Unmistaken Child
June 5
24 City
Away We Go
Seraphine
June 11
June 12
Call of the Wild 3D
Youssou N'Dour: I Bring What I Love
June 16
June 19
Dead Snow
Whatever Works
June 24
Transformers: Revenge of the Fallen
June 26
Cheri
Fireflies in the Garden
July 1
Ice Age: Dawn of the Dinosaurs
July 3
The Girl from Monaco
I Hate Valentine's Day
July 10
July 15
Harry Potter and the Half-Blood Prince
July 17
July 24
All Good Things
The Answer Man
In the Loop
July 29
July 31
The Cove
August 7
When in Rome
August 14
A Perfect Getaway
District 9
The Goods: The Don Ready Story
Ponyo
Pool Boys
Spread
The Time Traveler's Wife
August 21
Five Minutes of Heaven
Goose on the Loose!
It Might Get Loud
World's Greatest Dad
August 28
The Boat that Rocked
September 4
Amreeka
Carriers
Citizen Game
Shanghai
September 9
September 11
The Red Canvas
Tyler Perrys: I Can Do It All Myself
September 17
The Burning Plain
September 18
Brand New Day
Cloudy with a Chance of Meatballs
Jennifer's Body
Splice
September 25
October 2
A Serious Man
Toy Story/Toy Story 2
Film in Focus coverage of Tuesday night's Manhattan premiere of Sam Mendes' Away We Go, which I couldn't attend due to seeing The Hangover and then going to the Nurse Jackie premiere.
posted by Jeffrey Wells at 6:22 AM on Thursday, June 4, 2009
The forthcoming 45th anniversary Dr. Strangelove Bluray (Sony Home Video, 6.16) is more than a visual disappointment -- it's a flat-out burn. I paid $35 bills for it yesterday afternoon and I'm seething. It's hands down the worst grainstorm experience since Criterion's The Third Man because Sony's preservation and restoration guy Grover Crisp went the monk-purist route in the remastering and retained every last shard of grain in the original film elements. No John Lowry-styled finessing whatsoever.
posted by Jeffrey Wells at 5:09 AM on Thursday, June 4, 2009
The text of President Barack Obama's speech today in Cairo. I found it well phrased, intelligent, empathetic but frank, morally correct, etc. The haters on all sides will pause for a few minutes out of respect before reverting right back to square one
posted by Jeffrey Wells at 4:38 AM on Thursday, June 4, 2009
I've said this once before but the just-out Graduate Bluray, which looks very good but not magnificent, has prompted a restatement. One of my all-time favorite cuts (floating air mattress becoming a post-coital moment on a hotel bed) begins at 2:12. When's the last time a mainstream film used a cut of this type? It's almost like there's a federal law with penalties stating that editors can't go there. Unless I'm forgetting something.
posted by Jeffrey Wells at 11:11 AM on Wednesday, June 3, 2009
Asking again: if anyone has a PDF screenplay for James Brooks' untitled romantic comedy, please get in touch and we'll swap. I have lots of scripts. Variety's story about Jack Nicholson being cast as Paul Rudd's blueblood dad got me going. Reese Witherspoon and Owen Wilson will costar. Brooks' story reportedly "involves a love triangle, with Rudd (playing a white-collar executive) and Wilson both vying for Witherspoon's affections," etc.
posted by Jeffrey Wells at 11:00 AM on Wednesday, June 3, 2009
Land of the Lost "is halfway toward amusing, which means it's just as close to awful" writes Slate's Nick Schrager. "Given not only its adult tone, but also the impudence it shows its source material, this remake of the nostalgia-beloved 1974 Sid and Marty Krofft TV series -- here reconfigured into the tale of Dr. Rick Marshall's (Will Ferrell) journey sideways in time to a parallel universe where the past, present, and future collide--often flirts with the type of wild-abandon absurdity that demarcates Ferrell's successes from failures.
