Decent Comics: "The Destiny Machine" by Michelinie and Redondo

Check it out, Groove-ophiles! The team of David Michelinie and Nestor Redondo went bonkers (in a very cool way) on Swamp Thing #17's (April 1975) "The Destiny Machine." Cool story and art, but this just blew Young Groove away: robotic wolves! HowOOOO cool is that!?!

Dig that crease in the cover! That was caused by it being folded and mailed. Subscription copies of  70s comics were never in mint condition!

Groovin' Back In the Summertime, 1972

The Summer of 1972! The Godfather, The Poseidon Adventure, Deliverance, The Biscuit Eater (it was out at the drive-in, don'tcha know), and Sounder came out. Of course, Young Groove only got to see a couple of those flicks at the time (can you guess which ones?).

The Olympics, as well as reruns of All In the Family, Mary Tyler-Moore, M*A*S*H*, and best of all, Sonny and Cher kept Young Groove glued to the boob tube.

And when I was drawing (well, actually tracing), playing games, or just chillin', the sounds of The Eagles, Alice Cooper, Dr. Hook, Neil Diamond, and even Sammy Davis Jr. came pouring out of my radio.

It was a magical time for  Young Groove with cousins staying over here and there, a fun vacation (long drives were a great excuse to read a pile of comics) to visit even more family, the ol' swimming pool in the back yard, trolling the grounds of more houses being built in our subdivision for spare lumber to use to build a clubhouse...but still, it's all about the comics, baby! Let's rap about a few faves...

The Avengers (aren't they always at the top of Ol' Groove's lists?). Roy Thomas' Avengers swan song pitting the Awesome Assemblers against the Sentinels wrapped up during that summer. The story was so cool, especially the romantic tension with Scarlet Witch, The Vision, and Hawkeye, Quicksilver stepping into the spotlight (ironically, to end his time in the Avengers), the flashbacks to the Thomas/Neal Adams X-Men era, and haaaave mercy, that gorgeous Rich Buckler/Joe Sinnott art! The summer ended with that new Englehart guy taking over the writing. He wound up being pretty good! (More on him below!)

Batman. Over at DC, the dream team of Denny O'Neil and Neal Adams were wrapping some things up in Batman, too. The final chapters of their massive and immortal Ra's al Ghul saga came out in the Summer of 1972, and man, did they ever make a mark on Young Groove (a lot of us Groove-ophiles, I'm sure)! O'Neil crafted a tale that would have made the producers of the James Bond movies jealous, and Adams' art, inked by Dick Giordano, was just the pinnacle of what The Batman should look like. Modern, slick, sophisticated--and yet, an eight year old like me could totally dig it!

Captain America. Remember "that Englehart guy" I mentioned up there in the Avengers paragraph. Of course I'm rappin' about Steve Englehart. He'd already won me over with the Beast feature in Amazing Adventures, but man, he took over Cap's mag and immediately made it the "must read" mag of the week! He started off with sending Cap on vacation, then, boom, out of left field we got another Cap giving the Falcon fits. This Cap, it turned out, was the "forgotten" Cap of the 1950s--and he was bonkers. Man, Sterling Steve gave us a cracking-good action/adventure story (its magnificence heightened by the equally action-packed art of the great Sal Buscema), but he also managed to give us history lessons in both Cap and real-world history, some social studies, and civics lessons all at the same time. It was the coolest school ever--and it happened in the summer!

Marvel Feature Presents the Astonishing Ant-Man: Issue #5, where writer Mike Friedrich and artist Herb Trimpe pit our stuck-at-ant-size hero against the evil Egghead just blew Young Groove away. The battle with the hawk that started the comic off was downright scary to me back then. The introduction of Trish Starr (who'd become sort-of important in The Defenders a few years later) and Ant-Man's oh-so-Seventies outfit (white pants, boots, and a red turtleneck!) seemed so cool back then. And this series showed me that the best Herb Trimpe art was when he could ink it himself. I loved him on the Ant-Man strip even more than on Incredible Hulk. Weird personal aside: I'd been looking forward to the new Ant-Man series, but somehow I thought I'd missed MF #4 (the debut ish, natch). I found #5 and, as you can see, loved it. Imagine my surprise when a few weeks later, on the same spinner rack I'd found ish 5--I found ish #4! I was puzzled but very happy!



Those are just a few of the mostly Marvel-ous mags that took my twin dimes that simmering summer. Which ones turned you on? Some of these? These? Or perhaps, these? (Don'tcha just love Mike's Amazing World of Comics' Newsstand?)

Rap about 'em in the comments, okay?

Decent Comics: "Night of the Warring Dead!" by Michelinie and Redondo

How's it shakin', Groove-ophiles! It's time to get a li'l scary again with Swamp Thing! "Night of the Warring Dead!" is by David Michelinie and Nestor Redondo and was first published in Swamp Thing #16 (February 1975). Ol' Groove loves this ish--it's almost like a weird, modern-day Tarzan story, but it takes a look at an important social issue (how Viet Nam vets were treated in the 70s) and features...zombies (but the Comics Code wouldn't let 'em call 'em zombies, ya know)...

Decent Comics: "The Soul-Spell of Father Bliss!" by Michelinie and Redondo

Check it out, Groove-ophiles! It's Swamp Thing vs. the reverse-Exorcist! From Swamp Thing #15 (December 1974), here are David Michelinie and Nestor Redondo with..."The Soul-Spell of Father Bliss!"