swell_season575x225.jpg The Swell Season


ANTI- Records was founded in 1999 as a sister label to Epitaph Records. It's the byproduct of  its founder, Bad Religion guitarist Brett Gurewitz, growing up a bit and realizing that he has broadened his musical horizons beyond just punk rock. Sure, the Distillers and one of ANTI-'s earliest signings, Tom Waits, are both punks at heart, but they hardly make good labelmates.

The latest crop of releases from the Swell Season, Neko Case, Os Mutantes, Islands and Booker T. are kind of all over the place stylistically; they almost make you think there oughtta be yet another sublabel under the Epitaph roof. Irish-Czech emo-pop (the Swell Season), cheeky alt-country (Case), Brazilian psychedelia (Os Mutantes), Hammond organ-infused blues-rock (Booker) and preciously baroque indie rock (Islands) hardly share a common note, but maybe that's the point.

Here's a taste of free tracks from the label's latest.

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Just when I was getting the feeling that we should abolish the U.S. Congress, their fabled book wing, the Library of Congress, has awarded Paul McCartney the third Gershwin Prize for Popular Song (the first two recipients were Paul Simon and Stevie Wonder).

I didn't even know that the Library of Congress has a Librarian of Congress, but it does and his name is James H. Billington. He stated, about Macca, "It's hard to think of another performer and composer who has had a more indelible and transformative effect on popular song and music of several different genres than Paul McCartney." On a side note, I would say that John Lennon and Bob Dylan have had as indelible an effect as Macca. I'd add that like Stevie Wonder, Macca has also revolutionized how artists now use the studio and how trippy pop music can actually sound

Of course, the 150 or so Beatles tunes that Macca either penned ("I've Just Seen a Face," "Drive My Car," "Black Bird") or co-wrote are a big part of this award. But, let's use this as an opportunity to look at some solid McCartney albums from his solo years (a mix of quite wonderful, sublime, neat-sounding but empty-headed, and just bloody awful).

Both Lennon and McCartney have stated that they didn't write for the public -- they wrote to impress each other. They also complemented each other's strengths and weaknesses. When that partnership dissolved, McCartney decided that the only way he could work against the legacy of the Beatles would be if he decided that anything he did would be OK. If something wasn't that good it wouldn't be the end of the world. He was right -- the world didn't end but some of his stuff wasn't any good.

This has led to so much misplaced aging rocker hostility that Macca's creative rebirth during the 2000s has pretty much gone unnoticed. Recent songs like "She's Given Up Talking" keep things sonically interesting (which, face it, is all that acclaimed hip-hop producers do) while combining his old, decidedly weird mix of bad vibes and aloof positivity. Stranded on an island of fame, expectation, adulation and disappointment, the Paul McCartney mantra is summed up on his 2008 tune "Don't Stop Running."

Here are some Macca solo discs to check out on Rhapsody, starting with his new live set. And, of course, you can listen to all these, right now and forevermore, with your Rhapsody membership. We have over 8 million songs, available anytime and (with the Rhapsody iPhone app) anywhere. Click here to get on board with a free trial.

On the Record: Raekwon



On the Record is a video series where rock stars gush about their favorite records -- in exactly 45 seconds.

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Lemmy on the Beatles and more in the rest of our On the Record series.




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Over the past decade, the definitions of "alternative" and "indie" have become increasingly subjective. An independent artist can quickly attract a mainstream following thanks to instant blog/social-networking stardom, and a major-label luminary can venture into decidedly "indie" sounds (which in itself really has no concrete meaning). Alternative and indie can refer to artists who delve into rock, pop, electronic, world, jazz, classical -- sometimes all at once. It's a genre that refuses to be a genre. Its essence is to reject classification and celebrate eccentricity, abstractness and autonomy.

So this is by no means a definitive list; it's simply an acknowledgment of artists that have managed to continually stand out, whether they're Brits, Canadians, Brooklynites or a solo dude holed up in a Midwestern cabin. Though many of the artists represented here belong to some sort of revival -- post-punk, synth-pop, classic rock, garage-rock, shoegazer, folk -- each has imprinted their genre with a distinctly modern touch that will forever be recognized as quintessential '00s, a decade when innovation was steered not by looking to the future but by honoring the past.

