma: Davy Jones cannot make port. Cannot step on land but once every ten years. Land is where you are safe, Jack Sparrow. And so you will carry land wid you... [p. 70]
[Tia hands Jack a jar of dirt]
Jack Sparrow: Dirt. This is a jar of dirt.
Tia Dalma: Yes?
Jack Sparrow: Is the... jar of dirt going to help?
Tia Dalma: If you don' want it, give it back.
Jack Sparrow: No. [clutches it closer to his chest]
Tia Dalma: Den it helps.
Will Turner: It seems... we have a need to find the Flying Dutchman.
[Tia is sitting, she holds several crab shells between her cupped hands and closes her eyes]
Tia Dalma: A touch... of destiny!
[Tia throws the crab claws down on the table to see how they fall] [U102]
[fade to aerial view of rocky islands whose positions match the positions of the crab claws]
[pan beyond the rocks to the Black Pearl just offshore, in stormy weather]
[the Black Pearl crew look at the scuttled ship on the rocks]
Will Turner: That's the Flying Dutchman? She doesn't look like much.
Jack Sparrow: Neither do you. Do *not* underestimate her.
[Jack gives Gibbs a meaningful glance, elbows Gibbs]
Gibbs: [in a phony voice] Must've run afoul of the reef.
Jack Sparrow: So what's your plan, then?
Will Turner: I row over, search the ship until I find your bloody key. [p. 72]
Jack Sparrow: And if there are crewmen?
Will Turner: I cut down anyone in my path.
Jack Sparrow: I like it. Simple, easy to remember.
Ragetti: Your chariot awaits you, sire! Ha, ha-ha-ha, ha-ha!
Jack Sparrow: Hey! If you *do* happen to get captured, just say Jack Sparrow sent you to settle his debt! Might save your life!
Ragetti: Bon voyage! Ha-ha-ha!
Jack Sparrow: Douse the lamps.
[Marty douses a lamp, then Cotton douses a lamp, then Pintel douses a lamp]
[Will sets off in a rowboat, alone, toward the scuttled ship]
[Will goes aboard the ship, lantern in hand]
[Will passes one dead crewman at deck level, proped up behind net-like rigging]
[Will comes across a wounded sailor, who seems to be in shock]
[the wounded sailor is pulling on a pulley desperately, muttering to himself]
Wounded sailor: ...bring up the...
Will Turner: Sailor!
Wounded sailor: ...the stench...capsized...
Will Turner: Sailor!
Wounded sailor: ...bring a...
Will Turner: There's no use. You've run aground.
Wounded sailor: No! Beneath us! Foul breath!
[behind Will, a crewmember's body falls from a height, splashing into the water]
[the fallen man takes a few swim strokes in the water towards the higher part of the deck]
[Will goes to investigate]
Will Turner: Hey! Hey!
[Will turns the man's body over to see his face]
[the man's face is gone, his face is just a puckered piece of skin, which bulges outward]
[the real Flying Dutchman suddenly rises from the sea, nearby the scuttled ship] [music: "The Kraken: Kashmir"]
[the sea creature-like crew emerge from the surfaces of the Flying Dutchman]
[crewmembers from the Flying Dutchman attack the remaining crew of the scuttled ship]
?Clanker: Down on your marrowbones, and pray. [p. 75] [I5]
[Will engages in a swordfight against several invaders]
[Will dips his sword in oil, causing it to flame, and waves it at the men surrounding him]
Will Turner: Get back! Back!
[Will slices open the stomach of one of the invaders, fish spill out of it onto the deck]
[Will battles the invading crewmembers, but one of them knocks Will unconscious]
[the prisoners of the scuttled ship cower in fear, lined up, sitting in a row on deck along the railing]
[Jack is at the end of the row of five survivors total, on the right-side when facing the survivors]
[Davy Jones stomps aboard with his peg leg, underwater view of his departing feet] [music: "The Kraken: Slow Bass"]
[Maccus is on deck, turned so that his back is shown, showing lobster legs on his back]
Maccus: Five men still alive. The rest have moved on. [p. 77]
[Jones pauses to clench his left hand, which is a large lobster claw]
[Jones casually lights a pipe in front of one of the cowering crewmen]
Davy Jones: Do you fear death? [blows smoke out through one of his tentacles, which blows out his lighter] Do you fear that dark abyss? All your deeds laid bare. All your sins punished. [snorts] I can offer you... an escape-uh.
Chaplain: Don't listen to him! [his hands shake, holding a rosary] [p. 78]
[Jones walks over to the chaplain, takes the chaplain's head in his claw]
Davy Jones: Do you not fear death? [takes a puff on his pipe]
Chaplain: I'll take my chances, Sir.
Davy Jones: [sweetly] To the depths.
[the chaplain's throat is slit, two crewmembers throw his body overboard]
[unidentified crewman] Cold blooded - !
Davy Jones: Life is cruel. [taps his pipe on his claw] Why should the afterlife be any *different*? I offer you a choice. Join my crew, and postpone the judgment. One hundred years before the mast. Will ye serve?
Helmsman: I - I will, serve. [p. 78] [N5]
Davy Jones: Grand. [Jones' crew laughs] [N27]
[Jones looks pleased, then sees Will at the end of the line of people]
[Jones stomps over to Will]
Davy Jones: [to Will] *You* are neither dead nor dying. What is your purpose here?
Will Turner: [quickly] Jack Sparrow sent me to settle his debt.
Davy Jones: [confused] What is your purpose here?
Will Turner: Jack Sparrow. He sent me to settle his debt.
Davy Jones: Huh! Did he, now? I'm sorely tempted to accept that offer. [p. 79]
[through a spyglass, Jack sees Jones turn to look directly at him]
[suddenly Jones is standing aboard the Black Pearl, directly in front of Jack and his spyglass]
[Cotton and Gibbs have knives to their throats from other Flying Dutchman crewmembers who teleported over]
Jack Sparrow: Oh.
Davy Jones: You have a debt to pay. You've been captain of the Black Pearl for thirteen years. *That* was our agreement. [music: "The Kraken: Slow Bass"]
Jack Sparrow: Technically, I was only captain for two years, then I was viciously mutinied upon.
Davy Jones: Then you were a poor captain, but a *captain* nonetheless! Have you not introduced yourself all these years as *Captain* Jack Sparrow? [Jones' crew laughs]
Jack Sparrow: You have my payment. One soul to serve on your ship is already over there.
Davy Jones: One soul is not equal to another.
Jack Sparrow: Aha! So we've established my proposal is sound in principle, now we're just haggling over price. [p. 81]
Davy Jones: Price? Pttt!
Jack Sparrow: Just how many souls do you think my soul is worth?
Davy Jones: One hundred souls, three days-uh.
Jack Sparrow: You're a diamond, mate. Send me back the boy, I'll get started right off. [p. 81]
[Maccus blocks Jack from exiting]
Davy Jones: I keep the boy. A good-faith payment. That leaves you only ninety-nine more to go. Ha ha! Ha ha! Ha ha! [Jones' crew laughs]
Jack Sparrow: Have you not met Will Turner? He's noble, heroic, *terrific* soprano. Worth at least four... maybe three and a half. And did I happen to mention... he's in love. With a girl. [music: "Davy Jones: Locket"] Due to be married. Betrothed. [Jack slowly circles Jones] Dividing him from her and her from him... [music: "Davy Jones: Locket-and-Strings"] would only be half as cruel as actually allowing them be joined in holy matrimony. Aye?
Davy Jones: I keep the boy. Ninety-nine souls-uh. But I wonder, Sparrow, can you live with this? Can you condemn an innocent man - a friend-uh - to a lifetime of servitude, in your name while you roam free?
Jack Sparrow: [thoughtful pause, then cheerfully] Yep! I'm good with it. Shall we seal it in blood? I mean... mm-mm - ink?
[Jones grabs Jack's hand, resulting in a squishy sound]
Jack Sparrow: Uh!
Davy Jones: Three days. [withdraws hand] Three days.
[Pintel whimpers, with a knife held to his neck from a crewmember of Jones' ship]
[Jack looks at his hand, it's covered with slime, but the black spot disappears under the effect of the slime]
Jack Sparrow: Oh, Mr. Gibbs.
Jack Sparrow: Uh, I feel sullied and unusual. [V5]
Gibbs: And how do you intend to harvest these ninety-nine souls in three days?
Jack Sparrow: Fortunately, he was mum as the condition in which these souls need be.
Gibbs: Ah... Tortuga!
Jack Sparrow: Tortuga.
[inside a cabin aboard the Edinburgh Trader, Captain Bellamy is throwing documents down on the table]
Bellamy: It's an outrage. Port tariffs, berthing fees, *wharf* handling, and heaven help us, pilotage. Are we all to work for the East India Trading Company, then? [p. 58]
Quartermaster: I'm afraid, Sir... Tortuga is the only free port left in these waters.
Bellamy: A *pirate* port is what you mean. Well, I'm sorry. An honest sailor is what I am. I make my living fair, and I sleep well each night, thank you.
[a white dress floats by the cabin window, outside]
[they all rush to the window of the cabin and look out]
[they all see the dress float by the cabin window, on its second pass]
[one crewman gasps]
[the men go outside to see the dress that was floating by the window]
[the dress floats like a ghost, its left arm raised as if pointing] [music: "Spirit Dress"]
Bursar: She wants you to... do something. [p. 59]
Bellamy: She's tryna give a sign. [p. 59]
[the dress sweeps over a lantern, knocking it over and part of the deck ignites]
Bellamy: Over there! Look for a sign! [p. 60]
[the crew rush to the railing and look out at the sea]
[Elizabeth, up on the mast overhead, sighs in exasperation]
Quartermaster: Look there! There it is. There's the sign.
?Bursar: That's seaweed. [p. 60]
Quartermaster: S-Seaweed can be a sign.
?Bursar: Looks like entrails. [I3]
Bellamy: That would be a bad sign. [N35]
Elizabeth Swann: What's that over there?
[Elizabeth is now sitting on a platform on the deck behind the men, pointing at the deck where the lantern fell]
[the men at the railing turn around and look where Elizabeth is pointing]
[the fire burning on the desk spells out "TortugA" in fiery letters] [U103]
[men are tied up with ropes alongside a well, camera pans past the well]
[a man is tied up and being dunked in the well, and is spouting water from his mouth]
[crowded tavern, glass bottles are being shot off of people's heads for entertainment]
[a duo of musicians is playing a guitar and accordion] [music: "Two Hornpipes (Tortuga)"] [D1]
Gibbs: And what makes you think you're worthy to crew the Black Pearl?
Elderly man: Truth be told, I never sailed a day in me life. I figure I should get out and see the world while I'm still young.
Gibbs: You'll do. Make your mark. Next!
Jilted man: My wife ran off with my dog. And I'm drunk for a month. And I don't give a ass rat's if I live or die.
Gibbs: Perfect! Next!
One-armed man: Me have one arm, 'n' a bum leg. [p. 83]
Gibbs: It's the crow's nest for you.
[Jack is sitting alongside a wall, within earshot of Gibbs' table, trying to make his Compass work]
Jack Sparrow: I know what I want.
Romantic man: Ever since I was a little lad, I've always wanted to sail the seas. Forever.
Gibbs: Sooner than you think. Sign the roster.
Romantic man: Thanks very much.
Jack Sparrow: How we going?
Gibbs: Including those four? That gives us - four!
[to the next candidate in line]
Gibbs: And what's *your* story?
Norrington: My story... it's exactly the same as your story, just one chapter behind. I chased a man across the Seven Seas. The pursuit cost me my crew, my commission, and my life. [takes a drink from the bottle on the table]
Norrington: No, not anymore, weren't you *listening*?
I nearly had you all, off Tripoli. I would have, if not for the... hurricane.
Gibbs: Lord. You didn't try to sail through it?
Norrington: So do I make your crew, or not? You haven't said where you're going. Somewhere *nice*! [throws the table over, in anger]
[unidentified woman] Oh!
[the music stops, everyone stares at the altercation]
[Jack grabs a branch from a vase, carries it in front of his face, attempts to walk out unseen] [P4]
Norrington: So am I *worthy* to serve under Captain Jack Sparrow?
[Norrington spots Jack sneaking off behind him, points a pistol at Jack]
Norrington: Or should I just kill you now?
[music: "The Medallion Calls: Calipers"]
[Jack ducks back and forth behind both sides of a large post, as Norrington points his pistol at Jack]
Jack Sparrow: You're hired.
Norrington: Sorry. Old habits and all that.
[unidentifed man, to Norrington] Easy, sonny!
[unidentifed man, to Norrington] ?: That's our captain you're threatenin'.
