The Movable Buffet

Dispatches from Las Vegas
by Richard Abowitz

Category: Penn & Teller

Penn & Teller: Crime fighters?

September 18, 2009 | 11:35 am

RioIn separate tweets, Penn and Teller (Teller's tweet doesn't quite have Tinyurl.com down) have confirmed a report in Variety that they will be doing a series pilot for ABC.

The one-hour show will feature them as "Penn Jillette and Teller -- Las Vegas magicians by night. But here's how the show takes a slight twist from real life: By day, the duo become reluctant detectives." 

Well, there is a grain of truth; I actually think "CrimeFighter" is part of the name of Penn's daughter.

In addition to their show at the Rio, which I have long considered the single best show in Vegas, the duo have done seven seasons of a series on Showtime, the one with naughty word as a title, that features the debunking and skeptical side of their interests.

I seriously nominate these guys as the hardest working performers in Vegas. And, the quality of their output is also amazingly consistent. A decade watching them in Vegas, I have never been as impressed by everything about a creative enterprise. Penn & Teller are Vegas at its finest.

To give you a tiny peek into how diverse their output is, by total coincidence (I heard no rumor or leak about this television foray), I have a story in Las Vegas Weekly, where I am on staff, about Teller's "Macbeth," which was just released on DVD.

Whenever I get down about the ability of Las Vegas to really support intelligent entertainment at the highest level, long term, Penn & Teller is always the show I hope doesn't wind up as the exception that proves the rule.

Photo: Sarah Gerke


Teller tweets

June 17, 2009 | 10:00 am

20090616Rio

"Teller Speaks" must be the most overused headline for a Vegas entertainer. It seems some law of journalism that if you interview Teller that phrase must appear in bold type.

Teller is the half of Penn & Teller who does not speak on stage. For 35 years (the Rio wrap, pictured, is to celebrate their show-business anniversary),  Penn & Teller have worked that into their act in a variety of ways. On Teller's Wikipedia entry, you can see a list made of attempts to play off Teller's presumed silence by having him speak. On a late-night television show, goaded to speak, Teller put his hand over his mouth and supposedly swore, resulting in his voice being covered over by a bleep -- to give one example. The headline for that section of Teller's entry on Wikipedia: "Teller Speaks."

Penn & Teller have been so successful at working the illusion of Teller's silence into their act, many don't realize that Teller not only talks in his private life, but he also talks to people in his public life when off stage and screen. If you don't believe me, go see their show at the Rio, or if you don't want to spend money, just wait for the show to let out. Penn and Teller both stand in the lobby after each show and talk to anyone who comes up to them. Or, please, if you feel so inspired, read this story I wrote recently on Teller. The editor was nice enough not to title it "Teller Speaks."

Anyway, Penn's verbosity is well documented. He has more than 700,000 people following him on Twitter.  Penn's most recent tweet: "Changed all my settings so I'm writing from Iran. I don't know if it'll really confuse any bad guys, but maybe if we all do it."

Still, if you think about it, Teller is the natural for a medium that allows him to speak publicly without using his voice. Twitter seems invented for this purpose. Yet, until recently, I could not find Teller on any of the social-networking sites. That has changed, I have found and confirmed that there is the authentic Teller on Twitter. (The person using the identification "Teller" on Twitter seems to be a guy in Estonia.)

Teller so far has only done nine updates, and I am proud to be among his first five followers, beating even his partner Penn there.

Photo: Sarah Gerke


Penn takes on Glenn

May 21, 2009 |  8:21 am
Sometimes, though not often, people wonder why I constantly praise Penn & Teller for having the best show in Vegas. In fact, they have the single must-see show in Vegas. But the reason is certainly not the obvious: that they have more money for stagecraft or they have sexy showgirls or great choreography. Rather, Penn & Teller offer a form of perfection and that is priceless. You leave their show not just entertained but thinking. That combination is always hard to accomplish with an audience anywhere, but this is especially unprecedented at a Vegas show.
 
Anyway, this week Las Vegas Weekly has done the annual "Best Of Vegas" issue where we named Penn Jillette "Best Resident Genius" in town. This is a title that usually goes to a casino executive or professor, but as I wrote in Weekly (where I am staff): "No headliner or casino executive or politician has managed to find so many ways to share with the public his views on so many issues. From his half-million followers on Twitter to his regular video blogs, Jillette manages to get the word out on whatever his quirky yet libertarian-atheist mind is thinking. He may be a juggler, comedian and magician, but when someone wants deep thought in Vegas, Penn Jillette is also a colossus of quantity and quality of genius."