Be sure to listen to all the artists mentioned here, anywhere and anytime in high-def audio, with your Rhapsody subscription. Not a member? Click here for a free trial and get on board with the ultimate music experience.

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Sex! Fame! Fashion!  It’s been a great year for Lady Gaga, who's become the world's most controversial pop star with her sexually charged, dance-inspired electro-rock that's as confrontational as it is catchy. Now she tops it all off with The Fame Monster, which you can hear a week early on Rhapsody with your free trial membership. A-list premieres, however, are just one of many reasons you should give Rhapsody a spin. We've compiled a few others below, from customized  radio stations to professionally built playlists in high-def audio, plus views, news and more tunes than you could play in a lifetime -- whether on your PC, your stereo, or our brand new iPhone app. Not a Rhapsody subscriber? Sign up for a free 14-day trial, then crank the latest and greatest from Lady Gaga, including The Fame Monster.

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Review: Our critics discuss Gaga's The Fame Monster
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lady_gaga_album_review575x225.jpg (In addition to great premieres from your favorite artists, cool radio stations and exciting exclusives, Rhapsody also offers in-depth album reviews written by our team of nationally renowned music critics. Be sure to drop us a note in the comment field to let us know if you agree or disagree with our album assessments, and sign up today for your free Rhapsody trial. Also! This just in: our friends at VH1 are having a smashing contest to win a trip to NYC to see Gaga in concert! Won't you click on by.)

It's a deluxe album as only Gaga could do it: larger than life, over the top and, yes, even monstrous. The Fame Monster is stuffed to the gills with eight -- count 'em, eight -- new tracks. Most don't radically depart from her debut's uber-hipster dance-pop vibe, but they do reinforce Gaga's particular talents -- namely, making somewhat familiar musical ideas a wee bit edgy and a whole lot addictive. The vaguely tropical pop of "Alejandro," with its borderline-telenovela drama, for instance, is positively coated in "La Isla Bonita" and "Fernando" (down to the similar sound of its love object's name). It's so close, it's almost a cover -- and yet, something is slightly off. This is where Gaga lives, right smack in the midst of our comfort zone, where she sets up camp with the goal of screwing it up, just a little bit, just enough so that we feel not quite as certain of where we are. Then there's the Beyonce-featuring "Telephone." Now undoubtedly, this is a calculated collaboration from which both of these artists will benefit. And frankly, nothing about it is shockingly novel. But that's what's kind of interesting. Beyonce's cameo sounds every inch like a Beyonce track -- that's immersed in a track that's every inch Lady Gaga. Despite her relative youth as an artist, Gaga at once manages to pay tribute to those who have gone before her and yet make those influences her own.
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Freaky, cheeky and chic, Lady Gaga is one of those pop sensations that somehow manages to delight the masses without losing any cool points with the fashion-making elite. On one level the multitalented Gaga has bucked the dance-pop trend by being completely in charge of all aspects of her career (her musical abilities are old world, while her marketing acumen is cutting-edge). It's as if Britney suddenly developed Regina Spektor's musical pedigree and Madonna's stylish pop smarts. Not a bad way to build a career.

Yet while the accurately titled The Fame Monster adds eight new tracks to Gaga's debut, where do you go when you want more Gaga-style pop thrills?

That is where Rhapsody comes in. The simplest things to do is listen to our radio stations that feature Gaga, like Pop Hits and Dance Crossover Hits.


As usual with Rhapsody Radio, if you hear something you especially like, simply click on the artist or album in the Rhap player, and you can jump off the radio station and start digging the new tunes immediately. Or, you can keep listening to the station and just go down the saved radio song list and either replay it, save it for later, or delete it and go on to something else. It's music discovery made easy.
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On Rhapsody, Lady Gaga even gets her own artist station, where you hear plenty of her music mixed in with material from other hitmakers like Gwen Stefani and Katy Perry, as well as artsier influences such as Goldfrapp and Scissor Sisters. Of course, we also include Lady Gaga's guest appearances on other albums. She is one busy lady.

