Features

Crusading quartet: from left, Peter Cook, Jonathan Miller, Dudley Moore and Alan Bennett in their Beyond the Fringe heyday

Edinburgh: Cradle of shows that conquered the world

Every act at the Edinburgh Festival and Fringe dreams of making it big, and a special few succeed. As performers gather for the 2010 event, illustrious predecessors tell Arifa Akbar and Harry Morgan about the Scottish nights when their careers took off

Inside Features

Knocked for Six's notes from the Underground

Friday, 30 July 2010

Whether you are shoved up against someone's armpit or stuck next to a touchy-feely couple, there is nowhere quite like the tube for being up close and personal. Now Knocked for Six, a writing collective who met last year on the Royal Court's Unheard Voices programme, have turned their tube experiences into an evening of short plays entitled End of the Line: Tales on the Tube.

Lindsay Duncan in the Royal Court production of That Face. Will these new plays be revived in 50 years' time?

Age can wither them: Will today’s hit plays still be being revived in 50 years' time?

Thursday, 29 July 2010

Private Lives and After the Dance both caused a sensation when they appeared in the Thirties and are still being successfully revived. But will today’s hit plays last the course?

From Prussia with love: Heinrich von Kleist's 'The Prince of Homburg'

Soldier's story is still hitting the target

Tuesday, 27 July 2010

The Donmar's production of a play about a battlefield mistake rings horribly true, says Iraq veteran Colonel Tim Collins

Catch the final few performances of the spiffing Fitzrovia Radio Hour's successful run in east London's Last Days of Decadence

On the agenda: Fitzrovia Radio Hour; Akala; Ane Lan's Dream Chamber; Oakley; Gelupo; Garden Party to Make a Difference

Sunday, 25 July 2010

Hip-hop in a library? Shhh! Plus, sorbets, shades and self-deluding dreams...

Cultural Life: Willy Russell, playwright

Friday, 23 July 2010

Interview by Rosie Oram

Wig hit: Richard McCabe, Derek Griffiths and Nicholas Le Prevost in 'The Critic'

Critics: hunks or halfwits?

Tuesday, 20 July 2010

Why are critics portrayed as handsome hunks in Hollywood films but seedy creeps on the stage?

A serious man: David Hyde Pierce has relished returning to the stage after sitcom success

David Hyde Pierce: From mind games to Molière...

Monday, 19 July 2010

David Hyde Pierce has been lauded as a comic genius, a modern-day Buster Keaton for TV. Now he is the toast of the West End. Michael Coveney meets him

Branching out: The Factory perform Hamlet al fresco at Latitude

Theatre takes centre stage at music festivals

Wednesday, 14 July 2010

Theatre is taking to the fields this summer to capitalise on the Great British Summer says Alice Jones.

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FIVE BEST PLAYS

Aspects of Love (Menier Chocolate Factory, London)
This brilliant little revival of Andrew Lloyd Webber’s musical is a mini-masterpiece, with a score of insinuating beauty and real emotional muscle in which the characters, in a daisy chain of love across the French Pyrenees, in Paris and Venice and first in Montpellier, express their passions and yearning in a through-sung melodic melisma. Michael Arden, a young Broadway singer sings beautifully as the hero, and he’s well matched by Katherine Kingsley as Rose, Dave Willetts as old George, and Rosalie Craig as Giuletta. (020 7907 7060) to 26 Sept

Henry IV, Parts 1 and 2 (Shakespeare’s Globe, London)
It’s always a joy to see these marvellously plotted plays together. Dominic Dromgoole’s company of 20 actors does sterling work in the doubling department: William Gaunt, for one, is both a dignified Worcester and a hilariously whinnying Shallow. The unbuttoned, sometimes casual style at the Globe suits these plays very well, and helps release them into a new democracy beyond the RSC. (020 7401 9919) to 3 Oct

The Ragged Trousered Philanthropists (Chichester Festival Theatre)
Howard Brenton’s adaptation of Robert Tressell’s epic novel about a group of decorators doing up a house bought by the town’s mayor. Christopher Morahan makes deft use of his versatile ensemble cast, led by a quietly dignified Finbar Lynch as a muralist who attempts to instill some socialist principles into his fellow painters. (01243 781312) to 26 Aug

Welcome to Thebes (NT: Olivier, London)
Moira Buffini is only the second woman to have a new work staged in the Olivier and no one could accuse her of failing to rise to the challenge, with her exploration of the plight of a female protagonist who becomes the first democratic president of a third-world country that is emerging from a brutal civil war. It’s premiered in a vivid, expertly marshalled production by Richard Eyre. (020 7452 3000) to 19 Aug

Legally Blonde (Savoy Theatre, London)
Sheridan Smith is brilliantly warm, winning, witty and all-round adorable as Elle, who proves not to be the airhead she is taken for when she goes to Harvard Law School in this is ridiculously enjoyable musical. (0870 871 7687) to 20 Feb

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