A Chronology of Furry Fandom

by Fred Patten
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This article is enlarged from a chronology originally printed for an exhibition at L.A.con III, the fifty-fourth annual World Science Fiction Convention, 29 August-2 September 1996, at the Anaheim Convention Center, Anaheim, California.

There is no single specific date or event that can lay claim to being the birth of furry fandom. However, there is general agreement that it was around late 1983 or early 1984 that furry fans coalesced out of SF fandom and comics fandom and began an independent identity.

Due to the practice in the comic-book industry of dating one to three months in the future, the dates of the comic books listed here may be a month or two later than their actual appearances.

To indicate significant geographic centers of furry fandom, the home cities have been listed of active fans. Entries without cities indicate that the individuals named have not been active in furry fandom.

The goal of this chronology is to list the "first" and the "most influential" entries in the many aspects of furry interest. If there were more room, many other favorites could be added to each category: novels such as Brian Jacques' Redwall series, Paul Kidd's Mus of Kerbridge, Mark Rogers' Samurai Cat series, and Mary Stanton's The Heavenly Horse From the Outermost West; movies like Animalympics, The Great Mouse Detective, and Meet the Feebles; TV cartoons such as The Amazing 3, Animaniacs, Chip 'n' Dale Rescue Rangers, the animated Star Trek with Lieutenant M'Ress, SWAT Kats: The Radical Squadron, TaleSpin, and Tiny Toon Adventures; comic books like The Chronicles of Panda Khan, Eb'nn, Red Shetland, Space Beaver, and Wild Life; fanzines like Hunca Munca! and Pawprints; MU*s like Animal Nation, FurryFaire, FurToonia, Redwall MUCK, and Tapestries. It was not our intention to slight anything, but space limitations precluded our including everything. Please consider this chronology in the nature of a brief encyclopedic summary. A detailed history of furry fandom is yet to be written.

Proto-Fandom: Influences

September 1966: Osamu Tezuka's Kimba, the White Lion begins U.S. syndicated television broadcasting (through the late 1970s). It introduces such thought-provoking concepts as royal lion cub Kimba's search for a way for well-meaning carnivores to live in friendship with herbivores without starving to death, and to get humans to take intelligent animals seriously as social equals.

1968-1972: Robert Crumb's Fritz the Cat is the first "adult" funny-animal series to gain public attention, in various underground comix and especially Ballantine Books' mainstream editions starting in October 1969, climaxing with Ralph Bakshi's animated feature in April 1972 -- which so displeases Crumb that he kills off Fritz in a final June 1972 story. The 1972 Crumb-covered Funny Aminals [sic] is another influential underground example of funny animals featured in "mature" situations.

1971-1972: Dan O'Neill and his "Air Pirates" (Gary Hallgren, Bobby London, Ted Richards) carry on their underground-comix "guerrilla war" against the Disney morality, publishing pornographic parodies of popular Disney 1930s and 1940s comic books (Air Pirates Funnies, Dan O'Neill's Comics & Stories, The Tortoise and the Hare), until stopped by court order. This reinforces the awareness that funny animals can appear in adult situations as well as children's stories.

November 1972: Richard Adams' Watership Down, a dramatic fantasy about "realistic" talking rabbits, gives new life to the concept of talking animals as acceptable subjects of serious literature. This is arguably the first example since George Orwell's 1945 Animal Farm.

November 1973: Disney's Robin Hood animated theatrical feature with a funny-animal cast is later named by many furry fans as their earliest-remembered positive influence toward anthropomorphic animals.

April 1976: Reed Waller and Ken Fletcher in Minneapolis start the APA Vootie, "the fanzine of the Funny Animal Liberation Front," for cartoonists. It is more of a semi-underground comix artists' club than open to funny-animal fans in general, but it publicizes funny-animal characters in mature settings, notably Reed Waller's "Omaha," the Cat Dancer.

