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An Education (PG-13)
by Roger Ebert

"An Education" tells the story of a 16-year-old girl who is the target of a sophisticated seduction by a 35-year-old man. This happens in 1961, when 16-year-old girls were a great deal less knowing than they are now. Yet the movie isn't shabby or painful, but romantic and wonderfully entertaining.

Antichrist (No MPAA rating)
by Roger Ebert

The term antichrist is commonly used to mean "the opposite of Christ." It actually translates from the original Greek as "opposed to Christ." This is a useful place to begin in considering Lars von Trier's new film. The central character in "Antichrist" is not supernatural, but an ordinary man, who loses our common moral values. He lacks all good and embodies evil, but that reflects his nature and not his theological identity.

Amelia (PG)
by Roger Ebert

I am drawn to every news story about the attempts, which still continue, to solve the mystery of Amelia Earhart's disappearance on July 2, 1937. It's pretty clear she ditched at sea, but you just never know. Those clues found on a Pacific atoll are tantalizing. It is not her disappearance but her life that fascinates me.

Astro Boy (PG)
by Roger Ebert

"Astro Boy" is yet another animated comedy in which the hero, who is about the same age as his target audience, is smarter, braver and stronger than the adults in his world. Toby is also a quick learner; after he dies in an accident, he's reborn inside a robot that looks just like him and retains all of his memories. His father, in fact, treats him just like the original Toby. But Toby is dead! my inner logician insisted. Here's a good question: Does Astro Boy with Toby's memory wonder why he is a robot and can fly?

Motherhood (PG-13)
by Roger Ebert

"Motherhood" is about a conventional family living a conventional life in a conventional way. This life isn't perfect, but whose life is? The father is absentminded but means well, the kids are normal, the mother is trying to juggle parental duties and her plans for a career. This could be countless families. Why do we require a movie about this particular one?

Walt and El Grupo (PG)
by Roger Ebert

Looking back, Walt Disney felt that 1941 was the worst year of his life. He felt betrayed when his animators went on strike and forced him to shut down the new studio he'd just built with the profits from "Snow White and the Seven Dwarfs," "Pinocchio" and "Fantasia." As labor negotiations dragged on, Disney did what no other Hollywood studio chief would have done. He packed his wife and 16 important employees on an airplane and embarked on a goodwill tour of South America.

Cirque du Freak: The Vampire's Assistant (PG-13)
by Roger Ebert

"Cirque du Freak: The Vampire's Assistant" includes good Vampires, evil Vampanese, a Wolf-Man, a Bearded Lady, a Monkey Girl with a long tail, a Snake Boy, a dwarf with a 4-foot forehead and a spider the size of your shoe, and they're all boring as hell. The movie has good special effects and suitably gruesome characters, but it's bloodless.

Where the Wild Things Are (PG)
by Roger Ebert

"Where the Wild Things Are" reflects so much of a plucky little kid: the flirting up of anger at a parent, the defiant escape into fantasy, the tough talk in a tight situation, the exuberance and then the fundamental need to return home and be loved and reassured. All of these stages are explored in Maurice Sendak's famous 1963 children's book, which contains only nine sentences. Ah, but what sentences they are when given resonance by his drawings.

Black Dynamite (R)
by Roger Ebert

I've seen a lot of 1970s blaxploitation films, and I'm here to tell you that "Black Dynamite" gets it mostly right, and when it's wrong, it's wrong on purpose and knows just what it's doing. It's one of those loving modern retreads of older genre movies.

The Damned United (R)
by Roger Ebert

Imagine if Al Lopez, not long after leading the White Sox to their 1959 pennant, had resigned to take Casey Stengel's job at the Yankees, insulted the players and fans, and plummeted the team into a losing streak. That would parallel the career of Brian Clough, who led the underdog of Derby County to British football glory, and then took the manager's job at its hated archrival, Leeds United, and informed the players they were hooligans.

We Live in Public (No MPAA rating)
by Roger Ebert

I'd never heard of Josh Harris, who is billed in "We Live in Public" as "the greatest Internet pioneer you've never heard of." I can be excused for thinking Harris was the fictional hero of a pseudo-documentary, until the film quickly and obviously became authentic. It's not often you see a doc that's been filmed over a period of 15 years.

Law Abiding Citizen (R)
by Roger Ebert

"Law Abiding Citizen" is a taut thriller about a serial killer in reverse: He's already in prison when he commits all but one of his many murders, and in solitary for most of that time. So the story is a locked-room mystery: How does he set up such elaborate kills? Does he have an accomplice outside the walls, or what?

New York, I Love You (R) (10/14) »

Rashomon (No MPAA rating) »

A Serious Man (R) (10/7) »

Couples Retreat (R) (10/7) »

Paranormal Activity (R) (10/7) »

Trucker (R) (10/7) »

Q. You ask questions about zombies at the end of your "Zombieland" review. If we set aside the George Romero playbook, which states that "they're us" and which makes associations between zombies and American consumer culture, the military complex and technological addictions, the general purpose of zombies is simply to give audiences a glimpse of what happens to the body after death.
Leon Morin, Priest (No MPAA rating) (1961)
by Roger Ebert

At the Siskel Center 10/23-29.

