A Look Back at The Beastie Boys Part 4: ‘Ill Communication’
by Cam Cannon[Ed. Note: Previous chapters of this outstanding series can be found here.]
Never before had a Beastie Boys album been so greatly anticipated. The release of “Ill Communication” was preceded by the single and video for “Sabotage,” an all-out screaming rock song. The video is legen- (waitforit) -dary, an instant classic that featured the Beasties and their DJ, Hurricane starring in spoof/homage of/to 70’s cop shows. Directed with style and wit by Spike Jonze, the video was the source of a little bit of controversy when it lost in every category to Aerosmith and R.E.M at the VMA’s. When Spike Jonze lost best director to whoever won for R.E.M.’s “Everybody Hurts,” as his alter ego, Nathaniel Hornblower, Yauch bum rushed the stage in full leiderhosen and interrupted Michael Stipe’s acceptance speech. Hornblower claimed that the awards were a farce and that in addition to his great work on “Sabotage,” Spike Jonze had conceived “all the best ideas for “Star Wars.”
With “Sabotage” and the VMA interruption, we were introduced to the Andy Kaufman side of the Beasties. The album was fine, their first number-one hit since “Licensed to Ill.” It was the first Beastie Boys album to sound anything like the last one, and as such, was a bit anti-climatic. It features a few great songs, plus a cameo from Q-Tip of A Tribe Called Quest. They managed some funny lines (“Got fat bass lines like Russell Simmons steals money.”), but fewer and further between. Yauch had become a Buddhist, and so they included a song about it. I didn’t love it, or the Funky Instrumentals.
Another emerging theme was their newfound respect for women. On both “Licensed to Ill” and “Paul’s Boutique,” women were treated like objects, for the most part (Sample lines: “Girls! To clean up my room!,” “I love girlies, waxin’ and milkin’!”). But themes were far too playful for me to label the Beasties as misogynists. (more…)