May 1976 (through 1982): Neal Barrett, Jr.'s Aldair in Albion introduces a series of four SF novels about animals who are bioengineered into parodies of man, and who fight for freedom to live their own lives. It is one of the first examples of dramatic SF genré novels for adult readers with a "funny-animal" cast.

1976-early 1980s: Marvel Comics' Howard the Duck (January 1976 through March 1981; a supporting character in Marvel Comics since December 1973, created by Steve Gerber) and Star*Reach Productions' Quack! (July 1976 through issue six in December 1977), plus one- and two-issue underground comix and early independent comics such as No Ducks and Wild Animals, establish that anthropomorphic animals can be used in "literary" and dramatic stories as well as shock-value raunchy sex-and-drug satires.

December 1977: Dave Sim starts Cerebus the Aardvark, originally a parody of sword-and-sorcery comics but evolving into a complex, sophisticated literary work, with a strong furry protagonist amidst a human cast (current).

November 1978: Martin Rosen's animated feature adaptation of Adams' Watership Down impresses a wider and younger public than those who read the book. (With a special preview screening at the World Science Fiction Convention in Phoenix in September.)

Labor Day weekend 1980: At the NorEasCon II World Science Fiction Convention in Boston (August 29-September 1), Steve Gallacci enters an Erma Felna painting in the art show, featuring a funny-animal character in a realistic high-tech military setting. This leads to a gathering of fans to look at Gallacci's notes for a SF comic-art serial about bioengineered animal soldiers in a space war. The discussions show a common interest in SF and fantasy about intelligent animals, such as George Orwell's Animal Farm (fantasy), Cordwainer Smith's "Underpeople" stories (bioengineered animals), and H. Beam Piper's Little Fuzzy (animal-like intelligent aliens), to name popular examples among the three main types. This becomes an informal series of "Gallacci group" gatherings at Worldcons and Westercons to discuss anthropomorphics in SF, comic art, and animation, and to show off each others' sketchbook art and draw in each others' sketchbooks, from 1980 until about 1985. The group eventually splits into a club grouped around Rowrbrazzle, and the more "formal" furry parties.

May 1981: Greg Wadsworth creates Ismet, an early independent SF comic book about an oppressed funny-animal lower class rebelling against their cruel human masters (to issue five, July 1982).

August 1981: Reed Waller's "Omaha," the Cat Dancer, which began in the fan APA Vootie, makes its first public appearance as a book-length story in Bizarre Sex issue nine.

February 1982: Roy Thomas and Scott Shaw! launch the last major comic-book attempt at funny-animal super-heroes with DC's Captain Carrot and His Amazing Zoo Crew (issue one in March, with a preview in The New Teen Titans issue sixteen, February 1982; to issue twenty, November 1983).

July 1982: Don Bluth's The Secret of NIMH animated feature (based on the 1971 juvenile novel Mrs. Frisby and the Rats of NIMH, by Robert C. O'Brien) is released, depicting a hidden society of intelligent animals.

October 1982: Joshua Quagmire's Army Surplus Komikz Featuring Cutey Bunny is published. Cutey Bunny has continued to appear under various titles to the present.

February 1983: The final Vootie, number thirty-seven, is published as the club disintegrates through apathy.

May 1983: Alan Dean Foster's Spellsinger at the Gate (followed in June by Spellsinger, the mass-market edition of the first half of the story), introduces the popular Spellsinger series of funny-animal science-fantasy novels, which run for six titles through 1986 (and two more in the 1990s).

June 1983: The Tiger's Den BBS is started by Andre Johnson in Los Angeles during 1982 as a general SF electronic bulletin board, and is brought by him to the "Prancing Skiltaire" in September 1983. It adds its first furry storyboard, Ken Sample's "The Puma's Room", in early 1983. By June it has enough furry participants to qualify as the first furry BBS, and by late 1983 it is almost exclusively devoted to furry storyboards. Johnson leaves the Tiger's Den at the Prancing Skiltaire when he moves out, and it is operated by other furry fans there until it is shut down in January 1996.

