The women of Warpaint go for unbroke
Their atmospheric guitar rock has taken a while to catch on, but now at least one music publication has labeled them 'the new queens of the underground.'
After nearly six years on the local scene, Warpaint had little to its résumé: one EP, a rotating cast of drummers and a string of dead-end day jobs.
Stella Mozgawa, however, wanted in. A session drummer who had toured her native Australia with Devo, there was little doubt Mozgawa had the chops. Yet singer-guitarist Emily Kokal was skeptical, and there were five words she needed to hear first.
Mozgawa recalled how she leveled with Kokal, essentially asking the singer for the gig last fall at Silver Lake's Stella Café: "I said, 'I'm ready to be poor.'"
And thus, Mozgawa had said the magic phrase needed to gain entry into an atmospheric rock quartet whose future even an optimist would have likely deemed perilous.
"Here was Stella, who made money and made a living," Kokal said Tuesday at dinner with her bandmates at Hollywood's Sushi Ike. "We were really broke. I didn't want her to think that she could do this on the side. She had to commit. So when she said she was ready to be poor, we were cool."
If afforded time, the songs of Warpaint, which don't build so much as materialize, are full of lurking surprises. With intricate guitars that stress patience and ambience, perhaps it's no revelation that it's taken Warpaint, whose members range in age from the mid-20s to early 30s, nearly seven years to have anything resembling a career.
The band last year inked a worldwide deal with storied British independent Rough Trade, a label associated with dream-pop act the Raincoats and '80s alt-rock forebears the Smiths, among many others. Since aligning recently with the Beggars Group, a consortium of sorts of independent labels that includes Matador Records, 4AD and XL, Rough Trade has become increasingly active, and is doing so at a time when the Beggars Group has set its sights on Los Angeles.
"We were looking at a lot of artists to sign who are based in L.A., and we still are," said Miwa Okumura, an L.A. native who relocated here one year ago from Beggars' U.S. headquarters in New York City to open an Echo Park outpost. "There's a growing music community here. It's always existed, and I get that. But there's so much going on right now."