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RAVE Systems
RAVE Systems

RAVE network devices are no longer being manufactured. Please see the BASIS Series for network audio solutions.


RAVE™ is a revolutionary signal transport system that allows you to route multiple channels of audio over standard Ethernet hardware and cabling. A single RAVE network can now replace hundreds of audio cables, dramatically reducing installation time, effort and cabling costs while improving routing flexibility and audio performance. RAVE is the ideal audio transport system for arenas, theatres, broadcast facilities, and other applications requiring multiple channels routed over long distances free of noise and hum.

Easy Routing of Multiple Audio Channels
Large sound systems often require routing dozens of audio channels over long distances to multiple locations. Analog technology requires a separate line for each channel, leading to large cables and conduits, and time-intensive installations.

Analog cabling can be a nightmare - prone to errors and subject to interference and noise. It's also time consuming to design and install, as well as difficult to re-route and reconfigure. Cable, conduit, termination and labor costs can be the single largest expense of a system.

RAVE is a digital audio transport system employing CobraNet™ technology licensed from Peak Audio, a Division of Cirrus Logic. This assures compatibility with all other CobraNet-licensed products - avoiding the limitations imposed by closed-end, proprietary network audio systems. RAVE transports audio signals over Fast Ethernet networking components in an uncompressed 48 kHz digital format in resolutions of 16, 20 or 24 bit. Using standard network hardware and physical media, a RAVE system has a maximum capacity of 64 audio channels on a 100BASE-TX segment and the ability to support hundreds of audio channels on a switched Ethernet LAN (Local Area Network).

A RAVE device can be configured by either the front panel switches or via software. You can quickly design a RAVE network right out of the box by simple configuration via the front panel switches. In software mode, RAVE offers an even greater array of configuration options - accessible via SNMP (Simple Network Management Protocol). Such features include complex audio mapping, audio channel duplication, device timing prioritization, and more. Once the device is configured, parameters can be written into permanent memory.

RAVE can provide great economies over conventional wiring methods, yielding significant time and cost savings in the reduction of cabling infrastructure. With six models available, it is easy to interconnect a wide variety of analog and digital audio equipment. Finally, because it is Ethernet based, RAVE easily supports system reconfiguration and expansion with off-the-shelf networking components.

What are the Benefits of RAVE?
  • Reduce installation costs - replace up to 64 analog lines, conduit, isolation transformers, and distribution amplifiers with a single CAT-5 cable or fiber
  • Superior audio quality - up to 24-bit/48 kHz digital audio resolution system-wide, immune to ground loops or EMI
  • Greater flexibility - expand the system or re-route signals without rewiring

Building a RAVE Network

Each RAVE unit handles 16 audio channels - in either analog or digital AES/EBU format, depending on the model. More audio channels can be added to a network using additional RAVE units and inexpensive Fast Ethernet hardware such as switches, repeaters, and standard CAT-5 and fiber-optic cable (with the use of media converters). RAVE devices route the audio signals over a standard Fast Ethernet network to the signal processors (such as the DSP-3 devices) and the amplifiers.

Standard Analog Approach
View Larger diagram 
Standard Analog Approach
  • Individual cables, wires
  • Lots of BIG conduit
  • Snake (multi-conductor flexible cable)



Typical RAVE Network

Switched Ethernet networks offer several advantages to audio system designers that were not previously available - including the presence of non-audio data via virtual networks, multiple network protocols, expanded capacity for hundreds of audio channels, and redundant network links.

Typical RAVE Network
View Larger Diagram


RAVE Specifications
Anolog Inputs
16, 20, 24 bit (software configurable); 48 kHz
Analog Outputs
16, 20, or 24 bit (auto-configuring); 48 kHz
Digital Inputs
20 bit AES/EBU (sample rate conversion)
Digital Outputs
16, 20, 24 bit AES/EBU (auto-configuring)
Distortion
0.001% typical @ 1kHz for analog models
Latency
5.33ms buffer delay
Audio Connections
Analog: 3-pin Phoenix, Digital: XLR
Serial Data Connections
RS232
Ethernet Connections
100Base-TX, single RJ45 for CAT-5 UTP cable
Analog Input Sensitivity
+12 dBu, +18 dBu, +24 dBu, jumper selectable
Output Level
+6 dBu , +12 dBu, +18 dBu, +24 dBu jumper selectable
Dimensions
Width: 19", Depth: 13.375", Height: 1.75" (1RU)
Weight
15 lbs. (shipping)
.All Specifications Subject to Change Without Notice.

Model No. of Outputs No. of Inputs I/O Connector
RAVE 160S-24 16 ANALOG   Terminal block x 16
RAVE 161S-24   16 ANALOG Terminal block x 16
RAVE 188S-24 8 ANALOG 8 ANALOG Terminal block x 16
RAVE 80S (discontinued) 16 DIGITAL   XLR (AES3) x 8
RAVE 81S (discontinued)   16 DIGITAL XLR (AES3) x 8
RAVE 88S (discontinued) 8 DIGITAL 8 DIGITAL XLR (AES3) x 8


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RAVE SYSTEMS

References
Application Notes, Reference
Documents, Tutorials and Resources

DOCUMENTS

RAVE Users Manual (PDF 3.1MB)
RAVE "S" Series User Manual (PDF 2.7MB)
RAVE Specifications (PDF 76k)
Product Application Guide (PDF 1.1MB)

HI-RES IMAGES

Front
Rear
RAVE Series



Replace audio cable with a single CAT-5 network cable, or for longer distance (>328 feet or 100m), with fiber optic cables.
Replace audio cable with a single CAT-5 network cable, or for longer distance (>328 feet or 100m), with fiber optic cables.


RAVE Installations
A partial listing of current installations.
  • Bally's Hotel & Casino, Las Vegas, Nevada
  • Sydney Opera House, Sydney, Australia
  • Legoland, Carlsbad, California
  • San Francisco City Hall, San Francisco, California
  • National Exhibition Center, Birmingham, England
  • Sea World, San Antonio, TX
  • Edison International Field (Anaheim Angels stadium), Anaheim, CA
  • Church of Jesus Christ of Latter Day Saints campus, Salt Lake City, UT
  • Six Flags Over Georgia "Gotham City Circus Nights"
  • SuperBowl XXXI, XXXII, XXXIII, Audiotek/ATK
  • Summer Sound Music Festival, Charlotte, NC
  • Promise Keepers rally 1998, Washington DC
  • Pope John Paul II visit to Poland, June 1999, TASCO


Sydney Opera House Sydney Opera House