October 1983: Marc Schirmeister in Los Angeles sends out a call for fans of funny animals to join Rowrbrazzle, a new APA to replace Vootie.

October 1983: Other Suns, the first significant furry role-playing game, is published by Fantasy Games Unlimited after four years of development by creator Nicolai Shapero of Los Angeles. It includes art by Ken Sample and Fa Shimbo, and species such as Mark Merlino's skiltaires. Many furry fans participate in its playtesting. Other Suns sells at least twelve thousand units before FGU goes out of business.

The Fandom

February 1984: Rowrbrazzle number one is published. Unlike Vootie, its emphasis is more on actual funny animals than general "non-costumed-hero" comics; and it is open to anyone who can demonstrate a creative interest in funny animals, not just cartoonists (current, under new editorship; number fifty-two published in January 1997).

May 1984: Kevin Eastman and Peter Laird self-publish Teenage Mutant Ninja Turtles. It is fantastically successful, setting off a vogue for self-publishing independent comic books (including several others with anthropomorphic action-adventure heroes), and it makes funny animals respectable again to those who consider themselves too mature for "little kids' comics". TMNT eventually spins off television cartoons, feature films, and a separate, more juvenile series from Archie Comics, Teenage Mutant Ninja Turtles Adventures (August 1988), which does its own bit for making "mutanimals" socially acceptable (TMNT current in various series; TMNTA to December 1995).

June 1984: Steve Gallacci in Seattle self-publishes Albedo issue one under his Thoughts & Images imprint, introducing his Erma Felna of the EDF. Stan Sakai's Usagi Yojimbo begins in Albedo issue two, November 1984 (both current, under different publishers).

This is an appropriate spot to address the Prancing Skiltaire in Orange County (south of Los Angeles) as the first furry fan commune. The Prancing Skiltaire has been Mark Merlino's personal fannish name for his home since before he, Rod O'Riley, Andre Johnson, and three other fans moved in September 1983 to the house at 13412 Gilbert Street, Garden Grove, California. Merlino and O'Riley have been the two permanent residents in a floating commune of (usually) four to six roomers, all fans but not all furry fans. The commune has also been active in projects in SF, comics, animé, Dr. Who, Anne McCaffrey's Pern novels, and other fandoms. It has had a major significance in furry fandom, starting around 1984 as the center of the Tiger's Den BBS, then furry parties and ConFurence; but to infer that the Prancing Skiltaire was created specifically to be a furry commune or that it has only been that, is incorrect.

July 1985: Mark Merlino and Rod O'Riley host a Prancing Skiltaire party, the first publicized open funny-animal fan party, at Westercon 38 in Sacramento. It is popular enough to lead to the first furry party a year later.

July 1985: Jim Groat in Tucson launches his GraphXpress independent comics imprint with his and Richard Konkle's Equine the Uncivilized (to issue seven, August 1990).

September 1985: Disney's Adventures of the Gummi Bears, co-created and produced by Jymn Magon and Tad Stones, is the first major-studio-produced light adventure funny-animal television cartoon series to establish both popularity and longevity. (Seventy-four episodes, to September 1990; as Disney's Gummi Bears/ Winnie the Pooh Hour in its final year.) Its success leads to the more popular Chip 'n' Dale Rescue Rangers (Tad Stones and Mark Zazlov) and TaleSpin (Jymn Magon and Mark Zazlov).

June 1986: Fantagraphics launches two particularly influential furry comics with its monthly anthology, Critters (to issue fifty, March 1990), and Mike Kazaleh's The Adventures of Captain Jack (to issue twelve with some special issues following).

July 1986: Antarctic Press' first furry comic is Ben Dunn's first Mighty Tiny short story, in Mangazine issue three. Antarctic, in San Antonio, becomes one of the major publishers of anthropomorphic comics in the early 1990s.

