CurtainUp
CurtainUp

The Internet Theater Magazine of Reviews, Features, Annotated Listings
www.curtainup.com


HOME PAGE



SITE GUIDE

SEARCH

ADVERTISING AT CURTAINUP

REVIEWS

FEATURES

NEWS
Etcetera and
Short Term Listings


LISTINGS
Broadway
Off-Broadway

NYC Restaurants

BOOKS and CDs

OTHER PLACES
Berkshires
London
California
New Jersey
DC
Philadelphia
Elsewhere

QUOTES

TKTS

PLAYWRIGHTS' ALBUMS

LETTERS TO EDITOR

FILM

LINKS

MISCELLANEOUS
Free Updates
Masthead
Writing for Us

LONDON BASICS
London Theaters

CurtainUp London London Notes

When a man is tired of London, he is tired of life, for there is in London all that life can afford
---Samuel Johnson, 1777
Recent Reviews
King Lear
Enjoy
Complicit
Entertaining Mr Sloane
Be Near Me
Duet for One
Private Lives,
Midsummer Night's Dream
Oliver!
Thriller Live
Thriller Live/Original concept Adrian Grant (London 2009)
Roaring Trade/ Steve Thompson(London 2009)

Sunset Boulevard
Madame Zingara
Twelfth Night
Carousel
A Little Night Music
Gethsemane
Imagine This
Treasure Island
La Cage aux Folles
La Clique
The Sound of Music with a New Star

. . .Past reviews and features are archived in two master indexes: Reviews . . . Features

New and Noteworthy
Nominations for the 2009 Laurence Olivier Awards (an * will be placed before the winner's names when annouced:

BEST ACTRESS
Deanna Dunagan for AUGUST: OSAGE COUNTY at the Lyttelton
Lindsay Duncan for THAT FACE at the Duke of York’s
Margaret Tyzack for THE CHALK GARDEN at the Donmar
Penelope Wilton for THE CHALK GARDEN at the Donmar

BEST ACTOR
David Bradley for NO MAN’S LAND at the Duke of York’s
Michael Gambon for NO MAN’S LAND at the Duke of York’s
Adam Godley for RAIN MAN at the Apollo
Derek Jacobi for TWELFTH NIGHT, Donmar at Wyndham’s

BEST PERFORMANCE IN A SUPPORTING ROLE
Oliver Ford Davies for HAMLET at the Novello
Kevin R McNally for IVANOV, Donmar at Wyndham’s
Paul Ritter for THE NORMAN CONQUESTS at The Old Vic
Patrick Stewart for HAMLET at the Novello

BEST COMPANY PERFORMANCE
AUGUST: OSAGE COUNTY directed by Anna D Shapiro at the Lyttelton
BLACK WATCH directed by John Tiffany at the Barbican
THE HISTORIES directed by Michael Boyd at the Roundhouse
THE NORMAN CONQUESTS directed by Matthew Warchus at The Old Vic
SUNSET BOULEVARD directed by Craig Revel Horwood at the Comedy

BEST NEW PLAY
AUGUST: OSAGE COUNTY by Tracy Letts at the Lyttelton
BLACK WATCH by Gregory Burke at the Barbican
THE PITMEN PAINTERS by Lee Hall at the Cottesloe
THAT FACE by Polly Stenham at the Duke Of York’s

BEST NEW COMEDY
FAT PIG by Neil La Bute at the Comedy
THE FEMALE OF THE SPECIES by Joanna Murray-Smith at the Vaudeville
GOD OF CARNAGE by Yasmina Reza, translated by Christopher Hampton at the Gielgud

BEST REVIVAL
THE CHALK GARDEN directed by Michael Grandage at the Donmar
THE HISTORIES directed by Michael Boyd at the Roundhouse
THE NORMAN CONQUESTS directed by Matthew Warchus at The Old Vic

BEST ENTERTAINMENT
Noel Coward’s BRIEF ENCOUNTER at the Cinema Haymarket
LA CLIQUE at the Hippodrome
MARIA FRIEDMAN: RE-ARRANGED at Trafalgar Studios 1

BEST NEW MUSICAL
JERSEY BOYS The Story Of Frankie Valli And The Four Seasons book by Marshall Brickman & Rick Elice, music by Bob Gaudio, lyrics by Bob Crewe at the Prince Edward
ZORRO book & lyrics by Stephen Clark, music by The Gipsy Kings, original story by Stephen Clark & Helen Edmundson, music co-composed and adapted by John Cameron at the Garrick

