| The familiar wording on the front door. The peculiar patterning around the edge is due to the light reflecting off the shiny metal used to make the sign. » Photo Credit: Mark Campbell |
|
| One of the 'Police Public Call Box' signs is brought out. » Photo Credit: Mark Campbell |
|
| The roof section is laid on the ground next to the corner posts. » Photo Credit: Mark Campbell |
|
| The Tardis base is laid out. » Photo Credit: Mark Campbell |
|
| Then the first sign is put up. » Photo Credit: Mark Campbell |
|
| Two of the four illuminated signs ready for installation. » Photo Credit: Mark Campbell |
|
| The door flat is laid against the Embankment wall ready to be hinged into place on the Tardis prop. » Photo Credit: Mark Campbell |
|
| Everything is in place, bar the two doors at the front. » Photo Credit: Mark Campbell |
|
| One of the arc lamps stands ready for filming - behind it, the impressive sight of the London Eye. » Photo Credit: Mark Campbell |
|
| Billie Piper stands in front of the camera to record her lines to an off-screen Christopher Ecclestone. » Photo Credit: Mark Campbell |
|
| The Tardis on the London Embankment. Note the watered-down pavement to the right of it, reflecting light from the bright arc-lamp further down the road. » Photo Credit: Mark Campbell |
|