July 1986: After about a year of holding informal open parties at SF and comics conventions, Mark Merlino and Rod O'Riley hold the first "official" Furry Party at Westercon 39 in San Diego. This starts the tradition of publicizing the presence of 'morph fans at conventions by posting "furry party" flyers featuring funny-animal pin-up art. The furry party name leads to the characterization of these fans as "furry fandom" by the late 1980s.

August 1986: As a result of a ban in Rowrbrazzle of explicit sexual material, Jim Price in Atlanta starts Q, "the Mature Funny-Animal APA". (Through issue ten, 1989.)

October 1986: "Omaha," the Cat Dancer issue three begins the regular publication of Reed Waller's influential and critically acclaimed mature soap-opera serial, after Kate Worley becomes its regular writer, after sporadic underground short stories in 1983 and two issues of its own title in 1984 and early 1986 (current, from various publishers).

January 1987: Fusion (Eclipse Comics) introduces the SF comic book adventures of the Tsunami, a tramp spaceship with a mixed crew of humans, bioengineered animals, and furry aliens (by Lex Nakashima, Steve Gallacci, Lela Dowling, and others); with the humorous back-up series The Weasel Patrol, by Nakashima, Dowling, and Ken Macklin (to issue #17, October 1989).

April 1987: Jim Groat begins Morphs as the first anthology comic for 'morphic beginning writers and artists (to issue four, September 1988).

May 1987: Mark Merlino and the furry party crew encourage the "adoption" of the annual Baycon SF convention in San Jose, California over the Memorial Day weekend as the convention for furry fans to congregate at. There are large furry attendances at this and the next two or three Baycons, but active hostility by non-furry fans eventually causes problems.

May 1987: Kyim Granger (Karl Maurer) in Oakland starts Furversion as the newsletter of the furry party crowd. It quickly evolves into furry fandom's first independent fiction and art magazine (to issue twenty-one, November 1990).

May 1987: The Electric Holt is started by Richard Chandler (sysop), Mitch Marmel (assistant sysop), John DeWeese, and Seth Grenald at Drexel University in Philadelphia. It is the first east coast BBS with an extensive furry users' group, thanks to Chandler and Marmel. (It also features ElfQuest, animé, and general SF storyboards.) It lasts until 1990, when the four graduate from Drexel.

August 1987: Mark Merlino and the furry party crew host a furry party at Conspiracy '87, the 1987 World Science Fiction Convention in Brighton (August 27-September 2). This is the first furry event in Britain. Early British furry fans credit this party with introducing them to American furry independent comic books and fanzines, which eventually leads to a British furry fandom around 1992-1993.

September 1987: Ralph Bakshi's and John Kricfalusi's Mighty Mouse: The New Adventures establishes television-cartoon funny animals as respectable for "adult" viewers. (Thirty-seven episodes, to August 1989.)

November 1987: Amazing Heroes issue 129 (Fantagraphics) is a special funny animal issue highlighting independent furry comics, Rowrbrazzle, and the Bakshi/ Kricfalusi TV cartoon series, Mighty Mouse: The New Adventures. Numerous furry fans later say they first learned about furry fandom from this issue.

May 1988: Vicky Wyman's Xanadu (Thoughts & Images) introduces furry swashbuckling romantic fantasy. It continues to today, both as an irregular independent comic book (different publishers) and through its fanzine, The Ever-Changing Palace.

January 1989: ConFurence Zero, the first exclusively furry convention, is held 21-22 January at the Holiday Inn Bristol Plaza in Costa Mesa, California, organized by Mark Merlino, Rod O'Riley, and others. ("Zero" because it is considered a test for a "real" furry convention the next year.) Membership is about 90, attendance is 65, including most prominent furry fans from across North America and Steve Kerry from Australia. Art Show auction sales are over $1,100, including $450 for a Susan Van Camp painting.