"Such nonsense, however, is dutifully interspersed with straightforward poop jokes, smashing chases, and screaming CG...Read More
posted by Jeffrey Wells at 10:55 AM on Wednesday, June 3, 2009
The legend is that whenever disaster movie director Irwin Allen yelled "cut!" on the set, the next words out of his mouth would always be "is everyone okay?" Allen's The Towering Inferno ('74), which he directed the action sequences for (while John Guillermin handled the straight-dialogue scenes), is pricey merd, of course. And yet I've watched it several times for the cheap and tawdry thrills (i.e., watching actors pretend to die horribly), and because of a sense of oddly enjoyable revulsion I get out of hearing the awful Maureen McGovern sing "We May Never Love Like This Again."
posted by Jeffrey Wells at 9:44 AM on Wednesday, June 3, 2009
The Maysles brothers' Meet Marlon Brando ('65) gets more entertaining every time I see it. The man was so far ahead of his time, so properly and good-naturedly disdainful of the old p.r. hubba-hubba routine, such a hound, so clearly attracted to any woman of color, so quick to narrow his eyes as he absorbs the yakkety-yak. No embed code but well worth watching.
posted by Jeffrey Wells at 9:34 AM on Wednesday, June 3, 2009
posted by Jeffrey Wells at 9:01 AM on Wednesday, June 3, 2009
Jett and I missed last night's 7 pm showing of the first two episodes of Showtime's Nurse Jackie, which will debut next Monday. But we attended the party -- a Peggy Siegal event at the Parker Meridien -- and ran into Jackie star Edie Falco, director Paul Schrader, former Fox News entertainment reporter and standup comic Bill McCuddy, Richard Jenkins and an assortment of journo pals. Here's the entire first episode, and Ken Tucker's review in the current EW. Here's Movieline's Stu Van Airsdale with his quotes and two cents.
posted by Jeffrey Wells at 8:02 AM on Wednesday, June 3, 2009
Click here to jump past the Oscar Balloon2009
Always refining, always looking for reasons to eliminate. Yes, that's the process.
Avatar (20th Century Fox), d: James Cameron; Whatever Works (Sony Classics), d: Woody Allen; Men Who Stare at Goats (no US distributor), d: Grant Heslov; Leaves of Grass (no US distributor), d: Tim Blake Nelson; The Boat That Rocked (Universal), d: Richard Curtis; Dallas Buyer's Club (Universal), d: Craig Gillespie; Untitled Nancy Meyers (Universal), d: Nancy Meyers; Ondine (no US distributor), d: Neil Jordan; Shanghai (Weinstein Co.), d: Mikael Hafstrom; Forgiveness (no US distributor), d: Todd Solondz; The Last Station (no US distributor), d: Michael Hoffman; Love Ranch (no US distributor), d: Taylor Hackord; Coco avant Chanel (Warner Bros.), d: Anne Fontaine; Nailed (Capitol Films), d: David O. Russell; Inglourious Basterds (Weinstein Co.), d: Quentin Tarantino.
PLUS: Lars von Trier's Antichrist, Cristian Mungiu's Tales From the Golden Age, Gaspar Noe's Enter the Void, a new Michael Moore documentary about profligate Wall Street bankers, Fatih Akin's Soul Kitchen, Michael Haneke's The White Ribbon, Jim Jarmusch's The Limits of Control, Ken Loach's Looking For Eric, Terry Gilliam's The Imaginarium Of Dr. Parnassus, Andrea Arnold's Fish Tank; Jean-Pierre Jeunet's Micmacs a tire-larigot.
Clint Eastwood (Mandela/Playing The Enemy); Rob Marshall (Nine); Mira Nair (Amelia); Paul Greengrass (Green Zone); Michael Mann (Public Enemies); Ang Lee (Taking Woodstock); Martin Scorsese (Shutter Island); Alejandro Gonzalez Inarritu (Biutiful); Sam Mendes (Away We Go); Jason Reitman (Up In The Air); Terrence Malick (The Tree of Life); Kathryn Bigelow (The Hurt Locker); Lone Scherfig (An Education); Peter Jackson (The Lovely Bones); Alejandro Amenabar (Agora); John Hillcoat (The Road); Jim Sheridan (Brothers); Joel and Ethan Coen (A Serious Man); Jane Campion (Bright Star), Nora Ephron (Julie and Julia).
Morgan Freeman (Mandela/Playing The Enemy); Daniel Day-Lewis (Nine); Javier Bardem (Biutiful); Matt Damon (The Informant/Green Zone); Viggo Mortensen (The Road); Leonardo DiCaprio (Shutter Island); Johnny Depp (Public Enemies); George Clooney (Up In The Air, Men Who Stare at Goats); Sean Penn (The Tree of Life).
