Frida
Kahlo - Self Portrait
(oil on board, 1940))
Private Collection
Frida
Kahlo was born on July 6, 1907, in Coyoacan, a suburb of Mexico
City. When she was six years old she contracted polio which
left her with a deformed right foot and the cruel nickname,
“Peg-leg Frida”. Her original ambition was to
be a doctor but a streetcar accident in 1925 left her disabled
and changed the path of her life. It was after this accident
that Kahlo began to paint in order to relieve the boredom
during her convalescence.
Frida
Kahlo and Diego Rivera
(wedding photograph, 1929)
Frida
Kahlo underwent more than thirty operations in the course
of her life, and most of her paintings relate to her experiences
with physical and psychological pain. They also chronicle
her turbulent relationship with Diego Rivera, Mexico’s
most famous painter, whom Kahlo met in 1928 and married in
1929. Rivera was frequently unfaithful to her, even starting
an affair with her sister, Cristina. Kahlo retaliated with
her own affairs. Eventually they divorced in 1939 but remarried
a year later, only to resume hostilities where they left off.
Kahlo is quoted as saying about the relationship,"There
have been two great accidents in my life. One was the trolley,
and the other was Diego. Diego was by far the worst."
Frida
Kahlo - Self-Portrait in a Velvet Dress
(oil on canvas, 1926))
Private Collection
One
of Kahlo's early works, the ‘Self-Portrait in a Velvet
Dress’ suggests an influence and knowledge of European
art. The elongation of the hands and neck recalls the Mannerist
portraits of Bronzino, while the turbulent waves in the background
suggest the deep emotional turmoil that can be found in the
ice blue self portrait by Van
Gogh in the Musée d'Orsay.
Kahlo began to deny quite obvious European influences such
as Surrealism, as she, along with Rivera, became a driving
force of the ‘Mexicanidad’ movement which sought
to increase the status of Mexican culture and decrease the
Spanish influence from Europe. She started to wear traditional
Mexican costumes and braided her hair with ribbons, flowers
and jewellery to identify with indigenous Mexican culture.
The imagery and colours in her paintings were also changed
to reflect this national pride.
Although
initially a self-taught painter from a humble background,
Frida Kahlo was, through her relationship with Diego Rivera,
moving in the most fashionable and influential social circles.
However, between 1930 and 1934, Kahlo and Rivera moved to
the USA to escape political persecution due to their Communist
sympathies. During that time Kahlo fell pregnant twice and
lost the child on both occasions, ultimately due to complications
resulting from her streetcar injuries. The subjects of her
paintings from this point onwards deal increasingly with her
feelings about loss, infertility, pain and alienation.
Frida
Kahlo - Self-Portrait with Thorn Necklace and Hummingbird
(oil on canvas, 1940))
Harry
Ransom Humanities Research Center, Austin, Texas, USA
In her ‘Self-Portrait’ above, Kahlo portrays herself
as a Christ like victim - the crown of thorns replaced by
a necklace of thorns with a hummingbird 'medallion'. This
fusion of Christian and Aztec imagery is common in Mexican
culture: the Aztec god Huitzilopochtli is often depicted as
a hummingbird.
Frida
Kahlo - The Suicide of Dorothy Hale
(oil on board, 1939)
The
Phoenix Art Museum, Arizona, USA
‘The
Suicide of Dorothy Hale’ was commissioned by Clare Booth
Luce, the publisher of the fashion magazine ‘Vanity
Fair’ and a friend of both Dorothy Hale and Frida Kahlo,
as a memento for the deceased woman’s mother. Dorothy’s
husband, the artist Gardiner Hale, was killed in a car crash
and left her without support. Overwhelmed by financial problems,
Dorothy took her own life by jumping from her apartment building.
Kahlo paints the suicide with three consecutive stages of
the fall in one image: first, a small figure of Dorothy leaps
from a window high in the building; then a larger figure is
portrayed plummeting through the clouds towards the ground;
and finally the largest figure, the bloodied and broken body
of Dorothy, lies prostrate on the sidewalk. At the bottom
of the picture, a trompe l’oeil inscription is written
in ‘blood’, "In the city of New York
on the 21st day of the month of October, 1938, at six o'clock
in the morning, Mrs. Dorothy Hale committed suicide by throwing
herself out of a very high window of the Hampshire House building.
This 'retablo,' (a painted wooden relief) was executed by
Frida Kahlo." To add to the horror of the image,
the frame is painted to look like it has been splattered with
bloodstains as a result of the fall. On receipt of the painting
Clare Booth Luce commented in her diary, ‘I could
not have requested such a gory picture of my worst enemy,
much less of my unfortunate friend’. Although she
wanted to destroy the picture, she was persuaded to keep it.
Only someone like Kahlo, who had personally endured and understood
the effects of physical and psychological suffering, could
empathise with and respectfully address this distressing subject
without appearing insensitive or sensational.
Frida
Kahlo - The Broken Column
(oil on board, 1944)
Dolores
Olmedo Foundation, Mexico City, Mexico
‘The
Broken Column’ (1944) is a metaphor for Kahlo’s
own pain. Her spine is represented by a shattered stone column.
This is visible through her broken body which is only held
together by a harness. She is naked and the surface of her
flesh is punctured by sharp nails, recalling the painful effect
of flogging on the body of Christ in Matthias Grünewald’s
Crucifixion Panel from the Isenheim Altarpiece. Silent tears
drop from her eyes as she stands alone in a desolate wasteland
without any sign of hope on the horizon. This is a bleak self
image but Kahlo’s endurance heroically prevails in this
barren landscape of despair.
Frida
Kahlo - Self-Portrait with the Portrait of Doctor Farill
(oil on board, 1951)
Private Collection
In
the 1950’s, Kahlo’s health seriously declined
and the technical quality of her work suffered. Several spinal
operations left her crippled with pain and she was confined
to a wheelchair. 'Self-Portrait with the Portrait of Dr. Farill'
(1951) is typical of this final period of her work. This double
portrait, where Kahlo sits in her wheelchair holding her brushes
and palette adjacent to her painting of her surgeon Dr. Farill,
is a statement about the nature of her art. "My painting
carries with it the message of pain ... Painting completed
my life." A section of her heart replaces the palette
on her lap, while her paintbrushes drip with blood, leaving
the viewer in no doubt about their importance to her existence.
In
the summer of 1954, Frida Kahlo died from pneumonia in the
house where she was born. During her lifetime, she did not
enjoy the same level of recognition as her husband, Diego
Rivera, but today, her explicit, intensely autobiographical
work is as critically acclaimed as that of her male peers.
Frida
Kahlo Notes
-
After two unsuccessful pregnancies, Kahlo's paintings
increasingly dealt with her feelings about loss, infertility,
pain and alienation.
-
During
her lifetime, she did not enjoy the same level of recognition
as her husband, Diego Rivera, but today her intensely
autobiographical work is as critically acclaimed as that
of her male peers.