May 1989: Martin Wagner self-publishes Hepcats, turning his earlier college-newspaper humorous comic-strip into a critically acclaimed furry human-interest serial involving mature themes such as child abuse and suicide (current).

July 1989: MU Press' first anthropomorphic comic book is Steve Willis' Morty the Dog issue one, a collection of Willis' strips from small-press and mini-comics of the early eighties. MU Press, in Seattle, becomes one of the major publishers of anthropomorphic comics in the early 1990s.

August 1989: FURtherance, published by Runé (Ray Rooney) in Philadelphia, is the first of several new fanzines, mostly short-lived, devoted to furry literature and art (to issue three, winter 1991).

August 1989: FurNet is started by Nicolai Shapero as a network (through FidoNet) of BBSs with furry discussion areas. By 1996 it includes over twenty furry BBSs throughout North America.

November 1989: Robert and Brenda Daverin in the San Francisco Bay area start FurNography, one of the first public fanzine-art folios for furry eroticism (to #4, June 1991).

November 1989: Richard Chandler in Philadelphia starts Gallery as a cross between an artists' and writers' APA and a commercial magazine for general furry fans (current).

January 1990: ConFurence 1, the "first real" furry convention, is held 26-28 January, again at the Holiday Inn Bristol Plaza in Costa Mesa, California. Membership is 145; attendance is 130. The ConFurence adds guests of honor (Jim Groat, Monika Livingston, Martin Wagner) and awards (Best Costume, to John Cawley as Zorro the Fox; Art Show Best of Show, to Ken Sample's "Winter Charge"; Best Filk Award, to Kay Shapero's "Furry"). Yarf! issue one debuts at the con.

January 1990: Yarf! is begun by Jeff Ferris, Kris Kreutzman, and others in the San Francisco Bay Area to replace the moribund Furversion. It becomes furry fandom's most reliable general magazine (forty-six issues to date).

March 1990: MU Press' first original anthropomorphic title is Dwight R. Decker's and Teri S. Wood's Rhudiprrt, Prince of Fur issue one. (Current, with Will Faust replacing Wood as the artist.)

Spring 1990: Mythagoras, an excellent literary furry fanzine, is published by Bill Biersdorf and Watts Martin in Tampa (to issue three, Autumn 1990).

September 1990: The Furry Home at Squirrel Hill (2613 Tilbury Avenue, Pittsburgh, Pennsylvania) is started as a furry commune by Centaur (Paul Blair), Ashtoreth (William Haas), Drew Maxwell, and Shaterri (Steve Stadnicki). All are students at or work at Carnegie-Mellon University, and all had been role-playing furry characters on a general SF multi-user dimension, Islandia, until it shut down that summer. The Home lasts as a furry commune through several student generations until around 1994, when the last furry fans are replaced by non-fannish students.

November 1990: FurryMUCK is built as the first exclusively Furry MU* by the denizens of the Furry Home at Squirrel Hill plus Claire Benedikt, with Drew Maxwell as the prime wizard, to replace the defunct Islandia. By 1996 it has more than two thousand users worldwide, with two hundred to three hundred log-ons per evening. The core group shifts around late 1992-early 1993 from Pittsburgh to the Bay Area, as the wizards graduate from Carnegie-Mellon and settle into the Silicon Valley computer industry.

December 1990: Gary Sutton in Poulsbo, a suburb of Seattle, starts the Furry Press Network as furry fandom's second major APA. Despite a successful start, Sutton kills it in early 1992 by refusing to allow its other members to continue it after he gives it up.

January 1991: ConFurence 2, on 25-27 January at the Holiday Inn, Anaheim, California, grows to an attendance of more than two hundred. Guests of Honor are Reed Waller, Kate Worley, Steve Gallacci, and Vicky Wyman. It is the first to have attendees from mundane companies (Carl Gafford and Len Wein of Disney Comics). The art show auction brings in over $3,000.

