The Movable Buffet

Dispatches from Las Vegas
by Richard Abowitz

Category: Avenue Q

New York Post Teaches Math To Steve Wynn

March 1, 2006 |  7:52 am
Stevewynn_ian11dkf_1 Michael Riedel of "The New York Post" has unloaded on Steve Wynn for his comments on "Mamma Mia!." As reported earlier on the Buffet, Wynn did an interview with local podcaster Steve Friess in which (in discussing the closing of "Avenue Q") he took some swipes at other shows, especially "Mamma Mia!." But as I mentioned and as the New York Post article points out, Wynn had his numbers all wrong on "Mamma Mia!," a show which he described as reaching Vegas "late in its life." Wynn, for example, claimed "Mamma Mia!" offered one more performance a week than it actually does (thus diluting the profitability by adding to the costs). But because of how secretive shows are on the Strip about their exact audience counts, we in Vegas were unable to do more than estimate just how far off were Wynn's numbers on "Mamma Mia!." Wynn claimed that the show based on the music of ABBA was playing to only about 800 people a performance in a theatre meant (according to the resort's website) to hold 1,600 folks. So, hats off to Riedel who reveals the actual numbers on "Mamma Mia!" writing "According to figures I obtained from the production office, the weekly capacity is around 90 percent, with the weekly gross hovering around $650,000."
In fairness to Steve Wynn, if you actually listen to the entire interview,in context, almost all of his comments about other shows are in passing and in direct response to questions by Friess. Listen to the podcast and you won't hear any grand strategy to demean the competition. Mostly, Wynn wants to talk to Friess about his plans for the Encore expansion at Wynn. Still, let's not be naive: Wynn knows how to dodge a question and surely he was aware of just how big the story would become the moment he talked trash about the other shows in town by name. I have interviewed many casino executives, and mostly you would think there was not a proper noun in Las Vegas that they didn't own. I remember one interview years ago with Harrah's honcho Gary Loveman about his Rio property just after the opening of the Palms nearby. I tried to get Loveman to comment on how he planned to compete with the flashy Palms. Yet, no matter how I asked the question, my tape recorded Loveman speaking only about the Rio. Ten direct questions from me and the word Palms never crossed the man's lips once. So, while he may not have planned to do it, Wynn just as surely didn't  bad mouth "Mamma Mia!" accidentally. Once again the New York Post probably has it right noting that Wynn was likely: "Smarting from his "Q"-miliation"

Avenue Q Gets Spam-ed by Steve Wynn

February 15, 2006 |  7:45 am

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It's official, "Avenue Q" is closing at Wynn Las Vegas on May 28. In a statement sent out last night, Steve Wynn in part said: "Giving up the delights of Avenue Q was a very difficult, but necessary choice in view of all of the relevant factors." Despite its recent abridged length, it seems "Q" was not filling its theatre at Wynn. Closing "Q" also saves Wynn having to build yet another theatre for "Monty Python's Spamalot" set to open in 2007 since the casino will now simply convert this one into the Grail Theatre.

Breaking News From Avenue Q

January 17, 2006 |  1:35 pm

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Just got off the phone with "Avenue Q" producer Kevin McCollum who contacted me to offer the following news about imminent changes to the show at Wynn after reading my recent post about "Avenue Q" on the Buffet.
"I did read Movable Buffet and you actually touched on a couple things that we were already looking at. We want to keep everything about 'Avenue Q' that is so special. But we have been listening to and thinking about the rhythm of Vegas. Therefore beginning on Thursday we will be performing the show without an intermission."
So, will numbers also be cut or will just the intermission go?
"It is not as easy as cutting just the intermission. We had to look at the structure. We lost a couple numbers like the Act II opener is no longer necessary if you remove the intermission. We wanted to make sure all the information could still be solid. And, the reason we are doing this is the rhythm of Vegas. Our audience wants to do many activities in one evening and as you mentioned the 6:30 start time was unusually early. So, we wanted to start at 7."
Asked how long the show now runs McCollum turns a bit coy:
"Oh, I don't know depending on the laughter anywhere from 89-96 minutes."
This, of course, would put Avenue Q right around the 90 minutes of soon to be competitors 'Hairspray' and 'Phantom of the Opera' though McCollum denies that the 90 minute mark was the goal.
"We are in there (around 90 minutes) but we are not using external issues. We wanted to make sure the show still tells the story. We are very excited about honing it to this market. In reading what you wrote you hit on everything we were anticipating so good for you."
And, good luck to you with the more streamlined experience which I really do think will now have a much better chance of fitting "Avenue Q's" quirky brilliance into the equally quirky Vegas market.

Broadway on the Strip

January 13, 2006 | 11:07 am
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Yesterday I finally made it to see "Avenue Q" at Wynn. As the local advertising promises, now I know what the fuzz is about. "Avenue Q" is at the vanguard of the much ballyhooed Broadway to Vegas nexus. And as it may be the shape of things to come for Vegas entertainment, its adjustment  is closely watched by the entertainment establishment.
For example, "Avenue Q" in Vegas retains everything about the original Broadway show from its full length to the 15 minute intermission (something unheard of in Las Vegas). By contrast, when "Phantom Of the Opera" opens at Venetian this spring the show will be cut down to 90 minutes with no intermission. In exchange, however, "Phantom" is taking advantage of the fact that Vegas can build new venues for shows to make our version heavier on effects, scenery and sets (try doing that in a century old theatre). The same approach is being taken by "Hairspray" which is to open in a custom made theatre at the Luxor next month.  It will appear in a tightened 90 minute version without an intermission. Meanwhile Wynn, also, has another Broadway play set for a Vegas debut in 2007: "Spamalot"  (the theatre for which is currently being built). Decisions on the length and intermission have yet to be made.
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