Ten's 6:30 change. Seriously?

There are new ads on TEN teasing us with:

6:32...
6:31...
6:30. A change is coming.

Change? Does this mean Neighbours is moving? Or just that the show is having a makeover?

The most recent schedule from TEN (published today) shows no changes before June 1.

Last week Neighbours averaged 793,000 with its biggest pull in hometown Melbourne. Today Tonight had 1.49m and A Current Affair 1.18m. Significantly the Ramsay Street soap is not winning TEN's demographic 18 - 49.

The soap has been ensconced at 6:30pm since Charlene was in washed denim, and it's a logical offering before Seven's Home and Away (1.25m) at 7pm. Moving it will be a significant statement by TEN. But where could it go?

Going against the Summer Bay crowd would be lunacy. So unless News at Five is moving, the only other logical place for the show is 6pm. But what would we get at 6:30pm then?

TV Tonight will stay on the case!
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Community TV misses out from Budget

Community TV groups weren't impressed with last week's Federal Budget, noticing that commercial broadcasters and producers all came away with something in their respective showbags.

Channel 31 Melbourne is worried it will get left behind as viewers move to digital platforms, while it is left to transmit on analogue. And with dwindling viewers so too will revenue fall.

The largely volunteer station has already installed a fully digital transmission facility with a state of the art transmitter. But it seems Mr Costello and co aren't tuning in.

31 is noted for not only representing various sectors of the community, but it was also pivotal in the career of Gold Logie winner Rove McManus. SBS is also about to launch Vasili's Garden, another 31 discovery.

Press Release

Federal Budget provides no help for community television

C31 Melbourne is extremely disappointed to find that once again the government has demonstrated a lack of support for community television, with a total absence from last night’s Federal Budget of any assistance for community television to convert to digital broadcasting.

The Government has previously given the national broadcasters $1 billion and the regional commercial stations $250 million to upgrade to digital. Commercial and national broadcasters have also been given a double helping of valuable broadcasting spectrum so that they can run analogue and digital services in parallel. Meanwhile, community television has received nothing. Whilst C31’s audiences are currently holding steady at 1.3 million viewers per month, the station faces a future of diminishing viewers as more and more people convert from analogue to digital reception in the next few years. In fact, with the Government trying to get more viewers to convert to digital, it almost seems as if they are actively trying to drive viewers away from watching community television.

With no Federal funding, C31 is reliant on sales of sponsorship and program airtime to raise revenue. These are activities which require a critical mass of viewers, and there is a very real risk that within one or two years there will not be enough viewers still watching on analogue to keep the community television business model viable. Without some assurance of digital broadcasting in the near future, C31, like rest of the community television sector, faces an inevitable decline in revenue. By the time the Government takes action, it may be too late for community television stations that have run out of money and viewers.

There is no timeline for the conversion of community television to digital. There is not even a definite plan of how it is going to occur other than a vague “don’t worry, we’ll see you right” gesture in last year’s Digital Action Plan, which includes taking away the current allocation of broadcast spectrum from community television and selling it off to commercial interests. Even the most promising possible option for digital – being carried by the successful bidder for the Channel A datacast licence to be auctioned off later this year – would require C31 to pay access fees far greater than its current costs of transmission; fees that the station would not be able to afford to C31 without government support.

We are pleased to note that the Government perceives some value in the concept of community broadcasting, and has allocated $10.5 million to assist community radio as they start the process to convert to digital broadcasting. At least the same mistakes that have been made with television are not occurring again for radio, and such assistance from the outset will help community radio to avoid the problems that television has faced in going digital.

C31 is keen and ready to join the rest of Melbourne’s television services in digital broadcasting. We have already installed a fully digital transmission facility, and are equipped with a state of the art transmitter that could be converted to digital whenever the Government gives the green light. We are prevented from going digital only by the lack of regulatory and financial support from the Federal Government. We call upon this Government to start giving community television some concrete promises to reassure the station and the community television sector that they are not being left to die."
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Movie Show back as a Short

Actress Lisa Hensley (Brides of Christ, Law of the Land, The Know) will co-host a shorter, revamped version of SBS' legendary Movie Show later this month.

