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Posted January 14, 2010 | 20 comments

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The Top 10 Classic Albums That Accidentally Ruined Music

Over the years, a select number of albums have changed music forever. These are the albums that affected listeners worldwide and completely flipped the game upside down. On the other hand, some of these same legendary works also unknowingly helped create some of the worst musical blunders we wish we could all forget.

Source: Epic Records

 

10. Rage Against the Machine - Rage Against the Machine

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Source: Lindsay Brice/Getty Images

The nu metal rap-rock scene that exploded in the late-‘90s is easily one of the worst trends music has ever seen. From Limp Bizkit to Linkin Park, these bands somehow took influences from some very solid acts and generated a steaming pile of audio poop. The first real official rap-rock effort was probably Run–D.M.C. and Aerosmith’s “Walk This Way” but, in my opinion, the most influential band when it came to molding this genre has to be Rage Against the Machine.

From Zack de la Rocha’s scream raps to Tom Morello’s mind-blowing guitar trickery, Rage’s sound can be heard in almost every single rap-rock act that broke out on MTV in the late-‘90s and early 2000s. Unfortunately for us fans, they were all pretty much just paper-thin pop versions of the original formula. I do love Rage’s self-titled LP and think it’s a masterpiece in its own right, but where bands like Limp Bizkit, Papa Roach, and even ICP took things made for very typical (as well as laughable) mainstream music.

After seeing the crowd at the Rage Against Machine reunion at Coachella a few years back it dawned on me how horrible things had really gotten. Most of the fans were aggressive frat douches who were only attracted to the aggression of the music and nothing more. They had no interest in the message of the music, all they cared about was screaming “F*** you, I won’t do what you tell me” just because they thought it sounded cool.

 

9. Appetite for Destruction - Guns N' Roses

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Source: Jeffrey Mayer/getty Images

Easily one of the best albums of the ‘80s, Appetite for Destruction kicked lame-ass hair metal douches to the curb and showed the world what a real rock band was supposed to be. From Axl’s unreal vocal chops to Slash's virtuoso guitar playing, Guns were no doubt one of the most important bands of their era.

The only downside to this has to be the bands that were spawned from Guns’ sound, look, and all-around attitude. Somehow acts like Buckcherry and Hinder took heavy influences from this band and created some of the most horrific watered-down pop-rock ever heard. Thanks to GNR, douche rock was officially born. Even the success of this record transformed Axl from one of the greatest frontmen of all time into a raging egomaniac who completely lost focus on his art. The rest of the band was no different. And have you listened to Velvet Revolver? Nuff said.

 

8. Legend – Bob Marley

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Source: Chris Walter/Getty Images

We all know Bob Marley is brilliant and I don’t think there is a person alive that doesn’t like at least one of his songs, but the image of the reggae star that took shape after his death turned his deep musical philosophy into a corporate brand bought and sold at college campuses all around the world. In this specific case, I feel like this said state of affairs has less to do with the music and more to do with the image of reggae in general. How many more times must we see rich white kids from Vermont walking around with dreads and trying to preach about the Rastafari movement? I’m not saying that having dreads and smoking weed isn’t apart of reggae music, I’m just saying that it’s a tad deeper than that classic Catch a Fire album cover on every college dorm room wall.

 

7. Never Mind The Bollocks, Here's The Sex Pistols - Sex Pistols

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Source: Michael Ochs Archives/Getty Images

As a pet project of band manager and fashion designer Malcolm McLaren, the Sex Pistols were basically the Backstreet Boys of punk rock. I’m not saying that Never Mind The Bollocks wasn’t punk at its roots from the band’s perspective, but it is this most important element that helped commercialize the genre and turn it into a corporate brand. Sid Vicious is a prime example of this. His contribution to punk had more to do with heroin chic, leather jackets, and photogenic sneers than it did with ethos and artistic merit.

Where punk rock had started as an outlet for kids to express their creativity and individuality, the popularization of Never Mind the Bollocks ended up becoming the de facto uniform for both the sound and look of "punk" and also transformed the entire movement against its original purpose.

 

6. Paul's Boutique – Beastie Boys

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Source: Jeff Kravitz/Getty Images

The funniest aspect about this record is the fact that it’s just as groundbreaking on the negative side as well as the positive.

First off, I’m pretty sure that Paul's Boutique has more samples in it than any other record ever made. The reason for this is because it was released before any real copyright laws had been set in place when it came to sampling. Over 105 songs were sampled on the album and the sampling for Boutique was uncleared. This was of course only possible before Grand Upright Music, Ltd. vs. Warner Bros. Records Inc., the landmark case against Biz Markie by Gilbert O'Sullivan, which changed the process and future of hip-hop sampling. Due to this court case the sound of hip-hop music was changed drastically and, if it wasn’t for Boutique setting these wheels in motion, who knows what might have been.