Christopher Plumber (The Last Station); Matt Damon (Mandela/Playing The Enemy); Richard Kind (A Serious Man); Billy Crudup (Public Enemies); Mark Ruffalo (Shutter Island); Ewan McGregor (Amelia); Christian Bale (Public Enemies); Alfred Molina (An Education); Jamie Foxx (The Soloist); Kodi Scott-McPhee (The Road); Jonathan Groff (Taking Woodstock).
Michelle Williams (Shutter Island); Sophia Loren (Nine); Imelda Staunton (Taking Woodstock); Mo'nique (Precious: Based on the Novel by Sapphire); Marion Cotillard (Nine/Public Enemies); Kathy Bates (Cheri); Judi Dench (Nine); Rachel Weisz (The Lovely Bones).
Taking Woodstock (written by James Schamus, based on the book by Tom Monte); Nine (written by Michael Tolkin, Anthony Minghella; based on the novel by Arthur L. Kopit); Cheri (written by Christopher Hampton, based on the novel by Collette); Shutter Island (written by Brian Helgeland; based on the novel by Dennis Lehane); Mandela/Playing The Enemy (written by Anthony Peckham, based on the book "Playing the Enemy" by John Carlin; The Lovely Bones (written by Phillipa Boyens, Peter Jackson, Fran Walsh -- based on the novel by Alice Sebold); Public Enemies (written by Ronan Bennett, Ann Biderman, Michael Mann -- based on the book "Public Enemies: America's Greatest Crime Wave and the Birth of the FBI, 1933-34 " by Bryan Burrough); Amelia (written by Ronald Bass); Up in the Air (written by Jason Reitman; based on the novel by Walter Kirn);The Informant (written by Scott Z. Burns, based on the novel by Kurt Eichenwald).
Up (written by Bob Peterson); An Education (written by Nick Hornby); A Serious Man (written by Joel and than Coen); Broken Embraces (written by Pedro Almodovar); Away We Go (written by Dave Eggars, Vendela Vida ; Biutiful (written by Amando Bo, Nicolas Giacobone, Alejandro Gonzalez Inarritu); Whatever Works (written by Woody Allen); The Hurt Locker (written by Mark Boal); The Limits of Control (written by Jim Jarmusch)
Posted by Jeffrey Wells on February 23, 2009 at 4:36 PM
Alfred Hitchcock made a mystery guest appearance on What's My Line? in 1954. At the end of his stint some very lascivious dialogue [here's an mp3] transpired between himself and host John Daly:
Daly: "With a great many other thousands of people I've enjoyed Rear Window and last night I was in Atlantic City and I met miss Grace Kelly, who is one of your stars."
Hitchcock: "What did you do about it?"
Daly: "Well!....I had my wife and three children along and said it was very nice to meet her and said to Mrs. Daly...Read More
posted by Jeffrey Wells at 6:07 AM on Wednesday, June 3, 2009
It appears that In Contention's Kris Tapley has credibly confirmed that the title of Clint Eastwood's forthcoming South African rugby-and-racism drama (formerly known as The Human Factor or Playing The Enemy) is Invictus -- a Latin translation of invincible. The source is William Earnest Henley's 1875 poem "Invictus."
I've been in the tank for "Invictus" since my teenage years because of the phrase "bloody but unbowed," which Henley coined for the poem. Ditto "I am the master of my fate" (used ironically by Claude Rains' cynical gendarme in Casablanca) and "I am...Read More
posted by Jeffrey Wells at 3:29 AM on Wednesday, June 3, 2009
Page link, HuffPost riff: "President Obama answered by saying, in his best deadpan, that Conan O'Brien 'will do an outstanding job' and that he had discussed in the Oval Office 'how to manage this transition between Leno and Conan.' He did warn Conan, however, that there would be no bailout from Washington if he 'screws this up.'"
posted by Jeffrey Wells at 1:59 AM on Wednesday, June 3, 2009
"Shia is a young Wall Street trader who's engaged to be married to Gekko's estranged daughter. Shia wants to be a major player, but his mentor unexpectedly kills himself, and Shia thinks a stock-shorting worldwide hedge fund manager is responsible. Shia seeks revenge on this villain, to be played by No Country For Old Men Supporting Actor Oscar-winner Javier Bardem. So Shia goes to Gordon saying, 'I need your help', and makes a Faustian deal with Gekko who in return wants Shia's help getting back with the daughter. From then on, it's 'antagonism' for everyone, my insider says." -- Nikki Finke's summary...Read More
posted by Jeffrey Wells at 12:20 PM on Tuesday, June 2, 2009
My favorite features in the just-arrived Woodstock Bluray package: (1) the buckskin-covered holding box (complete with evenly-cut fringe); (2) the circular iron-on patch; and (c) a hard-cardboard replica of a three-day ticket for the August 1969 event, which cost $24. No time to watch but it's great so far.