[someone deflects Norrington's pistol upwards as it fires]
[the ball richochets off the chandelier, breaking a man's bottle as he's drinking from it]
[the man whose bottle broke slugs a man next to him]
[the music starts back up as a brawl ensues] [music: "Two Hornpipes (Tortuga)"]
[one man swings from chandelier, women fight, bottles are thrown against the wall, etc.]
Jack Sparrow: Time to go?
[a swordfight is going on]
[someone throws a bottle against the wall above the stairs, Jack ducks as it smashes above his head]
[Jack makes his way upstairs, trading hats a few times along the way]
Jack Sparrow: [to a man sitting on the edge of the balcony] Thanks, mate.
[Jack slaps him on the shoulder, the man falls backwards off the balcony]
[Jack halts to let two men carrying another man proceed towards the edge of the balcony]
Jack Sparrow: Carry on.
[the two men throw the carried man off the balcony, then Jack continues on his way]
[the music stops, Norrington threateningly holds a bottle in his left hand]
Norrington: Come on, men! Who wants some? Form an orderly line, I'll have you all one by one. Come on, who's first?
[from behind, Elizabeth grabs the bottle from Norrington, smashes it over his head, knocking him out]
Elizabeth Swann: I just wanted the pleasure of doing that myself! [p. 86]
[the crowd cheers, and everyone holds up their mugs in a toast]
[men throw Norrington into the mud with some pigs, the crowd leaves except for Elizabeth]
[Elizabeth turns Norrington over, onto his back]
Elizabeth Swann: James Norrington. [sighs] What has the world done to you?
[Mercer observes Elizabeth and Norrington from the doorway of the tavern]
[music: "Lord Cutler Beckett"]
[music: "Davy Jones: Organ Intro"]
[music: "Davy Jones: Organ"]
[Jones plays his pipe organ with his tentacles, steam coming from pipes]
[the crew are on desk, slaving away, pulling rhythmically on a rope]
[music: "Davy Jones: Organ-with-Strings"]
Crew: Heave! Heave! Heave! Heave! Heave! Heave!
Bo'sun: Secure the mast tackle, Mister Turner! Step to it! [N29]
[both Turners independently rush to the mast tackle, unaware that each has the same name]
Will Turner: Step aside!
'Bootstrap' Bill Turner: Regain yourself! [N30]
Will Turner: Back!
'Bootstrap' Bill Turner: Let go, boy!
[Bootstrap sees that the other man at the rope is his son, Bootstrap is stunned]
[Bootstrap lets go of the rope, Will attempts to grab the sliding rope]
[the cannon's rope drags Will across the deck]
[the hoisted cannon crashes to the deck, and the organ music stops]
Bo'sun: Haul that weevil to his feet! [p. 91]
[the crew haul Will to his feet]
Bo'sun: Five lashes to remind you... to stay on 'em! [p. 91]
'Bootstrap' Bill Turner: No!
Bo'sun: Impeding me in my duties. You'll share the punishment.
'Bootstrap' Bill Turner: I'll take it all.
Davy Jones: Will you now? And what would prompt such an act of charity? [music: "A Family Affair"]
'Bootstrap' Bill Turner: My son. He's my son.
Davy Jones: Ha ha ha ha! Ha ha! What fortuitous circumstance be this! Five lashes be owed. I believe it is.
[Jones hands the whip to Bootstrap, Jones' tentacle curls around the shaft of it]
'Bootstrap' Bill Turner: No. No, I won't!
Davy Jones: The cat's out of the bag, Mister Turner. Your issue will feel its sting be it the Bo'sun's hand, or your own. [p. 92] [N12]
'Bootstrap' Bill Turner: No.
Davy Jones: Bo'sun!
'Bootstrap' Bill Turner: No!
[Bootstrap reluctantly takes the whip]
[two crewmen tear Will's shirt off, exposing his bare back]
[Bootstrap whips Will's back five times]
[Will is tossed into a lower part of the deck, partially filled with water]
[Will stands up, wearing an intact white shirt]
Bo'sun: You had it easy, boy! Ha ha ha!
'Bootstrap' Bill Turner: William!
Will Turner: I don't need your help!
'Bootstrap' Bill Turner: The Bo'sun prides himself on cleaving flesh from bone. With every swing.
Will Turner: So I'm to understand what *you* did was an act of compassion?
'Bootstrap' Bill Turner: Yes.
[Bootstrap and Will enter the interior of the ship together]
[crewman Wyvern is seen to their right, encrusted into the interior side of the hull, standing up]
'Bootstrap' Bill Turner: One hundred years before the mast, losing your world, bit by bit. Until you end up - end up like poor Wyvern here. Once you've sworn an oath to the Dutchman, there's no leaving it. Not until your debt is paid. [p. 94] [N17] [N6]
Will Turner: I've sworn no oath.
'Bootstrap' Bill Turner: Then you must get away. [p. 94]
Will Turner: Not until I find this. The key.
[Wyvern's eyes open in the coral-encrusted wall at the mention of the key]
[Wyvern, who is part of the wall, breaks his head away from the wall, leaving his brains behind]
Wyvern: The deadman's chest.
Will Turner: What do you know of this?
Wyvern: Open the chest with the key, and stab the heart.
No-no-no-no. Don't stab the heart. The Dutchman needs a living heart,
or there'll be no captain.
And if there's no captain, there's no one to have the key. [p. 95] [C3]
Will Turner: So the captain has the key.
[Wyvern retracts his head back into the wall, having said too much]
Will Turner: Where *is* the key?
Will Turner: Where is the chest?
[Wyvern closes his eyes, and falls silent]
[the Black Pearl is at a dock, loading fruits and livestock]
[Jack and Gibbs are walking together, Elizabeth approaches from behind, still dressed as a man]
Elizabeth Swann: Captain Sparrow!
Jack Sparrow: Come to join me crew, lad? Welcome aboard.
Elizabeth Swann: I'm here to find the man I love.
Jack Sparrow: I'm deeply flattered, son, but my first and only love is the sea.
[Norrington vomits over the side] [S4]
Elizabeth Swann: Meaning William Turner, Captain Sparrow.
Jack Sparrow: Elizabeth. [aside, to Gibbs] Hide the rum.
[Gibbs takes the bottle that Jack hands to him, and walks up the boarding plank in the background]
Jack Sparrow: You know, these clothes do not flatter you at all. It should be a dress or nothing. I happen to have no dress in my cabin.
Elizabeth Swann: Jack. I know Will came to find you. Where is he?
Jack Sparrow: Darling, I am truly unhappy to have to tell you this but... through an unfortunate and *entirely* unforeseeable series of circumstances that have nothing whatsoever to do with me, poor William has been press-ganged into Davy Jones' crew.
Elizabeth Swann: Davy Jones?
[Norrington vomits over the side, then spits]
Norrington: Oh, please. The captain of the Flying Dutchman.
Jack Sparrow: [to Norrington] You look bloody awful. What are you doing here?
Norrington: You *hired* me. I can't help it if your standards are lax.
Jack Sparrow: You *smell* funny.
Elizabeth Swann: Jack. All I want is to find Will.
Jack Sparrow: Are you certain? Is that what you really want most?
Elizabeth Swann: 'Course.
Jack Sparrow: Because I would think, you'd want to find a way to *save* Will the most.
Elizabeth Swann: And you have a way of doing that?
Jack Sparrow: Well, there is a chest...
Norrington: Oh, dear.
Jack Sparrow: A chest of unknown size and origin.
[Pintel & Ragetti walk by, together carrying a crate of bottles, and overhearing the conversation]
Pintel: What contains the still-beating heart o' Davy Jones.
Ragetti: [mimicking a beating heart by rythymically contracting his fingers] Unh-unh... unh-unh... unh-unh...
Jack Sparrow: And whoever possesses that chest possesses the leverage to command Jones to do whatever it is he or she wants, including... saving brave William from his grim fate.
Norrington: You don't actually believe him, do you?
Elizabeth Swann: How do we find it?
Jack Sparrow: With this. My Compass... is unique.
Norrington: "Unique" here having the meaning of broken.
Jack Sparrow: True enough. This Compass does not point north.
[Norrington vomits over the side]
Elizabeth Swann: Where does it point?
Jack Sparrow: It points to the thing you want most in this world.
Elizabeth Swann: Oh Jack! Are you telling the truth?
Jack Sparrow: Every word, love. And what you want most in this world is to find the chest of Davy Jones, is it not?
Elizabeth Swann: To save Will?
Jack Sparrow: By finding the chest of Davy Jones.
[Jack hands the compass to Elizabeth, then draws away quickly so as not to influence the compass]
[Elizabeth consults the compass, for her the dial clearly points in a specific direction]
[Jack slowly rises up to peer at the face of the compass]
[music: "Jack Sparrow: Celtic"]
Jack Sparrow: Mister Gibbs!
Jack Sparrow: We have our heading.
Gibbs: Finally! Cast off those lines, weigh anchor, and prow that canvas!
Jack Sparrow: Miss Swann.
Pintel: Welcome to the crew, former Commodore! [hands Norrington a goat] Heh-heh-heh-heh-heh-heh-heh-heh...
[the goat neighs]
[Beckett and Mercer are in a room with the governor, whose hands are in shackles] [music: "Lord Cutler Beckett"]
[Mercer is looking through a mounted telescope to outside the window]
Lord Cutler Beckett: There's something to knowing the exact shape of the world and one's place in it, don't you agree?
Governor Weatherby Swann: I assure you, these are not necessary.
Lord Cutler Beckett: I had you brought here because I thought you'd be interested in the whereabouts of your daughter.
Governor Weatherby Swann: You have news of her?
Mercer: Most recently seen on the island of Tortuga, then left, in the company of a known pirate, Jack Sparrow. *And* other fugitives from justice.
Governor Weatherby Swann: Justice. Hardly.
Lord Cutler Beckett: Including the previous owner of this sword... [slaps the sword back into its sheeth] I believe. Our ships are in pursuit. and justice will be dispensed by cannonade and cutlass, [puts sword into its box] and all manner of remorseless pieces of metal. I personally find it distasteful to even contemplate the horror facing all those on board. [Z5] [music: "Lord Cutler Beckett"]
Governor Weatherby Swann: What do you want from me?
Lord Cutler Beckett: Your authority as governor, your influence in London, and your loyalty to the East India Trading Company.
Governor Weatherby Swann: To you, you mean.
Lord Cutler Beckett: Shall I remove these shackles?
Governor Weatherby Swann: Do what you can for my daughter.
Lord Cutler Beckett: So you see, Mercer, every man has a price he will willingly accept. Even for what he hopes never to sell.
[slow motion scene of falling dice]
[three crewman are playing Liar's Dice] [Q10]
[organ music is heard in the background] [music: "Davy Jones: Dice Organ"]
Maccus: I wager... ten years.
Koleniko: I'll match ten years.
'Bootstrap' Bill Turner: Wondering how it's played?
Will Turner: I understand.
([in background] Maccus: Liar!)
Will Turner: It's a game of deception. Your bet includes all the dice, not just your own.
Will Turner: What are they wagering?
'Bootstrap' Bill Turner: Well, the only thing we have: years of service.
Will Turner: So any crewman can be challenged?
'Bootstrap' Bill Turner: Aye. Anyone
Will Turner: [pause] I challenge Davy Jones.
[immediately the organ music ceases, immediately Jones' peg leg is heard thumping in approach]
[with each thump of his footstep, gooseneck barnacles retract]
Davy Jones: I accept ?that-uh.
[Jones sits down at the gambling table]
Davy Jones: The stakes?
Will Turner: My soul. An eternity of servitude.
'Bootstrap' Bill Turner: No!
Davy Jones: Against?
Will Turner: I want this.
[Jack shows Jones the picture of the key]
Davy Jones: How do you know of the key?
Will Turner: That's not part of the game, is it? You can still walk away.
[One of Jones' tentacles pulls out the key from his vest to display it]
[music: "Davy Jones: Locket"]
[the tentacle puts the key back]
[Bootstrap sits down at the table]
Davy Jones: What's this?
'Bootstrap' Bill Turner: I'm in. Matching his wager.
Will Turner: No! Don't do this.
'Bootstrap' Bill Turner: The die is cast. I bid three twos. It's your bid, Captain.
Davy Jones: Four fours.
Will Turner: Four fives.
'Bootstrap' Bill Turner: [looks at his dice] Six threes.
Davy Jones: [looks at his dice] Seven fives-uh.
Will Turner: [looks at his dice] Eight fives.
Davy Jones: Huh huh huh. Welcome to the crew, liar. [crew laughs]
'Bootstrap' Bill Turner: Twelve fives. Twelve fives. Call me a liar. Or up the bid.
Davy Jones: And be called a liar myself for my trouble? Bootstrap Bill, you're a liar and you will spend an eternity on this ship! Master Turner, feel free to go ashore... [snorts] the very next time we make port! [the crew laughs] [p. 103] [N13]
Will Turner: Fool. Why did you do that?