BEST MUSICAL REVIVAL
LA CAGE AUX FOLLES, music and lyrics by Jerry Herman, book by Harvey Fierstein, based on the play "La Cage Aux Folles" by Jean Poiret, at the Playhouse Theatre.
PIAF by Pam Gems at the Donmar and Vaudeville
Andrew Lloyd Webber’s SUNSET BOULEVARD book and lyrics by Don Black and Christopher Hampton, based on the Billy Wilder film at the Comedy
WEST SIDE STORY based on a conception by Jerome Robbins, book by Arthur Laurents, music by Leonard Bernstein, lyrics by Stephen Sondheim, entire original production directed and choreographed by Jerome Robbins at Sadler’s Wells

BEST ACTRESS IN A MUSICAL
Sofia Escobar for WEST SIDE STORY at Sadler’s Wells
Kathryn Evans for SUNSET BOULEVARD at the Comedy
Ruthie Henshall for MARGUERITE at the Haymarket
Elena Roger for PIAF at the Donmar and Vaudeville
Emma Williams for ZORRO at the Garrick

BEST ACTOR IN A MUSICAL
Douglas Hodge for LA CAGE AUX FOLLES at the Playhouse
Denis Lawson for LA CAGE AUX FOLLES at the Playhouse
Ryan Molloy for JERSEY BOYS The Story Of Frankie Valli And The Four Seasons at the Prince Edward
Matt Rawle for ZORRO at the Garrick

BEST PERFORMANCE IN A SUPPORTING ROLE IN A MUSICAL
Alexander Hanson for MARGUERITE at the Haymarket
Katherine Kingsley for PIAF at the Donmar and Vaudeville
Lesli Margherita for ZORRO at the Garrick
Jason Pennycooke for LA CAGE AUX FOLLES at the Playhouse
Dave Willetts for SUNSET BOULEVARD at the Comedy

BEST DIRECTOR
Terry Johnson for LA CAGE AUX FOLLES at the Playhouse
Des McAnuff for JERSEY BOYS The Story Of Frankie Valli And The Four Seasons at the Prince Edward
Emma Rice for BRIEF ENCOUNTER at the Cinema Haymarket
John Tiffany for BLACK WATCH at the Barbican

BEST THEATRE CHOREOGRAPHER
Rafael Amargo for ZORRO at the Garrick
Steven Hoggett for BLACK WATCH at the Barbican
Lynne Page for LA CAGE AUX FOLLES at the Playhouse
Kate Prince for INTO THE HOODS at the Novello
Sergio Trujillo for JERSEY BOYS The Story Of Frankie Valli And The Four Seasons at the Prince Edward

BEST LIGHTING DESIGN
THE CHALK GARDEN designed by Paule Constable at the Donmar
IVANOV designed by Paule Constable, Donmar at Wyndham’s
NO MAN’S LAND designed by Neil Austin at the Duke of York’s
PIAF designed by Neil Austin at the Donmar and Vaudeville

BEST SET DESIGN
AUGUST: OSAGE COUNTY designed by Todd Rosenthal at the Lyttelton
BRIEF ENCOUNTER designed by Neil Murray, projections by Gemma Carrington and Jon Driscoll at the Cinema Haymarket
THE HISTORIES designed by Tom Piper at the Roundhouse
THE LOVER AND THE COLLECTION designed by Soutra Gilmour at the Comedy
MARGUERITE designed by Paul Brown at the Haymarket

BEST COSTUME DESIGN
THE HISTORIES designed by Tom Piper and Emma Williams at the Roundhouse
LA CAGE AUX FOLLES designed by Matthew Wright at the Playhouse
THE NORMAN CONQUESTS designed by Rob Howell at The Old Vic
TWELFTH NIGHT designed by Christopher Oram, Donmar at Wyndham’s

BEST SOUND DESIGN
BLACK WATCH designed by Gareth Fry at the Barbican BRIEF ENCOUNTER designed by Simon Baker at the Cinema Haymarket
JERSEY BOYS The Story of Frankie Valli and The Four Seasons designed by Steve Canyon Kennedy at the Prince Edward
PIAF designed by Christopher Shutt, Max & Ben Ringham at the Donmar and Vaudeville