From the sheet: Amazon-exclusive bonus disc with never-before-seen performance footage in hi-def from Grateful Dead, Jefferson Airplane, and Country Joe and the Fish plus three bonus featurettes; 40th Anniversary Ultimate Collector's Edition includes: (a) Lucite display with images from the festival; (b) 60-page commemorative LIFE Magazine reprint;...Read More
posted by Jeffrey Wells at 12:01 PM on Tuesday, June 2, 2009
Variety's Dave McNary reported today that Paul Haggis has written and will soon direct a thriller called The Next Three Days. It's a remake of Fred Cavaye's Pour Elle, a December '08 French release which costarred Diane Kruger and Vincent Lindon.
Lionsgate has acquired remake rights from Wild Bunch and Fidelite Films. Haggis and Michael Nozik will produce The Next Three Days through their production company Highway 61 Films, along with Marc Missonnier and Olivier Delbosc of Fidelite Films. Shooting will start in August.
An IMDB synopsis of Pour Elle reads as...Read More
posted by Jeffrey Wells at 10:54 AM on Tuesday, June 2, 2009
Jonathan Spuij from the Netherlands reports that he "just read something incredible. Pathe cinemas has just opened up a text-number to where you can send a complaint during a film about anything that's bothering you during the show, be it the wrong ratio, mice or someone using his mobile anything can be reported and they'll come and fix it asap.
"An example of the site [HE note -- no link was provided and I couldn't find a site that explains the text-complaint option] even mentions that you can send a text too when there are 'people on row 11 who just...Read More
posted by Jeffrey Wells at 10:45 AM on Tuesday, June 2, 2009
"Not necessarily that surprising, but industry polling for Michael Bay's Transformers: Revenge of the Fallen (Paramount, 6.24) is hinting that the highly anticipated sequel is already on a record-setting pace," reports HitFix's Gregory Ellwood. "Based on the data HitFix was provided, Revenge of the Fallen is on track to challenge The Dark Knight's 5-day record of $203 million last summer.
"The picture has mammoth interest with moviegoers of all ages and is so strong among younger males that it would easily have a massive opening if Paramount Pictures decided to open it tomorrow. Additionally, the...Read More
posted by Jeffrey Wells at 9:36 AM on Tuesday, June 2, 2009
Last week Machine Project in Echo Park showed Daniel Martinco's "15-minute meticulously re-spliced creation in a never-ending loop that transforms a moment" from Star Trek: The Wrath of Khan "into one of anguish (or snickering for the the audience) into a meditation, maybe even a mantra. This below clip "doesn't begin to do justice to the size, sound and hypnotic power of the real thing." -- from an LA Weekly piece that appeared last Thursday.
posted by Jeffrey Wells at 9:30 AM on Tuesday, June 2, 2009
Screenings of The Hangover this evening plus a gala screening at the DGA theatre for Nurse Jackie, the new Showtime series, plus an after-event. (Resulting in a regretful blowoff of a special sneak screening of Food Inc. at the Angelika Film Center.) Tomorrow night a Film Society of Lincoln Center evening screening of Michael Wadleigh's Woodstock plus a Taking of Pelham 123 press screening. The New York premiere of Elizabeth Chai Vasarhelyi's Youssou Ndour: I Bring What I Love plus an after-event plus a Woodstock Bluray press event and party the same day. Plus a second screening of Whatever Works. And and and....
posted by Jeffrey Wells at 8:44 AM on Tuesday, June 2, 2009
posted by Jeffrey Wells at 8:24 AM on Tuesday, June 2, 2009
Leo likes greyhounds and Antonio Villaraigosa like news anchors -- where's the harm? Nice pedicure, by the way. No offense, but she sounds like she's about a quarter-of-an-inch deep, if that.
posted by Jeffrey Wells at 7:50 AM on Tuesday, June 2, 2009
The following IMDB post about Greg Mottola's Paul, which starts filming later this month, is apparently legit: "A comedy about being an alien in America, even if you're not from outer space. Simon Pegg, Nick Frost, Jason Bateman Seth Rogen, Kristen Wiig and Sigourney Weaver costarring. Directed by Mottola, written by Pegg and Frost, Tim Bevan and Eric Fellner producing, Universal distributing, etc.