'Bootstrap' Bill Turner: I couldn't let you lose.
Will Turner: It was never about winning, or losing.
'Bootstrap' Bill Turner: The key. You just wanted to know where it was.
[nighttime on deck of the Flying Dutchman]
[Will emerges from a hatch on deck]
[Will sneaks past one one the crew on deck, who is sleeping with a bottle in his hand]
'Bootstrap' Bill Turner: [to Greenbeard] ?: Captain says I'm to relieve you. Captain's orders. [E1]
[Jones is asleep at his organ, snoring]
[Will sneaks into his room, behind him, circles around to the side of Jones] [U1]
[Will grabs a nearby quill pen, uses it to lift one of Jones' tentacles]
[one tentacle accidentally falls on an organ key, almost waking up Jones]
[the falling tentacle also sets off a locket on top of the organ, that plays a song] [music: "Davy Jones: Locket"]
[Will holds one of the staves in his mouth while lifting the tentacles]
[Will finally removes the key, replaces it with his drawing of the key]
'Bootstrap' Bill Turner: Here. Take this, too. [hands Will a knife] Now get yourself at land, and stay there. It was always in my blood to die at sea. But it was not a fate I ever wanted for you.
Will Turner: It's not a fate you had to choose for yourself, either.
'Bootstrap' Bill Turner: Ah. I could say I did what I had to, when I left you to go pirating, but it would taste a lie to say it wasn't what I wanted. You owe me nothing, Will. Not at all.
Will Turner: They'll know you helped me.
'Bootstrap' Bill Turner: Ha ha! What more can they do to me?
Will Turner: I take this with a promise. I'll find a way to sever Jones' hold on you. And not rest until this blade pierces his heart. I will not abandon you. I promise.
[Will sets out alone on a longboat]
[crewmen are scrubbing the deck of the Black Pearl]
Elizabeth Swann: Yes, they're signed, Lord Cutler Beckett of the East India Trading Company.
Jack Sparrow: Agh.
Gibbs: Will was working for Beckett, and never said a word.
Jack Sparrow: Agh.
Gibbs: Beckett wants the Compass. Only one reason for that.
Jack Sparrow: Of course. He wants the chest.
Elizabeth Swann: Yes, he did say something about a chest.
Gibbs: If the company controls the chest, they controls the sea.
Jack Sparrow: A truly discomforting notion, love.
Gibbs: And bad. Bad for every mother's son what calls himself a pirate. I think there's a bit more speed to be coaxed from these sails. Brace the foreyard!
Jack Sparrow: Might I inquire how as to how you came by these? [p. 97]
Elizabeth Swann: Persuasion.
Jack Sparrow: Friendly?
Elizabeth Swann: Decidedly not.
Will strikes a deal for these and upholds it with honor.
Yet you're the one standing here with the prize.
Full pardon, commission as a privateer on behalf of England and the East India Trading Company.
As if I could be bought for such a low price. [p. 97] [N14]
[Jack tucks the Letters into his coat and begins to walk away]
Elizabeth Swann: Jack, the Letters, give them back.
Jack Sparrow: No. Persuade me.
Elizabeth Swann: You do know Will taught me how handle a sword.
Jack Sparrow: As I said... Persuade me.
[Elizabeth walks away frustrated, leans on the ship's railing]
[Jack makes an odd grunting noise]
[Norrington walks up to Elizabeth at the railing]
Norrington: It's a curious thing. There was a time when I would've given anything for you to look like that while thinking about me.
Elizabeth Swann: I don't know what you mean.
Norrington: Oh, I think you do.
Elizabeth Swann: Oh, don't be absurd. I trust him, that's all.
Norrington: [laughs, begins to depart, pauses near the mast] So you never wondered how your *latest* fiancé ended up on the Flying Dutchman in the first place? [p. 98]
Bellamy: Strange thing to come upon a longboat so far out in open waters. [p. 107]
Will Turner: Just put as many leagues behind us as you can. As fast as you can.
Bellamy: And what are we running from?
[Will sees Elizabeth's white wedding dress on a chair in the cabin]
Will Turner: That dress. Where did you get it?
Bellamy: It was found aboard the ship. The crew it thought it was a spirit bringing some omen of ill fate.
Will Turner: That's foolish.
Quartermaster: Oh, yes. Exceedingly foolish. [N38]
Bursar: It brought good fortune! The spirit told us... Put in at Tortuga. And we made a nice bit of profit there.
?Bellamy: Off the books, of course. [p. 107]
Will Turner: I imagine... some of your crew may have jumped ship there. [C9]
Bellamy: Why do you ask?
Messenger sailor: Captain, a ship's been spotted. [p. 108]
Messenger sailor: She isn't flyin' any.
Will Turner: Or worse.
[Jones is on deck, having found the cloth that Will swapped for the key]
[Bootstrap is held at knife point on board the Flying Dutchman]
[one crewman holds a sawfish sword as a restraining weapon in front of Bootstrap] [A5]
Davy Jones: [to Bootstrap] You will watch this.
[crewmen are whipped, in order to turn a large screw that raises the Kraken summoning device]
Davy Jones: Let no joyful voice be heard! Let no man look up at the sky with hope! And let this day be cursed by we who ready to wake... the *Kraken*! [Z23]
'Bootstrap' Bill Turner: No!
[the Kraken calling device thumps heavily against the sea]
[crewmen on board the Edinburgh Trader rush to the railing, chattering, to see the Flying Dutchman]
[Will is on top of the mast]
Will Turner: [to himself] I've doomed us all. [shouting] It's the Flying Dutchman!
[a loud thumping sound resonates throughout the ship]
Bursar: Oh, Mother Cary's chickens. What happened? [p. 108] [C7]
?Quartermaster: Must've hit a reef.
[the crew look overboard, see bubbles rising up alongside the ship]
?Bellamy: Free the rudder! Hard to port, then hard to starboard!
Clear the rudder!
Hard to port!
[a Kraken tentacle silently seizes one crewman while other crewmembers have their backs turned]
[the Kraken tentacle surfaces in the distance, holding the crewman who was just seized, he screams]
*Kraken!* [music: "The Kraken: Kashmir"]
[crewman rings the ship's bell wildly]
[offering the wedding dress to the Kraken tentacles] ?: Here! She's here! Take it!
[music: "The Kraken: Rock"]
[music stops, slow motion scene, a huge tentacle rises high over the ship]
[the tentacle comes down on deck, breaking the ship in two, bouncing men off the deck]
[music: "The Kraken: Tentacle"]
[slow motion scene, men slide off of tilted deck]
[Will is flung underwater, sees the body of the Kraken in the distance underwater]
[Will surfaces, climbs aboard a floating board of ship debris]
[the Flying Dutchman comes near Will, Will slides off his board to swim towards the ship]
[view from the bow of the Flying Dutchman, looking at the floating debris, including a face-down corpse]
[Elizabeth's wedding dress is also debris, and floats on the surface of the sea] [music: "Davy Jones: Locket"]
Maccus: The boy's not here. He must've been claimed by the sea.
Davy Jones: *I* am the sea.
[Jones stomps over to Bootstrap]
Davy Jones: [to Bootstrap] You need time alone with your thoughts.
### What of the survivors?
Davy Jones: There are no survivors.
[the remaining crewmen are simultanenously axed from behind]
[Will witnesses the axing, ducks behind a beam]
[Jones turns around, sensing Will, but sees nothing]
Davy Jones: The chest is no longer safe. Chart a course to Isla Cruces. Get me there first, or there'll be the devil to pay. [p. 110]
Davy Jones: Who sent that thieving charlatan onto my ship? Who told them of the key? Jack Sparrow.
[camera shows Will hitching a ride on the front of the Flying Dutchman, between the jaw formations]
[Elizabeth's wedding dress is shown underwater, sinking into the depths of the sea] [music: "Davy Jones: Locket"]
[Elizabeth is sitting on some steps on deck of the Black Pearl]
[Jack walks over to her, holding a bottle of rum]
Jack Sparrow: My tremendous intuitive sense of the female creature informs me that you are troubled.
Elizabeth Swann: I just thought I'd be married by now. I'm so ready to be married. [S1]
[Jack offers Elizabeth a drink from his bottle]
Jack Sparrow: You know... [clears throat] Lizzy...
I *am*... captain of a ship.
And *being* captain of a ship, I could in fact perform a... marriage.
Right here. Right on this deck. Right... *now*! [N2]
[Elizabeth recoils at Jack's breath on the word "now"]
Elizabeth Swann: No, thank you.
Jack Sparrow: Why not? We *are* very much alike, you and I. I and you. Us.
Elizabeth Swann: Oh. Except for a sense of honor, and decency and-and a moral center. And personal hygiene.
[Jack smells his armpits]
Jack Sparrow: Trifles. You *will* come over to my side, I know it. [music: "Jack Sparrow: Blarney"]
Elizabeth Swann: You seem very certain.
Jack Sparrow: One word love: curiosity. You long for freedom. You long to do what you want to do because you want it. To act on selfish impulse. You want to see what it's like. One day, you won't be able to resist.
Elizabeth Swann: Why doesn't your Compass work? [music stops]
Jack Sparrow: Uh my Compass works fine. [Jack looks down at the cannon between his legs,
the music resumes] [S5]
Elizabeth Swann: Because you and I *are* alike, and there will come a moment when you have a chance to show it. To do the right thing.
Jack Sparrow: I *love* those moments. I like to wave at them as they pass by.
Elizabeth Swann: You'll have the chance to do something... something courageous. And when you do, you'll discover something: that you're a good man.
Jack Sparrow: All evidence to the contrary.
Elizabeth Swann: I have faith in you. Want to know why?
Jack Sparrow: Do tell, dearie.
Elizabeth Swann: Curiosity. You're going to want it. A chance to be admired. And gain the rewards that follow. You won't be able to resist. You're going to want to know... what it tastes like.
Jack Sparrow: I *do* want to know what it tastes like.
Elizabeth Swann: But - seeing as you're a good man I know you will *never* put me in a position that would compromise my honor. [music: "Jack Sparrow: Orchestral Ending"]
[Jack stares in horror as the black spot boils back into view on his hand, Elizabeth doesn't notice]
Elizabeth Swann: I'm proud of you, Jack.
?Gibbs: Land ho!
Jack Sparrow: I want my jar of dirt. [p. 113]
[Pintel and Ragetti are rowing a longboat with key members of the crew inside]
[Jack in the bow, Elizabeth and Norrington are in the back]
Pintel: You're pullin' too fast.
Ragetti: You're pulling too slow. We don't want the Kraken to catch us.
Pintel: I'm savin' me strength for when it comes. And I don't think it's Krack-en, anyways. I always heard it said Kray-kin. [p. 114]
Ragetti: What, with a long A? [p. 114]
Ragetti: No-no-no-no-no-no-no. Krock-en's how it's pronounced in the original Scandinavian, and Krack-en's closer to that. [p. 114]
Pintel: Well we ain't original Scandinavians, are we? Kray-ken!
Ragetti: It's a mythological creature, I can calls it what I wants.
[music: "Jack Sparrow: Blarney-with-Bells"]
[their longboat arrives at the beach, Jack disembarks and begins to walk off]
Jack Sparrow: Guard the boat, mind the tide... Don't touch my dirt.
[Elizabeth is walking in some sand dunes near the beach, using the compass]
Elizabeth Swann: This doesn't work. And it *certainly* doesn't show you what you want most.
[Elizabeth sits down on the sand, and sets the compass down on the sand, the needle points to her]
Jack Sparrow: [looking at the compass] Yes it *does*. You're sitting on it! [S3]
[music: "The Medallion Calls Calipers"]
Elizabeth Swann: Beg your pardon?
Jack Sparrow: Move. [whistles for her to move]
[they start digging under where Elizabeth was sitting]
[Pintel and Ragetti are by the boat, clowning around, Ragetti is balancing a shovel on one hand]
Pintel: "Guard the boat. Mind the tide." [making fun of Jack's orders]
Ragetti: I can join the circus! [N24]
Pintel: Don't mind if I shine your shoes, Sir?
[Jones is watching Pintel and Ragetti on the beach through a spyglass]
Davy Jones: They're here. And I cannot step foot on land again for near of a decade. [p. 116]
Maccus: Then trust us to act in your stead.
Davy Jones: I'll trust you know what awaits should you *fail*! Down, then!
[ugly, nondescript crewmember] Down!
[view from the deck of the Flying Dutchman as it submerges, some underwater footage]
[Pintel and Ragetti are astounded to see the ship submerge in the distance, Ragetti's balanced shovel falls]
[Pintel and Ragetti run off to warn the others]
[Norrington is digging in the sand, Jack sits in a lotus position nearby on a sandy slope]
[while digging, Norrington's shovel hits something hard, they brush off sand to reveal a chest]
[they remove the chest from the sand] [music: "Davy Jones: Locket"]
[the chest contains a pearl necklace, documents, and a smaller chest, among other things]
[Elizabeth opens up a letter with a wax seal, and reads it to herself]
[they all bend near to put their ears to the small chest, and they hear a heartbeat]
Elizabeth Swann: It's real!