By coincidence, you do not need to be in Vegas right now to appreciate that. Last night I saw Jillette on the Fox News show "Red Eye." I noticed Penn did one of his playful humiliations by forcing the host to stand up, thus showing Penn's height and making the host look very tiny. This visual generally offers a physical reality as well as a metaphoric truth. Penn once told me how he had done this "stand up for the photo" with another exceptionally short celebrity at an event. "But isn't he about my size?" I asked. "Yes, short," Jillette replied. Always, be ready for honesty talking to Jillette.

Another Fox show Jillette appeared on was "Glenn Beck," where he turned the questioning around, forcing Beck to answer questions about gay marriage and other social conservative causes. What is interesting is Penn exposes Beck as theoretically agreeing with the magician on issues, but then falling back into the typical television partisanship by noting that the other side wouldn't join up for Jillette's freedom cause. Of course, if it is the correct thing to do, does it matter if the "other" side won't change?
 
Jillette creates moments like this in every conversation. Agree or disagree, when talking to Penn Jillette you are dealing with a mind fully engaged in trying to understand the world around him, and not for pointless intellectual satisfaction, but for an immediate reckoning of what correct and ethical action must follow.

Rickrolled by Penn and Emily

January 18, 2009 | 12:02 pm

Yes, I usually write about Penn and Teller. But Penn has another partner, his wife, Emily.

There is something good about having your ego kicked out from under you. Of course, this can happen in ways of extraordinary embarrassment or simple silliness. The silliness is to be preferred over the embarrassment, and I got lucky that way.

This story begins last week at the Penn & Teller show with me by chance running into Emily Jillette in the audience. She invited my friends and me backstage after the show at Rio. I met Emily recently when I did a cover story on Teller for Las Vegas Weekly. And I like her boisterous personality. I had a surprise with me too. I am huge fan of jazz piano player Mike Jones, who opens the Penn & Teller show. And I thought my guest, Jessica, would be of special interest to Jones. As a little girl her grandfather, bandleader and Los Angeles jazz legend, Gerald Wilson had named his 1982 disc "Jessica" after her. Now she was all grown up in a family steeped in jazz history.

Jones was excited to meet her, he told me later on the phone. But the two did not have a chance to connect because we got distracted by a conversation about Rickrolling. I had never heard of this net prank of redirecting people who click on a link to a video of Rick Astley singing "Never Gonna Give You Up." I know this is old news to most of you as this joke has already made its way to the Macy's Thanksgiving Day Parade. But it was new to me.

This is where the ego came into things. I was totally surprised so many people were fooled by such a silly trick. And, I argued idiotically, that maybe I did not know about it because I simply was too sharp to fall for such ruses. Here are the sort of things my ego was going through. I've never downloaded a virus. I have never tried to collect money on behalf of the many people in Africa with millions in banks they can't get at who e-mail me needing a "Dear Soul" to just help out. And I am always cautious about which link I click on. In fact, I declared, I was quite sure it would be impossible to Rickroll me. And it sort of matters to me, because I grew up in the '80s and there is nothing retro cool in that song; I still find Rick Astley super annoying.

At this point people were beginning to filter into the backstage room, also called the monkey room, because it is decorated in monkeys and not because I was behaving like one. Mike Jones was there. Teller arrived and began having his meal. The last person to come inside, I think, was Penn, by which point the Rickrolling conversation had sort of run its course. Still, Emily told me she would Rickroll me within a week. I actually was aware that I was sounding like a person drunk on ego, but I also truly believed she could not do that and told her so. After all, I had all sorts of advantages that average folk do not, and I do not mean super Rick Astley virus protectors (though in retrospect, I should have searched for some).

1. I knew she was going to try to send me a link and all I had to do was avoid clicking for one week. What could be so important I could not wait a week to win a bet?

2. I also knew she could use Mike Jones or perhaps Teller to assist her and so I knew to click on nothing they sent.

So,how could I be tricked? And it took less than 24 hours.