Paul is the story of Graham Willy (Pegg) and Clive Gollings (Frost), two sci-fi enthusiasts from the UK, who alight from a visit to San Diego Comic Con to Nevada's Area 51 for a spot of UFO...Read More
posted by Jeffrey Wells at 6:49 AM on Tuesday, June 2, 2009
Here's a basic view shared by certain people I know: "The sea is calm, you said. Peaceful. Calm above but below a world of gliding monsters, preying on their fellows, murderers all of them. Only the strongest teeth survive. And who's to tell me it's any different here on board or yonder, on dry land?" I'm not arguing this perception, but I abhor the manner and tendencies of those who live and act and behave by this view alone. For they are the dark men, the reactionaries, the weak sisters, the conservatives, the fearful, the militant Israelis and Ebenezer Scrooge's of this...Read More
posted by Jeffrey Wells at 6:12 AM on Tuesday, June 2, 2009
posted by Jeffrey Wells at 5:05 AM on Tuesday, June 2, 2009
"Okay, I'm big enough to admit when I'm wrong," writes Marshall Fine. "I apologize for calling Night at the Museum: Battle of the Smithsonian the most witless, humor-challenged movie of the summer. The winner and new champion: Land of the Lost. At least there's truth in advertising. See it and you lose your time, the money you spent on a ticket and, perhaps, the ability to walk upright without dragging your knuckles on the ground.
"With this film, Will Ferrell officially signals the end of his 15 minutes....Read More
posted by Jeffrey Wells at 4:36 AM on Tuesday, June 2, 2009
"Perhaps more than anyone else in the business, Zach Galifianakis embodies the rebellion against the outmoded Comedy Club circuit -- the exposed brick, the two-drink minimum, the indifferent audience, the 'regular guy with an attitude' routine -- which has come to be labeled the 'indie comedy' movement. 'Zach is so conceptual,' Sarah Silverman, who has known and worked with Galifianakis since the mid-'90s, told me. 'He's definitely part of the excitement of this shift, this idea of comedy as art. Whether he's at his piano, offering deadpan one-liners, or trying out some brand-new conceptual piece -- like the ways he uses musicians, or...Read More
posted by Jeffrey Wells at 4:06 AM on Tuesday, June 2, 2009
It's been alleged that somewhere on Tumblr, the blog of MTV Awards comedy writer Scott Aukerman, is a confession that the Bruno/Eminem incident was "yes, staged. That's all anyone wants to talk about, so let's get it out of the way. They rehearsed it at dress and yes, it went as far as it did on the live show."
Over and over the enacting of outrageous/uncomfortable/socially disruptive confrontation scenarios between GenY/late GenX entertainers. Over and over the moment-after suspicions that what we all just saw was staged. Over and over the confirmations arriving a day or two later that...Read More
posted by Jeffrey Wells at 3:08 AM on Tuesday, June 2, 2009
Bar Refaeli is an Israeli model who's primarily known for her relationship with Leonardo DiCaprio. She's the 2009 cover model of the Sports Illustrated Swimsuit Issue (lah-lah) and is currently on the cover of the new Esquire. What's the emotional-psychological essence of a guy who always goes for sleek leggy models like Refaeli and the nearly identical Giselle Bundchen? Never a buxom girl-next-door or a Reese Witherspoon maternal type -- always a striking greyhound.
posted by Jeffrey Wells at 4:19 PM on Monday, June 1, 2009
Film Threat critic Scott Mendelson actually posted this yesterday (5.31) on the Huffington Post, to wit:
"The big gossip news today is that John Travolta will not be doing publicity for Sony's upcoming The Taking of Pelham 123. Fair enough. The man lost his sixteen year old son in a freak incident just six months ago, so the idea of doing a junket and/or appearing on the late-night talk shows is probably not very appealing right now (if ever again).