Norrington: You actually *were* telling the truth.
Jack Sparrow: I do that quite a lot. Yet people are always surprised.
Will Turner: With good reason!
[Will has unexpectedly appeared on the beach, walking up toward them] [C4]
Elizabeth Swann: Will! You're alright! Thank God! I came to find you!
[Will and Elizabeth kiss]
Jack Sparrow: How did you get here?
Will Turner: Sea turtles, mate. A pair of them, strapped to my feet.
Jack Sparrow: Not so easy, is it?
Will Turner: But I do owe you thanks, Jack.
Jack Sparrow: You do?
Will Turner: After you tricked me onto that ship to square your debt with Jones.
Elizabeth Swann: What?
Jack Sparrow: [in falsetto] What?
Will Turner: I was reunited with my father.
Jack Sparrow: Oh! Well... you're welcome, then.
Elizabeth Swann: [to Jack] Everything you said to me... every word, was a lie!
Jack Sparrow: Pretty much. Time and tide, love.
[p. 120] [Z12]
[Will stoops down with the key to open the chest]
Jack Sparrow: Oi! What're you doing?
Will Turner: I'm gonna kill Jones.
[Jack draws his sword, points it at Will]
Jack Sparrow: Can't let you do that, William. 'Cause if Jones is dead, who's to call his terrible beastie off the hunt, eh? Now. If you please: The key.
[Will backs up slowly, then suddenly draws Elizabeth's sword, points it at Jack]
Will Turner: I keep the promises I make, Jack. I intend to free my father. I hope you're here to see it.
[Norrington draws his sword, points it at Will]
Norrington: I can't let you do that, either. So sorry.
Jack Sparrow: [to Norrington] I knew you'd warm up to me eventually.
[Norrington points his sword at Jack]
Norrington: Lord Beckett desires the contents of that chest. I deliver it, and get my life back.
Jack Sparrow: Ah. The dark side of ambition.
Norrington: Oh, I prefer to see it as the promise of redemption.
[a 3-way duel ensues between Jack, Will, and Norrington]
Elizabeth Swann: Stop it!
[various dueling interjections]
Elizabeth Swann: Jack!
Will Turner: Guard the chest!
[duel halts for a second]
Elizabeth Swann: *No*!
Elizabeth Swann: This is bar-*baric*! This is *no* way for grown men to settle - ! Oh! Fine! Let's just - *pull* out our swords and start *banging* away at each other! *This will solve everything!* I've had it! I've had enough! Wobbly-legged, rum-soaked... *pirates*! [p. 121]
[Elizabeth throws a rock at the duelists, but the rock goes far to the left of them]
Pintel: How'd this go all screwy?
([in background] Elizabeth Swann: Enough!)
Ragetti: Well, each wants the chest for hisself, don't 'e? Mister Norrington, I think he's tryna regain a bit of honor. Old Jack's lookin' to trade it, save his own skin. And Turner there - I figure 'e's tryna... settle some unresolved business 'twixt him and his twice-cursed pirate father. [p. 122]
Pintel: Sad. That chest must be worth more 'n a shiny penny. [p. 122]
Ragetti: Oh! Tsk-tsk-tsk. Terrible temptation.
Pintel: If we was any kind of *decent*, we'd remove temptation from their path.
[Pintel and Ragetti giggle and run off to steal the small chest]
Elizabeth Swann: Will! *Enough!*
[Elizabeth is panting from exasperation and exhaustion]
Elizabeth Swann: Oh! Oh...! The heat!
[Elizabeth pretends to faint, which knocks off her hat]
[Elizabeth watches sideways as the duelists continue fighting, oblivious to her]
[Elizabeth soon sits up, puts on her hat]
[Pintel & Ragetti run by in the distance behind her, with the chest] [music: "Wheel of Fortune: Virginian"]
[Elizabeth sees Pintel & Ragetti, and goes to chase them]
[various duel scenes on the beach] [music: "Wheel of Fortune: Leading"]
[music: "Wheel of Fortune: Shifting"]
[Norrington kicks sand in Will's face]
Norrington: By your leave, Mister Turner.
[Norrington runs off to chase Jack up the hill]
[the crew of Flying Dutchman emerge from the shallows] [music: "The Kraken: Bass"]
[one crewmember holds chain shot as a weapon]
[Jack and Norrington run through bushes on the beach, then up to a dilapidated stone church on the hill] [P2] [P3]
[Norrington chases Jack up steps inside the building, Jack kicks Norrington back down with his foot] [Z1]
[Jack and Norrington have a swordfight on the inside steps]
[Jack grabs hold of the bell rope, which carries him downward, and carries Will upward, who just arrived]
Will Turner: By *your* leave, Mister Norrington.
[the Flying Dutchman crew on shore are at the large chest and look up to the ringing bell in the building on the hill]
[while Norrington and Will are dueling on top of the roof, Jack deftly grabs the dangling key away from Norrington's hand]
[noticing the key gone, Norrington then turns and duels with Jack]
[soon Norrington knocks Jack's sword from Jack's hand, the sword is flung onto the ground below]
Norrington: [to Will] Do excuse me while I kill the man who ruined my life.
Will Turner: Be my guest.
Jack Sparrow: Let us examine that claim for a moment, former Commodore, shall we? Who was it, who at the very moment you had a notorious pirate safely behind bars, saw fit to *free* said pirate, and take your dearly beloved all to hisself, hey? So who's fault is it, *really*, that you've ended up a rum-pot deckhand what takes orders from pirates?
[Jack somersaults off the roof to escape, Norrington turns to Will]
Norrington: Unfortunately, Mister Turner... He's *right*!
[Norrington and Will resume their part of the rooftop duel]
Jack Sparrow: Still rooting for you, mate!
[Jack picks up his sword from the ground, and puts the key around his neck]
[Jack walks through a graveyard, falls into an open grave] [Z7]
Jack Sparrow: Wup!
[Jack stands up in the bottom of the hole]
Jack Sparrow: Oh.
[Norrington backs Will onto the top of the mill's waterwheel]
[the axle of the wheel breaks off with Norrington and Jack dueling on top]
[Jack is facing the other direction, so is unaware of the freed wheel rolling behind him]
[the wheel crashes through a small fence, turns, and rolls directly towards Jack]
[the waterwheel rolls over Jack, and Jack is pulled into the inside of the wheel]
Jack Sparrow: Woah!
[the key that Jack had around his neck falls off into the wheel]
[Jack struggles to grab the key, which is caught and dangling inside the rolling wheel]
[Jack finally grabs the key, but hits his head on a metal bar inside the wheel, and falls off the wheel] [U12]
[Pintel & Ragetti are running off with the small chest, each holding one side, giggling] [music: "Wheel of Fortune: Virginian"]
[Elizabeth steps in front Pintel & Ragetti, confronting them, halts, panting]
[Pintel & Ragetti drop the chest, pull their swords on Elizabeth]
[Elizabeth reaches for her sword, but it's gone] [C6]
Pintel: 'Ello, Poppet. [V8]
[Pintel & Ragetti slowly advance on Elizabeth, she slowly retreats while facing them]
[they all pause for a moment to watch the wheel roll by with the duel on top]
[Jack is running behind the wheel, trying to catch up and get the key that is still inside] [music: "Wheel of Fortune: Leading"]
[Pintel shrugs, Pintel and Ragetti resume advancing on Elizabeth]
[suddenly a thrown axe embeds itself in a coconut palm next to Elizabeth]
[all three turn to see Jones' crew crashing through the bushes toward them]
[swordfight ensues with the Flying Dutchmen crew and Pintel and Ragetti]
[Norrington and Will continue fighting atop the rolling wheel]
[Jack grabs hold of a palm frond on a coconut palm while at the top of the wheel]
[the wheel continues on, Jack hangs from the frond, then drops to the ground]
[Pintel and Ragetti battle the Flying Dutchmen crew by throwing the 2 swords back and forth between them 3]
Elizabeth Swann: Sword!
[a sword is thrown to Elizabeth, just in time]
[a sword is thrown to Pintel, just in time]
[a sword is thrown to Ragetti, just in time]
[Jack sees Hadras running alone through the palms, carrying the small chest]
[Jack picks up a coconut, whirls it a moment, then throws it at Hadras] [music: "Wheel of Fortune: Decapitation"]
[Hadras' (conch shell) head is knocked off by the coconut]
[Hadras' head lies on the ground, attempting to give orders to the rest of his body to find the head]
Hadras: Aya! Uh ?seech! [spitting sound] Aunido! Aunido! Follow my voice! Follow my voice! To the left, uh... No, to the right... Go to the left... [music: "Wheel of Fortune: Aunido"] [F1]
[Hadras' headless body walks into a coconut palm]
Hadras: No... That's a tree.
Jack Sparrow: Oh, shut it.
[Jack unlocks the small chest with the key, square security bolts suddenly protrude when opened]
[the heart is inside, beating] [music: "Wheel of Fortune: Locket"]
[crewmen of the Flying Dutchman approach, Jack tucks the heart into his vest]
[Elizabeth uses two swords together, one in each hand, to stab backwards and kill two attacking crewmen]
[Jack is the first to arrive back at the longboat on the beach] [music: "Wheel of Fortune: Celtic"]
Jack Sparrow: [to himself] Jar of dirt!
[Jack opens his jar of dirt, dumps out some dirt, puts the heart in the jar, scoops handfuls of dirt back into the jar]
[a Flying Dutchman crewmember arrives at the boat, Jack fights him using an oar] [music: "Wheel of Fortune: Juggernaut"]
[the swordfight is carried to the beach as the Black Pearl crew attempts to escape by longboat]
[Norrington arrives at the longboat, while others are fighting he takes the heart from the jar, puts it under his vest]
[the rolling waterwheel reaches the beach, rolls out into the shallows, falls on its side]
[music: "Wheel of Fortune: Fast Blarney"]
[Norrington and Will walk away from it, wobbling from dizziness]
Will Turner: Right!
[Pintel & Ragetti attempt to escape by longboat, but Will blocks their progress] [music: "Wheel of Fortune: Ascent"]
[Pintel & Ragetti reach for their swords, to find their swords gone]
[Pintel & Ragetti grab a fishnet and oar as weapons against Will]
Pintel: Come on, Turner!
[music: "Wheel of Fortune: Juggernaut"]
[Jack fights with Koleniko, using an oar, subdues him]
[Will sees the key in the chest, Jack notices Will looking at the key and chest]
[Jack hits Will on the head with the our, which knocks him out]
Jack Sparrow: [to Elizabeth] Leave him lie! Unless you plan on using him to hit something with.
Elizabeth Swann: We're not getting out of this.
Norrington: Not with the chest. Into the boat. [p. 133]
[Norrington takes the chest]
Elizabeth Swann: You're mad.
Norrington: Don't wait for me.
Jack Sparrow: Uh, I say we respect his final wish.
Pintel: Aye! [p. 133]
[the remaining Black Pearl crew escape by longboat] [music: "Wheel of Fortune: Escape"]
[Hadras is holding his conch shell head under one arm, the head speaks to Norrington]
Hadras: [chuckles evilly] Your bravery is wasted. I shall pry the chest away from your cold... dead... hands. [music: "Wheel of Fortune: Bass"]
[Norrington pauses, looks around]
Norrington: Here you go! [tosses the chest to Hadras]
[Norrington flees, Hadras drops his head onto the ground when catching the chest]
[Hadras' crewmates laugh and walk off with Hadras' body, ignoring Hadras' head]
Hadras: Uh! ?Ando! Aunido! Aunido! [disgustedly] Pirates!
[the face inside Hadras' head turns around, turns into a hermit crab, extends its legs]
[the hermit crab head crawls after its departing body and crew] [music: "Wheel of Fortune: Virginian2"]
Hadras: [muttering] ?: Vengo kowmpenay lachay. Hey! ?Hovaya!
[Will, lying flat on the deck, head over a grate, returns to consciousness aboard the Black Pearl]
Will Turner: What happened to the chest?
Elizabeth Swann: Norrington took it to draw them off.
Pintel: You're pulling too hard!
Ragetti: You're not pulling hard enough!
Gibbs: Where's the Commodore?
Jack Sparrow: He fell behind.
Gibbs: My prayers be with him. Best not wallow in our grief. The bright side is: You're back. And made it off free and clear.
[suddenly the Flying Dutchman surfaces alongside them]
Gibbs: Lord almighty. Deliver us. [N26]
Jack Sparrow: I'll handle this, mate.
