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The easy-listening darling talks about the thrill of working with techno boffin William Orbit.
Box office oracles might soon be able to put their money where their mouth is on a futures market based on box-office returns.
Linzi Stoppard, daughter-in-law of Tom, on going from fashion shoots to heavy-metal violins.
In collaboration with Plush Music, we are streaming Glyndebourne's 2009 Festival production of Verdi's Falstaff as part of the 2010 European Opera Days from Thursday May 6 to Monday May 10.
The Menier has another classy hit on its hands with its revival of Broadway classic Sweet Charity, starring Tamzin Outhwaite. Rating: * * * *
Brass Eye creator Chris Morris's "Four Lions" illuminates modern jihadism through the prism of farce.
Celebrated director Nicolas Winding Refn (Bronson) delivers an uncompromisingly stark and brutal look at one Viking warrior's journey into the heart of darkness.
The lure of Michael Morpurgo's War Horse proved too great for Spielberg to resist, but can he eclipse the theatrical alchemy of the stage version?
Macmillan, the British publisher, has admitted it made "corrupt payments" in an attempt to win a World Bank aid contract in Africa.
Painting based on Hans Holbein's famous image of principled cleric.
After years of working in the theatre, Michael Grandage talks about directing his first opera – at Glyndebourne.
Gorillaz came thrillingly to life at the Roundhouse with a series of guest appearances from Damon Albarn's cult collaborators. Rating: * * * * *
Lucy Bailey delivers entertaining nastiness but her production of Macbeth lacks deeply felt emotion. Rating: * * *
Rolando Villazon put on an extraordinary show in his all-Handel concert, despite vocal shortcomings. Rating: * * * *
Sarah Crompton prefers Akram Khan's dazzling dancing to his intriguing but only partly formed show. Rating: * * *
Long-lost recordings of Morecambe and Wise, found in a garage by Ernie's widow, shed new light on the comedy duo's early years
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