The culprit, of course, was Penn, who I obviously was also suspicious about, though perhaps less than the others and clearly less than I should have been. Penn just wasn't focused on the Rickrolling conversation. But he apparently did catch the part where I declared I could not be tricked to his wife. You do not put down such a challenge in front of someone who has tricked people for decades and expect to win. I did not win.

Most people do not know of Penn's deep interest in jazz. Further one of the few times I have seen Penn in public outside his show was at a meet-and-greet for Elvis Costello. In addition to her legendary grandfather, another of Jessica's relatives, Anthony Wilson, worked as the guitar player for Costello's wife, Diana Krall. But Penn was not in the room when I told Mike Jones about Jessica's family. And so I was not entirely surprised the next morning when Penn wrote me a note asking if there was any chance he had met Jessica before, as she looked familiar. At this point I should have been extraordinarily suspicious, because as Penn tells audiences every night, he has horrible vision and a terrible visual IQ. He simply does not recognize people well. Instead, I was imagining elite jazz gatherings where perhaps once Penn and Jessica rubbed shoulders. Penn then sent a brief note asking if the link below was in fact a photo of Jessica, and I clicked expecting tuxedos and jazz: Rickrolled.

Now that I have put it all out there you can think maybe you would have been smarter than I was under the circumstances. I think I should have been smarter under the circumstances. But now I know if that link had not worked on me, another would have worked. If the person conning you is good enough, anyone can be tricked especially when the first step to being fooled is the ego that forgets that fact.

Now let me end this post in a very Penn & Teller way by noting what happens when the stakes go from silly (Rickrolling) to embarrassing (scientists being tricked into discovering "real" psychics). Much like reporters, scientists act professionally suspicious and do not expect anyone can trick them. Anyway, if you are at all curious how professionally humiliated you can be by a well executed con, read about the Project Alpha Hoax and see where the we-can't-be-tricked ego took those researchers. I am guessing they would have been thrilled to learn this lesson for the cost to the ears of a Rick Astley song followed by Penn and Emily Jillette gloating.


Mike Jones: Penn & Teller's best-kept secret

January 12, 2009 |  9:16 am
For years I have been writing the praises of Mike Jones, one of the greatest jazz piano players alive. I have written a cover story on him for Las Vegas Weekly (where I am staff) and called your attention to his work on this blog.

Jones has a handful of discs on the jazz label Chiaroscuro. But if you want just one tiny reason why Penn & Teller offer the best show in Vegas, Mike Jones springs to mind. The duo easily could opt not have an opening act, or they could play taped music while the audience is seated. Most shows do that. Instead, being music fans, they have hired one of the most talented players around to give audience members an extraordinary 60 minutes of entertainment as they take their seats and await the start of the Penn & Teller show. Probably, very few members of the audience are aware that a world-class talent is performing as they run for drinks or sign an envelope (part of the show). But Jones has recently begun posting clips of his playing on YouTube, and I thought I would share one of those clips with you, sparing me the need to fail yet again at conveying his talent to you with words: If a picture speaks 1,000 words, how many volumes are in a YouTube clip?


Teller speaks

November 20, 2008 |  1:57 pm
Pennandteller1
For complicated work reasons, it has been years, I think, since I wrote a cover story at my day job at Las Vegas Weekly. Now that I am recently returned to the print staff full time, I was thrilled my first cover, which came out this morning, fulfilled my longtime desire to write about Teller of Penn & Teller.

Let me share with you one moment that did not make it into the story as it had nothing to do with Teller. Waiting to interview Teller backstage after a show, I had a brief meeting with Penn's wife, Emily. She was with friends in what is called the "Monkey Room" where guests wait. This is not because of the guests (I think) but because the room has a lot of monkeys as decoration. Anyway, I asked Emily for permission to have a soda in the well-stocked refrigerator. I don't remember her exact wording but it was something like "Sure. Help yourself. They are mine, you know. This is all mine. By the way, just call me Yoko Ono." She was fantastic.

Actually, because of her husband, Emily Zolten Jillette has unknowingly had a profound impact on my view of romance. I am in my early 40s and single; Penn married at 49. When he spoke to me once about the subject in an interview he explained his reason for marriage was that his wife is perfect. Most people would likely say something similar in an interview concening their wife, but for Penn this idea had reached the level of philosophy. Penn decided that he wanted a relationship with zero compromises to his personality, or he did not want to get married at all. In other words, he knew what he wanted out of life and he was willing to join up with someone who perfectly fit with that worldview or stay single forever. That is a tough order. Penn's long wait was rewarded when the happy union quickly produced two children and a very close-seeming couple. So, much to my mom's consternation, I have adopted Penn's view of relationships or at least my understanding of it. I doubt Penn will ever get divorced.