[Jack grabs his jar of dirt, and struts across the deck, yelling to Jones across the water between their ships]
Jack Sparrow: Hey! Fishface! Lose something? Hey? ### Oup!
[Jack falls down the stairs of the Pearl]
Jack Sparrow: Got it! [holds up the jar of dirt while lying hidden behind the railing]
[Jack stands up, struts across the deck, holding his jar of dirt]
Jack Sparrow: Come to negotiate, eh, have you, you slimy git? Look what I got. [sing-song] I got a jar of dirt! I got a jar of dirt! And guess what's inside it? [V7]
Davy Jones: Enough!
[the Flying Dutchman's cannon covers slide down, cannons emerge from the holes]
Jack Sparrow: [in a low voice] Hard to starboard.
Elizabeth Swann: *Hard to starboard!*
Will Turner: Brace up the foreyard! [D4]
Gibbs: Hard to starboard!
Davy Jones: Send his beloved Pearl back to the depths!
?Maccus: ?: Fire all!
[a heavy cannonade fires from the Flying Dutchman, blowing large holes in the Black Pearl]
[Pintel and Ragetti look through the gaping hole in the stern, see the Flying Dutchman following them]
Pintel: She's on us! She's on us!
Davy Jones: Let them taste the triple guns.
Ogilvey: Aye, Captain.
[triple-barreled cannon fires, barrel rotates after each blast]
Come on, ###!
Pintel: [pats the side railing] ?: Don't let me down. Show us what you've got.
Elizabeth Swann: She's falling behind!
Gibbs: Aye, and we've got her!
Will Turner: We're the faster?
Gibbs: Against the wind the Dutchman beats us. That's how she takes her prey. But *with* the wind...
Will Turner: We rob her advantage.
Davy Jones: They're out of range! ?Break ?out ### ?run ###
?Maccus: ?We're giving up, Sir?
[music: "The Kraken: Drum Intro"]
[crewmen of the Flying Dutchman are whipped to raise the Kraken calling device] [music: "The Kraken: Bass"]
?Marty: They're giving up! Yay!
Will Turner: [to Will] My father is *on* that ship. If we can outrun her, we can take her. We should turn and fight. [p. 139]
Jack Sparrow: Why fight when you can negotiate? All one needs... is the proper leverage.
[suddenly the Black Pearl is badly jarred]
[Jack's jar of dirt falls to the deck, breaks open, spills all the dirt]
[Jack runs down to the spilled dirt, searches frantically for the heart, which is gone]
Jack Sparrow: Where is it? Where is the thump-thump?
We must've hit the reef! [p. 140]
Will Turner: No. It's not a reef! Get away from the rail!
Elizabeth Swann: What is it?
Will Turner: The Kraken. To arms!
?Gibbs: All guns, defend the masts! [p. 141]
Will Turner: It'll attack the starboard. I've seen it before. ?Break out the cannons and hold for my signal. [p. 142]
[music: "The Kraken: Bass"]
[with a deep rumbling sound, the Kraken's tentacles slowly crawl up the hull]
Will Turner: Easy, boys!
Elizabeth Swann: Will?
[the tentacles rise higher]
Will Turner: Steady! Steady.
Elizabeth Swann: Will?
[the tentacles start feeling around the ship]
Will Turner: Hold. Hold...
Pintel: I think we've held fire long enough.
Elizabeth Swann: *Will?*
Will Turner: *Fire...*!
[the crew fire the cannons, hitting the tentacles and nearly severing some]
[the Kraken sinks into the sea, some tentacles glowing from the blast]
[the crew cheers]
Will Turner: It'll be back. We have to get off the ship.
Elizabeth Swann: There's no boats.
[Will sees the wrecked boats, then sets his eyes on the barrels of gunpowder]
Will Turner: Pull the grates! Get all the gunpowder onto the net in the cargo hold.
[hands Elizabeth a long gun]
Will Turner: Whatever you do, don't miss.
Elizabeth Swann: As soon as you're clear.
[the crew is busy loading barrels of gunpowder from the hold]
We are short stocked on gunpowder. Six ?barrel/?below.
Bring it up!
Gibbs: There's only half a dozen kegs of powder!
Will Turner: Then load the rum!
[Gibbs seems shocked, then turns to see the entire crew halted, staring at him in shocked silence]
Gibbs: [pause] Aye! The rum, too!
[the crew continues loading]
[aerial view approaching Black Pearl, zooming through the rigging to the other side]
[Jack is in a rowboat alone, rowing away from the Black Pearl]
[Jack stops rowing, sees the Kraken with tentacles around Black Pearl in the distance]
[Jack looks back into the direction he's headed, then consults his Compass]
Elizabeth Swann: Step to!
[Elizabeth runs to the railing, sees Jack rowing away]
Elizabeth Swann: [softly, in disgust] Oh you coward!
[another heavy thud hits the ship, crewmen shout]
Marty: Not good.
[the Kraken attacks again]
Will Turner: ?Pull ?away!
Gibbs: Heave! Heave like you're being paid for it!
[Pintel & Ragetti stand to one side of a cannon port as a tentacle pulls one crewmember through sideways]
[Will hangs onto the side of the net of gunpowder barrels, attempting to attract the Kraken's attention]
Will Turner: Euh! Come on! ### I'm over here! Come on!
[Will slashes at tentacles with his sword]
Will Turner: Shoot! Elizabeth, shoot!
[Elizabeth hesitates, waiting for Will to fall free]
[one of the Kraken's tentacles wrap around her leg and drag her backwards, she screams] [music: "The Kraken: Kashmir"]
[Ragetti chops off the end of the tentacle holding Elizabeth]
[Another crewmember picks up the rifle and attempts to shoot, only to be grabbed by the Kraken and flung around]
[the rifle drops onto the deck above Elizabeth]
[Elizabeth tries to pick up the fallen rifle, but someone's foot holds it down] [music: "The Kraken: Quadruplets"]
[she sees that it's Jack's foot, that he has returned to the Pearl]
[Jack picks up the rifle and takes aim at the gunpowder] [music: "Gunpowder"]
[slow motion scene of Jack firing a ball into the gunpowder]
[ball whistles through the air, strikes the gunpowder, which explodes]
[the Kraken releases its hold, burned tentacles withdraw into the ocean, groaning sound]
Marty: Did we kill it?
Gibbs: No. We just made it angry. We're not out of this yet. Captain! Orders!
Jack Sparrow: Abandon ship. Into the longboat.
Gibbs: Jack! The Pearl!
Jack Sparrow: She's only a ship, mate.
Elizabeth Swann: He's right, we have to head for land.
Pintel: 'S a lot o' open wa'er.
Ragetti: That's a lot o' wa'er.
Will Turner: We have to try. We can get away as it takes down the Pearl.
Gibbs: Abandon ship. Abandon ship or abandon hope.
[music: "Hello Beastie"]
[the crew get ready to leave the Pearl, loading supplies and guns]
[Elizabeth approaches Jack]
Elizabeth Swann: Thank you, Jack.
Jack Sparrow: We're not free yet, love.
Elizabeth Swann: You came back. I always knew you were a good man.
[Elizabeth passionately kisses Jack] [G2]
[Will sees the kiss from the longboat, falters]
Gibbs: Prepare to cast off! There's no time to lose! Come on, Will, step to!
[the kiss is inturrupted by the sound of shackles, Elizabeth has chained Jack to the main mast]
Elizabeth Swann: It's after you, not the ship. It's not us. This is the only way, don't you see? I'm not sorry.
[Elizabeth leans in as if to kiss him again.]
Jack Sparrow: [smiles] Pirate. [p. 144] [N3]
[Elizabeth leaves Jack and climbs down into the long boat]
Will Turner: [bitterly] Where's Jack?
Elizabeth Swann: He elected to stay behind to give us a chance.
[the crew look uncertain]
Elizabeth Swann: Go!
[the longboat casts off]
[Jack struggles with his manacles]
Jack Sparrow: Bugger, bugger, bugger, bugger, bugger, bugger...!
[a coconut and cannonball roll by, on the tilted deck]
[Jack spots a fallen lantern, picks it up with the tip of his sword]
[Jack breaks the lantern against the mast, pours oil over his wrists]
[Jack struggles with slipping his hand out] [music: "Hello Beastie: Rising"]
Jack Sparrow: Come on... Come on...
[Jack finally manages to slip his hands out]
[the Kraken rises up behind him]
[Jack halts, turns around, faces the Kraken]
[music and sound stop momentarily]
[the Kraken roars, spraying Jack with slime and flinging his earlier-eaten hat to the deck]
Jack Sparrow: Not so bad.
[Jack spots his old hat lying next to his feet]
Jack Sparrow: [delightedly] Oh!
[Jack picks up his hat, puts it on, wipes slime from his face]
Jack Sparrow: Hello, beastie. [music: "Hello Beastie: Sacrifice"]
[slow motion scene of Jack boldy charging toward the Kraken's mouth, sword drawn]
[through a spyglass, Jones is watching the Kraken pull the Black Pearl underwater]
Davy Jones: Jack Sparrow. Our debt is settled. [p. 145] [N10]
?Palifico: Captain goes down with his ship.
Maccus: Turns out not even Jack Sparrow can best the devil.
Davy Jones: Open the chest. Open the chest, I need to see it!
[the chest is opened, side view as Jones looks in, his face quivers]
[downwards view, showing that the chest is empty, Jones tilts his head back and shouts to the sky]
Davy Jones: Damn you, Jack Spar-*row*!
[D3] [music: "Lord Cutler Beckett"]
Mercer: The last of our ships has returned.
Lord Cutler Beckett: Is there any news on the chest?
Mercer: None. But... one of the ships did pick up a man adrift at sea. He had these.
[Mercer drops the Letters of Marque on Beckett's desk]
[Beckett opens the letter to look at it before looking up at Norrington, who has been standing in the office] [U9]
Norrington: I took the liberty of filling in my name.
[from his desk, Beckett beckons Norrington with two fingers]
Lord Cutler Beckett: If you intend to claim these, then you must have something to trade. D'you have the Compass?
Norrington: [shakes his head] Better. [Norrington tosses a bag onto Beckett's desk, a heartbeat is heard] The heart of Davy Jones. [U5]
[the remaining crew paddles through the waters to Tia Dalma's shack]
[many natives stand in the waters surrounding the shack, holding candles, mourning Jack Sparrow]
[music: "Bayou Mourners"]
[inside the shack, Will absent-mindedly keeps throwing his father's knife into the table top]
[Tia carries a tray of drinks around to all of them, offers the mugs to Elizabeth]
Tia Dalma: Against de cold... and de sorrow.
[Elizabeth takes a mug but doesn't drink] [Z11]
Tia Dalma: It's a shame. I know you're t'inking that wid the Pearl, you coulda captured the devil and set free your fadder's soul.
Will Turner: Doesn't matter now. The Pearl's gone. Along with its captain.
[Gibbs is standing in the doorway on the side of the shack]
Gibbs: Aye. And already the world seems a bit less bright. He fooled us all right to the end. But I guess that honest streak finally won out. To Jack Sparrow!
Ragetti: Never another like Captain Jack.
Pintel: He was a gentleman of fortune, he was.
Elizabeth Swann: He was a good man.
[they all take a drink out of their mugs, except Elizabeth]
Will Turner: If there was anything could be done to bring him back... [stands up] Elizabeth...
Tia Dalma: Would you do it? Hmmm? [to Elizabeth] What... would you? Hmmm? What would *any* of you be willing to do? Hmmm? Would you sail to the ends of the eart', and beyond, to fetch back witty Jack and 'im precious Pearl? [N8]
Cotton's Parrot: Awk! Aye.
Elizabeth Swann: Yes.
Will Turner: [whispered] Aye.
Tia Dalma: Alright. But if you're goin' brave de weird, and haunted shores, at world's end, den... you will need a captain who knows dose waters. [music: "Hello Beastie: Barbossa"]
[a man wearing boots descends the stairs into the room]
Barbossa: So tell me, what's become of my ship? [Q4]
[Barbossa bites into a green apple, juice dribbles down his chin]
[Jack the monkey on Barbossa's left shoulder tilts its head, faces the camera and snarls]
[music: "He's A Pirate"]
DIRECTED BY GORE VERBINSKI
TED ELLIOTT & TERRY ROSSIO
BASED ON CHARACTERS CREATED BY
TED ELLIOTT & TERRY ROSSIO
PIRATES OF THE CARIBBEAN
PRODUCED BY JERRY BRUCKHEIMER
DIRECTOR OF PHOTOGRAPHY
DARIUSZ WOLSKI, ASC
PRODUCTION DESIGNED BY
STEPHEN RIVKIN, A.S.E.
