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It Hurt So Bad - Susan Tedeschi

It Hurt So Bad - Susan Tedeschi

Remedy - The Black Crowes

Born Into A Light - Ryan Adams

Wicked Wisdom - Of Montreal

Little Joy - Don't Watch Me Dancing

I Woke Up Today - Port O'Brien

Dutchess and the Duke - Strangers

The Crunch - The Nightingales

Mama Tried - Merle Haggard

Preview: Michael Zerang @ The Hideout

Chicago November 11, 2008 | 2:28 PM Categories: Jazz, Live, Upcoming
Wednesday night at the Hideout, Chicago percussionist Michael Zerang (pictured) celebrates his 50th birthday with a blowout party. The local jazz and improvised-music scenes are so bustling and strong right now, with dozens of talented performers, that it's easy to forget how fallow they were in the 80s and early 90s--and how vital Zerang has been to their transformation.

You could write a book about everything he's done in his decades on the scene, but for now I'll just mention a few chapters in the Zerang story. He's a member of the great free-improv group Liof Munimula, founded in 1982 with Dan Scanlan and Don Meckley; he programmed a crucial experimental-music series at Link's Hall for years; and as the drummer in the Vandermark Quartet in the early 90s, he helped convince Ken Vandermark to stick it out in Chicago when the saxophonist was considering moving back to Boston.

Zerang will play in two different configurations--first in a trio with keyboardist Jim Baker (another local treasure, whose career runs parallel to his) and Swedish saxophonist Mats Gustafsson, then in a behemoth septet with Gustafsson, Baker, cellist Fred Lonberg-Holm, bassist Ingebrigt Haaker Flaten, bassist Kent Kessler (another old-school chum of Zerang's), and drummer Paal Nilssen-Love.

The Thing, the muscular trio of Gustafsson, Haaker Flaten, and Nilssen-Love, will open the evening with a set of its own. Last January the group recorded a new album in Chicago with Steve Albini, but though its projected release date has come and gone, it isn't out yet.

Review: Susan Tedeschi, Back to the River

Charlotte November 11, 2008 | 2:19 PM Categories: Blues, New Releases, Reviews

It Hurt So Bad - Susan Tedeschi

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susan tedeschi.jpgThe Deal: Blues songstress, wife of Derek Trucks, returns with album of originals.

The Good: Tedeschi didn't hesitate to find herself a fine group of guests for her latest effort - Trucks, The Jayhawks' Gary Louris and The Allman Brothers' Doyle Bramhall II among them. Trucks appears on four of the 11 tracks to provide slide guitar and produced and co-wrote "Butterfly" with his wife. Tedeschi's voice is as fine as ever with the right hint of rasp to give her music a punching blues vibe and emotional, soul atmosphere - the album has the right touch of horns throughout, as well. It's nice to see Tedeschi return to songwriting after the departure of Hope and Desire, an album of cover songs. While that album focused on Tedeschi's vocals, this one lets the guitar shine but doesn't distract from the power of her voice. It's a return to the Susan of old - the one that appeared on the first three albums.

Review: Susan Tedeschi, Back to the River

Charlotte November 11, 2008 | 2:19 PM Categories: Blues, New Releases, Reviews

It Hurt So Bad - Susan Tedeschi

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susan tedeschi.jpgThe Deal: Blues songstress, wife of Derek Trucks, returns with album of originals.

The Good: Tedeschi didn't hesitate to find herself a fine group of guests for her latest effort - Trucks, The Jayhawks' Gary Louris and The Allman Brothers' Doyle Bramhall II among them. Trucks appears on four of the 11 tracks to provide slide guitar and produced and co-wrote "Butterfly" with his wife. Tedeschi's voice is as fine as ever with the right hint of rasp to give her music a punching blues vibe and emotional, soul atmosphere - the album has the right touch of horns throughout, as well. It's nice to see Tedeschi return to songwriting after the departure of Hope and Desire, an album of cover songs. While that album focused on Tedeschi's vocals, this one lets the guitar shine but doesn't distract from the power of her voice. It's a return to the Susan of old - the one that appeared on the first three albums.