Either way, hip-hop records filled with literally dozens and dozens of samples could no longer be made. Now every single sample had to be cleared to avoid legal trouble. This gave huge names like Puff Daddy more power in this situation because they had the money to pay for any sample their hearts desired while underground producers could no longer experiment with unlimited samples and sounds. This drastically affected the evolution of hip-hop and the way it would go on being made. Although, the freedom supplied by the Internet has helped things in recent years...

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Comments (20)
  • angrypedstrien
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    1. angrypedstrien Posted on Feb 14 '10 at 5:23 PM

    yes blame it on michael jackson rage didnt disivre it or thillrer retarded retards

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  • mplsbro's Profile
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    2. mplsbro Posted on Feb 12 '10 at 7:45 AM

    I disagree with NWA. Their album was a pioneer to the real album that started the "Gangsta" movement - "The Chronic" by Dr. Dre. That album turned every rapper into an N-Word spewing wannabe. That album killed MC Hammer's career. As well, that album killed the "party rap" genre that existed in the late 80s/early 90s. The Tone Locs, Skee-Los, Rob Bases, and Heavy Ds had to become "hard" or find another line of work.

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  • FROSTY_117
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    3. FROSTY_117 Posted on Feb 4 '10 at 8:40 PM

    aww not R.A.T.M AN EAZY

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  • Balance619's Profile
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    4. Balance619 Posted on Jan 26 '10 at 10:02 AM

    Hey, I left one line of space between paragraphs using one press of the return key after the full stop. Yet, the comments are displayed with huge, multiple line spaces.



    Can it be fixed? Hope so. Nothing worse than a long comment made to look even longer!

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  • Balance619's Profile
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    5. Balance619 Posted on Jan 26 '10 at 9:44 AM

    Part 3:



    Finally, if you, out there, reading this, think you are as good as Michael Jackson, or better, then you've missed the point and so sit your butt down. Only Michael Jackson can ever be like Michael Jackson. Only Michael Schumacher can ever be like Michael Schumacher.



    To be BETTER, you have to be DIFFERENT. And you have to PROVE it. All you wannabies, get your butts and sit down. For the sake of your career hopes: BE DIFFERENT. Then own it. Feel it. And then prove it. Don't add to the sad, shameful notion that great albums are to blame for 'ruining music'. Rise up and be yourself - but be humble, not deluded - if you're not good enough, do something else. Don't become the example and excuse for all the hate and blame there is against innocent, great artists and albums.



    Keep it real, people.

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  • Balance619's Profile
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    6. Balance619 Posted on Jan 26 '10 at 9:42 AM

    Part 2:



    Anyway, moving on:



    mike_the_dude

    Posted on Jan 16 '10 at 11:05 AM, wrote:





    Jackson did nothing for music exept maybe music to pediphile by.



    My reply: 'Jackson did nothing for music'. You are a very confused person and I will try to ignore that comment. Nope. Didn't work! Four decades of singing and perfoming bliss with billions of people touched by his music. You forget that he, for a start, allowed black people to have a face on MTV and around the world way before the likes of Barack Obama and every other famous black person. Michael was the trailblazer!



    What the hell is a 'pediphile'? Music to 'pediphile' by? What, is this cycling? Pedaling? Pedestrian? Music while cycling? Cycling-lovers? Well, I will take that as a positive, since many people may enjoy his music while cycling!



    Obviously you mean something else, in which case you are a confused person indeed. Michael Jackson was found NOT guilty to ALL prior accusations and was robbed of money and reputation by the sick, perverse greed of a family whom he trusted to enter his life. Why is his innocence not enough for you? What does it tell you when I mention the fact that the father of that family has since shot himself after Michael's death?

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  • Balance619's Profile
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    7. Balance619 Posted on Jan 26 '10 at 9:39 AM

    Looks like there is a comment length limit! Ok, well, here we go - part 1:



    To the CREATOR of this discussion.



    Oh My God.



    You are seriously confused, my friend. So you DO actually think Thriller was a bad influence? Look - don't you realise that Britney Spears and N'Sync are terrible, terrible examples of good talent and that Michael only performed with them because (a) they were unfortunately popular at the time and (b) his public relations were NOT at its best.



    It was the equivalent of Michael Schumacher hosting an event that might include some popular, but as yet not similarly talented, go-kart driver.



    There are even some others on your list that are crazy to mention in this fashion, but Thriller is by a mile the worst you could mention. This man has a singing voice as, literally, a new musical instrument and with a body that can move in time to the beat. So you hear and see the beat. FORGET all these rubbish, talentless acts and dont blame it on Thriller that they chose to be so crap.



    Thriller is just an example of good music. But don't focus on the WANNABIES as examples of how music has become ruined! Look, if you don't like crap music, stop bloody buying or listening to it! That could be why they get popular, because people insist on buying garbage for no other reason that 'they were on that Michael Jackson show'.