VISUAL EFFECTS SUPERVISOR
DENISE CHAMIAN, CSA
UK CASTING BY
PRISCILLA JOHN, CDG
PIRATES of the CARIBBEAN
DEAD MAN'S CHEST
KEVIN R. MCNALLY
AND JONATHAN PRYCE
WALT DISNEY PICTURES
IN ASSOCIATION WITH
JERRY BRUCKHEIMER FILMS
[music: "Wheel of Fortune: Waterwheel"]
[music: "Wheel of Fortune: Ascent"]
[music: "Wheel of Fortune: Juggernaut"]
[music: "Wheel of Fortune: Waterwheel"]
[music: "Jack Sparrow: Celtic"]
UNIT PRODUCTION MANAGER
UNIT PRODUCTION MANAGER
DOUGLAS C. MERRIFIELD
FIRST ASSISTANT DIRECTOR
FIRST ASSISTANT DIRECTOR
DAVID H. VENGHAUS, JR.
SECOND ASSISTANT DIRECTOR
DAVID H. VENGHAUS, JR.
SECOND ASSISTANT DIRECTOR
ILM ANIMATION SUPERVISOR
ILM VISUAL EFFECTS PRODUCERS
JACK SPARROW - JOHNNY DEPP
WILL TURNER - ORLANDO BLOOM
ELIZABETH SWANN - KEIRA KNIGHTLEY
NORRINGTON - JACK DAVENPORT
DAVY JONES - BILL NIGHY
GOVERNOR WEATHERBY SWANN - JONATHAN PRYCE
PINTEL - LEE ARENBERG
RAGETTI - MACKENZIE CROOK
GIBBS - KEVIN R. MCNALLY
COTTON - DAVID BAILIE
BOOTSTRAP BILL - STELLAN SKARSGÅRD
CUTLER BECKETT - TOM HOLLANDER
TIA DALMA - NAOMIE HARRIS
MARTY - MARTIN KLEBBA
MERCER - DAVID SCHOFIELD
CAPTAIN BELLAMY - ALEX NORTON
SCARLETT - LAUREN MAHER
SHORT SAILOR - NEJ ADAMSON
LARGE SAILOR - JIMMY ROUSSOUNIS
SUNBURNED SAILOR - MORAY TREADWELL
LEECH - SAN SHELLA
FISHERMAN (MONTAGE) - JIM CODY WILLIAMS
CANNIBAL WARRIOR - MICHAEL MIRANDA
FRIGHTENED SAILOR - LUKE DE WOOLFSON
VERY OLD MAN - DERRICK O'CONNOR
SKINNY MAN - GEORGES TRILLAT
CRIPPLED MAN - ISRAEL ADURAMO
IRISH MAN - GERRY O'BRIEN
MACCUS/DUTCHMAN - DERMOT KEANEY
KOLENIKO/DUTCHMAN - CLIVE ASHBORN
SHRIMPER (MONTAGE) - ROBBIE GEE
CANNIBAL BOY - NEIL PANLASIGUI
SAILOR/EDINBURGH - MATTHEW BOWYER
BURSER/EDINBURGH - MAX BAKER
QUARTERMASTER/EDINBURGH - STEVE SPEIRS
WYVERN - JOHN BOSWALL
PALAFICO/DUTCHMAN - WINSTON ELLIS
JIMMY LEGS/DUTCHMAN - CHRISTOPHER ADAMSON
CLACKER/DUTCHMAN - ANDY BECKWITH
OGILVEY/DUTCHMAN - JONATHAN LINSLEY
SHRIMPER'S BROTHER - SYLVER
CHAPLAIN - SIMON MEACOCK
CANNIBAL WOMEN - NATSUKO OHAMA - JOSIE DAPAR
GISELLE - VANESSA BRANCH
EDINBURGH COOK - DAVID STERNE
SCUTTLED SHIP HELMSMAN - DAVID KEYES
CANNIBAL - ANTHONY PATRICIO
CARRUTHERS GUARD - BARRY MCEVOY
DECKHAND/EDINBURGH - MICHAEL ENRIGHT
SWEEPY - HERNANDO "SWEEPY" MOLINA
TURKISH PRISONERS - JOHN MACKEY - SPIDER MADISON - BUD MATHIS
TURKISH GUARDS - MARCO KHAN - DAVID ZAHEDIAN - FAOUZI BRAHIMI
TORCH NATIVE - JONATHAN LIMBO
NATIVE BRIDGE GUARD - ALEX CONG
HO-KWAN - HO-KWAN TSE
HEADLESS - REGGIE LEE
LEJON - LEJON O. STEWART
PARROT VOICE - CHRISTOPHER S. CAPP
STUNT COORDINATOR - GEORGE MARSHALL RUGE
ASSISTANT STUNT COORDINATOR - DANIEL W. BARRINGER
"JACK SPARROW" STUNT DOUBLE - TONY ANGELOTTI
"WILL TURNER" STUNT DOUBLES - ZACH HUDSON - MARK AARON WAGNER
"ELIZABETH SWANN" STUNT DOUBLE - LISA HOYLE
"NORRINGTON" STUNT DOUBLE/SWORD MASTER - THOMAS DUPONT
LEAD UTILITY STUNT DOUBLE - KIRK MAXWELL
JIM STEPHAN - RICHARD L. BLACKWELL - HUGH AODH O'BRIEN - WEBSTER WHINERY
J. MARK DONALDSON - JACK WEST - MARC SHAFFER - TRAMPAS THOMPSON
TOM MORGA - JEFF WOLFE - THEO KYPRI - CRAIG SILVA
KOFI ELAM - PAUL ELIOPOULOS - KURT LOTT - JAY CAPUTO
MARK NORBY - ROB MARS - JAYSON DUMENIGO - YOSHIO IIZUKA
DAVID WALD - CLAY FONTENOT - NORBERT PHILLIPS - ANTHONY KRAMME
THOMAS ROSALES, JR. - DEREK MEARS - MARK DEALESSANDRO - MICKEY GIACOMAZZI
PHILIP TAN - JIM PALMER - BRIAN J. WILLIAMS - VICTOR QUINTERO
KIANTE ELAM - PHIL CULOTTA - RUSSELL TOWERY - GENE HARTLINE
J.P. ROMANO - GREG ELAM - JOEY ANAYA - KEITH CAMPBELL
JON VALERA - JOHN ROBOTHAM - KOFI YIADOM - SONJA JO MCDANCER
STACY HOWELL - KORI MURRAY - CARYN MOWER - NOBY ARDEN
ANDREW STEHLIN - AUGIE DAVIS - SALA BAKER - ROBERT ALONZO
ROEL FAILMA - AARON TONEY - XUYEN VALDIVIA - JOHN DONHUE
JOSEPH SOSTHAND - DEAN GRIMES - GARY STEARNS - ANDY DYLAN
DENNEY PIERCE - ALEX CHANSKY - BRIAN BENNETT - STEPHEN POPE
HENRY KINGI, JR. - JEREMY FRY - DON LEE - CHRISTOPHER LEPS
CASEY O'NEILL - BRYCEN COUNTS - SAM HARGRAVE - LINCOLN SIMONDS
DANE FARWELL - BRIAN DUFFY
MOISES - FELIX CASTRO
KURSAR - MIKE HABERECHT
MATELOT - RUDOLPH MCCOLLUM
TEARLATCH - GERARD REYES
DUNCAN - M. SCOTT SHIELDS
LADBROC - CHRIS "SULLY" SULLIVAN
CRIMP - CRAIG THOMSON
QUARTETTO - FRED TOFT
CREATURE CONCEPTS BY
JAMES WARD BYRKIT
ASSOCIATE COSTUME DESIGNER - JOHN NORSTER
PRODUCTION SUPERVISOR - THOMAS C. HAYSLIP
PRODUCTION CONTROLLER - JULIE JONES
PRODUCTION COORDINATORS - ZOILA GOMEZ - ROBERT MAZARAKI
ASSISTANT PRODUCTION COORDINATORS - ANNIE SCHULTZ - CARRIE B. JONES
TRAVEL COORDINATOR - VICKIE M. HSIEH
SECOND SECOND ASSISTANT DIRECTORS - JEFFREY SCHWARTZ - STEVEN F. BEAUPRE
SCRIPT SUPERVISOR - SHARRON REYNOLDS-ENRIQUEZ
SUPERVISING ART DIRECTOR - JOHN DEXTER
ART DIRECTORS - WILLIAM LADD SKINNER - BRUCE CRONE - WILLIAM HAWKINS
ASSISTANT ART DIRECTORS - NICK NAVARRO - DOMENIC SILVESTRI - ROBERT WOODRUFF - ERIC SUNDAHL - DARRELL L. WIGHT - GARY DIAMOND
SET DECORATOR - CHERYL A. CARASIK
CONSTRUCTION COORDINATOR - GREG CALLAS
SET DESIGNERS - MARK HITCHLER - CLINT WALLACE - MAYA SHIMOGUCHI - WILLIAM TALIAFERRO - LAUREN POLIZZI - LUIS G. HOYOS - A. TODD HOLLAND - ROBERT FECHTMAN - RICHARD REYNOLDS
PROPS SET DESIGNER - BILLY HUNTER
CONCEPTUAL ARTISTS - DAREK GOGOL - MATT CODD - TIM FLATTERY
ILLUSTRATORS - MAURO BORRELLI - JAMES CARSON - NATHAN SCHROEDER - WIL MADOC REES - WARREN MANSER
MODEL MAKERS/SCULPTORS - NAAMAN MARSHALL - DANIEL R. ENGLE
MODEL MAKER - JASON MAHAKIAN
GRAPHIC DESIGNER - DIANNE CHADWICK
ART DEPARTMENT ADMINISTRATOR - CARLA S. NEMEC
RESEARCHER - MAX DALY
2ND ART DEPARTMENT ADMINISTRATORS - SHARI KARSTENSEN-RATLIFF - KYRA L. KOWASIC
PRODUCTION ACCOUNTANT - JEFF DASH
FIRST ASSISTANT ACCOUNTANTS - JOHN SEMEDIK - DAVID ATKINSON
CONSTRUCTION ACCOUNTANT - LISA M. KITTREDGE
SPFX ACCOUNTANT - LESLIE COOGAN
POST PRODUCTION ACCOUNTANT - TANYA NIENHOUSE
SECOND ASSISTANT ACCOUNTANTS - KATHY DONNO - ERNST W. LAUREL - ANNA BELARO - JENNIFER LOBAN - LISA IMHOFF - MATT DEMIER - DAX A. CUESTA - STEPHANIE SHELLEY
PAYROLL ACCOUNTANT - DEBI WEST
SAG PAYROLL ACCOUNTANT - MICHAEL GOLDBERG
ASSISTANT PAYROLL ACCOUNTANTS - DEBRA BURGESS - CHRIS SAMPLE
EXECUTIVE IN CHARGE OF PRODUCTION FOR JBF - KRISTIEANNE REED
POST PRODUCTION SUPERVISOR - TAMI R. GOLDMAN
POST PRODUCTION COORDINATORS - YVETTE GONZALEZ - HEIDI PSYK
VFX EDITOR - CHRISTOPHER S. CAPP
FIRST ASSISTANT AVID EDITOR - SIMON MORGAN
ADDITIONAL FILM EDITOR - LANCER PEREiRA
ASSISTANT EDITORS - KINDRA MARRA - ALAN Z. MCCURDY
APPRENTICE EDITOR - DYLAN M. QUIRT
POST PRODUCTION ASSISTANTS - KNAR KITABJIAN - TRANEL BLAND
LOCATION MANAGER (U.S.) - LAURA SODE-MATTESON
LOCATION MANAGER - VAL KIM
ASSISTANT LOCATION MANAGER - LINDA KAI
CAMERA OPERATORS - MARTIN SCHAER - JOSH BLEIBTREU
CAMERA OPERATOR/STEADICAM - DAVID LUCKENBACH
FIRST ASSISTANT CAMERA - TREVOR LOOMIS - JOHN ELLINGWOOD - NINO NEUBOECK - DONNY STEINBERG
SECOND ASSISTANT CAMERA - CHRISTOPHER J. GARCIA - RODNEY SANDOVAL - JAMES GOLDMAN - STEVEN CUEVA - JAY C. HAGER
FILM LOADER - GREG KURTZ
CAMERA DEPARTMENT ASSISTANTS - RYAN RAKEL - JOSEPH SUTERA
AERIAL COORDINATOR - DAVID PARIS
AERIAL UNIT DIRECTOR OF PHOTOGRAPHY - DAVID B. NOWELL, ASC
AERIAL FIRST ASSISTANT CAMERA - ANDREW SYCH
UNDERWATER DIRECTOR OF PHOTOGRAPHY - PETER ZUCCARINI
UNDERWATER FIRST ASSISTANT CAMERA - PETER MANNO - ANDREW FISHER - SEAN GILBERT
UNDERWATER SECOND ASSISTANT CAMERA - ROBERT SETTLEMIRE
LIBRA HEAD TECHNICIAN - JOHN BONNIN
CAMERA TECHNICIAN - DARYL HAMBLETON
COSTUME SUPERVISOR (LOCATION) - KENNY CROUCH
COSTUME SUPERVISOR (LA) - JESSICA PAZDERNIK
COSTUME COORDINATOR (LOCATION) - LUCY BOWRING
COSTUME COORDINATOR (LA) - RENEE LEVY HAZELTON
SCOTT R. HANKINS - MARK F. HOLMES - STACY M. HORN - MARINA MARIT
CIARA MCARDLE - SUZY ROBERTSON - JAVIER ARRIETA - BRYAN BIRGE
TESS INMAN - JIMMY JAY - MATT JEROME - NOEL D. LEONARD
PHILIP MATTHEWS - ADAM ROACH - NIKI SPINA
CHIEF BUYER (UK) - ROS WARD
ASSISTANT BUYER (UK) - GEORGINA WOODS
BUYER (LA) - ROSALINDA MEDINA
CHIEF CUTTERS - CELEST CLEVELAND - LUCY DENNY - DOMINIC YOUNG
TAILORS - LEO ARELLANES - WILLIAM B. RODDEN
ELAINE MANSOURI - BARBARA OHREN - GLORIA BERRA
GLORIA CASTRO - HASMIG KARAGIOSIAN - SEDA TUFENKJIAN
COSTUME PROPMAKER - DAVID BETHELL
COSTUME LEATHER MAKER - KELVIN FEENEY
WORKROOM COORDINATOR - JULIE MURNAGHAN
HEAD AGERS/DYERS - CLARE CARTER - STEVEN A. GELL - GILDARDO TOBON