OUTSTANDING ACHIEVEMENT IN AN AFFILIATE THEATRE
The ensemble cast of OXFORD STREET, Jerwood Theatre Upstairs at the Royal Court
The Royal Court Theatre’s production of THE PRIDE, Jerwood Theatre Upstairs
Clive Rowe for his performance in MOTHER GOOSE at Hackney Empire
Jo Newbery for the design of SCARBOROUGH, Jerwood Theatre Upstairs at the Royal Court

BEST NEW OPERA PRODUCTION
The Royal Opera’s DON CARLO at the Royal Opera House
The Royal Opera’s THE MINOTAUR at the Royal Opera House
English National Opera’s I PAGLIACCI at the Coliseum
English National Opera’s PARTENOPE at the Coliseum

OUTSTANDING ACHIEVEMENT IN OPERA
Patricia Bardon for her performances in The Royal Opera’s THE RAKE’S PROGRESS at the Royal Opera House and English National Opera’s PARTENOPE and RIDERS TO THE SEA at the Coliseum
Feruccio Furlanetto for his performance in the Royal Opera’s DON CARLO at the Royal Opera House
Ed Gardner for conducting English National Opera’s BORIS GODUNOV, CAVALLIERA RUSTICANA, DER ROSENKAVALIER, I PAGLIACCI, RIDERS TO THE SEA at the Coliseum and PUNCH AND JUDY at the Young Vic
Christine Rice for her performances in the Royal Opera’s THE MINOTAUR at the Royal Opera House and English National Opera’s PARTENOPE at the Coliseum

BEST NEW DANCE PRODUCTION
Pina Bausch Tanztheater Wuppertal’s CAFÉ MULLER/ THE RITE OF SPRING at Sadler’s Wells
The Royal Ballet of Flanders’ IMPRESSING THE CZAR at Sadler’s Wells
The Royal Ballet’s INFRA at the Royal Opera House
DV8’s TO BE STRAIGHT WITH YOU at the Lyttelton

OUTSTANDING ACHIEVEMENT IN DANCE
The company of the Royal Ballet of Flanders for their performances in IMPRESSING THE CZAR at Sadler’s Wells
The company of the The Royal Ballet for their performances in INFRA
Savion Glover, Marshall Davis Jr and Maurice Chestnut for their performances in Savion Glover’s BARE SOUNDZ at Sadler’s Wells
Our reporter Lizzie Loveridge was at the Prince of Wales Theatre to see the Drama Section Critics' Circle Awards presented. These awards are voted for by individual members of the Critics Circle "blind" in so far as there are no nominations or shortlists. Here's s a list of the award winners and presenters:

Best New Play AUGUST: OSAGE COUNTY by Tracy Letts (National Theatre presentation of the Steppenwolf Company, Lyttelton Theatre, London Presented by Georgina Brown (The Mail on Sunday) to Tracy Letts

Best Musical (new or revival) LA CAGE AUX FOLLES (Menier Chocolate Factory, London, followed by transfer to Playhouse Theatre, London) Presented by Sam Marlowe (The Times) to Terry Johnson, director of La Cage Aux Folles

Best Actor KENNETH BRANAGH in Ivanov (Donmar Warehouse at Wyndham’s Theatre, London) Presented by Michael Billington (The Guardian) to Kevin McNally, on behalf of Kenneth Branagh

Best Actress MARGARET TYZACK in The Chalk Garden (Donmar Warehouse, London) Presented by Claire Allfree (Metro London) to Margaret Tyzack

The John and Wendy Trewin Award for Best Shakespearean Performance = awarded jointly to: DEREK JACOBI in Twelfth Night (Donmar Warehouse at Wyndham’s Theatre, London) Presented by Jane Edwardes (Time Out) to Derek Jacobi & DAVID TENNANT in Hamlet (Royal Shakespeare Company, Stratford-upon-Avon, followed by transfer to Novello Theatre, London) Presented by Dominic Cavendish (Daily Telegraph) to Penny Downie, on behalf of David Tennant

Best Director MICHAEL GRANDAGE for Ivanov & The Chalk Garden (Donmar Warehouse at Wyndham’s Theatre, London, and Donmar Warehouse, London) Presented by Charles Spencer (Daily Telegraph) to Michael Grandage

Best Designer NEIL MURRAY for Brief Encounter (Kneehigh Theatre at Cinema Haymarket, London) Presented by Lyn Gardner (The Guardian) to Neil Murray

