Reviews
Blaze, Peacock Theatre, London (Rated 3/ 5 )
Blaze scoops up street dance, reality TV dance competitions and stage and video designers, cramming them all together to make a noisy, scattershot show. In one mood, it can frame champion-level breakdancing with sophisticated video design, imagery swirling. In another, it tries cheesy comedy routines with joke wigs and a clapometer.
Inside Reviews
Sisters, Crucible Studio Theatre, Sheffield (Rated 3/ 5 )
Monday, 22 March 2010
A revealing look behind the veil
The Gods Weep, Hampstead Theatre, London
A Good Night Out in the Valleys, Miners' Institute, Blackwood
Sisters, Crucible Studio, Sheffield
Sunday, 21 March 2010
Shakespeare this ain't, but it tries very hard: Would-be 'King Lear' has wit, courage, and an excellent cast, but a lame Jeremy Irons doesn't help
Blaze, Peacock Theatre, London
Sunday, 21 March 2010
Sorry to report, the Fire Brigade was not required
Juliet And Her Romeo, Old Vic, Bristol (Rated 3/ 5 )
Thursday, 18 March 2010
Who says that there are no parts for the older actress? As the debate about the problems of an ageing population intensifies, opportunities seem to be proliferating.
Eigengrau, Bush Theatre, London (Rated 4/ 5 )
Wednesday, 17 March 2010
The actor Geoffrey Streatfeild is brilliant at entwining the dishy and the dodgy and at proving that all that glisters is not gold. It's a talent that was exemplified in his recent performance as a mesmeric amoralist in Katie Mitchell's NT production of Bruckner's Pains of Youth.
A Good Night Out in the Valleys, Blackwood Miners’ Institute, Gwent (Rated 3/ 5 )
Tuesday, 16 March 2010
Miners’ tale is a striking success
Birmingham Royal Ballet / La Fille Mal Gardee, Hippodrome, Birmingham / Royal Opera House, London (Rated 3/ 5 )
Monday, 15 March 2010
Birthday treats and troubles
London Assurance, NT: Olivier, London (Rated 4/ 5 )
Monday, 15 March 2010
Simon Russell Beale made his reputation, over 20 years ago, playing egregious Restoration fops at the RSC. He now returns, in a blaze of comic glory, to this effeminate breed in Nicholas Hytner's deliriously funny revival of Dion Boucicault's 1841 play London Assurance.
London Assurance, NT Olivier, London
Love Never Dies, Adelphi, London
King Lear, Courtyard, Stratford
Sunday, 14 March 2010
An early Victorian comedy is a star-studded treat, but Lloyd Webber's plot rejigging enflames some 'phans'
La Fille mal gardée, Royal Opera House, London
Sunday, 14 March 2010
Despite its title, this ballet is an utterly English romcom, complete with clogs and dancing chickens
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FIVE BEST PLAYS
London Assurance
(NT: Olivier Theatre, London)
Simon Russell Beale made his reputation, over 20 years ago, playing egregious Restoration fops at the RSC. He now returns, in a blaze of comic glory, to this effeminate breed in Nicholas Hytner’s deliriously funny revival of Dion Boucicault’s 1841 play ‘London Assurance’.\[Kevin Harley\] This is the play with which Dion Boucicault, the young, gifted, and dodgy Irishman, future bigamist and gainer and loser of fortunes earned his spurs on the London stage at the age of 21 in 1841.
To 2 June (020 7452 3000)
Jerusalem
(Apollo Theatre, London)
Ian Rickson’s beautifully directed production of Jez Butterworth’s hymn to hippiedom, with the incomparable Mark Rylance leading a peerless cast as a frowsty, vodka-swilling ex-stuntman.
(0844 412 4658) to 24 Apr
Eigengrau
(Bush Theatre, London)
Geoffrey Streatfeild is on terrific form in Eigengrau, Penelope Skinner’s biting new black comedy about the penalties of living in an apparently post-feminist, Facebook- and Gumtree-centred society.
To 10 April (020 8743 5050)
1984
(Royal Exchange, Manchester)
In his incisive new adaptation of George Orwell’s novel, Matthew Dunster, who also directs, isn’t afraid to take risks. Jonathan McGuinness’s portrayal of Winston Smith is nothing short of brilliant.
(0161 833 9833) to 27 Mar
Blood Brothers
(Phoenix Theatre, London)
It can be dangerous to parachute a pop star into a much-loved musical, but Mel C, the Spice Girl who could sing, is brilliant as Mrs Johnstone, the beating heart of Willy Russell’s drama and a luminous stage presence even as her character grows more careworn and downtrodden. Stephen Palfreman and Richard Reynard are quite superb as the blood brothers, too, growing up in front of our eyes from catapult-wielding tykes to responsible young men.
(0845 505 8500) to 31 Jul