ADA AKAJI - CHANDRA M. MOORE - TYRA YOULAND - TONI KEHAULANI REED
JASON RAINEY - MARIA J. SMITH-BYRD - SARAH MOORE - CHARLOTTE HOBBS
MILLINERS - JOSEPH COLLINS - BETHAN LAND - ROBYN SIMMS - JILL TOMOMATSU
COSTUME CONSTRUCTION - RICHARD DEATH
ASSISTANTS TO THE COSTUME DESIGNERS - SOPHIA SPINK - GORDANA GOLUBOVIC - JORDANA FINEBERG
MAKE-UP EFFECTS CREATED BY
CREATIVE MAKE-UP CONCEPTS
MAKE-UP EFFECTS SUPERVISOR - JOEL HARLOW
SCULPTORS/PAINTERS - SCOTT STODDARD - RICHARD REDLEFSEN
SILICONE PROSTHETIC SUPERVISOR - STEVE BUSCANO
MOLD SHOP SUPERVISOR - GIL LIBERTO
MOLD MAKER - A.J. BEUNOT
FOAM LATEX SUPERVISOR - MARK VINIELLO
MECHANICAL SUPERVISOR - RUSSELL SHINKLE
HEAD LAB TECHNICIAN - FRANK IPPOLITO
LAB TECHNICIANS - MIKE ROSS - CHRIS GARNASS - PETE KELLEY - ELIZABETH SILVERMAN - BETHANY GRUENEN FELDER - BRIANA DORNER - KERI KILGO - LAURA HILL
DENTAL PROSTHETICS - RICHARD SNELL
FACIAL HAIR PIECES CREATED BY - JOHN BLAKE
TATTOOS DESIGNED BY - KEN DIAZ
MAKE-UP DEPARTMENT HEAD - VE NEILL
KEY MAKE-UP ARTIST - JOEL HARLOW
ADDITIONAL MAKE-UP SUPERVISOR - KEN DIAZ
RICHARD SNELL - JOHN BLAKE - JANE GALLI - RICHARD REDLEFSEN
ADDITIONAL MAKE-UP ARTISTS
LESLIE DEVLIN - ROBIN BEAUCHESNE - ANNE MARIE HURLEY - BRIAN PENIKAS
JOHN DAVID SNYDER - NIKOLETTA SKARLATOS - GARRETT IMMEL - HEATHER PLOTT
HEATHER KOONTZ - KRISTAN RYALS - LESA NEILSON - MARTHA CALLENDER
ELIZABETH HOEL - DEAN JONES - CORINNA LIEBEL - ROBERT D. MAVERICK
KEN NIEDERBAUMER - STEPHEN PROUTY - KELCEY FRY - JAMES ROHLAND
JAY WEJEBE - ALEX PROCTOR
MAKE-UP PROVIDED BY M.A.C.
SPECIAL EFFECT CONTACT LENSES BY - PROFESSIONAL VISIONCARE ASSOCIATES
CONTACT LENS COORDINATOR - CRISTINA P. CERET
CONTACT LENS PAINTER & TECHNICIAN - TYSON FOUNTAINE
CONTACT LENS TECHNICIAN - LAURA HILL
DENTAL SPECIAL EFFECTS FOR JOHNNY DEPP - DR. RICK GLASSMAN, DDS
MAKE-UP PRODUCTION ASSISTANT - JED DORNOFF
CHIEF HAIRSTYLIST - MARTIN SAMUEL
KEY HAIRSTYLIST - LUCIA MACE
BACKGROUND SUPERVISOR - GLORIA P. CASNY
KIMI MESSINA - COLLEEN LABAFF - NATASHA ALLEGRO - HAZEL CATMULL
BARBARA CANTU - CATHERINE CHILDERS - TAMMY KUSIAN - ANN MARIE LUDDY
NORMA LEE - RANDA SQUILLACOTE - ANTHONY WILSON - CAMMY LANGER
RENEE DIPINTO - AUDREY L. ANZURES - MICHAEL MOORE - LYNDA K. WALKER
DIANNE PEPPER - FRANCINE SHERMAINE - CYNTHIA ROMO - MARIA VALDIVIA
JULIA L. WALKER - MIIA KOVERO - PATRINA O'CONNOR - KARL WESSON
LISA MARIE ROSENBERG ALPERT
HAIR DEPT. PRODUCTION ASSISANT - MARY SAMUEL
UNIT PUBLICIST - MICHAEL SINGER
STILL PHOTOGRAPHER - PETER MOUNTAIN
PRODUCTION RESOURCES - DAVID LEENER
RESEARCH - VANESSA BENDETTI
SOUND MIXER - LEE ORLOFF, C.A.S
BOOM OPERATORS - KNOX GRAHAM WHITE - JEFFREY HUMPHREYS
CABLEMAN - MIKE ANDERSON
SOUND TECHNICIAN FOR MR. DEPP - KEENAN WYATT
CHIEF LIGHTING TECHNICIAN - RAFAEL SANCHEZ
BEST BOY ELECTRIC - JAREK GORCZYCKI
SCOTT SPRAGUE - ALEXANDER J. CASTILLO - JERRY EUBANKS
PATRICK R. HOESCHEN - LEE AUERBACH - CHRIS WEIGAND
CHRISTOPHER ELLIOTT - HARRISON M. PALMER - DAVID ELLIS
DIMMER BOARD OPERATOR - JEFFREY M. HALL
RIGGING CHIEF LIGHTING TECHNICIAN - RODGER MEILINK
RIGGING BEST BOY ELECTRIC - MORTEN "MORTY" PETERSEN
SEAN M. HIGGENS - KEVIN "BK" BARRERA - ERIC SANDLIN
ISMAEL "IZZY" GONZALEZ - KEVIN BLAUVELT - MICHAEL WALSH
CARSON MARINE - DANA M. ARNOLD - MARC MARINO
HENRY EDGAR OBRAINT III - RICK CRANK
?: RIGGING SET GRIP - JERRY SANDOVER
BEST BOY RIGGING GRIP - CHARLES "CHIP" HART
RIGGING GRIPS - MICHAEL E. PACHECO - CLAYTON FOWLER - M.K. HINIKER - DAVID GONZALEZ - ALAN DOWNS
TECHNOCRANE OPERATORS - KENNY RIVENBARK - CRAIG STRIANO - BRIAN MCPHERSON - STEVE OLSEN
SPECIAL EFFECTS COORDINATORS - ALLEN HALL - MICHAEL LANTIERI
ON-SET FOREMAN - ANDREW WEDER
SHOP SUPERVISORS - THOMAS PAHK - JAMES REEDY
SHOP FOREMAN - JIM ROBERTS
RIGGING FOREMAN - DONALD R. ELLIOTT
GIMBAL FOREMAN - MARK HAWKER
ON-SET FOREMAN - BOB WILLIAMS - CORY FAUCHER - SCOTT FISHER
PURCHASER - RYAN FAUST
JEFF OGG - JEFF KHACHADOORIAN - ANTE DUGANDZIC - DOUG PASSARELLI
LAWRENCE DECKER - JEFF ELLIOTT - JOSEPH LIVOLSI - TOM SEYMOUR
FRANKIE LUDICA JR. - JAY B. KING - LOUIE LANTIERI
DANIEL OSSELLO - BOB SLATER - JIM ROLLINS - LEO L. SOLIS
TRACY REEDY - HARRY KING HURST II - LARRY ZELENAY
GIMBAL UNIT TECHNICIANS - THOMAS PELTON II - CRAIG "TEX" BARNETT - MARK KOIVU - JORDON SNOWHOOK
RIGGING SHOP TECHNICIANS
ROBERT ALIDON - RUBEN GARCIA - JOE LOVE - JOEL MITCHELL
RAYMOND HOFFMAN - MATTHEW J. MCDONNELL - CHRIS BAILEY - PAUL DAMIEN
PETER DAMIEN - PHILIP DIGLIO - DARRYLL B. DODSON - SHAUN GLENDENNING
JACK JENNINGS - BRIAN BARNHART - ROY GOODE - JEFF MILLER
STEVE MOORE - RICHARD PERRY - CARLOS M. RODRIGUEZ - JAMIE REEDY
CRAIG REEDY - STEVEN SCOTT WHEATLEY
CHAD VAN BAALBERGEN - JOEL P. BLANCHARD - ROBERT CABAN
CHRIS CLINE - MICHAEL E. DOYLE - KEVIN HARRIS
SPECIAL EFFECTS OFFICE COORDINATOR - JASON COLUMBUS
SPECIAL EFFECTS PRODUCTION ASSISTANT - JULIE HOOKER BAKER
SPECIAL EFFECTS CRAFT SERVICE - MICHAEL DEKEN - AGUSTIN TORAL
SUPERVISING SOUND EDITOR/DESIGNER
SUPERVISING SOUND EDITOR
GEORGE WATTERS II
[music: "The Kraken: Tentacle"]
SOUND EFFECTS EDITORS - KEN FISCHER - ADDISON TEAGUE - SHANNON MILLS - TIM NIELSEN - RRENT BURGE - MELANIE GRAHAM
SUPERVISING DIALOGUE EDITOR - TERI E. DORMAN
DIALOGUE EDITORS - DAVID ARNOLD - GLORIA D'ALESSANDRO - ULRIKA AKANDER
SUPERVISING ADR EDITOR - JESSICA GALLAVAN
ADR EDITORS - LISA J. LEVINE - JULIE FEINER - HOWELL GIBBENS - MICHELLE PAZER ASSISTANT SOUND DESIGNER - DEE SELBY
SUPERVISING FOLEY EDITOR - VICTORIA MARTIN
FOLEY EDITORS - MATTHEW HARRISON - JAMES LIKOWSKI - F. HUDSON MILLER, MPSE
ASSISTANT SOUND EDITORS - DOUGLAS PARKER - MELISSA LYTLE
FOLEY BY - DAN O'CONNELL - JOHN CUCCI
FOLEY MIXERS - JAMES ASHWILL - RICHARD DUARTE
ADR MIXER - DOC KANE
ADR RECORDIST - JEANNETTE BROWNING
ADR VOICE CASTING - BARBARA HARRIS
ADDITIONAL SOUND MIXER - JIM BOLT
STAGE RECORDISTS - TIM GOMILLION - DENNIS ROGERS - MATT PATTERSON
STAGE ENGINEERS - BILL STEIN - PAUL PAVELKA
[music: "The Kraken: Rock"]
SOUND SERVICES BY
BUENA VISTA SOUND STUDIOS
MIXING SERVICES BY
20TH CENTURY FOX STUDIOS
ADDITIONAL MIXING SERVICES BY
MIX TECHNICIANS - BRIAN D. MAGERKURTH - JUAN PERALTA - TONY SERENO - JURGEN SCHARPF
RE-RECORDISTS - RONALD G. ROUMAS - NATHAN NANCE
PROPERTY MASTERS - KRISTOPHER F. PECK - JERRY MOSS
ASSISTANT PROPERTY MASTERS - MICHAEL HANSEN - RICK CHAVEZ
PROPERTY ASSISTANTS - BRAD GOOD - MICHAEL D. GIANNESCHI - JULIE GILCHRIST - MIKE CUNNINGHAM
PROPERTY PAINTER - NICK JOHN
PROP SHOP FOREMAN - THOMAS R. HOMSHER
PROP SHOP - GREGORY BRYANT - ROBIN REILLY - BRYSON H. GERARD
PROPERTY DEPT. COORDINATOR - ZACHARY M. HEATH
SHIPPING COORDINATOR - MARK DAVIES
ASSISTANT SHIPPING COORDINATOR - "LJ" LAURENT JEAN
LEADMAN - ERNEST M. SANCHEZ
ON SET DRESSERS - CAROL ANN NAPIER - MARILYN MORGAN
SET DRESSERS - CHRISTOPHER CASEY - CHRISTOPHER KENNEDY - DEAN LAKOFF - STEVEN LIGHT-ORR - RYAN RITTMILLER - CHARLIE MONTOYA - CHRIS PETERSON - MICHAEL SEAN O'DONNELL
DRAPERY FOREMAN - STEVEN BAER
BUYERS - WENDY WEAVER - KATHLEEN ROSEN
GANG BOSS - CRAIG ALLEN ZIMMERMAN
SET DECORATING COORDINATOR - ROBIN MOORE
GENERAL FOREMEN - PETER "PACO" ALVAREZ - RICHARD HOFFENBERG - STEVE THAYER
LEAD WELDING FOREMAN - ARTHUR CLEVER
LOCATION FOREMAN - RICHARD MARTIN
WELDING FOREMAN - ERNIE ALVAREZ
LEAD PAINT FOREMAN - GIOVANNI FERRARA
PAINT FOREMAN - ADRIAN VALDES - MIKE VALDES
TOOLMAN - LEO "NOOSE" MOUNEU
LABOR FOREMAN - RAUL ROSARIO - GEOVANNI CAMPOS
LEAD PLASTER FOREMAN - MICKY CRUZ
LEAD SCULPTOR - JAMES MILLER
LEAD MODEL MAKER - JEFF HOUSE
RICHARD BIRCH - PHIL COFFMAN - STEVEN FEGLEY - JOHN FORWALTER
STEPHEN GINDORF - TEDD KEITH - HENRY MENDOZA - PETE OLEXIEWICZ
JAMES ONDREJKO - MICHAEL O'NEAL - KENNETH RICE - DENNIS RICHARDSON
BERT RODRIGUEZ - DAVE ROZO - DALE SNYDER - STEVE SOLA
THOMAS A. WHITE
[music: "The Kraken: Kashmir"]
LEN BORGGREBE - JOHN BRYANT - JOHN BULLARD - ROBERT COYLE
GREG ELIOT - JEFF GOLDBERG - STEVEN KALLAS - DAVID KEIR
JUSTIN LAPRESLE - CALVIN MANGUM - ED MIRRASOU - CHRIS PEREZ
JAMES REYNOLDS - PAUL ROBERTS - BRUCE SARTORIUS - SHAWN STEPHENSON
TOMMY STURGEON - JIM THOLEN SR. - ROBBIE WATTS - DAVID WHITTAKER
GABRIEL BENAVIDEZ - JEFFERY BERRINGTON - CLINT FEGLEY
DAVID BOUCHER - SAMUEL DEAN - GREG DIGGENS
RICK FIGALAN - TERRY HAMBELTON - DARREN MCCORMICK
STAND-BY PAINTER - A.J. LEONARDI JR.