The show will shift to an interactive format, running online and on screen. But the TV version will now be only 10 minutes long.

Hensley will be joined by Empire Editor Michael Adams from 10:00pm Thursday May 31 on SBS.

The show was rested mid 2006 with hosts Fenella Kernebone, Megan Spencer, Jaimie Leonarder and Marc Fennell who followed the iconic Margaret Pomeranz and David Stratton.

The new format will also solicit viewer reviews as part of the show.

Press Release:

SBS and FremantleMedia are producing a new multiplatform version of The Movie Show starting late May, integrating a 10 minute television program with a broad and interactive online environment for film fans.

Presented by reviewers Lisa Hensley (actor and also presenter of The Know on FOXTEL) and Michael Adams (reviews editor of Empire film magazine), the new format version of The Movie Show will allow viewers to upload their own film reviews for broadcast online and possibly also on air.

People submitting online critiques will have access to the latest film trailers to edit into their finished reviews, resulting in user-generated content on SBS Television and The Movie Show website.

The website will also allow film fans to check out movie interviews and reviews around the clock by genre, director and movie session times. The Movie Show website at www.sbs.com.au will be live late May.

“SBS Television has a rich archive of film material dating to the early 1990s that The Movie Show website will make available to audiences online,” SBS Independent commissioning editor Margaret Murphy said. “This content will be gradually uploaded over the next few months.”

“FremantleMedia Australia is very excited to be producing this project as it draws not only on our depth of television production experience, but our newly formed digital media unit,” said FremantleMedia Australia executive producer Paul Waterhouse.

The Movie Show is the second time both SBS and FremantleMedia Australia have worked on a production together, following on from the successful reality series Nerds FC, which has its second series premiering on SBS next month.

New Series 10pm Thu May 31 on SBS
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First Review: Life on Mars

Britain and crime shows go hand in hand. There’s a barrage of shows that sound like they are about to shout, ‘Oi you’re nicked!” and most of them, entirely watchable. So it was only a matter of time before somebody thought to blur the genre lines –but via time travel?

That’s just what Life on Mars has done. Before you’re thinking techno-fantasy or campy Doctor Who fun, drag your expectations back towards traditional British crime. From the makers of Spooks and Hustle, this 8 part series is serious in tone, despite it playing tricks with your mind. And herein lays its point of difference.

Sam Tyler (John Simm) is an ambitious detective in 21st century Manchester on the hustings of a murder case. When the killer kidnaps his partner and former girlfriend he becomes emotionally drawn into a web of the personal and professional. Despite a myriad of clues he is no closer to finding the killer and rescuing her.

So when the distressed Tyler driving along listening to David Bowie’s “Life on Mars” on his i-Pod has a near-fatal accident, everything changes.

When he awakens he is found on the road in 1973. The fashion of his clothes has changed, his car transforms and buildings have vanished. “Life on Mars” is still playing –on an 8-track cartridge in the car. Has he slipped through a rip in time? Is he in a coma? Or merely insane?

The series drops hints (and unless they are red-herrings they’re pretty big ones) as our central character tries to make sense of the situation. Similarly, as viewer you are completely drawn in by its bold premise.

Slammed back into Britain’s answer to Jackie Brown or Starsky and Hutch, Tyler tries to cope with confusing sights and sounds. All the policemen are Bobbies. His fellow cops think nothing of being sexist. He tries to get an operator to connect him to his Virgin mobile. She hangs up offended. There are amusing 20th century references throughout this highly original and fantastical piece.

But being British drama it also links back to the story-arc of modern Tyler, as he is given key clues as to the Manchester killer. It is this fusion of dark drama amid twisted storytelling that works so brilliantly in Life on Mars. The only thing missing is Rod Serling stepping in with his Twilight Zone opener, “considered for your approval…”

Life on Mars premieres 8:30pm Sunday May 20 on ABC TV.
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