March 1991: The Tai-Pan Project, featuring stories set on a furry-crewed tramp spaceship, is started as a shared-world writers' project edited by a group of Seattle fans chaired by Whitney Ware (current, under new editorship and title, Tales of the Tai-Pan Universe).

June 1991: Mark Merlino and the ConFurence group publish a fanzine, Touch (to issue three, August 1992).

July 1991: The Furkindred: A Shared World is started by Charles Melville and Edd Vick at MU Press as a writers' and artists' project. Stories adhere to guidelines describing a furry world, its nations and politics (current).

November 1991: Antarctic Press begins Furrlough, a monthly anthology comic book for furry action-adventure stories (current).

February 1992: The "First British Furry Micro-Con" is held 1-2 February, when Ian Curtis invites furry fans throughout Britain (only about a dozen) to meet a group of visiting American fans. A dozen fans (six American and six English) spend the weekend partying at Curtis' home in the village of Yateley, Surrey, England.

February 1992: Dwight J. Dutton in Huntington Beach, California turns Huzzah! (previously an Albedo fanzine) into an invitational furry artists' APA starting with its issue four (current).

May 1992: Shanda the Panda, created and written by Mike Curtis in Beaumont, Texas (later Conway, Arkansas), debuts from MU Press. By the end of 1996, Shanda holds a record for the number of publishers (MU, Antarctic, Vision Comics, and Curtis' own Shanda Fantasy Arts) and artists who have produced her adventures.

July 1992: Growl (Paul Groulx) in Frankford, Ontario starts the FURthest North Crew as an APA for primarily Canadian furry fans. It is almost immediately filled by former Furry Press Network members, and becomes furry fandom's third strong APA (current, under new editorship).

August 1992: Mortality comes to furry fandom when popular fan artist Charles "Deal" Whitley of New Haven, Connecticut succumbs after a lifelong struggle against sickle-cell anemia, on 30 August.

June 1993: Jan Paxton invites furry fans around Britain to a weekend party at his parents' home in Tonyrefail, South Wales, 5-7 June. About ten fans attend.

June 1993: Antarctic Press starts Genus as an anthology comic book for furry mature erotic humor (current).

September 1993: Darrell Benvenuto in New York starts The American Journal of Anthropomorphics, an annual coffee-table-format collection of furry art (to issue four, 1997).

October 1993: Damien Cugley in Oxford publishes the first British furry fanzine, Furry Furry issue one, autumn/ winter 1993. (To issue two, spring/summer [May] 1994.)

December 1993: Anthropomorphine, the first successful British furry fanzine, is published by Kevin Charlesworth of Hailsham, East Sussex (current).

January 1994: After "rattling around" with attendances in the low hundreds at different hotels, ConFurence V almost fills the Airporter Garden Hotel in Irvine, California, 21-23 January, with an attendance of slightly more than six hundred. The Airporter, with its friendly management, becomes the first real "home" for ConFurence. A Rowrbrazzle tenth anniversary celebration is held.

April 1994: Ian Curtis hosts another weekend furry party at his home in Yateley, 22-24 April. This is called Furry Housecon 3, retroactively assigning #1 and #2 to his February 1992 party and Jan Paxton's June 1993 party. Furry Housecons have been hosted by Curtis in Yateley approximately quarterly since then (#13, 29 November-1 December 1996; attendance sixteen UK fans and two German fans). The average attendance is around fifteen.

July 1994: The first annual UK Fur CON is held 9-11 July, organized through FurryMUCK by Adam Moss as an informal house party at his home in Colchester, Essex. About fifteen fans attend, including one each from Germany and the U.S. Furry Housecon 4 is the same weekend (8-10 July), and accusations of "trying to hijack our con" against the Housecon are later put down to an innocent lack of communication between Britain's FurryMUCK and non-Internet furry fans. The two series of house parties are mutually coordinated today.