PAINTERS - JOHN BUGARCIC - ANDREW CARTER
FRANCESCO "FRANCO" FERRARA
DANA ROSEN - GEORGE STUART
MODEL MAKERS - JEFFERY COBOS - RALPH COBOS
ARTURO GUZMAN - LUIS RODRIGUEZ
SCULPTORS - TRAVIS CRAVEN - YANN DENOUAL
KEVIN MARKS - STEVE PINNEY - CHRIS TOWLE
PLASTERERS - JASON SOLES - JACK WORDEN
GREENSMEN - CRAIG AYERS - FRANK CAPPIELLO
RENEE VAN DEN BERGHE - MIKE NEEDHAM
CLYDE "LOA" WONG
ROB ALVAREZ - ALAN F. CAUTHRON - JOE GARCIA
EDWARD "ALEX" GIRON - ARMANDO GONZALEZ - JOSE OLIVA
JOHN POKIPALA - CARLOS SCALLY - TOMMY SCRIBNER
MAX SOTO - JESSE VERETTE
VIDEO ENGINEER - DAVE DEEVER
MARINE COORDINATOR - DAN MALONE
MARINE FOREMAN - BRUCE A. ROSS
PICTURE BOAT COORDINATOR - J. WILFRID WHITE
MARINE OFFICE COORDINATOR - CARRIE ROSLAN
ASST. MARINE OFFICE COORDINATOR - KRISTIN MCLAUGHLIN
WATER SAFETY - MIKE BRADY - TIM CALVER
JAMES MITCHELLE CLYDE - KRIS A. JEFFREY
BOAT CAPTAINS - DANIEL C. BAILEY - JAKE T. HICKS
JOHN MILLER - DAVID PEARSALL
O.B. PETTIT - DANIEL V. TREFTS
ROBERT WONG - STEVE WROE
DOCK MASTER - DOUGLAS "KINO" VALENZUELA
MARINE TECHNICIANS - MIKE BRIDGER - DOUGLAS P. SILVERSTEIN
SAILMASTER - IAN MCINTYRE
ASSISTANT SAILMASTER - CHARLES HAMBLETON
BLACK PEARL CAPTAIN - MICHAEL WATKINS
BLACK PEARL FIRST MATE - LANCE M. BROZOZOG
BLACK PEARL TECHNICIAN - GLENN "KIWI" HALL
BLACK PEARL CREW - LISA L. BURNSIDE - JIM BARRY
MASTER SHIP TECHNICIAN - COURTNEY ANDERSEN
SHIP TECHNICIANS - PETER MARSHALL - JENNIFER REILLY
PRAIRIE PIPES - JAMES L. BRINK
LEAH KEFGEN - SHANNON SMITH
DVD/EPK FIELD PRODUCERS - JACK KNEY - STEPHEN MORRISON
CATERING - HAT TRICK CATERING
KEY CRAFT SERVICE - TED YONENAKA
CRAFT SERVICE ASSISTANT - LEA ANDERSON
EXECUTIVE ASSISTANT TO MR. BRUCKHEIMER - JILL WEISS
ASSISTANTS TO MR. BRUCKHEIMER - JOHN CAMPBELL - DAN CAMINS
ASSISTANT TO MR. VERBINSKI - LINDSAY GREITZER
ASSISTANT TO MR. ELLIOTT & MR. ROSSIO - SUSAN LEE SMITH
ASSISTANT TO MR. STENSON - PAUL LYONS
ASSISTANT TO MR. OMAN - SARAH LIN
ASSISTANT TO MR. HENDRICKS - KARITA BURBANK
ASSISTANT TO MR. MCLEOD - DANA KRUPINSKI
ASSISTANT TO MS. REED - ROBBIE SALTER
ASSISTANT TO MR. MERRIFIELD - LAURA SCHWARTZ
EXECUTIVE ASSISTANT TO MR. DEPP - CHRISTI DEMBROWSKI
ASSISTANT TO MR. DEPP - STEPHEN DEUTERS
ASSISTANT TO MR. BLOOM - MICHAEL LAGNESE
ASSISTANT TO MS. KNIGHTLEY - DEREK DIBIAGIO
ASSISTANT TO MR. RUSH - STEPHEN J. YOUNG
MR. DEPP'S STAND-IN - SCOTT SENER
MR. BLOOM'S SECURITY - GUY FRIEDMAN
MR. BLOOM'S TRAINER - ANTONIO DI CECCO
DIALOGUE COACH - BARBARA BERKERY
DIALECT COACHES - CARLA MEYER - PETER LADEFOGED
CASTING ASSOCIATE - SC0UT MASTERSON
CASTING ASSISTANT - ANGELA DEMO
PRODUCTION SECRETARIES - OSCAR J. FLORES - MICHAEL LACORTE
SET STAFF ASSISTANTS - MARIKE ZOE JAINCHILL - KEVIN BERLANDI
TASHA PROTHRO - FRANCINE DICHIARA
BRANDY D. POLLARD
MARY SMITH - PATRICK WYMORE - PETER JABLONSKI - PEDRO CHAVEZ
ALLISON MEADOWS - PARKER PHILLIPS - KRISTOPHER GIFFORD - SARAH CONTANT
LINDSEY GARY - JEREMY WORTZMAN - MEGAN ROMERO - JOANNA CALLAS
BECKS WELCH - JESSICA C. DIMARTINO
FILM RUNNERS - CHRISTY BUSBY - MATTHEW HAGGERTY
STUDIO TEACHER - LAURA GARY
ASSISTANT SCRIPT SUPERVISOR - STACIE LIVINGSTON
TECHNICAL ADVISOR - PETER TWIST
TRANSPORTATION COORDINATOR - DAVID ROBLING
TRANSPORTATION CAPTAIN - JEFF WOODWARD
LA CAPTAIN - FRANK ROUGHAN
TRANSPORTATION ADMINISTRATOR - THOMAS R. SWEENEY
MR. DEPP'S DRIVERS - BUCK HOLLAND - TERRY REECE
GLEN MARYGOLD - MICHAEL ALLEGRO - THOMAS BARR O'DONNELL - WILL DREHER
TOM PROVENZANO - BRUCE ROZENBERG - CLINT COYLE - ROBERT ENRIQUEZ
THOMAS M. MAWYER - CURTIS RANDOLL - NEIL SCOGNAMIGLIO - MAXIN APERIAN
VAUGHN BLADEN - STEVE BURING - SCOTT FAIR - GARY GRAY
MARK HOLMES - JIMMY JONES - SCOTT A. KENNEDY - MICHAEL W. MCCLURE
DENNIS V. MCKEEHAN - LEO MOUNEU - TONY MOURADIAN - DAVID MOIR
ALAN L. MYERS - JAMES PERRY - SANDRA POWELL - RICK PURDY
BILL M. PULUTI - BRETT ROUND - MARVIN LAROY SANDERS - PETER SCHWIETZER
ROBERT R. SEGLETES - MIKE SHAW - JAMES SHERWOOD - GORDON A. SPENCER
MICHAEL A. STEVENS - MICHAEL P. SULLIVAN - STEVE SURABIAN - JOHN E. THOMAS
JORGE VASQUEZ - LAUNI VARBEL - JOHN R. WOODWARD - ROGER YOUDS
PAUL JOHN YOUDS
EXTRAS CASTING - SANDE ALESSI, C.S.A.
KRISTAN BERONA - JENNIFER ALESSI
EXTRAS CASTING COORDINATOR - J.R. KEHOE
ANIMAL COORDINATOR - BOONE NARR
HEAD TRAINER - MARK HARDEN
[music: "The Kraken: Tentacle"]
JOE SUFFREDINI - URSULA BRAUNER - PHIL SMITH
PATRICIA PEEBLES - MARK JACKSON - MICHAEL BOYLE
CHOIRS - METRO VOICES
[music: "Davy Jones: Organ Intro"] [music: "Davy Jones: Organ"]
DIGITAL PRODUCTION SUPERVISOR
PACIFIC TITLE AND ART STUDIO
ADDITIONAL VISUAL EFFECTS
[music: "Davy Jones: Organ-and-Strings"]
[music: "Davy Jones: Heartbeat"]
[pause in music]
DIRECTOR CHARLES GIBSON
SECOND UNIT / DOMINICA
[music: "Davy Jones: Locket"]
WRITTEN BY SKIP HENDERSON
FILMED ON LOCATION IN THE BAHAMAS
ALSO FILMED ON LOCATION IN THE COUNTRIES OF
ST. VINCENT AND THE GRENADINES
(R) MOTION PICTURE ASSOCIATION OF AMERICA - THE ### OF - AFFILIATED WITH A.F.I.-C.I.O.-C.L.C.
JERRY BRUCKHEIMER FILMS (TM), JERRY BRUCKHEIMER FILMS TREE LOGO (TM) AND JERRY BRUCKHEIMER FILMS
MOVING IMAGE DESIGN (R) ARE ALL TRADE### ###GHTS RESERVED. UNAUTHORIZED USE IS PROHIBITED.
BUENA VISTA PICTURES DISTRIBUTION
[music stops] [T2]
[tribal drums and cannibals dancing, one painted to look like a skeleton]
[dog is sitting happily on the throne, wearing a red crown with plumes, large bone in its mouth, flanked by two cannibals] [T1]
Created: July 13, 2006
Updated: April 19, 2007
These film pages are no longer updated; they were only a temporary, much-needed info repository in the period before the DVD was released.