See also:

• FREDERICK
• FREDERICK (Mod. Ger. Friedrich; Ital. Federigo; Fr. Frederic and Federic; M.H.G. Friderich; O.H.G. Fridurih, " king or lord of peace," from O.H.G. fridu, A.S. frith, " peace," and rfh " rich," " a ruler," for derivation of which see HENRY)

FREDERICK See also:

• EDWIN, AEDUINI
• EDWIN, JOHN (1749–1790)

EDWIN See also:

• CHURCH
• CHURCH (according to most authorities derived from the Gr. Kvpcaxov [&w;µa], " the Lord's [house]," and common to many Teutonic, Slavonic and other languages under various forms—Scottish kirk, Ger. Kirche, Swed. kirka, Dan. kirke, Russ. tserkov, Buig. cerk
• FREDERICK EDWIN CHURCH (1826-1900)
• CHURCH, GEORGE EARL (1835–1910)
• CHURCH, RICHARD WILLIAM (1815–189o)
• CHURCH, SIR RICHARD (1784–1873)

CHURCH (1826-1900)  , See also:

• AMERICAN

American landscape painter, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• HARTFORD

Hartford, See also:

• CONNECTICUT

Connecticut, on the 4th of May 1826 . He was a See also:

• PUPIL (Lat. pupillus, orphan, minor, dim. of pupus, boy, allied to puer, from root pm- or peu-, to beget, cf. "pupa," Lat. for " doll," the name given to the stage intervening between the larval and imaginal stages in certain insects)

pupil of See also:

• THOMAS
• THOMAS (c. 1654-1720)
• THOMAS (d. 110o)
• THOMAS, ARTHUR GORING (1850-1892)
• THOMAS, CHARLES LOUIS AMBROISE (1811-1896)
• THOMAS, GEORGE (c. 1756-1802)
• THOMAS, GEORGE HENRY (1816-187o)
• THOMAS, ISAIAH (1749-1831)
• THOMAS, PIERRE (1634-1698)
• THOMAS, SIDNEY GILCHRIST (1850-1885)
• THOMAS, ST
• THOMAS, THEODORE (1835-1905)
• THOMAS, WILLIAM (d. 1554)

Thomas See also:

• COLE, SIR HENRY (1808–1882)
• COLE, THOMAS (1801–1848)
• COLE, TIMOTHY (1852– )
• COLE, VICAT (1833–1893)

Cole at See also:

• CATSKILL
• CATSKILL (formerly KAATSKIL.) MOUNTAINS

Catskill, New See also:

• YORK
• YORK (HOUSE OF)
• YORK, EDMUND OF LANGLEY, DUKE OF (1341-1402)
• YORK, EDWARD
• YORK, FREDERICK AUGUSTUS, DUKE OF (1763-1827)
• YORK, RICHARD, DUKE

York, where his first pictures were painted . Developing unusual technical dexterity, See also:

• CHURCH
• CHURCH (according to most authorities derived from the Gr. Kvpcaxov [&w;µa], " the Lord's [house]," and common to many Teutonic, Slavonic and other languages under various forms—Scottish kirk, Ger. Kirche, Swed. kirka, Dan. kirke, Russ. tserkov, Buig. cerk
• CHURCH, FREDERICK EDWIN (1826-1900)
• CHURCH, GEORGE EARL (1835–1910)
• CHURCH, RICHARD WILLIAM (1815–189o)
• CHURCH, SIR RICHARD (1784–1873)

Church from the beginning sought for his themes such marvels of nature as See also:

• NIAGARA
• NIAGARA, FORT

Niagara Falls, the See also:

• ANDES

Andes, and tropical forests—he visited See also:

• SOUTH
• SOUTH, ROBERT (1634–1716)

South See also:

• AMERICA

America in 1853 and 1857,–* volcanoes in eruption, and icebergs, the beauties of which he portrayed with See also:

• GREAT

great skill in the management of See also:

• LIGHT

light, See also:

• COLOUR (Lat. color, connected with celare, to hide, the root meaning, therefore, being that of a covering)

colour, and the phenomena of See also:

• RAINBOW

rainbow, mist and sunset, rendering these plausible and effective . In their See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time these paintings awoke the wildest admiration and sold for extravagant prices, collectors in the See also:

• UNITED

United States and in See also:

• EUROPE

Europe eagerly seeking them, though their See also:

• VOGUE, EUGENE MELCHIOR, COMTE DE (1848- )

vogue has now passed away . In 1849 Church was made a member of the See also:

• NATIONAL

National See also:

• ACADEMY, GREEK
• ACADEMY, ROYAL

Academy of See also:

• DESIGN (Fr. desiin, drawing; Lat. designare, to mark out)

Design . His " Great Fall at Niagara " (1857) is in the Corcoran See also:

• ART

Art See also:

• GALLERY (through Ital. galleria, from Med. Lat. galeria, of which the origin is unknown)

Gallery, See also:

• WASHINGTON
• WASHINGTON (or WASHINGTON COURT HOUSE)
• WASHINGTON, BOOKER TALIAFERRO (c. 1859– )
• WASHINGTON, BUSHROD (1762-1829)
• WASHINGTON, GEORGE (1732-1799)

Washington, D . C., and a large " See also:

• TWILIGHT

Twilight " is in the Walters Gallery, See also:

• BALTIMORE
• BALTIMORE, GEORGE CALVERT, 1ST BARON (C. 1580—1632)

Baltimore, See also:

• MARYLAND

Maryland . Among his other canvases are " Andes of See also:

• ECUADOR (officially La Republica del Ecuador)

Ecuador " (1855), " See also:

• HEART
• HEART, LUNG

Heart of the Andes " (1859), " See also:

• COTOPAXI

Cotopaxi" (1862), " See also:

• JERUSALEM (Heb. ^S0-r, Yerushalaim, pronounced as a dual)
• JERUSALEM, SYNOD OF (1672)

Jerusalem " (187o), and " See also:

• MORNING

Morning in the Tropics " (1877) . He died on the 7th of See also:

• APRIL

April 'goo, at his See also:

• HOUSE
• HOUSE (O. Eng. hiss, a word common to Teutonic languages, cf. Dut. huis, Ger. Haus; in Gothic it is only found in gudhiss, a temple; it may be ultimately connected with the root of " hide," conceal)

house on the See also:

• HUDSON
• HUDSON, GEORGE (180o-1871)
• HUDSON, HENRY
• HUDSON, JOHN (1662–1719)

Hudson See also:

• RIVER

river above New York See also:

• CITY (through Fr. cite, from Lat. civitas)

City, where he had lived and worked for many years . He was the most prominent member of the so-called " Hudson River School " of American artists .