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Formal splendour, ugly panic

Francis Bacon’s Tate Britain retrospective marks him as one of the most raw, physical and urgently affecting painters of the 20th century, writes Jackie Wullschlager

A face, a shape, some clothes

Richard Avedon, who had changed fashion photography by bringing in movement, revolutionised portraits by always looking for telling gestures, writes Francis Hodgson

Beauty and the beasts

Damien Hirst’s ‘Beautiful Inside My Head Forever’ exhibition features 223 of his latest pieces. Jackie Wullschlager finds his new formaldehyde zoo arresting as it is heart-breaking

Comment: The Midas touch that turns the art world lethally cold

Damien Hirst’s sale next week of 223 new pieces at Sotheby’s marks an insidious change in art’s relationship with money, writes Jackie Wullschlager

Like Breath on Glass / Homer and Sargent

Ariella Budick is thrilled by a new gallery on a slope of the Berkshires that gently manages to harmonise art and nature

Sharjah plays its culture card

The emirate is not the leading economic light of the UAE, but it stands out for its arts and education

Saints, sinners and sincerity

Georges Rouault’s spiritual paintings appear earnest, grotesque and burlesque, but for Jackie Wullschlager they are a wonderful antidote to our slick, unbelieving times

Shanghai surprise

Curators from different regions will choose works from promising unknown artists for a truly international contemporary art fair, writes Susan Moore

From council flat to crystal cave

Richard Cork feels an unsettling sense of strangeness at the latest commission by London’s ever-adventurous Artangel, in which Roger Hiorns has created an alternative world in a London home by completely encrusting its interior in blue copper sulphate

After Nature, New Museum, New York

A panoply of apocalyptic visions that imagines doom is already upon us leaves Ariella Budick depressed for hours

Great for the walls of China

A secularist’s call to arms

Fuglsang Kunstmuseum, Denmark

JMW Turner, Metropolitan Museum of Art, New York

Turmoil and Tranquility, National Maritime Museum

Correggio and the Antique, Galleria Borghese, Rome

Tate runners are a limp concept

Take me or leave me

Self portraits of destruction

Prize and prejudice

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