"But here's the awkward situation. It stands to argue that the news that Travolta is not doing publicity, as revealed by...Read More
posted by Jeffrey Wells at 2:30 PM on Monday, June 1, 2009
Michael Moore's 6.1 rant about how General Motors systematically destroyed itself and decimated the lives of thousands of its employees is well taken and pretty much indisputable. But his suggestions about what should be done now are very wise and forward-thinking. 1. President Obama "must tell the nation that we are at war and we must immediately convert our auto factories to factories that build mass transit vehicles and alternative energy devices." 2. "Don't put another $30 billion into the coffers of GM to build cars [but] use that money to keep the current workforce -- and most of those who have...Read More
posted by Jeffrey Wells at 1:04 PM on Monday, June 1, 2009
Listen carefully to what Craig T. Nelson is saying to Glenn Beck, apart from his "seriously thinking" about not paying his taxes due to a lack of government accountability. If he's asking what happened to the first ton of bailout money (i.e., the amount that Congress approved last fall), he's not being unreasonable. Tyson director James Toback said a similar thing ("Where did it go?") during our interview last April. But I'm not sure Nelson is saying exactly that.
posted by Jeffrey Wells at 12:41 PM on Monday, June 1, 2009
posted by Jeffrey Wells at 6:50 AM on Monday, June 1, 2009
I don't understand the ecstatic notices for Sam Raimi's Drag Me To Hell , which I saw late yesterday afternoon. It's a stunningly sloppy and low-rent thing. There was reason to expect that Raimi would apply at least some of the focus and finesse that he showed in A Simple Plan and in portions of the Spider-Man films, but this is a shoddy and unintelligent wankoff from start to finish.
The story and human behavior are so contrived, hackneyed and illogical that all you can do is throw up your hands and say "what is this?" I understand the deal with...Read More
posted by Jeffrey Wells at 4:56 AM on Monday, June 1, 2009
I wasn't expecting all that much from Terminator Salvation, but I found it half-tolerable -- occasionally stirring and decently crafted, and propelled by a reasonably compelling story by John D. Brancato & Michael Ferris. It's basically a grab-bag tentpole whore piece (Terminator shards and remnants blended with The Road Warrior, Transformers and The Road), but it's also the best film McG has ever done, mainly because of a humanistic theme (i.e., what finally separates men from machines) that's agreeably delivered.
It's a curious thing to go into a film ready to hate only to...Read More
posted by Jeffrey Wells at 4:05 AM on Monday, June 1, 2009
European jet lag always throws you off for two or three days. It plays hell with concentration. The guys and I went to a double-header yesterday at Leows' 84th Street -- Terminator Salvation and Drag Me To Hell. We got back home in the early evening and I immediately went online, but all I could do was surf like a zombie. And an hour from now I have to drive Dylan and his stuff to Philadelphia, where he's enrolled in the University fo the Arts and where he'll be working and living thissummer Out of commission until sometime this evening. 5:25 pm Update:...Read More
posted by Jeffrey Wells at 3:11 AM on Monday, June 1, 2009
This CNN deer-jumping video summons a traumatic event that I've been suppressing for the last nine days. I was driving my rental car on a dark country road in Denia, the Spanish port town located a half-hour south of Valencia, around 10 pm or so, and going about 30 or 35 kph when I suddenly hit a dog. A smallish mutt ran right in front of me....whump. He/she was chasing a dark cat, which had run in front of the car a split second earlier. There was no time to stop. Over before I had a chance to react.
posted by Jeffrey Wells at 2:16 AM on Monday, June 1, 2009
posted by Jeffrey Wells at 7:35 PM on Sunday, May 31, 2009
"But really, what makes Pontypool worth watching is that fascinating (and often underutilized) actor, Stephen McHattie. With his sunken cheeks and eyes that burn with a kind of canny madness, McHattie, playing the reluctant hero, is completely believable, a guy with demons who suddenly finds that the world is even scarier than his interior landscape. Language is a virus, Laurie Anderson once sang - and Pontypool takes that notion to frightening extremes." -- Hollywood & Fine's Marshall Fine in a 5.29 review.
posted by Jeffrey Wells at 8:25 AM on Sunday, May 31, 2009
"The harrowing truth remains unchanged from what it was before Dick Cheney emerged from his bunker to set Washington atwitter. The Bush administration did not make us safer either before or after 9/11. Obama is not making us less safe. If there's another terrorist attack, it will be because the mess the Bush administration ignored in Pakistan and Afghanistan spun beyond anyone's control well before Americans could throw the bums out." -- from Frank Rich's column in today's N.Y. Times, called "Who Is To Blame for the Next Attack?"
