Museums and Libraries
The Ramayana, a Sanskrit saga that first emerged in India in the . . .
The silver in the Second Sachsen-Teschen Service is exquisite—as it should be . . .
The twin brothers, who made a splash in the eighties with very . . .
The title of this knockout exhibition doesn’t exactly exhaust Levinstein’s range of . . .
The latest in the Met’s exhibitions of work from the permanent collection . . .
When it opened in 1863, the London Underground—the tube, as it’s commonly . . .
Taking the U.S. Army helicopter as its lodestone, this fascinating project examines . . .
This power-packed show—largely a forensic exercise, attended by scholarly minutiae and the . . .
If it did nothing more than provide a context for Brancusi’s luminous . . .
The museum surveys its acquisition of works from past biennials.
This illuminating retrospective of the mystically inclined watercolor realist, who died in . . .
Friedlander has taken to the road repeatedly in the course of his . . .
A selection of art works and historical objects celebrating the contributions of . . .
The show’s title may sound odd, given that nothing by the divine . . .
Kowa kawaii—Japanese for “creepy and cute”—has been Nara’s trademark for years. But . . .
This exhibition’s wall text states, somewhat defensively, that the Jewish Museum has . . .
Among the flora and fodder for sculpture in this show of thirty-plus . . .
“To enlarge my experience / I sail for a foreign country . . .
The show is an archives dump for fans of the charismatic dilettante . . .
The exquisitely designed magazine Bidoun: Arts and Culture from the Middle East . . .
Nearly sixty photographs from the museum’s collection present a broad spectrum of . . .
The museum is undergoing an expansion, and the curator Larissa Harris takes . . .
The museum’s venerable residency program continues to churn out formidable new talent—the . . .
The subjects of Mthethwa’s big color photographs are South African migrant workers . . .
Galleries-Uptown
The young German photographer makes her New York solo début with this . . .
This British photographer’s first New York exhibition is subtle but insinuating. His . . .
Though Sekaer is not as well known as his early teachers and . . .
There’s no disputing the young British painter’s mastery of her medium—every last . . .
The latest installment of the Open Society’s exhibition series devoted to documentary . . .
Galleries-Chelsea
Bark, whose large-scale photographs have often had an obsessive, dreamlike quality, shows . . .
Blackmon’s digitally collaged photographs of young children and toddlers, including several of . . .
The Los Angeles-based painter is well known for her painstaking process: she . . .
Though he is known for the big, staged photographs he calls “Landscapes . . .
Liao works big—only one of the panoramic photographs in his show is . . .
Energy crackles through this five-decade survey, which includes sculptures and Pfaff’s less . . .
Strand worked in Mexico only briefly—on a two-year trip that began in . . .
Wright’s new photographs flirt with chic minimalism but end up somewhere much . . .
The lower Park Avenue hangout for artists and rockers lasted only eight . . .
This enchanting audio installation “A Bell for Every Minute,” is the latest . . .
Galleries-Downtown
White’s large-scale oil paintings, rendered mostly in black, tend to be explicit . . .
