Tracey Emin
One of Britain’s most acclaimed and successful contemporary artists, Tracey Emin's works include the installation pieces My Bed and Everyone I Have Ever Slept With 1963-1995. She has also written a memoir, Strangeland, and directed a feature film, Top Spot. Regardless of the medium she works in, she draws heavily from personal experience for her work.
What I liked best about the club was Michael
Tracey Emin: The Colony Room was a very eccentric place to hang out, quite mad. I would go there when pubs didn't open all day – it was great because it would be open all afternoon.
Recently by Tracey Emin
Tracey Emin: 'I've told Art to keep away. We're going to have a trial separation...'
Thursday, 12 March 2009
My Life In A Column
Tracey Emin: 'My heart was like a star that had died, but part of me still shone'
Thursday, 5 March 2009
My Life In A Column
Tracey Emin: 'You have to watch out for death when you are most happy'
Thursday, 26 February 2009
Something very sweet happened today: my mum made pancakes for me and everyone at my studio. My mum will be 81 soon and to see her with a bowl and fork in hand whisking away, with the eager eyes of my Japanese assistant following her every move, and then the tossing – it all worked very well. And the no-recipe formula, the all-knowing "I've-been-making-pancakes-for-70-years" attitude filled me with a strange, glowing pride for my mum, a real mum doing a real mum thing.
Tracey Emin: ‘My head and face became a flash, my body strangely sexy’
Thursday, 19 February 2009
My Life In A Column
Tracey Emin: 'I felt that, in return for my children's souls, I had been given my success'
Thursday, 29 January 2009
I can't believe how fast the week has gone. It seems like there have only been two days this week, and they have both been Wednesday, joined back-to-back, colliding like two tectonic plates. Everything else in between squeezed and pulped into some gluey, blancmangey mess, a sort of dark-mauve, blueberry-coloured blancmange, with a few frozen moments.
Tracey Emin: 'Alan Miller was a true ally. He showed me how to be a painter'
Thursday, 22 January 2009
My Life In A Column
Tracey Emin: I want to be suspended in time. Don’t let it move too fast
Thursday, 15 January 2009
My Life In A Column
Tracey Emin: 'My friend Gregor and I fell out when I miaowed during his inaugural speech'
Thursday, 8 January 2009
My Life In A Column
Tracey Emin: 'There was someone else in the house – or something else...'
Thursday, 18 December 2008
My Life In A Column
Tracey Emin: 'Have you ever been consumed from the inside, the host to something utterly vile?'
Thursday, 11 December 2008
My Life As A Column: Being a prisoner of a prisoner within is a terrible way to live
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1 Robert Fisk: Why Jordan is occupied by Palestinians
2 Robert Fisk: They're all grovelling and you can guess the reason
3 Rupert Cornwell: Does America need so many spooks?
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Commented
1Steve Richards: Labour: can't go back, can't go forward
2The Sketch: A decent debut, but then again he was up against Jack Straw
3Rupert Cornwell: Does America need so many spooks?
4Mary Ann Sieghart: The rise and rise of the 'Oberons'
5Leading article: A failure of imagination
6US Sketch: When Prime Minister let the train take the strain
7Andreas Whittam Smith: Lessons from a high financier
Columnist Comments
• Steve Richards: Labour: can't go back, can't go forward
If it is electorally fatal for aspirant leaders to move a little to the left they might as well give up
• Andreas Whittam Smith: Lessons from a high financier
Siegmund Warburg was a man who created what might be termed a 'post-crash' business
• Rupert Cornwell: Does America need so many spooks?
I left for a holiday with the headlines full of one spy scandal. I returned this week to be greeted by another
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