Most Promising Playwright ALEXI KAYE CAMPBELL for The Pride (Royal Court Jerwood Theatre Upstairs London) Presented by Matt Wolf (International Herald Tribune) to Alexi Kaye Campbell

The Jack Tinker Award for Most Promising Newcomer (other than a playwright) ELLA SMITH in Fat Pig (Trafalgar Studios, London followed by transfer to Comedy Theatre, London) Presented by Ian Shuttleworth (Financial Times & Theatre Record) to Ella Smith
Originally produced in 2005 by the National Theatre of Scotland, the Barbican are now re-hosting Hansel and Gretel as part of their Christmas season. The Scottish children’s theatre company Catherine Wheels uses the well-known fairytale to explore the concept of home and in particular, when it is not the safe refuge it usually is. Totally transforming the Barbican auditorium, the promenade production takes the audience through a forest of trees created by gauze drapes and fairy lights and an expansively opened-up home with 1960s kitsch furniture. In the lead up to the witch’s house, there are creepy collections of abandoned toys and Missing posters for numerous children. Once inside the witch’s techni-coloured gingerbread house, there are outsized desserts and a worryingly gruesome recipe book called Cooking with Kids. Quirky details, a lively cast and unusual production values ensure that this is a Christmas show which will delight young audiences. Performances last 70 minutes with no interval and are running until 4 January 2009. Tickets may be purchased via the box office on 020 7638 8891 or online at: http://www.barbican.org.uk/eticketing/.
Sean Mathias is to direct Ian McKellen and Patrick Stewart in Samuel Beckett's Waiting for Godot which is his first production as Artistic Director of the 2009 Theatre Royal Haymarket Company. Waiting for Godot will tour the UK prior to its April opening in Londont is produced by the Theatre Royal Haymarket Company in partnership with Duncan C. Weldon Productions Ltd. Further casting for Waiting for Godot and the subsequent productions in Sean Mathias' Theatre Royal Haymarket Season will be announced shortly. Prior to the Theatre Royal Haymarket run . . .Godot will tour to Malvern Theatres (5 - 14 March), Milton Keynes Theatre (16 - 21 March), Brighton Theatre Royal (23 - 28 March), Bath Theatre Royal (30 March - 4 April), Norwich Theatre Royal (6 - 11 April), Edinburgh King's Theatre (13 - 18 April) and Newcastle Theatre Royal (20 - 25 April). It will preview at the Theatre Royal Haymarket from 30 April with press night on 6 May 2009 and is booking until 28 June 2009 for a strictly limited season.
Lucky Seven at Hampstead Theatre. Alexis Zegerman receives the World Premiere of her new play Lucky Seven inspired by Michael Apted’s biographical documentary series Seven Up which followed a group of British seven year olds into adulthood by filming them every seven years. Fascinating as the original was, this stage adaptation can only follow three characters backwards and its theme of how being a part of a television programme interferes with your life has been overtaken by the plethora of TV reality shows and the propulsion of their participants into celebrity news items. One actor represents each social class, Suzanne Harker as posh Catherine, Jonny Weir as middle class librarian Tom and David Kennedy as finding riches in the rag trade, underwear factory owner Alan. Lucky Seven is a light comedy which shows that the apple doesn’t fall far from the tree but which the original TV series showed to greater and more moving effect. Catherine goes through punk rebellion but eventually returns to a comfortable life, Tom has a breakdown but is redeemed by marriage, his wife is a TV fan who writes to him after viewing his distress, and Alan finds himself on his uppers after splitting from his wife. The best scene is saved for last when we see the three adults acting their seven year old selves, self consciously in front of the television cameras for the first time, all cow eyes, tilted heads and cute behaviour.
Lucky Seven is on at Hampstead Theatre, Eton Avenue NW3 until 22nd November 2008 Box Office: 020 7722 9301
Two Nobel prize-winning poets, Seamus Heaney and Derek Walcott, are collaborating to produce an operatic version of Burial at Thebes.

They may be old friends, but this is the first time that the two poets have worked together on such a project. It is also the first time that Heaney has allowed a musical interpretation of his work and that Walcott has directed an opera. Whilst Heaney’s version of the Sophocles tragedy Antigone is fairly timeless and traditional, the St Lucian born poet will transplant the action of the tragedy from ancient Thebes to a modern day Latin American republic and present the tragedy in a Trinidadian Rapso style, inspired by the Dominican Republic’s former dictator Rafael Trujillo, an abuser of human rights and ruthless tyrant.

