Interiors

The ten best teapots

Friday, 18 February 2011

Whether you’re making a brew for two or a solitary cuppa, you need to let those leaves infuse. Here is our pick of the top pots for the job...Click on the image on the right to launch the gallery

Valentine’s Day designers with a difference

Monday, 14 February 2011

Annie Deakin talks to two designers who put an unconventional spin on romantic gifts

The insider: How to do crafts (even if you're a needle novice)

Sunday, 13 February 2011

When I was small, my grandma tried to teach me to crochet. The memory of the ensuing "Cant do it!" tantrum remains embarrassingly vivid. If, like me, the idea of making your own appeals, but the sight of needles makes you sweat, read on...

Crib ticklers: Accessories to brighten up those little people's lives

Sunday, 13 February 2011

The Secret History Of: The Arco light

Friday, 11 February 2011

By Kate Watson-Smyth

Now cross your legs: An inconvenient economy

Thursday, 10 February 2011

Clean and fully functioning public conveniences are vanishing fast.

Highlights of Maison et Objet 2011

Monday, 7 February 2011

From Christian Lacroix fabrics to croissant-inspired sofas, it's Ooh là là at the Paris Show, reports Annie Deakin

Time for a change: The hour is nigh for these up-to-the-minute clocks

Sunday, 6 February 2011

The insider: How to stay stylish when you have little kids

Sunday, 6 February 2011

Toddlers: can't live with them... well, not in a pimped pad. True? I know a couple with three littl'uns and a cool all-white domain. Their secret is Brilliant White Eggshell paint – touch-up friendly and wipeable. But what do other parents do?

Miller's crossing: The contrast between artist Garry Fabian Miller's 'simple' family home and his 'chaotic' studio darkroom is striking

Sunday, 6 February 2011

Garry Fabian Miller's abstract artworks have been the subject of two recent exhibitions in London: Shadow Catchers at the V&A and The Colour of Time at HackelBury Fine Art, Kensington. But his camera-less photograms are far more a product of Miller's rural way of life. His works – which capture light passed through coloured glass, cut paper or liquid on to photosensitive paper – are tranquil, luminous images that nonetheless hum with intensity.