posted by Jeffrey Wells at 8:07 AM on Sunday, May 31, 2009
If you were casting around for an actor to play a good-time 30something guy with a beard, a barrel chest and a wisecracking mouth, would you go with The Hangover's Zach Galifianakis or Humpday's Joshua Leonard? Appearance-wise the differences are mainly about weight (Galifianakis is bulkier) and hair color (Leonard's hair is blondish). Is the Galifianakis similarity the reason Leonard's beard was shaved off for the Humpday release poster?
posted by Jeffrey Wells at 5:49 AM on Sunday, May 31, 2009
If you're in LA, Jack Morrissey says it's absolutely essential to visit the Rubber Room's Monsterpalooza at the Burbank Marriott Convention Center, which features the work of Drag Me To Hell model/prosthetic guy Greg Nicotera (also the creator of "Bruce" in Jaws and Dirk Diggler's appendage in Boogie Nights). But today's the last shot! Here's Nicotera talking to Time Out.
posted by Jeffrey Wells at 3:53 AM on Sunday, May 31, 2009
Taken Friday night on Barcelona's La Rambla, maybe six or seven blocks north of the harbor.
posted by Jeffrey Wells at 7:40 PM on Saturday, May 30, 2009
posted by Jeffrey Wells at 7:29 PM on Saturday, May 30, 2009
My son Dylan and I happened to be standing on 6th Ave. and 36th Street around 7:35 or 7:40 pm when President Barack Obama's motorcade came howling by. He and Michelle had been to dinner at a West Village restaurant called Blue Hill, and were on their way to the Belasco theatre for a performance of Joe Turner's Come and Gone.
I didn't know what was up at first. Something obviously was with all the cops around and the cross streets blocked off. More and more...Read More
posted by Jeffrey Wells at 6:51 PM on Saturday, May 30, 2009
With all the hullaballoo over the last several months about John Madden's Killshot being delayed, regionally released (barely) and generally being shown little love by the Weinstein Co., you'd think there'd be a bit more reaction to this adaptation of an Elmore Leonard thriller coming out four days ago on DVD. Apparently it's a bit underwhelming, but are there any HE reader reactions?
"Killshot hasn't enjoyed the easiest road to a suitable release," wrote DVD Talk's Brian Ondorf. "Filmed nearly four years ago, the picture suffered through endless rounds of editorial indecision,...Read More
posted by Jeffrey Wells at 12:52 PM on Saturday, May 30, 2009
The first message I read after landing this afternoon was from former Newsday film writer Lewis Beale, to wit: "Don't know if you're back, but you should check out Pontypool, a Canadian low budget zombie flick. It plays like a horror film written by a semiotician. Utterly unique."
N.Y. Times critic Stephen Holden wrote that "when one infected character is reduced to spouting gibberish as she suicidally hurls herself at [a] glass booth that has become a fortress against the zombie terror, the notion...
posted by Jeffrey Wells at 12:20 PM on Saturday, May 30, 2009
Got into JFK from Barcelona around 1:30 pm. Currently sitting in the terminal that houses Iberia Airlines, waiting for son Dylan's plane to arrive at 4:07 pm. Sitting next to a Starbucks, a Subway and other manifestations of corporate sterility. It was awfully nice to be away from all that. Yes, corporate chain branding is ubiquitous worldwide, but the climate feels a tad earthier and more home-grown in Europe.
posted by Jeffrey Wells at 11:57 AM on Saturday, May 30, 2009
posted by Jeffrey Wells at 9:56 AM on Friday, May 29, 2009
"I caught The Hangover at a screening in London a couple of weeks ago, and it really was a great little comedy," says HE reader James Smith. "Zach Galifianakis is superb, and the sequence in the [end] credits is fantastic -- the night they can't remember is finally seen through digital camera photos (although I overheard a few studio people say at my screening that a couple of frames featuring a blowjob won't be in the final released version).
"It doesn't reinvent the wheel, but you wouldn't expect it to. It's loud and it's stupid, but not derivatively or in a way that...Read More
posted by Jeffrey Wells at 9:45 AM on Friday, May 29, 2009