At Rhapsody, we even have a feature where you can create and name your own unique radio station with the music of up to 10 artists. There are no limits or restrictions. You can combine Lady Gaga with whatever you want. If you feel like slotting Fergie, Black Sabbath, Creed and the Osmonds next to the Lady on your own personal Rhapsody Radio Station you go right ahead -- she seems pretty open-minded.   

 
lady_gaga_pop_goddess575x225.jpg (In addition to great premieres from your favorite artists, cool radio stations and exciting exclusives, Rhapsody also offers in-depth reviews, analysis and fun features written by our team of nationally renowned music writers. Be sure to drop us a note in the comment field to let us know if you agree or disagree, and sign up today for your free Rhapsody trial.)

She hit the charts running with brain-numbing dance track after brain-numbing dance track about getting messed up and dancing that are layered with (not-so) hidden messages about bisexuality and S&M. She makes weird, confusing, campily glam/glammily dark videos that live in that who-knew-it-existed land between telenovela and dirty hipster nightclub. She not only doesn't deny rumors that she may be intersexual (old-school translation: a hermaphrodite), she encourages them. And come on, people, she wears outfits made entirely out of stuffed Kermit the Frogs. More than a year after she released her wildly successful debut and as she drops a deluxe version of The Fame that's jam-packed with new tracks, we're left wondering just who -- or perhaps more accurately, what -- Lady Gaga is. In honor of Rhapsody's exclusive early premiere of The Fame Monster, we set out to try to address that question, to dissect the Lady Gaga phenomenon. What we discovered, however, is that -- and this should come as no surprise -- there is not one answer but many.


Playlists: Gaga for Gaga

lady_gaga_playlists575x225.jpg Oh, Lady Gaga. We love everything about you, from your weird, childlike name to your endless costume changes. You define pop stardom even as you mock it. And you trusted so fiercely in “the Fame” that you made yourself famous by the sheer power of self-belief (and maybe a little hard work). Bravo. Tony Robbins couldn’t have done it better.

But people. Don’t forget that Lady Gags is not just a fashion icon, not just a purveyor of top-class video events, not just a provocative performer. It’s about the music, dears. The music. And so we survey the pop scene Gaga has entered -- and reinvented -- with a bunch of playlists to get you going.

And, of course, you can listen, collect and share all these great tracks with your free Rhapsody trial membership. Sign up today.
lady_gaga_homosexuality575x225.jpg Lest there be any doubt about it, Lady Gaga wants us to know that her song "Poker Face" is about fantasizing about women when she's hooking up with men. (It's a double entendre, capiche?) Sure, you could write that off as merely an attempt to stir up a little controversy -- although, if it's a ploy, it pales in comparison with her teasing suggestion that she may or may not have hermaphroditic features. But Gaga has backed up her sexuality in interviews, insisting that "people are born the way they are," and she's vocal in her support for gay and lesbian communities. Whatever you may think of her music, it's a refreshingly different approach from Katy Perry, who flirts with Sapphos on "I Kissed a Girl" -- mostly for the benefit of her ego and her boyfriend -- and then gets regressive on "Ur So Gay," her ode to an insufficiently butch boyfriend. ("I hope you hang yourself with your H&M; scarf" -- classy!)

But pop music has always been a proving ground for the public's evolving attitudes toward sexuality, from Little Richard to Liberace, Prince to Peaches, out-and-proud disco to rap's confused "No homo." Check these key moments in gay-themed pop from the past few decades, and add your own favorite picks in the comments below.
Frank&Ella.jpgWelcome back to Frank's World, where I get to bore complete strangers by waxing rhapsodic about the vast Sinatra universe.

One thing about Frank Sinatra: he was not shy about letting people know what musicians and singers he admired (read a past post on Sinatra and Lester Young here). Probably the artist he complimented most, including Lady Day, was Ella Fitzgerald.