    Don't you think Michael Schumacher and Michael Jackson would be laughing themselves silly on the inside when these idiots think they can be just like them?



    The key to good music is originality. Thriller is original. Don't blame Thriller for the rise of copycat idiots. Blame the copycat idiots!

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  • Balance619's Profile
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    8. Balance619 Posted on Jan 26 '10 at 9:36 AM

    Is there a limit to the length of comment?

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  • Balance619's Profile
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    9. Balance619 Posted on Jan 26 '10 at 8:19 AM

    To the CREATOR of this discussion:



    I know that everybody knows Thriller and it is definitely a mega part of how music has changed - but is it appropriate to put the cover of this album alongside a discussion title that makes it look like you think it ruined music?



    I don't think this is appropriate at all.



    It actually makes me wonder whether or not YOU think Thriller was mainly a positive or negative influence on music. In an article like this, please only show what you think ruined music, or clearly title what you think was a good influence.



    And if you DID think Thriller ruined music - lol - SHAME on you!!! Thriller is incredible and utterly deserves its place as the biggest selling album of all time.

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  • sterlingwit's Profile
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    10. sterlingwit Posted on Jan 21 '10 at 9:12 AM

    I could not disagree more strongly with the premise of this article. Rock and roll has always been about big business, ALWAYS. Here is response editorial http://www.wewillrockyoublog.com/2010/01/21/editorial-peter-frampton-didnt-ruin-music/

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  • maddog760jb's Profile
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    11. maddog760jb Posted on Jan 18 '10 at 4:52 PM

    What the hell did spike do to Ifilm? is is shit now.It was once a great site and now just totally sucks!

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  • Zero-Moda's Profile
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    12. Zero-Moda Posted on Jan 18 '10 at 6:29 AM

    Good article. Just wanted to point out though that "Paul's Boutique" is nowhere near the most samples on a record. I reckon that would be the Avalanches' "Since I Left You". Something like over 600 samples. It was released in 2000 as far as i remember

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  • reh629
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    13. reh629 Posted on Jan 18 '10 at 5:36 AM

    when i saw the title of this article, i knew "frampton comes alive" would be somewhere in the top ten. frampton made record companies try to reproduce something that was kind of spontaneous and authentic. which cant be done.

    another side effect of the bob marley has been his 3,000 kids who feel obligated to make music too. some ahve been decent, alot have been horrible.

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  • zystudios's Profile
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    14. zystudios Posted on Jan 16 '10 at 12:25 PM

    Fun article to read... It just kinda shows how money changes things. Someone has a great idea then other people try to bank on it. That's just how the music industry roles.

    @ nah sayers: The author isn't really devaluing the albums on the list as much as he is criticizing the aftermath.

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  • mike_the_dude's Profile
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    15. mike_the_dude Posted on Jan 16 '10 at 11:05 AM

    Jackson did nothing for music exept maybe music to pediphile by.

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  • SUADDABOSS's Profile
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    16. SUADDABOSS Posted on Jan 16 '10 at 9:33 AM

    ok some of these i have no idea about but Thriller change music for the better selling millions of copies

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  • Omajick1's Profile
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    17. Omajick1 Posted on Jan 15 '10 at 4:01 PM

    Hold on just one f'in minute here. It seems to me the only douch bag here is the authors one-sided view on GREAT bands that have had a big influence on the people who listen to them. These artists work their asses off to produce the sounds that sell millions of copies. I don't see millions of people agreeing with the authors ideas of what he or she thinks music should be like. Why don't you go criticise something that hasn't had an impact on peoples lives like bands that were just completely dead beat and didn't sell copies cause they just plain sucked. Futhermore, you can't blame older bands for new bands that come out with a sound that YOU may not like. People make decisions on their own and stand accountable for them. I think the reason you don't like the newer bands sounds is because they point out douche bags like you with your critcal finger. Before you critcise, look at yourself through critics eyes. Or, you can just point your finger up your ass.

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  • nosferatwo's Profile
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    18. nosferatwo Posted on Jan 15 '10 at 3:17 PM

    actually, AIC was signed to a major BEFORE nirvana was.

    just pointing that out.
    my music-nerd rage knows no bounds.

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  • deeloc85's Profile
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    19. deeloc85 Posted on Jan 15 '10 at 2:31 PM

    i seriously disagree with the albums i know about on this list ( bob marley, micheal jackson, n.w.a, nirvana, and rage against machine) these are good solid albums not because they were popular.....dont blame them for whats going on today.....personally i dont expect music today to be the same as 10 to 15 years ago nor do i expect it to be the same 10 to 15 years from now......

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  • ditchbankbandit's Profile
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    20. ditchbankbandit Posted on Jan 15 '10 at 9:06 AM

    dont forget about zapp and roger! They were awesome but man i can't stand when some idiot who can't sing uses a talk box to cover their shitty voice up, it gives me diarhea.

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