Review: Black Crowes @ Ruth Eckerd Hall

Tampa-Sarasota November 11, 2008 | 2:05 PM Categories: Live, Reviews, Rock/Pop

Remedy - The Black Crowes

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the black crowes.jpgThe Black Crowes performance at Ruth Eckerd Hall last night, in front of a packed house of roughly 2,000, showed the band operating in several modes. There was the Hot 'Lanta hoodlums Southern rocking the joint in taut, greasy fashion on "Goodbye Daughters of the Revolution" - the first cut/debut single off the band's sizzling new record Warpaint. The song, the second of the evening, found all eight persons on stage cranking out a thick slice of purposeful rock 'n' roll gloriously punctuated by the slide (and standard) guitar heroics of secret weapon Luther Dickinson, the North Mississippi Allstar recruited for the Crowes' latest album and tour.

And then there was lead singer Chris Robinson, trading in his subdued Mick Jagger cock-strut for an acoustic guitar and a haunting rendition of the William Bell stone soul classic "You Don't Miss Your Water," which the band countrified much like The Byrds did on their pioneering 1968 country-rock masterpiece  Sweetheart of the Rodeo. Those two modes of operation - the rocking and soul stirring Black Crowes -- had the room on its feet and in a euphoric frenzy.

Review: Ryan Adams and the Cardinals' Cardinology

Charlotte November 11, 2008 | 1:04 PM Categories: New Releases, Reviews, Rock/Pop

Born Into A Light - Ryan Adams

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ryan adams.jpgThe Deal: Fifth studio effort - 12 tracks in 40 minutes - is follow-up to Easy Tiger.

The Good: Adams and the Cardinals don't stray from their alt-country ways on this latest effort. Adams, who has been known to have moments of uber-pretentious behavior, sounds like a more mature and relaxed songwriter. Hints of The Grateful Dead - musically in songs like "Natural Ghost" - and Neil Young - vocally in songs like "Go Easy" - can be heard throughout the album. Sporadic use of steel pedal guitar gives the album a country feel at times, but it's usually running down the middle of the folk road. "I know it's not a game, but it feels like losing when someone you love throws you away," Adams laments on "Fix It." The band also experiments with more of a retro-rock sound on "Magick."

Review: Of Montreal @ the Tabernacle

Atlanta November 11, 2008 | 12:50 PM Categories: Electronic/Dance, Live, Reviews, Rock/Pop

Wicked Wisdom - Of Montreal

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of montreal.jpgIf you're one of those people who likes to plan in advance, than you will be happy to know that Of Montreal is playing a New Year's Eve show at the Fabulous 40 Watt in downtown Athens.

So if you just saw their fantastic show at the Tabernacle in Atlanta, and want to see them again, and hopefully not have to endure the hell ride into ironic false hair metal that was Limozeen, this is your ticket.

Some thoughts on the Atlanta show that happened over the weekend...

Of Montreal played to a comfortably crowded house on Saturday night at the Tabernacle. It seems like it was only yesterday that they played the old Eyedrum downtown to all of about eight people. Alas, that was eight years ago, and since then their following has grown exponentially. Icy Demons played a cool, rhythm-heavy set, but my memory of their show is tainted by the travesty that was/is Limozeen. I don't know where these guys came from, but I hope that I never have to endure their shite metal shtick ever again.

I lived through indie rock in the '90s and the one thing that never ever sat well with me was the bloated sense of irony that was such a huge part of the culture. The slacker chic thing really did a number on the collective consciousness of the times that still creeps out from time-to-time in the here and now. Remember when Urge Overkill dressed-up and did that Neil Diamond crap? Pavement's image? Weezer's career? Unfortunately I do too. These days it shows up in horribly mutated outgrowths, like those FreeCreditReport.com commercials where the dipshit slacker guys sing about how badly they screwed up their credit and now they have to work at a seafood restaurant.