Ella Fitzgerald and Sinatra came up together during the big band era. They were both popular with the public during this time and were admired by other singers and musicians for having perfect pitch. They grew up in tough yet somewhat isolated neighborhoods outside New York City and were misfits in different ways, which ended up carrying through in their music.



lady_gaga_synth_pop575x225.jpg Ever since the early days of MTV, Flock of Seagulls haircuts, and Spandau Ballet new romanticism, it's been widely accepted that synthesizer pop is a mostly British (or at its weirdest, continental European) phenomenon: "Glitter-disco-synthesizer night school, all that noble savage drum drum drum," the band X ranted in their 1983 anti-Anglo tirade "I Must Not Think Bad Thoughts." Americans were just too gritty and guitar-loving for all that silliness, right? Well, not all of them. Lady Gaga is only the latest -- and potentially the biggest -- artist from U.S. shores to re-imagine Anglo/Euro technopop, fashion sense and all. Here's a rundown of electronically inclined Americans who preceded her.
electronic.png Probably the most important thing that happened to electronic music in the '00s was its acceptance as a more or less everyday part of popular music, period. Sure, subgenres like house and techno persevered, and onetime blips blossomed into full-blown global subcultures -- witness U.K. garage's resurrection as dubstep, a transformer of a genre currently plowing a juggernaut across just about everything in its path. But electronic music's once-marginal techniques found themselves diffused into every capillary of the pop bloodstream, from Kanye's Auto-Tune conceptualism to Lady Gaga's trance makeover. The point is no longer what is or isn't "electronic," but what musicians do with the tools at hand -- and how they interpret the legacy of all the disco auteurs and avant-garde freaks that made our contemporary soundscape possible. So this list isn't necessarily a definitive list of the "best" electronic albums of the '00s. Consider it, instead, a sampling of some of the decade's more provocative (or at least prescient) statements, from the underground to the charts.

Be sure to listen to all the artist mentioned here, anywhere and anytime in high def audio, with your Rhapsody subscription. Not a member? Click here for free trial Rhapsody membership and get on board with the ultimate music experience.


John Mayer: Battle Ready

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John Mayer is one of the most celebrated and popular singer-songwriters of his generation. His earnest and earthy take on pop music is assured, mature and sultry. Battle Studies is the latest chapter and is premiering here on Rhapsody, one week early, which we think is pretty cool. A-list premieres, however, are just one of many reasons you should give Rhapsody a spin. We've compiled a few others below, from customized  radio stations to professionally built playlists in high-def audio, plus views, news and more tunes than you could play in a lifetime -- whether on your PC, your stereo, or our brand new iPhone app. Not a Rhapsody subscriber? Sign up for a free 14-day trial, then crank the latest and greatest from John Mayer, including Battle Studies.

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Mayer Review


Review: Our critics discuss Mayer's Battle Studies
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John Mayer Twitter Contest

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Happy days are here again -- it's time for another Twitter Contest to help get the word out on our one-week-early premiere of John Mayer's Battle Studies. You can stream the album via Rhapsody -- so like, on Rhapsody.com, the Rhapsody desktop client on your PC, through the Rhapsody TiVo app, and of course on your iPhone via our sweet app, along with a dozen or so other places -- starting on Nov.10, so that's when our Twitter contest kicks off. Tune into Twitter.com/rhapsody from today until Nov. 17th. There, we'll drop a trivia question at three random times during the next seven days. Anyone who responds with the correct answer will be entered into that day's contest. Be sure to send in your answer by the deadline or it won't count. Also -- and this is IMPORTANT -- be sure to include the hash-tag #rhapsodymayer in your answer.

Winners be selected at random to receive either a Rhapsody $50 gift card or a Rhapsody-enabled Philips Streamium NP2900. Of course, you'll need your Rhapsody membership to enjoy the full benifits of these devices, so sign up right here for your free Rhapsody subscription, where you can rock out with John Mayer to your heart's content and share your favorite songs and artists on Facebook and Twitter.

On the Record

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