Whilst Heaney’s text will form the basis of the libretto, the award winning Trinidadian composer Dominique Le Gendre is providing the compositions, using the orchestra, soloists and chorus to recreate the story, as well as a narrator: the poet Anthony Joseph. This version of Burial at Thebes was commissioned by conductor Peter Manning for his ensemble Manning Camerata.

By modernising a classic play, this version will explore its relevance for the contemporary world, as well as recreating the musical quality which the 5th Century BCE audience would have enjoyed when watching the original. Seamus Heaney himself expresses the hope that "the tragic note of the original Antigone will sound more deeply and the pity and the terror strike home more immediately".

After a series of open rehearsals as part of the Mayor of London’s scheme, the opera will host its world premiere at Shakespeare’s Globe Theatre on 11-12th October before a national tour, including venues Liverpool Philharmonic Hall (17th October) and the Oxford Playhouse (19th October). Tickets for the Globe performances may be booked through their box office on 020 7401 9919 or via their online ticket office: https://tickets.shakespeares-globe.org/selectshow.asp
Rupert Goold will direct Michael Gambon, David Bradley, David Walliams and Nick Dunning in Harold Pinter's No Man's Land, opening at the Duke of York's Theatre on 27 September 2008, with press night on 7 October 2008. The production is currently booking until 3 January 2009
Josh Hartnett will make his West End debut in a new stage version of the 1988 Oscar-winning film Rain Man,which will begin performances at the Apollo Theatre 28th of August 28 prior to an official opening 9th of Sept. The play has been re-imagined by writer Dan Gordon and director David Grindley for the stage, and is reset in the present day. Hartnett will play Charlie Babbitt (originally played on screen by Tom Cruise) with British actor Adam Godley as his autistic savant older brother Raymond (originally played by Dustin Hoffman, who won the Best Actor in a Leading Role award).
It has been confirmed that the National Theatre will present the London debut of this year's Pulitzer Prize Tony Award-winning Best Play, Tracy Letts' August: Osage County. The Steppenwolf Theatre Company production will begin an eight-week run in the Lyttelton Theatre in late November (with precise dates still to be confirmed). Most of the original Broadway cast will likely reprise their performances in London. For Elyse Sommer's review of the New York production
go here. The play is still running on Broadway, but with cast replacements.
The Donmar West End season will be launched at Wyndham's theater with Chekhov's Ivanov In a new version by Tom Stoppard, from 12 September – 29 November, directed by Michael Grandage. Cast: Kenneth Branagh will be joined by John Atterbury, Lucy Briers, Linda Broughton, Lorcan Cranitch, Tom Hiddleston, Sylvestra Le Touzel, Gina McKee, Kevin R McNally, Andrea Riseborough, Malcolm Sinclair and James Tucker . Next Michael Grandage will direct Derek Jacobi in Twelfth Night, followed by Judi Dench in Yukio Mishima's Madame de Sade. The season concludes with Kenneth Branagh directing Jude Law as Hamlet.
Sunday at the theatrer As from September, the National will have Sunday three o'clock matinees, starting with War Horse. With the National breaking the never on Sunday tradition, can the rest of London theatres be far behind?
Theatre to metamorphose into late-night club. An ambitious plan is afoot to transform the crumbling 81-year-old Arts Theatre into a club for theatregoers, actors and other theatreland workers to meet and socialise. The club would be part of a restaurant and 65-bedroom hotel. The aim is to create another Soho House or a Groucho Club. Marketing Ideas on the boards include plans to include admission to the lounge with a ticket to a West End show. The plan is the brainchild of multi-millionaire property developer Laurence Kirschel and is currently being scrutinised by Westminster council. If okayed, the project should be operational by January 2011.
News from the RSC. Michael Boyd announced the following key additions to his current RSC creative team alongside Chief Associate, Gregory Doran, Associate Director, Deborah Shaw, and Associate Designer, Tom Piper, as the company plans the artistic programme for the next long-term acting ensemble from 2009 and the reopening in 2010 of the Royal Shakespeare Theatre in Stratford-upon-Avon:

Kathryn Hunter becomes Artistic Associate for the next long term ensemble. David Farr will join the RSC full time from early 2009 and Rupert Goold from 2010, alongside his commitments to Headlong Theatre, though they will be closely involved in the development of the repertoire from now on. Roxana Silbert will join shortly, dividing her time between the RSC and as Artistic Director of Paines Plough. As RSC Associate Directors, they will participate fully in the life of the company, including the events and learning programmes, as well as directing plays. In another step towards repositioning New Work at the heart of the company, Boyd is also strengthening the RSC's literary department, with Anthony Neilson becoming Literary Associate.
Spring Awakening will come to the Lyric Hammersmith beginning 23 January 2009, for a six-week run. The musical with music by Duncan Sheik, book & lyrics by Steven Sater is still running on Broadway (CurtainUp's Review.

2008 —2009 at the Almeida.
5 — 20 September. 16 performances only of Sam Shepard's latest play Kicking a Dead Horse. This Abbey Theatre, Dublin production is directed by the author and stars Stephen Rea. Designs will follow a run at New York's Public. From 25 September — 15 November. Samuel West will direct Harley Granville Barker's Waste. Casting TBA.

20 November — 17 January. Michael Attenborough will direct The European premiere of Neil LaBute's three hander, In a Dark Dark House. Casting TBA. 16 July—26. Matt Wilde will direct Peter McDonald in the European premiere of Adam Rapp's one man play, Nocturne. Wilde will collaborate with composer Phillip Neil Martin – most recently Music Creator in Residence at the Royal College of Fashion. The production will be presented at the Traverse Theatre as part of the Edinburgh Festival Fringe following its run in Islington.

For more information, www.almeida.co.uk
The Donmar will join forces with the National Theatre of Scotland to present a stage adaptation of Andrew O'Hagan's novel Be Near Me, adapted by and starring Ian McDiarmid. Casting has been announced for the London production of Jersey Boys, the Tony Award award-winning Broadway musical that's repeated its success wherever it's toured. It's headed to London's Prince Edward Theatre on Tuesday 18 March 2008, following previews from 28 February. The London cast will be headed by Ryan Molloy as Frankie Valli, Stephen Ashfield as Bob Gaudio, Glenn Carter as Tommy DeVito and Philip Bulcock as Nick Massi.
Ewan McGregor will play Iago to Chewetl Ejiofor's Othello with Kelly Reilly as Desdemona at the Donmar Warehouse in December. Michael Grandage will direct with design by Christopher Oram. The production opens on Tuesday 4 December, with previews from 29 November, and runs until 23 February 2008. Priority booking opens Monday 10th September with public booking 15th October.
Six years after he stepped down as artistic director of the Donmar Warehouse with sell-out productions of Twelfth Night and Uncle Vanya, Sam Mendes will return to the London stage with another pairing of classic works. As part of a three-year collaboration between Mendes, Kevin Spacey's Old Vic and the Brooklyn Academy of Music (BAM) called the Bridge Project, Mendes will direct Stephen Dillane in Hamlet and The Tempest in 2008, and Simon Russell Beale (who appeared in the Donmar double) in The Winter's Tale and The Cherry Orchard in 2009, with another pairing still to be announced for 2010. Each double bill will have seasons in London and New York as well as at least one other city internationally (the first will be mounted in Milan between its dates at BAM and the Old Vic).

Visit CurtainUp's Friends
Theatre Breaks - London / Stratford-Upon-Avon / Paris
Cranwell Resort
Jacob'sPillow Dance Festival
New York's Third Opera Company
E-Mail us about how to add a text link about YOU
Ticket Solutions—Theatre Tickets!
Tanglewood, Summer Home of the Boston Symphony
MASS MoCA
The Internet Movie Data Base
Internet Broadway Data Base

Tanglewood Web Site
London Theatre Tickets


London Theatre Tickets
Lion King Tickets
Billy Elliot Tickets
Mighty Boosh Tickets
Mamma Mia Tickets
We Will Rock You Tickets
Theatre Tickets


LONDON BASICS
London Theaters
London Fringe Theaters

Put a click-through image about your show here for a week or a year.
Write for details.


London Theatre Walks


Peter Ackroyd's  History of London: The Biography



London Sketchbook



tales from shakespeare
Retold by Tina Packer of Shakespeare & Co.
Click image to buy.
Our Review


Theatre Tickets

©Copyright 2009 Elyse Sommer.
Information from this site may not be reproduced in print or online without specific permission from esommer@curtainup.com