Review: Little Joy - Little Joy

Los Angeles November 11, 2008 | 12:26 PM Categories: Reviews, Rock/Pop

Little Joy - Don't Watch Me Dancing

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LittleJoy.jpg It's a funny thing that two members of The Strokes have put out solo albums deeply steeped in California lifestyle. It's something that I didn't see coming. But I guess I've always felt that New York City's dirty little secret is that it loves LA. And therefore it should be no surprise the Fabrizio Moretti hung his shingle in Echo Park, sharing barstools with the rest of the bearded troubadours on the east side. And it's probably no accident that the Little Joy record one of best local releases of the year.

And while to me, Little Joy the band doesn't quite sound like Little Joy the bar (though it's close), the band does sound a lot like LA. It's breezy, unrushed, and beautiful. There's a few rockers, but there's also plenty of hammock jams to keep you peaceful. The uptempo numbers ride syncopated beats that owe a debt to early Ska and Sam Cooke. And singer Rodrigo Amarante's (formerly of Los Hermanos) take on Julian Casablancas' lazy schtick seems to come from a natural place instead of sounding like he's been up all night. And the songs handled by Binky Shapiro (easily one of the best rock 'n roll names) are just plain classics. They're the timeless melodies that drift out the LA hills.

Preview: Port O'Brien @ Great American Music Hall

San Francisco November 11, 2008 | 12:06 PM Categories: Country, Live, New Band Alert, Rock/Pop, Upcoming

I Woke Up Today - Port O'Brien

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port2.pngPort O'Brien is one of those bands that seems to get better with every passing moment. Hell, the local outfit started out pretty great, releasing winsome folk tunes infused with leader Van Pierszalowski's Alaskan upbringing as far back as 2005. (No $150,000 wardrobe jokes here, please.) By the release of this April's All We Could Do Was Sing full-length, however, the group had grown into a whole 'nother beast.

TONIGHT: Moby @ Santos Party House

New York November 11, 2008 | 8:59 AM Categories: Alternative/Punk, Electronic/Dance, Live, Upcoming
moby_.jpg
It's been a minute (and not in the hip-hop sense of the word, it's seriously been scant minutes) since we mentioned a show happening at Santos Party House. This isn't about Santos though, but rather the Issue Project Room. Recently the recipients of a sweet real estate deal that gives the arts and music venue a lease at 110 Livingston Street in downtown Brooklyn for the next 20 years, it guarantees a nurturing home for projects of all stripes. That same eclecticism will be flashed tonight, as Moby DJs, noiseniks like Charles Cohen and Talibam! bleet live, and minimalist composer/ structuralist filmmaker Tony Conrad hosts the whole affair.
@ Santos Party House 100 Lafayette 7pm-11pm 
$30 - $110 (sliding scale: $110 for cocktail party)

This Week in...11/10-11/16

Los Angeles November 10, 2008 | 2:05 PM Categories: Alternative/Punk, Electronic/Dance, Festivals, Live, Rap/Hip-Hop, Upcoming

Dutchess and the Duke - Strangers

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Now things are really starting to heat up as we get closer to the end of the year. Pretty much every night is a winner this week, and a lot of nights involve tough decisions. It's not often that you have to turn down one band to see a better one here in LA, but that's what we're dealing with right now, and it's awesome.

Monday
Dutchess and the Duke, King Khan & The Shrines @ The Echo $10

I've missed the Dutchess and The Duke the last couple times they came through town, but not tonight. Forgoing the normal free residency on Monday, the Echo has instead booked a couple of fun bands for ten bucks. You can't really complain. The Dutchess and the Duke made the best Rolling Stones album of the least thirty years, and King Khan rocks some of the best garage you'll hear. It'll definitely be a hootenanny.

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