November 1994: Martin Dudman in Keston, a suburb of London, launches the first major British furry fanzine, the quarterly Fur Scene: The Anthropomorphic Newsletter (current). Dudman also starts United Publications, a mail-order service to import American furry books, comics, and fanzines for British fans, and vice versa.

November 1994: As a result of perceived anti-furry prejudice at the annual Philcon SF convention in Philadelphia, east coast furry fans hold their own Furtasticon I. (Some furry fans are declined space in Philcon's art show or dealers' room when their applications arrive after both are all booked up.) Furtasticon is organized by Trish Ny of Cleveland at the Holiday Inn City Line in Philadelphia, 18-20 November. Organized on a couple of months' notice, it draws about 230 fans from across North America and creates a demand for an annual furry convention for eastern North America.

January 1995: An Anthropomorphic Bibliography, by Fred Patten in Los Angeles, is published by Yarf! as the first bibliographic compilation of general literature and SF genré novels featuring anthropomorphized animals. Its unexpected popularity leads to an expanded second edition in August 1996.

May 1995: UK Fur CON 2 is held 26-30 May, organized by Ian Stradling at his home in Bristol. About twenty show up to his house party, including a fan from Germany. Videos shown include the British premiere of Eric Schwartz's furry animation.

June 1995: EuroFurence 1 is held 30 June-3 July; organized over the Internet by Gerritt Heitsch and Tobias Köhler as a house party at Heitsch's parents' vacation farm in Kaiser Wilhelm Koog (near Hamburg), Germany. Nineteen attend from Northern Europe and Britain. Activities include watching furry videos and drawing in each others' sketchbooks.

July 1995: South Fur Lands is started by Jason Gaffney in Brisbane as the first major Australasian furry fanzine (current).

September 1995: Ian Curtis hosts a "British Furry Convention" (Furry Housecon 8) at his home in Yateley 1-4 September, so British fans can meet American fans visiting England after the 1995 World Science Fiction Convention in Glasgow the previous week. About twenty American and British fans gather to party and to take the American fans on a furry tour of London and Oxford.

October 1995: Furtasticon evolves into ConFurence East, held at the Holiday Inn Jetport in Elizabeth, New Jersey, 13-15 October. It is organized by Trish Ny and her family. Guests of Honor are Vicky Wyman, S. Andrew Swann, and E.L.V.I.S. Convention Services. Attendance is 449. The program more resembles a traditional SF convention format with many panels than the more informal ConFurence. The art show includes 795 pieces of art; sales are near $11,000. An official charity is heavily promoted: Wolf Park nature study preserve at Battle Ground, Indiana. The Sci-Fi Channel covers the convention.

January 1996: ConFurence VII, 12-14 January, spills over into both Irvine, California's Airporter Garden (renamed Atrium Marquis) Hotel and the next-door Radisson Plaza Hotel, with a membership of 999 and attendance of 875. Many fans arrive on the eleventh to make it an informal four-day convention. The convention awards its first Golden Sydney Award (statuette by Ruben Avila), "to a person in 'mainstream' media or publishing who has helped to create a more 'furry friendly' atmosphere for anthropomorphic material and fandom"; the first recipient is Disney animation writer-director Jymn Magon (TaleSpin, A Goofy Movie, et cetera). Art Show sales reach almost $30,000. There is general agreement that, as popular as the Airporter/Atrium Hotel has been, ConFurence needs a larger venue.

January 1996: Mike and Carole Curtis in Conway, Arkansas turn their Shanda Fantasy Arts small-press art folios into a full comic-book imprint with the Giant Shanda Animal (annual) at ConFurence VII. The imprint becomes a regular anthropomorphic comic publisher starting with the release of Katmandu: Velites and Hoplites and New Horizons issue one at ConFurence East 1996 in November.

