Reviews

Big chill: 'Dirty Weather'

Howard Hodgkin: Time and Place, Modern Art, Oxford (Rated 3/ 5 )

Does a decade of new work from the abstract painter Howard Hodgkin, who is currently climbing up the hill towards his ninth decade, reveal a different kind of an artist? Yes and no. Much hangs – as it has always done – upon the titles of these 25 new works. Hodgkin's titles have always been something of a tease. They have seemed to be leading us somewhere quite precise. They have often suggested intimate domestic moments with friends or lovers. People and places have been named as if we were being introduced to something baldly – or perhaps even boldly – descriptive.

Inside Reviews

Oscar Tuazon: My Mistake, ICA, London (Rated 4/ 5 )

Thursday, 24 June 2010

True to the nature of this show, I'm going to give it to you straight. This exhibition from the Seattle-born, Paris-based artist Oscar Tuazon is made of several pieces of rough wooden beams fixed together in large structures. It's a fairly brutal gesture, and not an entirely friendly one. But perhaps I can persuade you not to run away, and that this is an artist worth regarding.

Ernesto Neto poses for photographers on a platform above his installation 'Horizonmembranenave'

Ernesto Neto, Hayward Gallery, London

Sunday, 20 June 2010

Festival Brazil kicks off on the South Bank with Ernesto Neto's dazzling playground for adults. Art shouldn't be this much fun...

Number 86 by Jamie Wyeth

The Wyeth Family, Dulwich Picture Gallery, London

Sunday, 13 June 2010

Only one winner in this generation game

Reel world: Still from Double Take by Johan Grimonprez, 2009

Johan Grimonprez, The Fruitmarket, Edinburgh (Rated 5/ 5 )

Friday, 11 June 2010

Countless airplanes, one after the other, explode on the screen in front of you, on the runway and in the sky, terrifying in their horrifying, graceful demise. How can we understand such footage? What has it done to us? Can artists tell us? You might find some answers to these questions at Edinburgh's consistently excellent Fruitmarket Gallery, in an exhibition devoted to the works of the Belgian anthropologist-turned-film-artist Johan Grimonprez.

Musicien assis, 1956. Private Collection.

Picasso: the Mediterranean Years (1945-62), Gagosian Gallery, Britannia St, London (Rated 3/ 5 )

Wednesday, 9 June 2010

Pablo's derring-do period

Untitled, by John Wynne

Newspeak: British Art Now, The Saatchi Gallery, London

Sunday, 6 June 2010

A greyer and wiser Charles Saatchi – 67 this week – puts on a show that has little truck with novelty and is all the better for it

True blue: 'Breathing Room III' by Antony Gormley

Antony Gormley, White Cube, Mason's Yard, London (Rated 2/ 5 )

Friday, 4 June 2010

Antony Gormley has come to embody what we might think of as a "public" artist. You might think about popularity, or the populace when you think of his work: commuters zipping past the Angel of the North on the A1, or last year's One and the Other, his project for the Fourth Plinth in Trafalgar Square that saw members of the public standing on the plinth. He is popular, and perhaps feels that his popularity is looked down on by the art world. Is he really an artist of the people, then? Perhaps not.

Sketch show: 'Young Girl', early 1950s

Bridget Riley: From Life, National Portrait Gallery, London (Rated 3/ 5 )

Wednesday, 2 June 2010

Faces of a young op artist

Rearguard action: An untitled work by Harry Callahan (Atlanta) 1984

Exposed: Voyeurism, Surveillance & the Camera, Tate Modern, London

Sunday, 30 May 2010

A show at Tate Modern suggests that the supposed objectivity of the lens obscures a much nastier truth

Ruff and ready: Keira Knightley in Stuart Pearson Wright's 'Maze'

Stuart Pearson Wright: I Remember You/Maze, Riflemaker Gallery, London/1 Berwick Street, London (Rated 3/ 5 )

Tuesday, 25 May 2010

Portrait of the artist as a shape-shifter

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FIVE BEST EXHIBITIONS

John Cage (Baltic, Gateshead)
The avant-garde musician was famed for his silent composition “4’33”: here are his lesser-known and delicate prints and watercolours on paper. (0191 478 1810) to 5 Sept

The Surreal House (Barbican, London)
An inventive piece of curating: a labyrinth of rooms, celebrating Surrealism and its relationship to the haunted house, from the 1920s to the contemporary. (020 7638 4141) to 12 Sept

Rude Britannia: British Comic Art (Tate Britain, London)
British comic art: farting, obesity, satire, violence, obscenity, absurdity, from Hogarth and Gillray and Cruikshank to Steve Bell and 'Viz'. (020 7887 8888) to 5 Sept

Picasso: Peace and Freedom (Tate Liverpool)
After the Second World War, Picasso threw himself into many progressive causes, including the Communist Party. A survey of his late politics and art. (0151 702 7400) to 30 Aug

Mark Francis (Abbot Hall, Kendal)
New sequence of abstracts by the British painter: loud shuddering grids of wires and bars, like electrified tartan, with dark blobs and interferences. (01908 676900) to 3 Jul

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