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The Onion (A.V. Club)

There are a ton of catchy songs here: Almost every track on the album has something that grabs the attention.

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Alternative Press

There are more detours, from austere acoustic avenues to vocodered pop to '80s disco, to fill you with hope for the next decade's offerings. [Feb 2010, p.94]

Absolute Punk (Staff reviews)

Without a doubt, this is all a lot to swallow, especially for long time fans of the band. Pure pop escapism this isn't, but as proof-positive that a band can evolve into legitimate artists without resorting to navel-gazing, it's wholly triumphant.

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musicOMH.com

Fridmann's production has given the band a whole new environment in which to play, and they've had their fun whilst making great, powerful music in the process.

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Rock Sound

Of The Blue Colour Of The Sky displays that Damian Kulash and co are perfectly capable of writing more grown-up, experimental material.

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Filter

It's not oblivious as what Fridmann's achieved with Flaming Lips and MGMT, but OK's new found raunchiness is still dreamy, and Kulash manages genuine soul-boy vocal points through the angular groove of "WTF?" and the sweetly-swaying bump of "White Kniuckles." [Holiday 2009, p.95]

Billboard.com

The set careens confidently from the Prince-inspired fuzz-funk of opener "WTF?" to the slinky live-band R&B; of "I Want You So Bad I Can't Breathe" to "This Too Shall Pass," a thudding psych-pop anthem in the mold of "Kids" by MGMT. It's not all so good-naturedly goofy.

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Boston Globe

The foursome collaborates with Flaming Lips producer Dave Fridmann for some trippy soul-tinged rock experiments that make for a fascinating if somewhat hit-or-miss listen.

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Spin

Unlike Beck during his purple-paisley "Midnite Vultures" phase, Damian Kulash employs a soul-freak falsetto that's sincerely accurate, and with the help of Lips producer David Fridmann, he and his power-pop pals master the Okie pranksters' baroque whirls.

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Clash Music

Bursting with promise, OK are more than their name suggests.

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BBC Music

The band’s lack of a defining musical style has proven an advantage here, as frontman Damian Kulash and co. were clearly able to explore their boundaries, unconfined by audience expectations.

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Entertainment Weekly

He's better at riding the power-pop rainbow of ''All Is Not Lost,'' a sing-along for hipsters who remember how to party unironically.

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Rolling Stone

It's mostly a psychedelic, smarty-pants dance party; no gym machines necessary.

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Sputnikmusic

There is still much to work on for OK Go, but at the very least, the progression on display this time around is rather admirable.

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Uncut

They clearly asked Dave Fridmann to produce for his MGMT work rather than his exploratory Mercury Rev backstory. It's well, OK. [Mar 2010, p.90]

Slant Magazine

As it stands, Blue Colour is no more than a better-than-average paean to '80s-era Prince by a band that has yet to find its voice.

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All Music Guide

They resisted the temptation to knock out another collection of power pop and instead hibernated for a few years, eventually teaming up with Dave Fridmann--a former member of Mercury Rev best known for his production work with the Flaming Lips--with the intention of reinvention, resulting in the mildly bewildering Of the Blue Colour of the Sky.

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No Ripcord

It just feels like all the wacky studio noise takes away from what could have been a really fun album.

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PopMatters

Overall, it’s tough to tell what the band was thinking here. If their intention was to branch out, they’ve done it, but the songwriting quality has definitely suffered.

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New Musical Express (NME)

All 13 of the tracks here sound nothing like their much parodied clip. It’s just that sadly, branching out isn’t a good thing for them.

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What Our Users Said

The average user rating for this album is 8.2 (out of 10) based on 13 User Votes

Note: User votes are NOT included in the Metascore calculation.

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