April 1996: Quarantine (9 Kitching Street, Chapel Hill [Brisbane], Queensland), is started by Chris Baird, Jason Gaffney, Marko Laine, and Simon Raboczi as the first Australian furry commune. It is the publication office of South Fur Lands (edited by Gaffney), and the Net center for OzFurry (moderated by Baird).

May 1996: Darrell Benvenuto launches Vision Comics as a major specialty furry comics line, with four bimonthly titles -- Kjartan Arnörsson's Savage Funnies, Mark Shaw's The Hollow Earth (both new), Carole Curtis' Katmandu, and Mike Curtis' Shanda the Panda (both from Antarctic Press) -- and announced plans for others.

June 1996: UK Fur CON 3 is held 14-16 June, organized by Kevin Charlesworth as a party at his student house in Coventry. About fifteen attend. The main events are games of laserquest and soccer.

July 1996: EuroFurence 2 is held 18-22 July in Linköping, Sweden, organized by Snout (Henrik Isacsson) in a rented school building. About thirty fans from Sweden, Finland, Britain, and Germany attend, mostly Internet Eurofurries meeting in person. There are furry hall costumes, a martial arts demonstration, sketching, and a zoo trip. Chama (Thomas Hagenfeldt) premieres a EuroFurence Hymn.

Labor Day weekend 1996: At the L.A.con III World Science Fiction Convention in Anaheim, south of Los Angeles (August 29-Sept. 2), a Furry Fandom Lounge operated by the ConFurence committee becomes essentially a five-day furry convention within the Worldcon. Its panels, demonstrations, and evening furry parties are integrated into and publicized within the general Worldcon program schedule. A glass-showcased History of Furry Fandom exhibit assembled by David Bliss is included among the Worldcon's exhibitions. A general SF trivia quiz includes a block of "Fins, Feathers, and Furry" questions.

October 1996: The New York Times Magazine, 27 October, has a brief article (pg. 25) about "a growing subculture of furry-suit hobbyists who don pelts, whiskers and tails year-round. They hold conventions -- 'conFURences' -- and use the Internet to swap stories about the fun of role-playing as otters, foxes, and beavers."

November 1996: ConFurence East 1996, 15-17 November, moves to the Holiday Inn Independence in Cleveland, Ohio. Guests of Honor are Susan Van Camp, Paul Kidd, White Wolf Game Studios, and White Wolf artist Andrew Bates. Attendance is estimated at around five hundred. The dealers' room of fifty tables is sold out. The art show has fewer entries (596 pieces), but greater sales ($12,400). Many attendees carpool to a local theater for the premiere of Warner Bros.' Space Jam that weekend. Trish Ny announces that this hotel will remain the convention's venue for the next several years, and that the convention's name will change to MoreFurCon to avoid confusion with the established ConFurence. A third annual furry convention, Albany Anthrocon, to be held in Albany, New York over the Fourth of July weekend starting in 1997, is announced.

Finally, an entry for which information is still needed:

1990?: The first furry Usenet newsgroup, alt.fan.furry, is started by Peter da Silva in Houston as alt.fan.albedo. He changes the name to alt.fan.furry about a month later to make it more generic.

The answer most users on alt.fan.furry give as to when it started is, "It was already up and running when I got onto it." Da Silva says just to say that it has been around for "a long time" and that it is very popular. A more specific date would be nice, if anybody can supply one.

Many fans helped supply the information for this chronology, and we thank all of them. Special thanks go to Simon Barber, Richard Chandler, Ian Curtis, Martin Dudman, William Fortier, Mark Merlino, Rod O'Riley, Nicolai Shapero, Steve Stadnicki, and Ian Stradling, who not only went to considerable trouble to dig through old records to find some exact dates, but who helped to get information from other fans to make this chronology as accurate as possible.


And to all you collectors of esoteric data:

If you have any infomation , dates, events or other things of interest you would like to share with us to update the chronology, by all means, please send it to us at yarf@yarf.com!

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