Anyway, here is a tease from my Weekly story where I look at  the complexities (and, certainly simplify them too much) between Penn and his other significant partner, Teller:
Continue reading »

Teller's 'Macbeth'

March 5, 2008 | 12:11 pm
Teller_macbeth_jvy78tnc_325Like most Vegas headliners, the Rio’s Penn & Teller find ways to keep their profile in the public mind through outside projects. Together the duo created a successful Showtime series dedicated to their skepticism. Meanwhile, Penn Jillette is set to appear in the next season of “Dancing With the Stars” later this month.

But it is his silent on-stage partner, Teller, who is doing one of the most original side projects ever attempted by a Vegas headliner. Teller is co-directing a production of "Macbeth," currently running at the Folger Theatre in Washington, D.C., through April 12. He also has been blogging about the experience.

The production has received positive attention from the Washington Post, the New York Times and the Wall Street Journal, all of which note Teller’s use of stage magic and the massive amounts of blood and gore he places at the center of his take on Shakespeare’s shortest and most violent tragedy.

Teller’s love of "Macbeth" (and Shakespeare) goes back to his childhood. “My father knew I was a magic-loving kid who enjoyed spooky stuff. So, he directed me to 'Macbeth,' to Act IV Scene 1, the witches’ cauldron scene, with all of the crazy ingredients. I fell completely in love with that scene and with these completely mad, articulate, androgynous monsters. I’ve been so fond of this play for so many years and talked about it and read it in so many ways and thought about it.”

And Teller’s decades as a magician only increased his affinity for "Macbeth":

“Macbeth is a guy who has trouble telling where the world leaves off and where what is going on in his head starts up. He has a lot of trouble believing his eyes. His hallucinations act this out when he famously sees a dagger in the air. I’ve spent the last 55 years of my life learning about magic; magic is all about that moment when you can’t tell what is and what is not. So, it made sense to me to take all the stage directions that are implied in Shakespeare’s lines and make them literal.” And so when Macbeth hallucinates a dagger, it becomes a visual experience that the audience shares as well. “When Lady Macbeth imagines blood on her hands, she rubs her nightgown, leaving huge red stains.”

But for Teller the line between real and imaginary remains vivid. Even moonlighting in the superstitious world of actors and theater, as in his Vegas show and Showtime series, Teller remained the debunking atheist. Among the most famous legends of Shakespeare performance is the deep-seated belief that there is bad luck associated with saying Macbeth’s title in a theater, and, as a result, actors and directors often refer to the play by euphemisms like "the Scottish play."

Teller was having none of that for his "Macbeth," as well as taking the time to violate any other old theater superstition he could find: “On the night before we opened, I gathered everyone together and got them to go ‘good luck,’ ‘Macbeth’ and whistle in chorus. Another superstition is you must not have a peacock feather backstage. And my good partner Penn sent a bouquet of 50 peacock feathers, and every member of the cast and crew got one.”




John Tesh on Penn & Teller

November 8, 2007 |  1:42 pm
All sorts of people turn up at different shows in Vegas, and I am usually not surprised by their choices. Rock stars go to Love and porn stars go to Zumanity.

But I was surprised when I heard that New Age musician and  Christian do-gooder John Tesh had chosen to take his wife to the Penn & Teller show for his most recent Vegas vacation.

The reason: I once did a story on Tesh where he tried to improve my life with tips like reading "The Purpose-Driven Life" and thinking positive thoughts. I failed at both. But I was curious what the relentlessly upbeat Tesh would make of encountering Penn & Teller's more skeptical take of the world. So I wrote Tesh to ask for his thoughts on the magic duo, and to my surprise Tesh loved the experience:
"What I love most about the Penn & Teller thing is that it's so smart. For me it's sort of like Dennis Miller mated with Houdini. I know strange, but go see the show . . . you'll see."

In a career of unexpected events, this might be the most surprising endorsement Penn & Teller have ever received.

How soon now until Tesh hops on stage to let Mike Jones (the jazz piano giant who opens the Penn & Teller show) rest his fingers awhile?


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