From Library Journal
Complementing a Boston Museum of Fine Arts exhibit of the same name, Hirshler's book chronicles the birth and evolution of women artists who trained or were centered in Boston. The John Moors Cabot curator of American painting at the Museum of Fine Arts, Hirshler found her niche rediscovering lesser-known artists with her previous work, Dennis Miller Bunker: American Impressionist. She hits her stride with this new study, providing a standard for regional treatments of women artists. The book not only surveys artists grouped together solely by gender or artistic medium but also establishes the intertwining and harmonious relationships among several Bostonian generations. In addition, the original research generates fresh interest in a largely forgotten or unknown aesthetic stratum of New England. Hirshler delves into challenges specific to female artists, thus marrying art history with social history and appealing to a wider audience. Abundant illustrations, artists' biographies, and extensive footnotes make this essential for academic libraries specializing in art history. Rebecca Tolley-Stokes, East Tennessee State Univ., Johnson City
Copyright 2001 Reed Business Information, Inc.
Review
an intelligent survey of the intersection among feminist, cultural, and artistic issues in a pivotal 70-year period. --
The Boston Globe, December 2, 2001 --Richard Dyer
more than mere catalog
examines the lives and works of 40 artists, in effect ensuring their survival in the public consciousness. --
The Boston Globe --Christine Temin
original research generates fresh interest
Hirshler delves into challenges specific to female artists, thus marrying art history with social history
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Library Journal, August 2001 --Rebecca Tolley-Stokes
tells the interwoven stories of 40 women artists and their resourcefulness in dealing with societal restrictions. --
Publishers Weekly, August 13, 2001 Publishers Weekly, August 13, 2001