Academy Endorses Anti-Piracy Efforts
The online theft of motion pictures is a global problem. Every facet of the business and the art of film is injured by the widespread theft of motion pictures: every costume designer, every set builder, every member of each of the Academy's branches is hurt by the unlawful distribution of our work. Visits to illegal websites translate into lost revenues and lost jobs for artists worldwide, and have an extraordinary negative impact on the ability of producers to finance and create the next Oscar-winning films.
Last year's Best Picture "The Hurt Locker" was downloaded illegally over 10 million times, but viewed in theaters in the U.S. and abroad by only 5.6 million people.
The battle against fraudulent websites and unauthorized DVDs is being waged in the U.S. today primarily by the U.S. Immigration and Customs Enforcement agency – ICE. On behalf of filmmakers around the world, the Academy commends ICE for sending a crucial global message: those who pirate our art form are no longer able to act with impunity.
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PREAMBLE
Since their inception in 1929, the “©Oscar®” Awards of the Academy of Motion Picture Arts and Sciences have enjoyed increasing international recognition. Today they are among the most respected and sought-after prizes bestowed anywhere.
Their prestige, long acknowledged within the motion picture industry, has grown over the years because the public recognizes the Oscar as an award based solely on artistic and technical achievement and because care has been taken to preserve the integrity of the Oscar symbol. Specifically, the Academy has carefully limited reproductions of the Oscar statuette and references to the annual Academy Awards presentation in promotions and advertising.
The purpose of these Regulations is to set a code of fair practice for all forms of advertising pertaining to the annual Academy Awards presentation, and for other uses of the Academy’s intellectual properties.
The Academy does not wish to restrict the benefits film producers, distributors and exhibitors may derive legitimately from publicity associated with the annual Academy Awards presentation, but desires to equalize these benefits and ensure that:
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