In 1961, one year after he appeared in "Breathless" and two years after she appeared in "Hiroshima, Mon Amour," Jean-Paul Belmondo and Emmanuelle Riva made "Leon Morin, Priest." They were both in the white heat of their early careers; Belmondo would make five other films that year. The director was Jean-Pierre Melville, known for his films about gangsters and the Resistance. A crime film might have been ideal for them, but instead they filmed this story at the intersection of desire, religion and politics.
by Roger Ebert

"These two newlyweds are driving down to Florida on their honeymoon," Lou Jacobi was telling me. "The guy puts his hand on his wife's leg. 'We're married now,' she tells him. Why don't you go a little farther?' So, he goes to Fort Lauderdale."

This was in a restaurant in Toronto in 1999, where we were having lunch before Lou was scheduled to dedicate his star on Canada's Walk of Fame. Lou died Friday at 96.

Has there been a more harrowing and courageous performance this year? Willem Dafoe plays a wholly evil man occupying a wholly evil world in Lars on Trier's "Antichrist," a new film that challenges its viewers so boldly that some have fled from the theater. Von Trier's films often stir up heated discussion, but never has he made a film quite this formidable.

by Roger Ebert

In her next film, Gabby Sidibe will play Miss Popularity. This is a fair distance from the abused, fearful victim she plays in the title role of "Precious." People half-convinced the actress must be like the character will need a readjustment.

by Roger Ebert

Passes go on sale Nov. 1 for Ebertfest 2010, which will be held April 21-25, 2010 at the restored Virginia movie palace in Champaign-Urbana. The cost is $125, which covers all 12 screenings. The panel discussions are free and open to the public.

by Roger Ebert (1986)

Cary Grant is dead, and with him dies an era in motion picture history. The man who combined debonair charm, classic grace and a subtle sense of the sinister in some 72 movies died late Saturday of a stroke in Davenport, Iowa. He was 82.

The Five Obstructions (No MPAA rating)
by Roger Ebert (2004)

"The Five Obstructions" is a perverse game of one-upmanship between the Danish director Lars von Trier and his mentor Jorgen Leth. In 1967, we learn, Leth made a 12-minute film named "The Perfect Human." Von Trier admired it so much he saw it 20 times in a single year. Now he summons the 67-year-old Leth from retirement in Haiti and commands him to remake the film in five different ways, despite obstructions which von Trier will supply.
Director Mary Harron, on working with Christian Bale to develop the character of Patrick Bateman in "American Psycho":

"We talked about how Martian-like Patrick Bateman was, how he was looking at the world like somebody from another planet, watching what people did and trying to work out the right way to behave. And then one day he called me and he had been watching Tom Cruise on David Letterman, and he just had this very intense friendliness with nothing behind the eyes, and he was really taken with this energy."

Wild Things, Take 2

Sex and subtitles: An Open Mind is Advised

Where the Mopey Things Are

Paranormal Activity: Boo!

A Serious Man: Kafka in Minnesota

For Falcon

Bill Maher attempts to corroborate his theory that Americans are stupid by behaving like one

Sarah Silverman: Sell the Vatican, feed the world

Wild Things of Oz

Antichrist: A pew in satan's church



> > > >

The Opening Shots Project Index

It has been argued that universal health care is an offense against individual liberty. I've been told by readers that they'll deal with their own health care, thank you very much, and have no interest in government interference. At root this is a libertarian argument; conservatives are more likely to oppose it on the grounds that it undermines the free enterprise system. They warn of a Nanny State.

I met a man who didn't sleep. This was in the summer of 1988. I was in Toulouse, France, to visit a friend I'd made some years earlier in London, Dominique Hoff. Her sister, Marie-Christine, told me: "There is a man you must meet. He's the smartest man I know. He was my professor in dental school. He invents dental tools, and he can fix anything with his hands. He and his wife have converted a big old barn in the country into a home and workshop and a place for his collection." His collection? I said. The sisters laughed. "You'll see."

Post your own CIFF feedback

Tina Mabry's "Mississippi Damned," an independent American production, won the Gold Hugo as the best film in the 2009 Chicago International Film Festival, and added Gold Plaques for best supporting actress (Jossie Harris Thacker) and best screenplay (Mabry). It tells the harrowing story of three black children growing up in rural Mississippi in circumstances of violence and addiction. The fim's trailer and an interview with Mabry are linked at the bottom.

thumbs
Linked here are reviews in recent months for which I wrote either 4 star or 3.5 star reviews. What does Two Thumbs Up mean in this context? It signifies that I believe these films are worth going out of your way to see, or that you might rent them, add them to your Netflix, Blockbuster or TiVo queues, or if they are telecast record them.

Gathered here in one convenient place are my recent reviews that awarded films Zero Stars, One-half Star, One Star, and One-and-a-half Stars. These are, generally speaking to be avoided. Sometimes I hear from readers who confess they are in the mood to watch a really bad movie on some form of video. If you are sincere, be sure to know what you're getting: A really bad movie.

in theaters
9
on dvd
Ice Age: Dawn of the Dinosaurs  (10/27)
Orphan  (10/27)
Up  (11/10)
A Christmas Tale  (12/1)
The Cove  (12/8)
ebert's dvd commentaries








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